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| 1668023776
| 9781668023778
| 1668023776
| 4.51
| 8,236
| Sep 17, 2024
| Sep 17, 2024
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None
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Notes are private!
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0
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not set
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not set
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Aug 16, 2024
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Hardcover
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| 1509889175
| 9781509889174
| 1509889175
| 3.80
| 84,402
| Aug 30, 2012
| Sep 20, 2018
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liked it
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We’ve all heard the expression, “Sell your soul to the devil” where one throws out all morals and ethics in order to receive something desired. What w
We’ve all heard the expression, “Sell your soul to the devil” where one throws out all morals and ethics in order to receive something desired. What would you do if you found out that your time on Earth was expiring in the immediate future but you could prolong your demise by making a deal with the devil to remove one ‘thing’ a day from the humankind? Would you agree? This is the dilemma-theme in Genki Kawamura’s international best-selling novel (now translated into 13 languages), “If Cats Disappeared from the World”. Kawamura’s “If Cats Disappeared from the World” follows a simple premise with a young Japanese postman (30 years old) discovering that he has advanced cancer with little time left to live. He wakes to the ‘Devil’ (who is actually portrayed as the opposite of his own self/personality versus a red guy with pitchfork and tail) who claims that he can gain him an additional day of life if he agrees to erase something from the world each day. This leads to a thought-provoking journey in a stream of consciousness style revisiting personal memories, learning life lessons and fighting the inner battle of selfishness versus altruism. Although this sounds like a ‘deep’ multi-level novel in concept and theme; the execution fails slightly. Kawamura’s tone, storytelling and literary language are too modern, casual and almost best described as Gen Z in style. This takes away from the emotive and psychological essence from “If Cats Disappeared from the World” and therefore makes it less effective. It also appears that Kawamura held back and teeters on the edge of brilliance but wanted to welcome a broader audience. This, in turn, alienates older readers or those seeking more literary depth. On the other hand, if this is indeed Kawamura’s target, then “If Cats Disappeared from the World” succeeds and does well with introducing younger readers to the stream of consciousness genre. This isn’t to say that Kawamura fails completely as there are very stimulating discussions within “If Cats Disappeared from the World” that do enlighten the reader and cause self-reflection and understanding. Again, the radiance in the text is evident but is too beneath the surface and needs to be excavated. It can also be argued that this means “If Cats Disappeared from the World” is slightly inconsistent in its presentation. This shaky ground takes a monumental turn at the climatic chapters where the narrator’s cat, Cabbage, begins to talk (as a result of the devil’s maneuverings) and then - cue the screeching record - the devil proposes to make cats disappear. This is when, as the kids say: shit gets real! The narrator simply cannot imagine the world without Cabbage nor wants to eliminate cats from humankind knowing how important the bonds with felines have been throughout history. But if he doesn’t snuff out cats : he will die! During this stressful decision on the part of the narrator; not only is the text engrossing but especially for readers who consider cats their religion (I.E. ME). These pages are certainly heartbeat inducing but luckily the narrator makes the correct decision (won’t spoil it) which also concludes “If Cats Disappeared from the World” in an emotional and memorable way, albeit, also a bit cut off as though there would be a sequel. “If Cats disappeared from the World” is a quick, existentialist novella that is perfect for young adult readers or those obsessed with cats. Although I expected ‘more’; Kawamura’s writing is still inviting and worth reading especially as a useful conversation-starter. ...more |
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1
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Aug 28, 2024
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Sep 2024
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Aug 10, 2024
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Paperback
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| 1801105766
| 9781801105767
| B0CG3Q5VTQ
| 4.23
| 47
| Jun 20, 2024
| Jun 20, 2024
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None
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Notes are private!
