Glen Helfand is a writer, curator, and educator based in Oakland, CA.
May 2019
Tech bros, socialites and Metallica: the mural capturing San Francisco in 2019
French artist JR’s massive digital artwork showcases every stratum of society in the city
May 2017
Death from above: how David Maisel turned 'the new Area 51' into land art
Dugway Proving Ground has been a testing ground for US military since the second world war, and now the mysterious site has been turned into visual art
January 2016
Martin Scorsese’s Vinyl, Zoolander 2 and Drake – our critics' tips for 2016
2016 brings a show by Citizenfour director Laura Poitras, a film by sketch show master Jordan Peele, two new museums in San Francisco and much more
November 2015
Miranda July: 'I'm always disappointing my dad politically'
Artist discusses whether her immersive stage show New Society worked, how it reflected US politics and why she had to be ‘hard-assed’
September 2015
The Broad review – first exhibitions have plenty of big hitters but miss the mark
LA’s new museum offers visitors a free glimpse at art heavyweights such as Jeff Koons and Yayoi Kusama, but its fuzzy concepts fail to connect
May 2015
San Francisco film festival: lo-fi superheroes and lesbian road movies
The festival saw genres mashed up by film-makers who had a deep knowledge and appreciation of world cinema, from France to Australia
April 2015
Miranda July's quietly amazing show breaks the fourth wall of the web
Building on her app, which allows messages sent on the web to be delivered by real people, this show had a democratic spirit while recognising the artist as leader
March 2015
Trevor Paglen review: turning the NSA's data combing into high-concept art
The artist, who contributed to Citizenfour, makes the unseen surveillance systems overlooking our lives visible – and sometimes beautiful
November 2014
Keith Haring review: the political side of a pop-art legend
Famous for his ebullient street art, Haring’s art had a much tougher, activist element, which this show brings to the fore, writes Glen Helfand