Undercurrent Quotes

“Happiness is an undercurrent of sensitivity and leads a surreptitious life: it is an internal eventuality. We can feel it in stillness and it stands the test of time. Joy is an eruption of cheerful moments and we want to express it: it is an external eventuality. We might shout it out, as it conveys a dynamic of fleeting instants. Joy gives voice to “en-joy-ment”. ("The grass was greener over there")”
― Erik Pevernagie

“When we fail to reflect on the undercurrents of the circumstances of our life, we may have permanent misgivings about the quality of our interpretations. A lucid reading of our acts and our desires helps us to avoid tumbling into a frustrating gap between what we expect and what others expect. (“Alors, tout a basculé”)”
― Erik Pevernagie

“Although social relationships may be crippled by acrimonious minefields, manipulative psychological gambits or mysterious undercurrent power games, a number of social tell-tale flickers might help us in finding a lucid interpretation of hazy circumstances. ("Trompe le pied.")”
― Erik Pevernagie

“Ever and again, our mind may become befuddled when we have to find out what is heads or tails. Ever and again, bewilderment may strike our brain when we have to interpret the contrasts between the dark and the bright sides of things when we have got to read complex cases and assess the divergences between the iridescent outward appearances and the grisly undercurrents of particular characters. (‘"Côté cour…Côté jardin" )”
― Erik Pevernagie

“The shortness of High Renaissance is typical of the fate of all the periods of classical style in modern times; since the end of feudalism the epochs of stability have been nothing but short episodes. The rigorous formalism of the High Renaissance has certainly remained a constant temptation for later generations, but, apart from short, mostly sophisticated, and educationally inspired movements, it has never prevailed again. On the other hand, it has proved to be the most important undercurrent in modern art; for even though the strictly formalistic style, based on the typical and the normative, was unable to hold its own against the fundamental naturalism of the modern age, nevertheless, after the Renaissance, a return to the incoherent, cumulative, co-ordinating formal methods of the Middle Ages was no longer possible. Since the Renaissance we think of a work of painting or sculpture as a concentrated picture of reality seen from a single and uniform point of view - a formal structure that arises from the tension between the wide world and the undivided subject opposed to the world. This polarity between art and the world was mitigated from time to time, but never again abolished. It represents the real inheritance of Renaissance.”
― Arnold Hauser, The Social History of Art: Volume 2: Renaissance, Mannerism, Baroque

“There is an undercurrent of intentional meanness in the police.”
― Steven Magee

“There is an undercurrent of intentional murder in the police.”
― Steven Magee