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1
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Sep 08, 2024
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not set
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Jun 20, 2024
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Hardcover
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| 1399062948
| 9781399062947
| 1399062948
| 4.23
| 35
| unknown
| Aug 31, 2023
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did not like it
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When asked to associate a number with the Tudor Dynasty; one would naturally think of the number ‘6’ in relation to King Henry VIII’s six wives. Even
When asked to associate a number with the Tudor Dynasty; one would naturally think of the number ‘6’ in relation to King Henry VIII’s six wives. Even those without a snippet of English history under their belts are familiar with the six wives. There are more numbers and patterns that can be attributed to the Tudors than that just of six, however. Carol Ann Lloyd explores this idea while looking at Tudor history with, “The Tudors by Numbers: The Stories & Statistics Behind England’s Most Infamous Royal Dynasty”. At this point, there isn’t much left to be discovered regarding the Tudors as the subject has been discussed to death. The only way to bring any fresh perspectives into account is by offering a revisionist history be it by focusing on lesser-known side figures, adding a philosophical/analytical thread or presenting the history in a ‘new’ way. This is precisely the angle that Lloyd follows in “The Tudors by Numbers” with a bold and ambitious approach of searching for number patterns and statistics of the Tudor dynasty. From the sounds of this, readers can expect nothing short of detective code-deciphering breakdown of the Tudors that is riveting with each page. Is that that how “The Tudors by Numbers” can be described? No. Hard no. Lloyd compartmentalizes the content of “The Tudors by Numbers” into ten chapters of a thematic approach but also a (mostly)chronological path of the reign of the Tudors and highlights the key events, monarchs, behaviors, pregnancies, meals, etc; by emphasizing how many of these took place. There is absolutely nothing groundbreaking on the pages of “The Tudor by Numbers” and it does NOT take Tudor readers on a journey they haven’t traversed hundreds of times before. Lloyd simply retells Tudor history – and on a brief, vague level – but counting the happenings and adding the silly, juvenile phrase, “Let’s find out! “Let’s roll the numbers!” before each discussion. Don’t misunderstand, a charming and ‘cute’ history isn’t always something to be scorned at and can be quite endearing. However, “The Tudors by Numbers” fails at this and at its actual thesis. Adding to this bluntly ‘bad’ book is the poor level of writing from Lloyd. Everything from the writing style, language used and formatting is terrible and comparable to my university freshman term papers in 2003/2004. Either Lloyd is targeting young adult readers or was hoping to land in the discounted bargain bin of unwanted books on retailer’s sales floors because that is the quality achieved within “The Tudors by Numbers”. Readers will find themselves taking a lengthy amount of time to finish the text and it isn’t because they don’t want the compelling material to conclude -- but because it is painful to read. Pairing with these failings are the NUMEROUS editing errors that will baffle readers on how they made it to final publication pressing. Was there no editor or did they simply not care? Page 99 boasts the typo, “It was tradition for a new monarch spent the night before her coronation at the Tower of London” – this should be “to spend”. Page 133 adds, “But out understanding might be affected by who kept the records” – this should be “our”. Another example comes in the form of using ‘that’ versus ‘than’. How is this acceptable?! This is detrimental to “The Tudors by Numbers” as it completely weakens the credibility of the actual material/content. If you can’t trust grammar editing; then how can you trust anything else? Repetition is the name of the game in “The Tudors by Numbers” with Lloyd regularly discussing the same topics and not even in accordance with a new statistic. This isn’t because she wanted readers to truly grasp the material – it appears to be more because each section was written separately and Lloyd was grasping at straws to lengthen the manuscript. Lloyd also partakes in the pet peeve offender of using Shakespeare as a history source: No! Just no! The only remotely compelling piece of information in “The Tudors by Numbers” comes from the concluding chapters in which Lloyd highlights recent Tudor history discoveries/advances that have graced the media news outlets as of late and excited the English history community. “The Tudors by Numbers” contains a section of photo plates (the same old photos readers have likely seen 800 times), notes (not annotated) and a source list. Agreeably, Lloyd ventured upon a creative attempt at presenting an absorbing perspective of Tudor history but failed miserably instead resulting in a juvenile, poorly written, repetitive piece rife with editing mistakes. “The Tudors by Numbers” is only suggested for young adult readers new to the subject and even that recommendation is made with skepticism. “The Tudors by Numbers” can be skipped and I would have quit before completing it myself had it not been for the fact that the book was a gift. ...more |
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1
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Feb 24, 2024
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Feb 27, 2024
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Aug 09, 2023
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Hardcover
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| 1640125523
| 9781640125520
| 1640125523
| 3.89
| 28
| unknown
| Sep 01, 2022
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really liked it
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Note: This review is for an ARC proof of “Cold” and may vary from the final published copy. I have received this ARC from the author, Wayne White,
Note: This review is for an ARC proof of “Cold” and may vary from the final published copy. I have received this ARC from the author, Wayne White, who is a close, personal friend. This has NOT influenced the review in any way and I am objective regardless of my friendship. You have been warned, Wayne!
