Christopher Phelan Quotes

“There was also a package wrapped in pale blue paper and tied with a matching ribbon. Picking up a small folded note that had been tucked under the ribbon, Beatrix read:

A gift for your wedding night, darling Bea. This gown was made by the most fashionable modiste in London. It is rather different from the ones you usually wear, but it will be very pleasing to a bridegroom. Trust me about this.
-Poppy

Holding the nightgown up, Beatrix saw that it was made of black gossamer and fastened with tiny jet buttons. Since the only nightgowns she had ever worn had been of modest white cambric or muslin, this was rather shocking. However, if it was what husbands liked...
After removing her corset and her other underpinnings, Beatrix drew the gown over her head and let a slither over her body in a cool, silky drift. The thin fabric draped closely over her shoulders and torso and buttoned at the waist before flowing to the ground in transparent panels. A side slit went up to her hip, exposing her leg when she moved. And her back was shockingly exposed, the gown dipping low against her spine. Pulling the pins and combs from her hair, she dropped them into the muslin bag in the trunk.
Tentatively she emerged from behind the screen.
Christopher had just finished pouring two glasses of champagne. He turned toward her and froze, except for his gaze, which traveled over her in a burning sweep. "My God," he muttered, and drained his champagne. Setting the empty glass aside, he gripped the other as if he were afraid it might slip through his fingers.
"Do you like my nightgown?" Beatrix asked.
Christopher nodded, not taking his gaze from her. "Where's the rest of it?"
"This was all I could find." Unable to resist teasing him, Beatrix twisted and tried to see the back view. "I wonder if I put it on backward..."
"Let me see." As she turned to reveal the naked line of her back, Christopher drew in a harsh breath.
Although Beatrix heard him mumble a curse, she didn't take offense, deducing that Poppy had been right about the nightgown. And when he drained the second glass of champagne, forgetting that it was hers, Beatrix sternly repressed a grin. She went to the bed and climbed onto the mattress, relishing the billowy softness of its quilts and linens. Reclining on her side, she made no attempt to cover her exposed leg as the gossamer fabric fell open to her hip.
Christopher came to her, stripping off his shirt along the way. The sight of him, all that flexing muscle and sun-glazed skin, was breathtaking. He was a beautiful man, a scarred Apollo, a dream lover. And he was hers.”
― Lisa Kleypas, Love in the Afternoon

“Where is Albert?"
"He'll be here momentarily. I asked our housekeeper to fetch him."
Christopher blinked. "She's not afraid of him?"
"Of Albert? Heavens, no, everyone adores him."
The concept of someone, anyone, adoring his belligerent pet was difficult to grasp. Having expected to receive an inventory of all the damage Albert had caused, Christopher gave her a blank look.
And then the housekeeper returned with an obedient and well-groomed dog trotting by her side.
"Albert?" Christopher said.
The dog looked at him, ears twitching. His whiskered face changed, eyes brightening with excitement. Without hesitating, Albert launched forward with a happy yelp. Christopher knelt on the floor, gathering up an armful of joyfully wriggling canine. Albert strained to lick him, and whimpered and dove against him repeatedly.
Christopher was overwhelmed by feelings of kinship and relief. Grabbing the warm, compact body close, Christopher murmured his name and petted him roughly, and Albert whined and trembled.
"I missed you, Albert. Good boy. There's my boy." Unable to help himself, Christopher pressed his face against the rough fur. He was undone by guilt, humbled by the fact that even though he had abandoned Albert for the summer, the dog showed nothing but eager welcome. "I was away too long," Christopher murmured, looking into the soulful brown eyes. "I won't leave you again." He dragged his gaze up to Beatrix's. "It was a mistake to leave him," he said gruffly.
She was smiling at him. "Albert won't hold it against you. To err is human, to forgive, canine."
To his disbelief, Christopher felt an answering smile tug at the corners of his lips. He continued to pet the dog, who was fit and sleek. "You've taken good care of him."
"He's much better behaved than before," she said. "You can take him anywhere now."
Rising to his feet, Christopher looked down at her. "Why did you do it?" he asked softly.
"He's very much worth saving. Anyone could see that."
The awareness between them became unbearably aware. Christopher's heart worked in hard, uneven beats. How pretty she was in the white dress. She radiated a healthy female physicality that was very different from the fashionable frailty of London women. He wondered what it would be like to bed her, if she would be as direct in her passions as she was in everything else.”
― Lisa Kleypas, Love in the Afternoon

