William T. Vollmann
Born
in Los Angeles, California, The United States
July 28, 1959
Website
Genre
Influences
Europe Central
8 editions
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published
2005
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Whores for Gloria
24 editions
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published
1991
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The Rainbow Stories
19 editions
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published
1989
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The Ice-Shirt (Seven Dreams, #1)
25 editions
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published
1990
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Poor People
28 editions
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published
2007
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You Bright and Risen Angels
17 editions
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published
1987
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Rising Up and Rising Down: Some Thoughts on Violence, Freedom and Urgent Means
17 editions
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published
2003
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The Atlas
12 editions
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published
1996
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Butterfly Stories
19 editions
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published
1993
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The Royal Family
13 editions
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published
2000
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“So he lent her books. After all, one of life's best pleasures is reading a book of perfect beauty; more pleasurable still is rereading that book; most pleasurable of all is lending it to the person one loves: Now she is reading or has just read the scene with the mirrors; she who is so lovely is drinking in that loveliness I've drunk.”
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“I just make the best book that I can and try to not worry about audience or if it will sell. The odds are against you, so why abuse your talent for the sake of a chimera? The only real pleasure for me in writing comes from pleasing myself. What readers think is interesting and illuminating (and it may even be correct), but that is nothing compared to the excitement of seeing a world develop. Besides, even though I like most individuals I meet, I have a pretty low opinion of people in general. So if I were to write for people in general, I would have to drastically lower my estimation of the intelligence of my reader. Rather than doing that, I write the way it seems the book has to appear. I don’t think that’s egotistic. There are often things I would like to include in my books—things about me personally and other materials—that I feel I have to leave out because they aren’t relevant to the book. I’m fairly ruthless along those lines, because I try to let nothing come in the way of what’s best for the book. If that means that the book won’t sell or that a publisher won’t buy it, then that’s my problem. I’ll suffer for that, but I won’t let the book suffer for it.”
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“I studied Comparative Literature at Cornell. Structuralism was real big then. The idea of reading and writing as being this language game. There's a lot of appeal to that. It's nice to think of it as this playful kind of thing. But I think that another way to look at it is "Look, I just want to be sincere. I want to write something and make you feel something and maybe you will go out and do something." And it seems that the world is in such bad shape now that we don't have time to do nothing but language games. That's how it seems to me.”
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Polls
What the heck book should we read in November?
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Topics Mentioning This Author
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