This first major survey of the artist’s work takes us on a journey in search of knowledge
The artist, famous for his portraits, has turned his attention to the landscape of art history
This exploration of the relationship between the Caribbean and Britain in art across eight decades is utterly absorbing
The biggest ever show for the 2017 Turner Prize-winner is so nearly great, but frustrated by odd installation choices
This new and recent body of work fills the gap left by her recent Tate Britain retrospective
Our critic feared a refurb would ruin this gorgeous gallery - instead, it has opened it up to new glories
This reflection on the museum by the British-Argentinian artist is a great leap forward in his work
The usual frustrations return - there are great works here, but the gathering is too broad
To modern, eco-wary eyes these images have a very different impact, but they’re undeniably extraordinary artworks
This show manages to reconnect the everyday objects we all recognise with the designs of sculptor Isamu Noguchi
This performance piece, exploring the trauma experienced by black women, was highly compelling
As galleries gear up for Frieze, Ben Luke talks to the talented tastemakers who are changing the scene for the better
This is the best-looking Frieze London in years, says art critic Ben Luke
The non-profit space has reopened after a £2.8m capital project and it’s just what the doctor ordered, says Ben Luke
The South Korean artist has created a dreamy installation that is art as experimental fiction
The annual art fair is about to open, and all the city’s galleries are putting on their best shows - and it’ll cost you nothing
The Indian artist’s new installation expresses solidarity with the common humanity of those oppressed throughout the world for their ideas
In a shake-up to proceedings, this year’s shortlist features the work of five art collectives - but the notion of one of them being picked as a winner feels absurd
Upstairs at the Whitechapel Gallery has never looked so good, writes Ben Luke
Following the artist’s death in 2020, this will be the very last of Christo’s works - there will never be another so you’d better get on the Eurostar
The annual public sculpture exhibition is just in time for the last days of ‘summer’ and it’s never less than engaging