“She stole surreptitious glances at Christopher, as she had been doing all evening, mesmerized by the sight of him. He was tawny and sun glazed, the candlelight finding threads of gold in his hair. The yellow glow struck sparkling glints in the new growth of bristle on his face. She was fascinated by the raw, restless masculinity beneath his quietness. She wanted to revel in him as one might dash out-of-doors in a storm, letting the elements have their way. Most of all she longed to talk with him... to pry each other open with words, share every thought and secret.”
― Lisa Kleypas, Love in the Afternoon

“In the case of Leo, however, Beatrix assured Christopher that in spite of his sharp tongue, Leo was a caring and loyal brother. "You'll come to like him very well," she said. "But it's no surprise that you feel more comfortable around Cam- you're both foxes."
"Foxes?" Christopher had repeated, amused.
"Yes. I can always tell what kind of animal a person would be. Foxes are hunters, but they don't rely on brute strength. They're subtle and clever. Fond of outwitting others. And although they sometimes travel far, they always like to come back to a snug, safe home."
"I suppose Leo is a lion," Christopher said dryly.
"Oh, yes. Dramatic, demonstrative, and he hates being ignored. And sometimes he'll take a swipe at you. But beneath the sharp claws and the growls, he's still a cat."
"What animal are you?"
"A ferret. We can't help collecting things. When we're awake, we're very busy, but we also like to be still for long periods." She grinned at him. "And ferrets are very affectionate.”
― Lisa Kleypas, Love in the Afternoon

“The day after he had proposed to Beatrix, Christopher had reluctantly gone to talk to Prudence. He was prepared to apologize, knowing that he had not been fair in his dealings with her. However, any trace of remorse he might have felt for having deceived Prudence vanished as soon as he saw that Prudence felt no remorse for having deceived him.
It had not been a pleasant scene, to say the least. A plum-colored flush of rage had swept across her face, and she had stormed and shrieked as if she were unhinged.
"You can't throw me over for that dark-haired gargoyle and her freakish family! You'll be a laughingstock. Half of them are Gypsies, and the other half are lunatics- they have few connections and no manners, they're filthy peasants and you'll regret this to the end of your days. Beatrix is a rude, uncivilized girl who will probably give birth to a litter."
As she had paused to take a breath, Christopher had replied quietly, "Unfortunately, not everyone can be as refined as the Mercers."
The shot had gone completely over Prudence's head, of course, and she had continued to scream like a fishwife.”
― Lisa Kleypas, Love in the Afternoon

“I shouldn't have spoken to you as I did earlier. For my family, arguing is a sport- we forget that some people tend to take it personally." One of her fingertips drew an intricate little pattern on his thigh. "But I have redeeming qualities," she continued. "I never mind dog hair, for example. And I can pick up small objects with my toes, which is a surprisingly useful talent."
Christopher's numbness started melting like spring ice. And it had nothing to do with the Armagnac. It was all Beatrix.
God, he adored her.”
― Lisa Kleypas, Love in the Afternoon

“The scent of him was clean, summery, like hot sun and saffron. Her eyes closed as she felt his body press along hers with an intriguing firmness, his knees digging into the billowing mass of her skirts.
A minute passed, and another. For the rest of her life she would remember lying alone with him in a bright square of sunlight from the window... the delicious weight of him, the intimate heat of his breath collecting against her neck. She would have lived in that moment forever, if it were possible. I love you, she thought. I am madly, desperately, permanently in love with you.”
― Lisa Kleypas, Love in the Afternoon

“Ultimately no particular woman had ever seemed all that different from the rest.
Until those letters. The sentences had looped around him with a spirit so artless and adorable, he had loved it, loved her, immediately.
His thumb moved over the parchment as if it were sensitive living skin. "Mark my words, Audrey- I'm going to marry the woman who wrote this letter.”
― Lisa Kleypas, Love in the Afternoon

