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Tom Collins
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2020 – today
- 2024
- [j8]Kyle Worrall, Zongyu Yin, Tom Collins:
Comparative Evaluation in the Wild: Systems for the Expressive Rendering of Music. IEEE Trans. Artif. Intell. 5(10): 5290-5303 (2024) - [j7]Adrián Barahona-Ríos, Tom Collins:
NoiseBandNet: Controllable Time-Varying Neural Synthesis of Sound Effects Using Filterbanks. IEEE ACM Trans. Audio Speech Lang. Process. 32: 1573-1585 (2024) - [j6]Kyle Worrall, Tom Collins:
Considerations and Concerns of Professional Game Composers Regarding Artificially Intelligent Music Technology. IEEE Trans. Games 16(3): 586-597 (2024) - [j5]Jemily Rime, Alan Archer-Boyd, Tom Collins:
How Will You Pod? Implications of Creators' Perspectives for Designing Innovative Podcasting Tools. ACM Trans. Multim. Comput. Commun. Appl. 20(3): 69:1-69:25 (2024) - 2023
- [j4]Zongyu Yin, Federico Reuben, Susan Stepney, Tom Collins:
Deep learning's shallow gains: a comparative evaluation of algorithms for automatic music generation. Mach. Learn. 112(5): 1785-1822 (2023) - [c18]Chenyu Gao, Tom Collins:
The Pendular Graph: Visualising Hierarchical Repetitive Structure in Point-Set Representations of the POP909 Music Dataset. HCI (50) 2023: 3-16 - [c17]Ali Nikrang, Maarten Grachten, Martin Gasser, Harald Frostel, Gerhard Widmer, Tom Collins:
Music Visualisation and Its Short-Term Effect on Appraisal Skills. HCI (50) 2023: 112-130 - [c16]João Francisco Nunes Pinheiro, Chia-Yu Chang, Tom Collins, Eric Smekens, Revaz Berozashvili, Adnan Shahid, Danny De Vleeschauwer, Paola Soto, Ingrid Moerman, Johann Márquez-Barja, Jens Buysse, Miguel Camelo:
5GECO: A Cross-domain Intelligent Neutral Host Architecture for 5G and Beyond. INFOCOM Workshops 2023: 1-6 - [i2]Adrián Barahona-Ríos, Tom Collins:
NoiseBandNet: Controllable Time-Varying Neural Synthesis of Sound Effects Using Filterbanks. CoRR abs/2307.08007 (2023) - 2022
- [j3]Zongyu Yin, Federico Reuben, Susan Stepney, Tom Collins:
Measuring When a Music Generation Algorithm Copies Too Much: The Originality Report, Cardinality Score, and Symbolic Fingerprinting by Geometric Hashing. SN Comput. Sci. 3(5): 340 (2022) - [c15]Jemily Rime, Jon Francombe, Tom Collins:
How Do You Pod? A Study Revealing the Archetypal Podcast Production Workflow. IMX 2022: 11-18 - 2021
- [c14]Mary Emmett, Zongyu Yin, Tom Collins:
An archive-exploration system for the Hunting Songs of the Lakeland Fell Packs. DLfM 2021: 1-8 - [c13]Zongyu Yin, Federico Reuben, Susan Stepney, Tom Collins:
"A Good Algorithm Does Not Steal - It Imitates": The Originality Report as a Means of Measuring When a Music Generation Algorithm Copies Too Much. EvoMUSART 2021: 360-375 - [i1]Adrián Barahona-Ríos, Tom Collins:
SpecSinGAN: Sound Effect Variation Synthesis Using Single-Image GANs. CoRR abs/2110.07311 (2021)
2010 – 2019
- 2019
- [j2]Richard F. E. Sutcliffe, Eduard H. Hovy, Tom Collins, Stephen Wan, Tim Crawford, Deane L. Root:
Searching for musical features using natural language queries: the C@merata evaluations at MediaEval. Lang. Resour. Evaluation 53(1): 87-140 (2019) - [c12]Rasmus Tange Præstegaard, Daniel Myltoft Wiencken, Tom Collins, Mirko Presser:
EDUMONDO: Prototyping a Learning Analytics System. GIoTS 2019: 1-6 - [c11]Andreas Katsiavalos, Tom Collins, Bret Battey:
An Initial Computational Model for Musical Schemata Theory. ISMIR 2019: 166-172 - [c10]Berit Janssen, Tom Collins, Iris Yuping Ren:
Algorithmic Ability to Predict the Musical Future: Datasets and Evaluation. ISMIR 2019: 208-215 - 2016
- [j1]Tom Collins, Robin C. Laney, Alistair Willis, Paul H. Garthwaite:
Developing and evaluating computational models of musical style. Artif. Intell. Eng. Des. Anal. Manuf. 30(1): 16-43 (2016) - [c9]Richard F. E. Sutcliffe, Tom Collins, Eduard H. Hovy, Richard Lewis, Chris Fox, Deane L. Root:
The C@merata task at MediaEval 2016: Natural Language Queries Derived from Exam Papers, Articles and Other Sources against Classical Music Scores in MusicXML. MediaEval 2016 - [p1]Tom Collins, Andreas Arzt, Harald Frostel, Gerhard Widmer:
Using Geometric Symbolic Fingerprinting to Discover Distinctive Patterns in Polyphonic Music Corpora. Computational Music Analysis 2016: 445-474 - 2015
- [c8]Andreas Katsiavalos, Tom Collins:
DMUN at the MediaEval 2015 C@merata Task: The Stravinsqi Algorithm. MediaEval 2015 - [e1]Tom Collins, David Meredith, Anja Volk:
Mathematics and Computation in Music - 5th International Conference, MCM 2015, London, UK, June 22-25, 2015, Proceedings. Lecture Notes in Computer Science 9110, Springer 2015, ISBN 978-3-319-20602-8 [contents] - 2014
- [c7]Tom Collins:
Stravinsqi/De Montfort University at the MediaEval 2014 C@merata Task. MediaEval 2014 - [c6]Tom Collins, Sebastian Böck, Florian Krebs, Gerhard Widmer:
Bridging the Audio-Symbolic Gap: The Discovery of Repeated Note Content Directly from Polyphonic Music Audio. Semantic Audio 2014 - 2013
- [c5]Tom Collins, Andreas Arzt, Sebastian Flossmann, Gerhard Widmer:
SIARCT-CFP: Improving Precision and the Discovery of Inexact Musical Patterns in Point-Set Representations. ISMIR 2013: 549-554 - [c4]Tom Collins, David Meredith:
Maximal Translational Equivalence Classes of Musical Patterns in Point-Set Representations. MCM 2013: 88-99 - 2012
- [c3]Tom Collins, Christian Coulon:
FreshJam: Suggesting Continuations of Melodic Fragments in a Specific Style. MUME@AIIDE 2012 - 2010
- [c2]Tom Collins, Robin C. Laney, Alistair Willis, Paul H. Garthwaite:
Using Discovered, Polyphonic Patterns to Filter Computer-generated Music. ICCC 2010: 1-10 - [c1]Tom Collins, Jeremy Thurlow, Robin C. Laney, Alistair Willis, Paul H. Garthwaite:
A Comparative Evaluation of Algorithms for Discovering Translational Patterns in Baroque Keyboard Works. ISMIR 2010: 3-8
Coauthor Index
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last updated on 2024-11-07 20:36 CET by the dblp team
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