Doggedly: Musings on the Breeding, Judging and Preservation of Purebred Dogs
By Denise Flaim
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About this ebook
Award-winning dog writer and author Denise Flaim has compiled her most popular essays in this wisdom-packed book. Whether you are a newcomer to the sport of purebred dogs or a time-tested veteran, you’ll love the unexpected insights in Doggedly: Musings on the Breeding, Judging and Preservation of Purebred Dogs. Originally publ
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Doggedly - Denise Flaim
Introduction
When I was an editor and columnist at the daily Long Island newspaper Newsday — remember newspapers? — one of the reporters had a sign above his desk.
Just because I’m not typing,
it read, doesn’t mean I’m not writing.
That sign was a clever way to rebuff snooping editors. But it was also a completely accurate statement of fact. When you are a writer, you never stop observing, thinking, asking, comparing, questioning — it’s how you nod asleep at night, and how you awaken in the morning. And when you’re a dog person — whether a breeder, dog-show exhibitor, judge or owner — you too are perennially expanding your knowledge of those impossibly endearing but maddeningly complex four-leggers, oftentimes finding the greatest illumination in the most unexpected places.
This book — a collection of essays that I have written over the years in the premier American dog magazine Dog News — does just that, wandering from the whelping box to the show ring, and everywhere in between, all the while celebrating the unlikely crevices and corners where our dog knowledge is expanded, and our connections deepened.
For those on the outside looking in, whose only experience with purebred dogs is the annual Westminster telecast, it’s perhaps understandable that our world looks to be about hair-sprayed coifs and blue-blooded pedigrees. But we know better. Purebred dogs are a manifestation of every facet of our humanity — our quest for survival, the contours of our work ethic, the depths of our aesthetic, the vibrancy of our cultural values and the unassailability of our taboos. That, and not the garish flash of a blue ribbon, is what ties us so closely to the breeds we have come to call our own.
Writers and dog fanciers share another predilection, and that is an insatiable craving for perfection.
On a quixiotic quest to find just the right words, the writer is always constantly revising and revisiting her text, looking to give it clarity, depth and, yes, beauty. Similarly, breeding is also an act of self-expression, the breeder endlessly scrutinizing pedigrees and orchestrating pairings in the hopes of producing the next Great One. Though one is sitting at a keyboard, the other over a whelping box, both are trying to refine their vision, their interpretation, and the end result is uniquely their own.
Sadly, however, whether we are holding a pen or a lead, inevitably we fall short, because just as all prose has its shortcomings, so do all dogs. And in the end, that’s as it should be, because what’s the point in having nothing to strive for? As Sisyphus of Greek mythology taught us, it isn’t the achievement that is so satisfying, but rather the full-throated pursuit of it.
The essays collected in this book are a celebration of that painstaking roll of the boulder up an eternally confounding mountain, and an affirmation of our failures as much as our successes as our efforts succumb to gravity and glide back down to ground zero yet again.
I hope you enjoy reading the pieces I’ve corralled in Doggedly as much as I enjoyed writing them over the years. Some take us backward, to the great dog men and women on whose shoulders we stand today. Others peer cautiously ahead, trying to divine the future of our beleaguered dog world, so much of it steeped in the traditions and sensibilities of long-departed centuries.
All, however, leave us right where we want to be — very much in the here and now, flanked by the dogs who represent the unbroken chain connecting us to who we have been, and who we are becoming.
My deepest thanks to Dog News publishers Matthew Stander and Gene Zaphiris for providing a place in their award-winning magazine for my writing, and for their friendship and support.
Denise Flaim
Sea Cliff, New York
Back to the Garden
Close encounters of the breeding kind.
The last time I really tended my garden was almost a decade ago. My thumb had never been greener, and our house was scheduled to be on the village garden tour that spring.
On the appointed day, sunny and bright, the petal pushers arrived. They ogled my chaste tree, chucked my peonies under their frilly chins, admired the high-wire act of my Clematis montana. In the side yard, an eagle-eyed rosarian noted that I had mislabeled the Bourbon rose Louise Odier, then turned to my candy-cane-striped Variegata di Bologna and said encouragingly, You should enter a rose show.
You mean a show with ribbons and judges and placements?
I asked, my eyebrows lifted almost as high as the crape-myrtle branches overhead.
Yes!
she responded brightly, sensing the possibility of a convert.
Yeah — no,
I answered, a bit too curtly. I get more than enough of that from dog shows.