“Additional flowers had been piled into a pair of massive baskets that were strapped across the back of Beatrix's mule, Hector. The little mule led the crowd at a dignified pace, while the women walking beside him reached into the baskets and tossed fresh handfuls of petals and blossoms to the ground. A straw hat festooned with flowers had been tied to Hector's head, his ears sticking out at crooked angles through the holes at the sides.
"Good God, Albert," Christopher said ruefully to the dog beside him. "Between you and the mule, I think you got the best of the bargain." Albert had been freshly washed and trimmed, a collar of white roses fastened around his neck.”
― Lisa Kleypas, Love in the Afternoon

“As he neared the house, he saw Albert bounding out of the woods, followed by Beatrix's slender form. She was returning from Ramsay House. A strong gust of wind blew against her wine-colored cloak, causing it to flap wildly, and her hat flew from her head. She laughed as the dog went to chase it. Seeing Christopher approach on the road, she waved at him.
He was nearly overcome with relief. The panic eased. The darkness began to recede. Thank you, God. Beatrix was there, and safe. She belonged to him, she was beautiful and vibrant, and he would spend his life taking care of her. Whatever she desired of him, whatever words or memories she asked for, he would give. It almost seemed easy now- the force of his love would make anything easy.”
― Lisa Kleypas, Love in the Afternoon

“What do you suppose has happened to Captain Phelan?" Beatrix's older sister Amelia asked, after he had gone missing for three days. "From what I remember of the man, he was a social fellow who would have adored being the center of so much attention."
"He's gaining even more attention by his absence," Cam pointed out.
"He doesn't want attention," Beatrix couldn't resist saying. "He's run to ground."
Cam lifted a dark brow, looking amused. "Like a fox?" he asked.
"Yes. Foxes are wily. Even when they seem to head directly away from their goal, they always turn and make it good at the last." Beatrix hesitated, her gaze distant as she stared through the nearby window, at the forest shadowed by a harsh and backward spring... too much easterly wind, too much rain. "Captain Phelan wants to come home. But he'll stay aground until the hounds stop drawing from him."
She was quiet and contemplative after that, while Cam and Amelia continued to talk. It was only her imagination... but she had the curious feeling that Christopher Phelan was somewhere close by.”
― Lisa Kleypas, Love in the Afternoon

“Christopher.
It seemed the entire world stopped.
Beatrix tried to compare the man standing before her with the cavalier rake he had once been. But it seemed impossible that he could be the same person. No longer a god descending from Olympus... now a warrior hardened by bitter experience.
His complexion was a deep mixture of gold and copper, as if he had been slowly steeped in sun. The dark wheaten locks of his hair had been cut in efficiently short layers. His face was impassive, but something volatile was contained in the stillness.
How bleak he looked. How alone.
She wanted to run to him. She wanted to touch him. The effort of standing motionless caused her muscles to tremble in protest.
She heard herself speak in a voice that wasn't quite steady. "Welcome home, Captain Phelan."
He was silent, staring at her without apparent recognition. Dear Lord, those eyes... frost and fire, his gaze burning through her awareness.
"I'm Beatrix Hathaway," she managed to say. "My family-"
"I remember you."
The rough velvet of his voice was a pleasure-stroke against her ears. Fascinated, bewildered, Beatrix stared at his guarded face.
To Christopher Phelan, she was a stranger. But the memories of his letters were between them, even if he wasn't aware of it.”
― Lisa Kleypas, Love in the Afternoon

“It wasn't that he disliked her. Beatrix was an odd creature, but fairly engaging, and far more attractive than he had remembered. In fact, she had become a beauty in his absence, her gangly coltish shape now curved and graceful...
Christopher shook his head impatiently, trying to redirect his thoughts. But the image of Beatrix Hathaway remained. A lovely oval face, a gently erotic mouth, and haunting blue eyes, a blue so rich and deep it seemed to contain hints of purple. And that silky dark hair, pinned up haphazardly, with teasing locks slipping free.”
― Lisa Kleypas, Love in the Afternoon