Many people wish to travel to Antarctica: the home of ice, months of darkness-shrouded days and temperatures in the excess of -100⁰ F. Few can say they will ever lay eyes on the continent. Wayne White can – three times over. Wayne White, a former US Marine and federal government contractor, has explored and worked in the most remote locations on the planet garnering him fame as an explorer, in the process. From the tropics to Alaska, from jungles and deserts to the South Pole… he has walked it all. White has served as the Winter Site Manager (WSM) at the Amundsen- Scott South Pole Station during three winter periods and shares his experiences in his first memoir, “Cold: Three Winters at the South Pole”. “Cold” is not your typical biographical memoir and does not offer a background introduction to the author as a person or his life; but instead is a career focus on White’s three winters spent at the South Pole as the WSM and the logistics surrounding the position. In this way, White eschews any emotion, connection and buildup and instead immediately parlays into the WSM position and actual winters at the Amundsen-Scott station. This causes a filter between White and readers and therefore “Cold” is best recommended for those with a predisposed interest in White’s role rather than the average reader. In fact, an absence of emotion is a common trend in “Cold” with White stylistically exposing his winters in the South Pole in a topical breakdown (logistics, food, traditions, etc) and lapses in the human element of letting readers into his psyche and/or sharing his emotions felt during his time as WSM. Consequentially, “Cold” feels slightly clinical and just a tally of behind-the-scenes functions at Amundsen-Scott. On the other hand, this is how White behaves in ‘real life’ as he takes his jobs/duties very seriously and is ‘all-business’ in these matters making “Cold” a fair representation of who he is and ‘real’. That being said, the content of “Cold” is truly captivating and engaging offering readers a look at how staff run the Amundsen-Scott station. Having personally conversed with White during the reduced-capacity South Pole internet hour connections; it is amazing to see what White was experiencing on the other side of the screen in real time. White doesn’t over-emphasize technical jargon and has a conversational tone infusing “Cold” with a narrative that is accessible and easy-to-understand. White isn’t the world’s best writer: “Cold” is peppered with grammatical errors, serial commas and repetition. Hopefully this is due to the ARC version and an editor will clean the material for the final September 2022 release. There is a stigma of an ego on the pages of “Cold”. Even though White is the walking definition of American duty and honor; there is a slight “holier than thou” - attitude. If “Cold” was more emotive and explanatory on a personal level; this could have been redeemed but White is simply too matter-of-fact about his own character which is off-putting. “Cold” does connect better with readers in chapters such as “Traditions” which explores a more human-interaction plot and this finally allows readers to truly engage with White and ‘live’ the experience of Amundsen-Scoot alongside him rather than just read a job description. White relaxes with storytelling as “Cold” progresses with more emotion and unveiling of his inner self. This doesn’t expunge his habit of repetition of facts and stories which he continues to tell over-and-over (he’s like this in real life, as well). The major downfalls in the latter chapters are unnecessary, borderline offensive comments White makes usually concerning women. When discussing inter-sex relationships while in the South Pole isolation; White remarks how women who are average at best in looks outside the ice are supermodels and fought after at Amundsen-Scott. He goes on to remark on the emotional state of women crying over their multiple South Pole boyfriends. These are NOT critical to the impact of his points and could have been omitted. White also rudely shows anger at his wife, Melissa, for an incident of a cat (Tiny Elvis) getting lose from their home when she was very sick. Give her a break! She was sick! Female readers will find some issues with, “Cold”. The unusual details continue with a look into the Covid-19 pandemic and how it affected the crew’s departure from the South Pole. White stresses “masks were worn” and then “we immediately took them off” multiple times. His views on Covid are clear and implied but this demeans the severity the rest of the world was going through and was also not a significant inclusion. The conclusion of “Cold” is the most personal expose of White in the entirety of the text and tugs at readers’ heartstrings showing, that at the end of the day, he is human, after all. This summarizes “Cold” well (although it would have energized the pages to have more of this throughout) and makes the ending memorable. White supplements “Cold” with a section of photo plates although an aerial map of the areas he walked daily on the ice would have been welcome as it is a major part of his time at Amundsen-Scott. “Cold” is not a masterpiece-written text and has many issues with style, grammar and lack of a personal touch; but still manages to be fascinating in its own right. Although “Cold” isn’t suggested for a general memoir audience – it is perfect for those interested in Antarctica exploration and Wayne White, personally. “Cold” is a solid first writing attempt by White and is a quick 1-2 day read. Note #2: I would give “Cold” a solid 3½ stars. In lieu of half stars and in comparison to other ‘celebrity’ memoirs; I have rounded up to 4/5 stars. ...more |
Notes are private!
