Snow White is rotten right to the core
Cinderella is bibbidi-bobbidi-boring
The unsung brilliance of Cambridge theatre’s lighting crews
Where are all the one-person shows? 
Opinion
Josh Pritchard argues that the Cambridge theatre scene is missing the brilliance of the one-person show
Opinion
Bethinn Feely power of the lighting crew to make or break a theatre show
Feature
Elsie Hayward sits in on a CU Show Choir rehearsal and becomes swept up in all things Glee
Review
This double feature revives two masterfully-plotted gems from Maurice Maeterlinck
Feature
Gina Stock writes a love letter to two recent Cambridge cabaret shows – and the genre as a whole
Review
Bethinn Feely is strongly compelled by this student-written psychological study
Review
With its poignant depiction of the culture of rural Donegal, Dancing at Lughnasa leaves its audience feeling nostalgic
Review
Millie Wooler finds this cast more than matches the demands of the text – and its stage
Camdram Diaries
Milly Kotecha looks forward to getting the ball rolling on a unique production this term
Jaysol Doy reflects on the work of the much-neglected writer Robert Holman
Opinion
What do the rising costs at Edinburgh mean for equality in theatre?
Opinion
Elsie Hayward brings attention to a little-discussed access issue with Camdram: the walk home at night
Review
This tightly-packed play tackles friendship, ageing, and the importance of forgiveness with wonderful aplomb
Review
The famous group’s Fringe show is a success despite some weak patches
Camdram Away from Cambridge
Long Read
After attending nearly 30 student performances this year, Lucy Twittey looks back at Camdram’s highlights
Feature
Zach Lonberg wonders what we bring to the table when we review student dramatics compared with professional tours at the Cambridge Arts Theatre
Review
This spelling competition was a total s-u-c-c-e-s-s
Review
Jaysol Doy finds the student-written play strikes a balance between the comedic and serious aspects of modern life
Opinion
Pol Salvatella Ferrerfàbrega explores how to best let student writers thrive
Review
This wander through a forest of folklore occassionally missteps
Review
This one-night comedy show makes for an enjoyable evening out
Preview
Lily Butler speaks to the director and star of Carrie: The Musical about their nuanced take on the anti-heroine
Feature
Bex Goodchild sheds light on the mysterious EEDA course
Review
The latest production at the Cambridge Arts Theatre is somewhat saved by its second half