“Obviously you have no liking for Prudence," he began, "but if you-"
"I've tried my best to like her. I thought if one peeled away the layers of artifice, one would find the real Prudence beneath. But there's nothing beneath. And I doubt there ever will be."
"And you find Beatrix Hathaway superior to her?"
"In every regard, except perhaps beauty."
"There you have it wrong," he informed her. "Miss Hathaway is a beauty."
Audrey's brows lifted. "Do you think so?" she asked idly, lifting the teacup to her lips.
"It's obvious. Regardless of what I think of her character, Miss Hathaway is an exceptionally attractive woman."
"Oh, I don't know..." Audrey devoted careful attention to her tea, adding a tiny lump of sugar. "She's rather tall."
"She has the ideal height and form."
"And brown hair is so common..."
"It's not the usual shade of brown, it's as dark as sable. And those eyes..."
"Blue," Audrey said with a dismissive wave.
"The deepest, purest blue I've ever seen. No artist could capture-" Christopher broke off abruptly. "Never mind. I'm straying from the point.”
― Lisa Kleypas, Love in the Afternoon

“Did you come to see my father?"
"No, I... came to call on Miss Hathaway."
"Are you one of her suitors?"
Christopher gave a decisive shake of his head.
"You might be one," the boy said wisely, "and just not know it yet."
Christopher felt a smile- his first genuine smile in a long time- pulling at his lips. "Does Miss Hathaway have many suitors?"
"Oh, yes. But none of them want to marry her."
"Why is that, do you imagine?"
"They don't want to get shot," the child said, shrugging.
"Pardon?" Christopher's brows lifted.
"Before you marry, you have to get shot by an arrow and fall in love," the boy explained. He paused thoughtfully. "But I don't think the rest of it hurts as much as the beginning."
Christopher couldn't prevent a grin.”
― Lisa Kleypas, Love in the Afternoon

“Christopher stood facing Beatrix, trying not to gape. And failing utterly. She might as well have been standing there in her undergarments. In fact, that would have been preferable, because at least it wouldn't have seemed so singularly erotic. He could see the feminine outline of her hips and thighs clad in the masculine garments. And she didn't seem at all self-conscious. Confound her, what kind of woman was she?
He struggled with his reaction to her, a mixture of annoyance, fascination, and arousal. With her hair threatening to tumble from its pins, and her cheeks flushed from exertion, she was the epitome of glowing female health.”
― Lisa Kleypas, Love in the Afternoon

“She swat his hand away as he touched her breast again. "Stop that. I just want to-" Undeterred, he had gone for the button placket of her shirt. She scowled in exasperation. "All right, then," she snapped, "do as you please! Perhaps afterward we could manage a coherent discussion." Twisting beneath him, she flopped onto her stomach.
Christopher went still. After a long hesitation, she heard him ask in a far normal voice, "What are you doing?"
"I'm making it easier for you," came her defiant reply. "Go on, start ravishing."
Another silence. Then, "Why are you facing downward?"
"Because that's how it's done." Beatrix twisted to look at him over her shoulder. A twinge of uncertainty caused her to ask, "Isn't it?"
His face was blank. "Has no one ever told you?"
"No, but I've read about it."
Christopher rolled off her, relieving her of his weight. He wore an odd expression as he asked, "From what books?"
"Veterinary manuals. And of course, I've observed the squirrels in springtime, and farm animals and-"
She was interrupted as Christopher cleared his throat loudly, and again. Darting a confused glance at him, she realized that he was trying to choke back amusement.
Beatrix began to feel indignant. Her first time in a bed with a man, and he was laughing.
"Look here," she said in a businesslike manner, "I've read about the mating habits of over two dozen species, and with the exception of snails, whose genitalia is on their necks, they all-" She broke off and frowned. "Why are you laughing at me?"
Christopher had collapsed, overcome with hilarity. As he lifted his head and saw her affronted expression, he struggled manfully with another outburst. "Beatrix. I'm... I'm not laughing at you."
"You are!"
"No, I'm not. It's just..." He swiped a tear from the corner of his eye, and a few more chuckles escaped. "Squirrels..."
"Well, it may be humorous to you, but it's a very serious matter to the squirrels."
That set him off again. In a display of rank insensitivity to the reproductive rights of small mammals, Christopher had buried his face in a pillow, his shoulders shaking.
"What is so amusing about fornicating squirrels?" Beatrix asked irritably.
By this time he had gone into near apoplexy. "No more," he gasped. "Please."
"I gather it's not the same for people," Beatrix said with great dignity, inwardly mortified. "They don't go about it the same way that animals do?"
Fighting to control himself, Christopher rolled to face her. His eyes were brilliant with unspent laughter. "Yes. No. That is, they do, but..."
"But you don't prefer it that way?"
Considering how to answer her, Christopher reached out to smooth her disheveled hair, which was falling out of its pins. "I do. I'm quite enthusiastic about it, actually. But it's not right for your first time."
"Why not?"
Christopher looked at her, a slow smile curving his lips. His voice deepened as he asked, "Shall I show you?"
Beatrix was transfixed.”
― Lisa Kleypas, Love in the Afternoon