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1
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Aug 07, 2022
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Aug 08, 2022
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Jul 25, 2022
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Hardcover
| ||||||||||||||
| 164567598X
| 9781645675983
| 164567598X
| 4.29
| 14
| unknown
| Jul 12, 2022
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liked it
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One of the most popular at-home dessert trends is that of ‘no-churn ice cream’: an easy-to-make frosty treat consisting of minimal ingredients (sweete
One of the most popular at-home dessert trends is that of ‘no-churn ice cream’: an easy-to-make frosty treat consisting of minimal ingredients (sweetened condensed milk, half & half, heavy cream). This creamy base opens Pandora’s Box to a variety of flavor additions, mix-ins and swirls. Food Blogger Heather Templeton introduces readers to no-churned ice cream and curates tasty recipe offerings in, “Easy No-Churn Ice Cream: The ‘No Equipment Necessary’ Guide to Standout Homemade Ice Cream”. Templeton’s “Easy No-Churn Ice Cream” is a small, soft-cover, all-color, glossy-page foray into the world of no-churn ice cream. Stylistically divided into sections (Classics, Fruit & Tea, On the Decadent Side, On the Salty Side, Cookies & Cheesecakes, Carnival-Inspired, Bars & Sandwiches); “Easy No-Churn Ice Cream” has a little something for everyone no matter where your preference lays. Beginning with classics (vanilla, chocolate, strawberry, cookies & cream, etc); allows readers to truly grasp the concept of creating no-churn ice cream without being overwhelmed. Even with the difficulty level increasing as “Easy No-Churn Ice Cream” progresses; the entirety of the recipes are simple enough for beginners or even children turning the book into an interactive family activity. Templeton essentially copy/pasted – actually, literally copied word-for-word- the basics of each recipe as the formula method is exactly the same only with variations in flavor, additional ingredients and extract mix-ins. This makes “Easy No-Churn Ice Cream” eschew any complications although not enjoyable on a readership level. The aspect that doesn’t ‘work’ in “Easy No-Churn Ice Cream” are the descriptor blurbs before each recipe where Templeton “tries too hard” to be charming and witty (failingly) and uses a social media/blog tone as though she is speaking to online followers rather than a cook book audience. It is slightly cringe-worthy. Even though “Easy No-Churn Ice Cream” has a minimal ingredient list; some of the required ingredients are difficult-to-find and not as common which weakens the accessibility of the text. Templeton occasionally offers substitution suggestions but it would be helpful if she also included a sample list of retailer outlets (or websites) where readers could purchase said ingredients. It should be noted that no-churn ice cream is made by following one of two methods: (1) pre-chilling both the mixing bowl and cream (2) combining un-chilled ingredients in a room temperature bowl. Templeton follow the latter technique and therefore freezes a liquid base (the former gives a more airy texture); but, both work successfully and the reader can pick his/her preferred method, accordingly. Each and every recipe in “East No-Churn Ice Cream” is supplemented by a detailed photo with Templeton taking the additional role as a food photographer. These photos are a great visual aid as to what to expect from each recipe and is truly a fest for the eyes with close-up textural detail. They say, “You first eat with your eyes before you eat with mouth” and Templeton is apt at selling this notion. Templeton finalizes “Easy No-Churn Ice Cream” with a chapter exploring ice cream bars and ice cream cookie sandwiches. This conclusion is reasonable as these recipes require the most prep and ‘work’. An error was noticed with the “Old-Fashioned Chocolate Chip Cook Sandwiches” (p.137-8) which lists chocolate chips in both the ice cream itself and the cookies (plus, the photos clearly show chocolate chips within the ice cream); but the copy/pasted base recipe doesn’t mention the chips. It is easy for a reader, based on the previous recipes in “Easy No-Churn Ice Cream”, to decipher where this additional step occurs but this is an error that should have been caught by an editor. Templeton supplements “Easy No-Churn Ice Cream” with a brief idea list of substitute gluten-free and dairy-free ingredients. “Easy No-Churn Ice Cream” is an introductory guide to no-churn ice cream that is perfect for beginners to grasp the concept of making this delightful treat. Although not a completely unique or complex take; “Easy No-Churn Ice Cream” is a solid cook book suggested for those wanting to start their no-churn ice cream journey. ...more |
Notes are private!
