Juan Gabriel Vásquez is quickly becoming a new favourite of mine. Having read The Sound of Things Falling and now The Shape of the Ruins, I cannot helJuan Gabriel Vásquez is quickly becoming a new favourite of mine. Having read The Sound of Things Falling and now The Shape of the Ruins, I cannot help but appreciate his style. I compared him to Roberto Bolaño in my previous review, mainly because they both like to insert themselves into the narrative. Bolaño has his alter ego Arturo Belano show up in a few of his novels. Whereas Juan Gabriel Vásquez just used the same name for his characters. I am positive this are not just a character that shares the same name. His approach to literature is to explore Columbian history in a fictionalised account, but I think that these characters are just a device to tell the reader how the past has affected him.
The Sound of Things Falling looks on the impact the Pablo Escoba had on Colombia. While The Shape of the Ruins is focused on the murders of both Rafael Uribe Uribe in 1914 and Jorge Eliécer Gaitán in 1948. Rafael Uribe Uribe’s political ideas lead to the establishment of Guild socialism and trade unions in Colombia, while Jorge Eliécer Gaitán was leader of a populist movement in Colombia. Their political ideology were very different but Vásquez uses the investigations into their deaths as a way to look at Colombia. Particularly how it lead to a ten year civil war known as La Violencia.
Within the novel these two political figures are often referenced in relation to two different facts. Rafael Uribe Uribe was the inspiration for the character General Buendia in Gabriel García Márquez’s in One Hundred Years of Solitude and Jorge Eliécer Gaitán is referred two as the Colombian J.F.K. Which to my mind made me automatically look at this novel as a way to explore the cultural significance of these two murders as well as Colombia on the world stage. Particularly the cycle of violence that is constantly putting the country in the news.
I find it difficult to review a novel like The Shape of the Ruins, not because there is not much to say, quite the opposite. In fact, it is because I do not know the history of Colombia well enough to voice any interesting opinions. Books like this are often referred to as autofiction, which is a literary term that refers to a fictionalised autobiography. Most works of fiction have elements of truth within the characters but these books are using the experience and history to build a story around it. I read translations because I want to understand the world a little better, and I appreciate the chance to learn their history in the process. This is why I love authors like Juan Gabriel Vásquez.
To be fair, I have been obsessed with Latin American history for a few months and I have so much to read and learn. I turn to Juan Gabriel Vásquez as a new default recommendation. He will sit next to Roberto Bolaño as some of my favourite authors from South America. There are plenty more authors to explore on this continent but I have to recommend Ariana Harwicz, Mariana Enríquez, Pola Oloixarac and Samanta Schweblin as well. These four have all been recently translated and make up some of the exciting emerging female authors coming out of the continent, although these four are all from Argentina.
Having read Juan Gabriel Vásquez in the past, I would recommend starting with The Sound of Things Falling. There is something about exploring the effects the drug cartels had on the country that appealed to me. The Shape of the Ruins is also a great novel and if you care more about the political landscape then jump straight to this novel. I have a few more novels to read from Juan Gabriel Vásquez, which I probably will not read this year, but they will be coming up soon. Please recommend me a Vásquez to try next, or just recommend me an author that has a similar style.
Having read Virginie Despentes previously (Apocalypse Baby) I have to say I was a little worried about reading her Man Booker International Prize shorHaving read Virginie Despentes previously (Apocalypse Baby) I have to say I was a little worried about reading her Man Booker International Prize shortlisted book. I was worried that Despentes was aiming for to shock, but this novel seems to be a cutting-edge social novel looking directly at the punk sub-culture in France. The book is the first in the trilogy and it focuses on Vernon who is feeling ambivalent about his fast approaching half century. He started working at Revolver, a hip Parisian record store in his twenties but now he is reflecting on his own life. Vernon Subutex, 1 explores the rapidly changing social scene of music and the punk rock lifestyle.
The record store once boasted a legendary status but now, in the 2000s, it is struggling. However, in a throwaway comment, the internet believe that Vernon is in possession of the last filmed recordings of the famous musician Alex Bleach. Beach recently died from a drug overdose and now people from all walks of life are after Vernon and this supposed recording.