“In the excitement of all these revelations, Phelan, one could easily be swept away. Are you very sure of your feelings for Beatrix? Because she is-"
"Unique," Leo supplied.
"I know that." Christopher felt his mouth twitch with a trace of humor. "I know that she steal things unintentionally. She wears breeches, and references Greek philosophers, and has read far too many veterinary manuals. I know that she keeps the kinds of pets that other people pay to have exterminated." Thinking of Beatrix, he felt an ache of yearning. "I know that she could never reside in London, that she could only thrive by living close to nature. I know that she is compassionate, intelligent, and brave, and the only thing she truly fears is being abandoned. And I would never do that, because I happen to love her to distraction.”
― Lisa Kleypas, Love in the Afternoon

“And an image had appeared in Christopher's head... not the usual ones of the war, but a peaceful one... Beatrix's face, calm and intent, as she had tended a wounded bird the previous day. She had wrapped the broken wing of a small sparrow against its body, and then showed Rye how to feed the bird. As Christopher had watched the proceedings, he had been struck by the mixture of delicacy and strength in Beatrix's hands.
Bringing his attention back to the ranting woman before him, Christopher pitied the man who eventually became Prudence's husband.
Prudence's mother had come into the parlor then, alarmed by the uproar, Christopher had taken his leave soon after, regretting every minute he had ever wasted in Prudence Mercer's company.”
― Lisa Kleypas, Love in the Afternoon

“And an image had appeared in Christopher's head... not the usual ones of the war, but a peaceful one... Beatrix's face, calm and intent, as she had tended a wounded bird the previous day. She had wrapped the broken wing of a small sparrow against its body, and then showed Rye how to feed the bird. As Christopher had watched the proceedings, he had been struck by the mixture of delicacy and strength in Beatrix's hands.
Bringing his attention back to the ranting woman before him, Christopher pitied the man who eventually became Prudence's husband.
Prudence's mother had come into the parlor then, alarmed by the uproar, and she had tried to soothe her. Christopher had taken his leave soon after, regretting every minute he had ever wasted in Prudence Mercer's company.”
― Lisa Kleypas, Love in the Afternoon

“I'm sorry," she said quietly, knowing that he was thinking about Mark Bennett, the friend he hadn't been able to save. "I know why this medal is so odious to you."
Christopher made no reply. From the near-palpable tension he radiated, she understood that all of the dark memories he harbored, this was one of the worst.
"Is it possible to refuse the medal?" she asked. "To forfeit it?"
"Not voluntarily. I'd have to do something illegal or hideous to invoke the expulsion clause."
"We could plan a crime for you to commit," Beatrix suggested. "I'm sure my family would have some excellent suggestions."
Christopher looked at her then, his eyes like silvered glass in the moonlight. For a moment Beatrix feared the attempt at levity might have annoyed him. But then there was a catch of laughter in his throat, and he folded her into his arms. "Beatrix," he whispered. "I'll never stop needing you.”
― Lisa Kleypas, Love in the Afternoon

“There is something I want to tell you. But it's going to become more obvious over time. And you wouldn't believe it if I told you, or at least you wouldn't want to believe it. This is one of those things that must be discovered for oneself."
"Audrey, what the devil are you talking about?"
Folding her narrow arms across her chest, his sister-in-law contemplated him sternly. And yet a strange little smile kept tugging at the corners of her lips. "If you are at all a gentleman," she finally said, "you will call on Beatrix tomorrow and apologize for hurting her feelings. Go during one of your walks with Albert- she'll be glad to see him, if not you.”
― Lisa Kleypas, Love in the Afternoon

“It had been a long time since a woman had held him. It felt so good that he couldn't make himself release her just yet. Her body cradled his with supple feminine strength. Those slim, gentle fingers continued to stroke the back of his neck. He had never seen such blue eyes, clear and dark like Bristol blue glass.
Christopher tried to remember the reasons why he shouldn't want her. He even tried to summon thoughts of Prudence, but it was impossible. He closed his eyes and felt her breath striking his chin. He felt her everywhere, with his entire body, her scent in his nose and throat, her warmth sinking into him.”
― Lisa Kleypas, Love in the Afternoon