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1
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Sep 03, 2022
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Sep 06, 2022
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Apr 20, 2022
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Paperback
| ||||||||||||||
| 1647225191
| 9781647225193
| 1647225191
| 4.34
| 313
| May 10, 2022
| May 10, 2022
|
really liked it
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Mention the early 2000s Amy Sherman-Palladino episodic series “Gilmore Girls” and most every woman in their late 30s/early 40s will brighten with glee
Mention the early 2000s Amy Sherman-Palladino episodic series “Gilmore Girls” and most every woman in their late 30s/early 40s will brighten with glee. This demographic is still binge viewing the show for the 800th time even 20 years later. It’s me. I’m one of these women. I was/am utterly obsessed with “Gilmore Girls” and was living a parallel life with the character of bookish Rory as I was the exact age as Alexis Bledel’s on-screen teenager during the show’s airing. Flash forward 20 years and I have now surpassed her mother, Lorelai, in age (head trip!) played by Lauren Graham. One of the reoccurring themes of the spit-fire, fast-talking show set in fictional Stars Hollow, Connecticut is: food. From junk food eating Rory and Lorelai, Luke’s Diner, Friday night dinners with Richard and Emily and everything in between; the Gilmores loved to eat! Fans can take a food journey with GG in, “Gilmore Girls: The Official Cookbook” collaborated by Elena P. Craig and Kristen Mulrooney. Like its peers in the Hollywood television-inspired cookbook genre; “Gilmore Girls: The Official Cookbook” is a hard-cover, high-resolution colorful graphic feast exuding charm and whimsy with tie-ins to the series that will satisfy hard-core fans. However, this is where comparisons end and “Gilmore Girls: The Official Cookbook” ups the ante and surpasses the crowd. Unlike other similar cookbooks in which recipes are inspired by characters or episodes of their respective show; “Gilmore Girls” featured actual food, meals and restaurants and thus “Gilmore Girls: The Official Cookbook” highlights these dishes bringing the series to life through food. Readers are transported to Stars Hollow and beyond – such as to Yale with Rory – and feel as though they are frolicking alongside the characters. “Gilmore Girls: The Official Cookbook” is divided into chapters on a topical basis (Luke’s Diner, The Independence Inn/ The Dragonfly Inn/Sookie St. James’s Creations, A Stars Hollow Potluck, Lorelai and Rory’s House, Beyond Stars Hollow) with each recipe exploring an actual food item from an episode. Accompanied with laugh-out-loud introduction summaries by Craig and Mulrooney with references all fans will remember and notable script quotes; “Gilmore Girls: The Official Cookbook” is truly a fan’s dream come true. The recipes cover a satisfying array of silly to more high-end and a smorgasbord of beverages, appetizers, salad, soups, entrees and desserts. Although some of the recipes follow more intricate instructions; all are easy-to-understand and with accessible ingredients to the average cook. Also helpful are the beautiful food-porn images paired with the majority of the recipes. Craig and Mulrooney’s “Gilmore Girls: The Official Cookbook” is not without some weaknesses, however. The authors are slightly inconsistent in recipe detail with some reading as vague while others are overly detailed. For example, four different methods for pasta dough production in a single recipe using a variety of kitchen gadgets are not unusual while the next recipe may essentially be two steps. The recipes would have also benefited from additional information such as listed prep/cook times at a glance and nutritional facts. Even though “Gilmore Girls: The Official Cookbook” doesn’t diminish in value without these supplements; they would have strengthened the collection. Gilmore fans will also be disappointed by the absence of excessive “Gilmore Girls” photos, tidbits and bonuses but this is a cookbook, after all, and not a behind-the-scenes tome concerning the series. Craig and Mulrooney conclude “Gilmore Girls: The Official Cookbook” with fortifications including dietary considerations regarding the original preparations, glossary of terms, measurement conversions and a space for reader notes. “Gilmore Girls: The Official Cookbook” is not necessarily a culinary adventure but it is a delightful romp that brings the nostalgia of “Gilmore Girls” to life. “Gilmore Girls: The Official Cookbook” is thus recommended for all GG fans and is most certain to induce laughter and joy. ...more |
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1
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Nov 10, 2022
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Nov 13, 2022
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Mar 27, 2022
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Hardcover
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| 1913207757
| 9781913207755
| 1913207757
| 4.15
| 46
| Mar 17, 2022
| Mar 17, 2022
|
it was amazing
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There is no woman more famous (or infamous, depending on whom you ask) with Scottish history than Mary, Queen of Scots. Mary’s life was a torpedo of d