I view Vernon Subutex, 1 as the beginning of an epic journey. Often, we read an epic as a story that follows a family through their generations but this is more of a social epic. It follows both Vernon and the music industry as their worlds rapidly change. What drew me to this novel is the music references, there are so many bands and songs referenced in this book that I remember fondly. Before becoming a book nerd, I spent a lot of time listening to music, and the punk scene was one I closely followed. While I still listen to music, I do not have a finger on the pulse anymore. I have borne witness to the changes the internet brought to the music industry. Music stores closing everywhere as the rise of piracy and streaming quickly spread. However, it is important to remember that the revival of vinyl has helped indie record stores survive nowadays.
For me, there was just too much that I could relate to in Vernon Subutex, 1 and I found myself loving the reading experience. While I was never into the drugs and alcohol consumption that is associated with this sub-culture, I could identify with the social disconnect, music obsession and laziness that characterised Vernon. Then Virginie Despentes starts to dive into a darker side of the sub-culture, dealing with violent tendencies, racism and sexual identity. Despentes previously was a sales clerk in a record store and a freelance rock journalist, which plays a big part in helping shape this novel. Although her past careers as a sex worker and pornographic film critic have also influenced the plot. She seems to explore themes of youth marginalisation, the sexual revolution lived by Generation X, music and pornography within Vernon Subutex, 1 and Apocalypse Baby, which leads me to suspect this is common in all her novels.
Virginie Despentes may have found a place with French authors like Emmanuel Carrère and Michel Houellebecq and while I was not blown away by Vernon Subutex, 1, I will be continuing with book two when it is released into English later this year. I feel like there is still more of the story left to explore and I hope that it all comes together in the end. Right now, it feels incomplete and something I would not recommend to anyone, unless they love the music. There is a Spotify playlist which features all the songs and artist mentioned in the trilogy which has lead to discovering some new French bands. If it was not for the Man Booker International Prize longlist, I may have never given Virginie Despentes another chance, but I am glad I have.
In 1977, three terrorists broke into the home of Gabriela Ybarra’s grandfather, taking him by force. The first half of The Dinner Guest follows her reIn 1977, three terrorists broke into the home of Gabriela Ybarra’s grandfather, taking him by force. The first half of The Dinner Guest follows her research into what actually happened. This book blurs the lines between true crime and fiction to create a unique narrative. However, The Dinner Guest doesn’t stop there; the book is also centred around Gabriela Ybarra’s mother dying of cancer.
The story goes that in my family there’s an extra dinner guest at every meal. He’s invisible, but always there. He has a plate, glass, knife and fork. Every so often he appears, casts his shadow over the table, and erases one of those present.
The first to vanish was my grandfather.
I have a feeling that the judges of the Man Booker International Prize are focusing on unique narrative styles, particularly when it comes to exploring grief. Of the four books I have read so far from the long list, these have been the similarities. Whether or not we call this a memoir of grief with fictional elements or an autobiographical novel is not something that I choose to debate. However this book evokes too many similarities to War and Turpentine by Stefan Hertmans, with the latter being a much stronger book.
It is almost impossible to talk about this book without looking it as a piece of non-fiction. The fact her grandfather was taken at gun point is wrapped throughout the narrative. The rest of The Dinner Guest is around witnessing her mother’s heath deterioration and her eventual passing. The two tragic events shapes the majority of the book. Evoking many powerful images but ultimately I never felt it really came together.
There is an idea that seemed to stick with me that never played out to my satisfaction. That was the idea of a person viewed differently, not just after their passing. For Gabriela Ybarra, her mother stopped being her mother long before her death. Her identity was stripped away and all that was left was cancer. There is a line in the book that says, “The last time I saw her, she had already stopped existing.” Even after her death, the press suddenly became interested in her.
At first I couldn’t understand why my mother’s death was of interest to the press. Then I was frustrated, because some of the reflections shared had nothing to do with the way I remembered her.