“He was fascinated by Beatrix's competence at things women were not usually competent at. She knew how to use a hammer or a plane tool. She rode better than any woman he had ever seen, and possibly better than any man. She had an original mind, an intelligence woven of recall and intuition. But the more Christopher learned about Beatrix, the more he perceived the vein of insecurity that ran deep in her. A sense of otherness that often inclined her toward solitude. He thought that perhaps it had something to do with her parents' untimely deaths, especially her mother's, which Beatrix had felt as an abandonment. And perhaps it was partly a result of the Hathaways' having been pushed into a social position they had never been prepared for. Being in the upper classes wasn't merely following a set of rules, it was a way of thinking, of carrying oneself and interacting with the world, that had to be instilled since birth. Beatrix would never acquire the sophistication of the young women who had been raised in the aristocracy.
That was one of the things he loved most about her.”
― Lisa Kleypas, Love in the Afternoon

“After bidding her family good-bye, Beatrix went out to the front drive with Christopher. He had changed from his uniform, with its gleaming jangle of medals, and wore simple tweed and broadcloth, with a simple white cravat tied at his neck. She much preferred him this way, in rougher, simpler clothing- the splendor of Christopher in military dress was nearly too dazzling to bear. The sun was a rich autumn gold, lowering into the black nest of treetops.
Instead of the carriage Beatrix had expected, there was a single horse on the drive, Christopher's large bay gelding.
Beatrix turned to give him a questioning look. "Don't I get a horse? A pony cart? Or am I to trot along behind you?"
His lips twitched. "We'll ride together, if you're willing. I have a surprise for you."
"How unconventional of you."
"Yes, I thought that would please you." He helped her to mount the horse, and swung up easily behind her.
No matter what the surprise was, Beatrix thought as she leaned back into his cradling arms, this moment was bliss. She savored the feel of him, all his strength around her, his body adjusting easily to every movement of the horse. He bade her to close her eyes as they went into the forest. Beatrix relaxed against his chest. The forest air turned sweeter as it cooled, infused with scents of resin and dark earth.”
― Lisa Kleypas, Love in the Afternoon

“Opening the lid, Beatrix found her neatly folded clothes and a drawstring muslin bag containing a brush and a rack of hairpins, and other small necessities. There was also a package wrapped in pale blue paper and tied with a matching ribbon. Picking up a small folded note that had been tucked under the ribbon, Beatrix read:

A gift for your wedding night, darling Bea. This gown was made by the most fashionable modiste in London. It is rather different from the ones you usually wear, but it will be very pleasing to a bridegroom. Trust me about this.
-Poppy

Holding the nightgown up, Beatrix saw that it was made of black gossamer and fastened with tiny jet buttons. Since the only nightgowns she had ever worn had been of modest white cambric or muslin, this was rather shocking. However, if it was what husbands liked...
After removing her corset and her other underpinnings, Beatrix drew the gown over her head and let a slither over her body in a cool, silky drift. The thin fabric draped closely over her shoulders and torso and buttoned at the waist before flowing to the ground in transparent panels. A side slit went up to her hip, exposing her leg when she moved. And her back was shockingly exposed, the gown dipping low against her spine. Pulling the pins and combs from her hair, she dropped them into the muslin bag in the trunk.
Tentatively she emerged from behind the screen.
Christopher had just finished pouring two glasses of champagne. He turned toward her and froze, except for his gaze, which traveled over her in a burning sweep. "My God," he muttered, and drained his champagne. Setting the empty glass aside, he gripped the other as if he were afraid it might slip through his fingers.
"Do you like my nightgown?" Beatrix asked.
Christopher nodded, not taking his gaze from her. "Where's the rest of it?"
"This was all I could find." Unable to resist teasing him, Beatrix twisted and tried to see the back view. "I wonder if I put it on backward..."
"Let me see." As she turned to reveal the naked line of her back, Christopher drew in a harsh breath.
Although Beatrix heard him mumble a curse, she didn't take offense, deducing that Poppy had been right about the nightgown. And when he drained the second glass of champagne, forgetting that it was hers, Beatrix sternly repressed a grin. She went to the bed and climbed onto the mattress, relishing the billowy softness of its quilts and linens. Reclining on her side, she made no attempt to cover her exposed leg as the gossamer fabric fell open to her hip.
Christopher came to her, stripping off his shirt along the way. The sight of him, all that flexing muscle and sun-glazed skin, was breathtaking. He was a beautiful man, a scarred Apollo, a dream lover. And he was hers.”
― Lisa Kleypas, Love in the Afternoon

