Sthala Purana
Sthala Purana
Sthala Purana
• Refers to significance of a Hindu temple, or the sacredness of the region in which it is situated.
• The name of a given place and the temple present in a Sthala Purana traditionally has a religious or a historical
association, with some major event surrounding it.
• Sthala Puranas were transmitted orally by the priests of a Hindu temple. regarding how the murti of a temple
came to be in that place, either as a svayambhu (self-manifestation), a miraculous discovery, acts of the deity
performed at the given site, or how a saint or devotee was blessed by the deity in the site.
• They may also explain the relationship between the mulavar (main deity) in the temple, and the murtis of
other deities also .
• The other rituals performed at a given temple, and the punya (virtue) one would be at the site are also often
detailed.
For years, Malayadwaja and his consort Kanchanmala were unable to conceive any children. In attempts to beget a child,
Malaydwaja conducted many Vedic homas [rituals involving a fire pit]. Finally, in the middle of one such ritual, a three-
year-old girl with three breasts2 emerged from the homa flames and sat on Kanchanmala’s lap. The girl in fact was
Goddess Parvati, who had taken birth as Kanchanmala’s daughter in response to a prayer of hers in her past life.
In fact, Malayadwaja was a bit sad that he was not blessed with a son. But suddenly he heard a disembodied voice tell
him that he should name the girl “Tatātakai” and to raise her as if she was were a son. The voice ensured Malayadwaja
that Tatātakai’s third breast would be absorbed back into her body when she first cast her eyes on the man who would
become her husband—Lord Shiva.
Malaydwaja obeyed the divine command. He named Tatātakai his successor and taught her the art of war. After
Malayadwaja’s death, Tatātakai ascended to the throne. She was the beloved of the people and came to be known as
“Meenakshi”—the one with fish-like eyes3. Meenakshi embarked on a dig-vijaya, a military campaign of victory across
the length and breadth of India. After numerous victories on earth, Meenakshi attacked Mount Kailash, the abode of
Lord Shiva. She defeated all the soldiers and generals of the Lord. Seeing this, Shiva himself came to fight the undaunted
queen. But as soon as Meenakshi saw the Lord, the prophecy of her youth bore fruit: she instantly fell in love with him
and her third breast went back inside her body.
Shiva directed Meenakshi to return to her home city, promising her that he would join her in eight days as her
bridegroom. And this is exactly what happened. They were married in Madurai with Lord Vishnu himself giving away
Meenakshi to Shiva. Meenakshi Kalyanam—the marriage of Meenakshi with Shiva—is celebrated annually to this
day.
According to the sthala purana—Tiruvilayadal Puranam, written by Paranjothi Munivar in the 16th century—
Meenakshi and Lord Shiva ruled over the city of Madurai for a long time in the form of mortals.
(Emporer Sundara Pandya being considered to be Lord Shiva. His son, Ugra Pandya, considered to be Lord
Subrahmanya.) The 64 miracles of Lord Shiva that are enumerated in this later-day Tamil purana are taken from the
Sanskrit Halasya Mahatmyam.
(B) The story of Kannagi
In fact, the Madurai that we know today is not the Madurai of ancient times, for it is said that the entire city was once destroyed in
an all-consuming fire. The story behind that fire is told in the 5,270-lined epic poem Cilappatikaram [“The Story of the Jewelled
Anklets”] written by a Jain monk by the name of Ilango Atikal in the 5th century C.E. According to the author of the poem, it is a
story about the importance for kings following dharma, the glory of a chaste woman and the effects of past-life karma.
Although Cilappatikaram was written only 1,500 years ago; the story itself is much older. The poet-monk only learned of the story
when visiting the countryside near the Periyaru River with his brother, Senkuttuvan, a Chera King. On the banks of the river,
villagers told the king and Ilango the story of Kannagi, a woman with a single breast who sat down under a tree and did austerities
for 15 days, without food or water, until she died. The villagers worshipped Kannagi as the Goddess of Chastity, and her story so
inspired the king that he asked his brother to immortalize it in poetry for the benefit of mankind.
