St. Mary's Cathedral

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Unit – 3

Mid 20th Century Architecture

St. Mary’s Cathedral


by - Kenzo Tange
Zakira Qushthar.S.K
211109
KENZO

TANGE

Kenzo Tange, was a Japanese architect, who was born on 4Th September 1913.
When the 2nd world war ended Japan was a devastated lamb.
He dazzeled the nation with his groundbreaking designs.
He dedicated his life to achieve a fusion between Japanese tradition & functional modernity.
His career spanning more than 330 projects he worked on, where it first began with the Hiroshima Peace Memorial
Park.
His works are found in 31 countries & regions.
In March 2005, he died at the age of 91.
One held a particular significance for him.
As Tange’s funeral was held here in St. Mary’s Cathedral exactly as he had wished.
Ideolog & Style

 Each notable Kenzo Tange project


brought different elements of Tange's
style and approach to the forefront.
 Many of Tange's works were considered
radical, making them very recognizable.
 He was known for his sweeping use of
concrete, asymmetrical styles, unusual
shapes, and combinations of elements
from different styles.
St. Mary’s

Cathedral
• Section

• Floor plan
• Inner roof view

• Outer top view


 The St. Mary’s Cathedral was built in 1964 and designed by
Kenzo Tange to replace the old wooden cathedral, in gothic
style, burnt during wartime.
 The same year that Yayogi National Gymnasium was
completed.

Tange gave the world the


Another architectural master
piece, the St. Mary’s Cathedral
Tokyo.
• The exquisite form suggests a bird with wings outstretched.

• Seen from the sky the cross is made


from Hyperbolic paraboloid concrete
shelves reaching a height of almost
40 meters.
• The stainless steel
cladding gives the surface.

• These shells are clad on


the exterior & stainless
steel giving the building a
monumental timeless look
especially sunsets are
dramatically reflected on
the stainless steel.
 The bell
tower is
61.6 m
(202 ft)
high,
standing a
short
distance
away from
the main
building.
• The Entrance Door
• The interiors are left bare in
rough concrete.
• The exposed concrete creates
a cool & austere atmosphere.

• Straight lines converge to a


point high above but tange’s
artistry did not end there.
• As you proceed
towards the altar,
gazing up you can
see a cross shape
defined by sunlight
filtering in like light
from heaven.
• The cross shape
comes into the view
from the centre of
the church.
• Light is in through the
gaps of those four
shells. The light
entering from the space
from the sides as well
as from the above
accentuates this effect
dramatically.
• Light from the ceiling
bayens worshippers in
a warm glow.
• There are no
columns inside
the cathedral,
creating a one
huge open space
inside. 7 seconds
of echo (when
the seats are
empty).
• The pipe organ is constructed by
several ten thousands parts.

• There are 3122 pipes, and among them
2963 are made by alloy (lead and tin)
and 159 are wood.
• The size is 1cm to 5m in length and
1cm to 20cm in diameter. The company
also makes the alloy.
• 3122 pipes are made one by one by
hand, adjusted to the level of mm to
create the sound.
• Since this pipe organ is
made of wood, the air
is always under control,
adjusting the humidity
when necessary. Also,
since the wood is from
Milano, Italy, the
temperature and
humidity is adjusted to
match the weather
there.
• The monuments
placed inside
Thank you

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