“No matter how troubled the nights were, however, the days were extraordinary... pleasure filled, serene, imparting a sense of well-being that Christopher hadn't felt in years. There was something about the light in the Cotswolds, a smooth opalescence that covered the hills and farmland in a soft binding. The morning usually began with sun, the sky gradually thickening to clouds in the afternoon. Later in the day, rain fell on the brilliant autumn leaves and gave them a boiled-sugar glaze, and drew out a dark, fresh scent from the loam and clay.”
― Lisa Kleypas, Love in the Afternoon

“Christopher felt as if he were being followed. He actually glanced over his shoulder, half expecting to see death or the devil. It was the kind of morbid thought that had plagued him so mercilessly after the war. But far less often lately.
All because of Beatrix.
He felt a sudden pull in his chest, a yearning to go wherever she was, find her and draw her tightly against him. Last night it had seemed impossible to talk to her. Today he thought it might be easier. He would do anything to try and be the husband she needed. It would not be done in one fell swoop. But she was patient, and forgiving, and Dear Lord, he loved her for it.”
― Lisa Kleypas, Love in the Afternoon

“Medusa the hedgehog was wandering casually along the hallway. She paused as Christopher approached. A faint smile touched his lips. He bent to pick her up as Beatrix had showed him, inserting his hands beneath her. The hedgehog's quills flattened naturally as he turned her up to look at him. Relaxed and curious, she viewed him with her perpetual hedgehog smile.
"Medusa," he said softly, "I wouldn't advise climbing out of your pen at night. One of the maids might find you, and then what? You might find yourself taken to the scullery and used to scrub a pot." Taking her to the private upstairs receiving room, he lowered her into her pen.
Continuing on to Beatrix's room, he reflected that his wife viewed poor Bennett as yet another wounded creature. She had shown no hesitation in welcoming him into their home. One would expect no less of Beatrix.
Entering the room quietly, he saw his wife at her dressing table, carefully filing the claws of Lucky's remaining paw. The cat regarded her with a bored expression, tail flicking lazily. "... you must stay away from the settee cushions," Beatrix was lecturing, "or Mrs. Clocker will have both our heads."
Christopher's gaze traveled over the long, elegant lines of her figure, her silhouette revealed in the lamp glow that shone through her muslin nightgown.”
― Lisa Kleypas, Love in the Afternoon

“Come forward."
As he complied, the queen leaned from the horse to pin the bronze cross with its crimson ribbon to his coat. Christopher made to withdraw, but she stopped him with a gesture and a word. "Remain." Her attention switched to Albert, who sat on the dais and cocked his head as he regarded her curiously. "What is your companion's name?"
"His name is Albert, Your Majesty."
Her lips quirked as if she were tempted to smile. She slid a brief glance to her left, at the prince consort. "We are informed that he campaigned with you at Inkerman and Sebastopol."
"Yes, Your Majesty. He performed many difficult and dangerous duties to keep the men safe. This cross belongs partly to him- he assisted in recovering a wounded officer under enemy fire."
The general charged with handing the orders to the queen approached and gave her a curious object. It looked like... a dog collar?
"Come forward, Albert," she said.
Albert obeyed promptly, sitting at the edge of the dais. The queen reached over and fastened the collar around his neck with a deft efficiency that revealed some experience with the procedure. Christopher recalled having heard that she owned several dogs and was partial to collies. "This collar," she said to Albert, as if he could understand her, "has been engraved with regimental distinctions and battle honors. We have added a silver clasp to commend the valor and devotion you have displayed in our service."
Albert waited patiently until the collar was fastened, and then licked her wrist.
"Impertinent," she scolded in a whisper, and patted his head. And she sent a brief, discreet smile to Christopher as they left to make way for the next recipient.”
― Lisa Kleypas, Love in the Afternoon