Rather than retell the story, here are lines extracted from the translation by Professor A.L. Basham from the original Tamil.
Kovalan, the son of a wealthy merchant in Kaverippattinam, married Kannagi, the lovely daughter of another merchant. For some
time they lived together happily, until, at a festival at the royal court, Kovalan met the dancer Madavi and fell in love with her. He
bought her favours and in his infatuation forgot Kannagi and his home.
Gradually he spent all his wealth on the dancer. At last he was penniless, and returned repentantly to his uncomplaining wife.
Their only fortune was a precious pair of anklets, which she gave to him willingly. With these as their capital they decided to go to
the great city of Madurai, where Kovalan hoped to recoup his fortunes by trade.
On their arrival at Madurai, they found shelter in a cottage, and Kovalan went to the market to sell one of Kannagi’s anklets. But
the queen of Nedunjeliyan, the king of the Pandyas, had just been robbed of a similar anklet by a wicked court jeweller.
The jeweller happened to see Kovalan with Kannagi’s anklet, and immediately seized it and informed the king. Guards were sent to
apprehend Kovalan, who was then killed on the king’s orders. When the news was brought to Kannagi, she went out into the
town, with her eyes ablaze with anger, carrying the remaining anklet in her hand as proof of her husband’s innocence. [The city
caught ablaze from the fire in her eyes.]
At last the patron goddess of the city [Meenakshi] interceded with Kannagi, and she agreed to withdraw her curse, and the fire
abated. Weak with loss of blood from her self-amputated breast, Kannagi struggled to a hill outside the city4, where after a few
days she died, and was reunited with Kovalan in Heaven. Meanwhile the news of her death spread throughout the Tamil Land. She
was deified, temples were raised and festivals held in her honour, and she became the patron goddess of wifely loyalty and
chastity.
7) Mumba Devi reclaims Bombay
In the mid-1990s, many state governments The legend of Mumba Devi was recorded from the
officially re-Indianized their cities names. In Sanskrit sthala-purana by scholar and city historian K.
1995, the capital of Maharashtra officially Raghunath in a book called Hindu Temples of
switched from Bombay to Mumbai, thereby re- Bombay, published in 1900. In that book, he writes:
invoking a goddess considered by the Koli to be “It is stated therein that in times of yore, there lived
the area’s protectress. (The name “Mumbai” in this island a very powerful and mighty giant
comes from a mix of mumba and ai, both of bearing the name of Mumbarak, and the island had
which mean “mother” in Marathi.) derived its name from him.
Initially, Mumbai was not part of mainland India ‘By means of austerities he pleased Brahmadev and
as it is today, but a string of several islands, prayed to him to be favoured with a blessing that he
which the British began connecting in 1782 and would be incapable of meeting with death at
completed in the early 1900s. It is believed that anybody’s hands, and that he would ever prove
one of the settlements in this string of islands successful.
was known as Mumba Devi. ‘Having once secured the blessing, he set out to
A Mumba Devi Temple where people come to harass both people and the Gods on earth. All the
worship the patron goddess stands today in the Gods therefore proceeded masse to Vishnu to seek
Kalba Devi area of Mumbai. The original temple his protection and prayed to him to destroy their foe.
was at the Phansi Talao (Gibbet Tank) on the “Upon this, Vishnu and Shiv extracted a portion of
city’s Esplanade, within the current limits of lustre, each from his own body, and made of it a
Chhatrapati Shivaji Terminus. Although the goddess or Devi for the destruction of the giant. The
original temple managed to escape demolition goddess then beat Mumbarak almost to death and
during Muslim and Portuguese rule, it was threw him down on the ground and told him to ask
demolished by the British in order to provide for a blessing. He entreated her to join his own name
additional space for fortifications in the mid- with hers and to perpetuate that name on earth.
1700s. The temple was rebuilt in it current “The goddess accordingly granted his prayer and
location in 1830. The general belief is that the named herself Mumbadevi.”
original temple was constructed in the late 14th
century.
REFERANCES :
https://www.amritapuri.org/in/other/sthala-purana