And I beat a hasty retreat from the cognoscenti, back to the nice lady from Staten Island who couldn’t tell a dahlia from a begonia.
Oh, the heights from which I’ve fallen. Soon after, the demands of children, home, work and, of course, dogs elbowed aside any extra time I had for my small but intensely planted Victorian garden. In the fall I stopped replenishing my tulip bulbs. In winter I tossed the nursery and seed catalogs. In spring I didn’t give the roses their ritual wake-up cocktail of Epsom salts and compost. In summer I was too busy to unholster my Felco pruners, leaving my flower beds as unkempt as an Afghan Hound that hasn’t been groomed in months.
This year, though, was different. This year I went back to the garden. And what I’ve found there, much to my surprise, is a parallel — and maybe a parable — about gardens and dogs.
Gardens, of course, are living metaphors. In their cycles and their seasons, their challenges and their triumphs, they resonate with almost every human activity. Including, it turns out, the breeding of purebred dogs.
Gardens ask us to make value judgments at almost every turn, just as our whelping boxes do. What makes one plant more desirable than another? What new addition is worthy of being planted here? How many weeds will I tolerate? Is the big picture more important than those few inevitable blemishes?
Gardens teach us the same lessons that dog breeding does. There’s the necessity of patience: It has taken twenty years for my climbing hydrangea to live up to the first part of its name, and it can take what seems like an eternity for a line of dogs to truly establish itself. There’s the importance of the long view: Most of the time, our endeavors in the garden and the whelping box are works in progress, showing only the fragments and not the whole, and we must be sustained by our vision of how things will ultimately turn out. And of course, we can’t ignore the ephemeralness of it all: Though all gardens have a history and a progression, their successes are but a flashpoint in time, and then nature sweeps back in and demands to arm-wrestle for the next generation, Best in Show winner or not. You are never finished.
When a garden is left untended, the common plants — which, not coincidentally, are usually the hardiest — eventually engulf it. Last week I battled with a wild rose that had taken up residence beside the picket fence and grew a taproot that was wending its way down to Guangdong Province. It was certainly vigorous, throwing off octopus-like canes, but do its entirely unremarkable white blooms compare in any way to, say, my beloved climbing Angel Face floribunda, with its frilled, deep-lavender flowers and intense fragrance, redolent of citrus? As we progress in dogs, we too learn to appreciate the extraordinary. And we realize that before we know enough to pass over the mediocre — the endless cell-packs of impatiens at Home Depot — we must first learn to identity quality.
That said, Angel Face gave up the ghost in my garden long ago. It wanted a warmer spot, and was a magnet for black spot. How much coddling am I willing to give a plant, no matter how beautiful, in order to ensure its survival? It’s a question we ask about our breeds, too. When do we get too fanciful? When does form overtake function, and is that ever acceptable? Do I want a breed that has become a hothouse flower, unable to survive without intense intervention? Where is the tipping point? For every gardener, and for every breeder, I suppose the answer is different.
Whether you’re working with plants or dogs, you can’t have it all, no matter what the feminist mantras say. When push comes to shove, you have to set your priorities. I grow old garden roses because I want a rose that looks like a puffy wad of tissue, with a smell that intoxicates and a general hardiness that will survive my pesticide-free precincts. To get that, I’m willing to live with one-time bloomers, and I avoid the more modern hybrid teas, which unfurl all summer, but have forgone some of their hardiness and scent in the bargain. It’s the same with the dogs: We decide what our deal-breakers are, and we compromise on the rest.
Then there are the stealth plants, the ones that are beautiful and hardy and serve a definite purpose, but whose nature is to engulf every cubic square of earth in their vicinity. Bishop’s weed, purple loosestrife, English ivy, trumpet vine — I debated bringing them all into the garden, asking if what they contributed would outweigh the inevitable difficulties I’d have keeping them at bay. They remind of the nagging faults — gay tails, overbites, high hocks — that can settle into a breeding program. Do I want to breed to him and risk getting X, Y or Z?
we ask ourselves, knowing a stud dog’s track record. And though we might yank them out of our breeding programs, and think we have them vanquished, they re-seed surreptitiously, and come back to surprise us another day.
Despite its modest size, this garden of mine is a lot of work. Still, I can’t imagine hiring a landscaper. Not because I enjoy the kneeling and yanking and digging, but because, honestly, I can’t be sure that the leaf-blower