If it was not for the Man Booker International Prize longlist, I may have never have picked up The Dinner Guest. There is some interesting and notable parts within this book but the more I think about it the less I am satisfied. I love trying to read through the longlist to join in on all the conversations but you cannot expect me to like all the picks. I doubt this will make the shortlist, so instead of reading this one, may I recommend War and Turpentine by Stefan Hertmans which was translated by David McKay.
Most people are aware that I am a fan of Soviet literature, reading about people living through political turmoil fascinates me. So I knew I had to piMost people are aware that I am a fan of Soviet literature, reading about people living through political turmoil fascinates me. So I knew I had to pick up Soviet Milk. This novel explores the effects of Soviet rule on one person. This nameless woman attempts to live her life in Soviet Latvia and pursue her dreams of becoming a doctor. However the state has other plans for her. Soviet Milk chronicles her journey as the state deprives her of her profession, her identity, and her family.
This is my first Latvian novel, and I will admit to having a very limited understanding of the Baltics. However I have read my fair share of Soviet literature so I was prepared. While this is a novel very focused on one individual, it does spend a lot of time exploring the mother/daughter relationship. This nameless woman has to struggle through so much, due to an unfortunate incident with a soldier in St. Petersburg. Reflective in tone, the novel is constantly searching for the answers. Switching between the bitter tone of the mother to a more curious tone with her daughter. It is a constant struggle between trying to hide the suffering from her daughter and her daughter trying to understand the depression of her mother.
Motherhood and milk are a constant theme throughout this novel. As a reader we are in this constant fragile state as we witness attempts of protection, anger, curiosity and sadness between the two women. This is a complex look into a mother/daughter relationship that says far more about Soviet and Latvian life that we might realise. Having conversations about this novel with Latvian blogger Agnese from Beyond the Epilogue, I know there is so much more to explore with Soviet Milk. I hope with many re-reads that I am able to start to understand more and more.
I believe this is autobiographical in many ways, giving us a little insight into Nora Ikstena’s own life. Margita Gailitis did a brilliant job translating this complex novel into English. I read this during a particularly stressful time at work and this lead me to struggle through this novel. I have a great appreciation for Soviet Milk but I review this knowing full well that I need to revisit this novel. I think it is worth checking out and I have continually been thinking about what Nora Ikstena was trying to do with Soviet Milk but I had to add a disclaimer as I struggled through the reading of this one. Not the book’s fault, just picked up at the wrong time.
Every now and then you find a premise that sounds perfect. For me, The 7th Function of Language was just that novel. For a long time I have been strugEvery now and then you find a premise that sounds perfect. For me, The 7th Function of Language was just that novel. For a long time I have been struggling to review this book, it felt tailor-made for me but I wanted to do something more than gush. Centred around the death of literary critic Roland Barthes who was struck down by a laundry van. But was it an accident? The 7th Function of Language dives into the world of the French intelligentsia, as police detective Jacques Bayard tries to navigate the world of linguistics and literary theory in order to understand what really happened.
The way this novel works famous literary theorists like Roland Barthes, Jacques Derrida, Umberto Eco, Gilles Deleuze, Michel Foucault, Judith Butler, and Julia Kristeva into the plot is entertainingly comical without detracting from the importance of these people. The novel essentially needs to give a brief introduction to everyone and their theories and does so by deploying a detective unfamiliar with their world that requires explanations. Which allowed me to grasp a little more about people like Derrida and Foucault. It also made me want to pull out my copy of A Lover’s Discourse.
“As Umberto Eco might say: for communicating, language is perfect; there could be nothing better. And yet, language doesn’t say everything. The body speaks, objects speak, history speaks, individual or collective destinies speak, life and death speak to us constantly in a thousand different ways. Man is an interpreting machine and, with a little imagination, he sees signs everywhere”
When this was longlisted for the Man Booker International Prize, I saw a few people calling this novel pretentious, while others were comparing it to Dan Brown. A contradiction that never seemed to sit right with me. I never found it to be either, I would prefer to compare the novel with something like Foucault’s Pendulum by Umberto Eco, which is a novel about three members of the press that decided to make up their own conspiracy theories. This allowed Eco to teach the reader about secret societies and conspiracies all within the plot. Laurent Binet takes a similar approach in exploring literary theories within the confines of the plot without it feeling like non-fiction or making the novel clunky.
This is a perfect blend of a satirical novel and a thriller. These are the types of books I love, I learn something while reading a fast paced crime novel. I normally pick up a crime novel as palette cleanser but if it is able to teach me something, I love them more. This is why I enjoy the writing of Umberto Eco and now I think Laurent Binet will make this list, once I read HHhH. I wish this was available as an audiobook because I think it would work really well in that medium. This never felt like a hard read, there was plenty of comedic moments and the literary references scattered throughout were a pure delight to discover.
“Eco listens with interest to the story of a lost manuscript for which people are being killed. He sees a man walk past holding a bouquet of roses. His mind wanders for a second, and a vision of a poisoned monk flashes through it.”
If you are a fan of literary theory or philosophy, then this is the book for you. This is a new favourite and next time I read this, I will have to read A Lover’s Discourse simultaneously. I am the kind of person that is slowly trying to read through The Norton Anthology of Theory and Criticism, so this quickly became a new favourite. It is hard to be critical about a novel that I enjoyed so much, I loved this book, but I understand it is not for everyone.
Have you ever picked up a book and then wanted to cancel all your plans just so you can spend time reading? It is a nice feeling and one that I experiHave you ever picked up a book and then wanted to cancel all your plans just so you can spend time reading? It is a nice feeling and one that I experienced with Michel Houellebecq’s novel Submission. I know this not an experience you would want to have all the time, but I am sure my wife was happy to spend more time playing Dragon Age. However, I think it is a rare treat to be so captivated by a book that everything else needs to be placed on hold. I have been wanting to read Houellebecq for a very long time and now that I have experienced his writing, I am upset that I waited so long.
Submission takes place in the near future, 2022 to be exact. France is about to hold their presidential election and two candidates are looking to be the favourites. The next leader could be Marine Le Pen of the Front National party or Muhammed Ben Abbes of the emerging Muslim Fraternity. Turning the political debate into one of Nationalism or the embrace of a new party with religious ties. The nationalist believe France should be for the French, while the Muslim Fraternity would be a big shift in France’s culture. For starters, it would be the first non-Catholic religious party to gain power, not to mention the impact this will have on the country, both religious and culturally speaking.
At the heart of this novel is François, a middle-aged academic who feels like his life is slowly disintegrating into nothing. His lifelong obsession with the ideas and works of nineteenth-century novelist Joris-Karl Huysmans (best known for his novel À rebours, published in English as Against Nature or Against the Grain) has gotten him nowhere. He is alone and even more concerning to him; his sex drive has diminished completely. While the political backdrop makes for a very interesting novel, Submission looks at the ideas of isolation, love, change and faith.
Michel Houellebecq has been the centre of a bit of controversy, he has a tendency to say things that offend and comes across as vulgar; he’s been accused of being a nihilist, misogynist, cynical and Islamophobic. This is often the persona Houellebecq puts forward in interviews, but it is worth remembering he is a satirist and the persona they put on is not necessarily a true reflection of their actual personality. Michel Houellebecq often writes about controversial topics in order to get people to think about the topic. Atomised (known as The Elementary Particles in America) in 1998 took on cloning and Platform (2001) was on sexual tourism as well as having Islamic themes. In fact, if you look at all his novels, he often explores sex (cloning), tourism (or art) and religion. Even went as far as to have Houellebecq charged in 2002 with racial hatred towards Islam but he was later acquitted by the court.
The novel Submission was published on the 7th January 2015, that day Michel Houellebecq was on the front of the French satirical magazine Charlie Hebdo. On this day brothers Saïd and Chérif Kouachi forced their way into the offices of Charlie Hebdo with assault rifles and sadly killed 11 people and injuring a further 11. This sad event was not a result of Houellebecq being on the cover but rather a macabre coincidence.
I never felt that Michel Houellebecq’s Submission was anti-Islamic, or hate filled in anyway. I did think this was dangerous writing, I suspect the author is an arsehole, but still think this novel is exploring an important topic. Houellebecq has a great ability to make the reader think about life, religion, and philosophy. I had such an enjoyable experience with this book I went and picked up another one of his novels right away.
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