There is no woman more famous (or infamous, depending on whom you ask) with Scottish history than Mary, Queen of Scots. Mary’s life was a torpedo of dramatic events from her birth to her beheading in the hands of Queen Elizabeth I. Look closer, though, and there is a behemoth woman standing (figuratively) slightly behind Mary. This woman didn’t have royal blood cursing through her veins nor did she meet a scandalous end. Yet, she was a central figure in Northern Scotland, was the matriarch of the Gordon branch of the Sutherlands/Huntlys and was the second wife to the Earl of Bothwell (her second husband and Mary’s own third husband). This striking female was Jean Gordon and her intelligence, ambition, perseverance, emotional strength, guile and powerful stature is beyond comprehension for a ‘nobody’ which is because she was very much a somebody despite history only mentioning her in passing as Bothwell’s one-time wife. Jennifer Morag Henderson puts a kibosh to this slight and brings Jean Gordon to center stage with, “Daughters of the North: Jean Gordon and Mary, Queen of Scots”. Before I even proceed with this review; allow me to give a quick personal disclaimer. This review won’t be as provocative as my usual Goodreads output nor will it do “Daughters of the North” justice in screaming its merits from the rooftops and enticing readership. My words can simply not hold a flame to the groundbreaking, masterpiece that is “Daughters of the North” and I, rarely, have writer’s block. I pushed the completion of this book for weeks on end in order to extend its finality (the book is long in page count, anyway) and additionally pushed the actual penning of this review for that reason of knowing I would fail to conceptualize this work of art. Jennifer Morag Henderson warns readers that even despite her extensive research; she is not a historian but only a writer. Well, that is a blatant lie because she is a better historian (and writer) than some of the most influential contemporary British historians and “Daughters of the North” is one of the top Scottish history books available on the shelves. It is simply marvelous. “Daughters of the North” follows the life of Jean Gordon from her childhood to her death while interweaving the history of the Southingtons, Huntlys, the clans of the north and of course, Mary, Queen of Scots. Generally speaking, a key weakness of history books attempting to bring a figure out of the shadows is the focus on their family tree, environment, political connections, etc. Often, the figure is lost and isn’t the true focus of the text. This is NOT the case with “Daughters of the North” as every event seems to ultimately ping off Jean Gordon and therefore her own character and impact is constantly revealed even if she isn’t primarily involved. This is also credibly backed by the heavy principal historical source materials composed by none other than Jean’s own son, Robert, who made it his life goal to put the Gordon history on record. “Daughters of the North” provides an insane amount of historical information regarding Jean and the Gordons; so much so that it is jaw-droppingly shocking that Jean hasn’t been the focus of endless texts both fiction and non-fiction. Despite this convoluted content; Morag Henderson’s writing is clear, concise and easily absorbed even with the mentioning of so many key figures and events. With a gloriously descriptive narrative that pulls readers into the pages making one feel they are living history all while actually absorbing the material; “Daughters of the North” is compelling, riveting and will leave readers salivating - even those with a background in Scottish history. Jean’s impact is comparable to Margaret Beaufort’s holding in England’s own history and Morag Henderson does an exemplary job in showcasing Jean even if I am conversely failing at highlighting the magical essence of “Daughters of the North”. Morag Henderson sprinkles “Daughters of the North” with occasional personal mentions of her research a la a memoir tone. Thankfully, this isn’t jarring to readers and does not lose a sense of academia but instead helps to fortify meanings, debunk myths and aid in detective sleuth-work that detangles the intricate web of events in the Gordon history. Even if this was unappetizing; Morag Henderson doesn’t utilize this format enough to cause a grievance. “Daughters of the North” does hit a slight stalemate after the halfway point, where at it seems that events are repetitious and thus, somewhat ‘boring’ even though they are indeed of intrinsic value to the overall text. This is remedied by alternating events that are so dramatic and bold; that they almost read as fictitious carrying the reader forward like a fast-paced novel. The conclusion of “Daughters of the North” is somewhat anti-climatic in comparison to the text as a whole and Jean deserved more trumpeting fanfare in her death. This doesn’t take away from the staggering quality of “Daughters of the North” but it is indeed noticeable. Morag Henderson supplements “Daughters of the North” with a section of photo plates, bibliography and annotated notes that are a joy to read even though they are just notes! Missing are genealogical tables of the Gordons/Sutherlands/Huntlys which would have been helpful. I realize that this review is sort of ‘bland’ but I am shocked at how amazing “Daughters of the North” truly is and therefore I simply can’t find an accurate way to describe it. Bluntly, I’m not worthy! “Daughters of the North” is recommended for ALL readers interested in Scottish/British history, Mary, Queen of Scots and of commanding, female family heads. Jennifer Morag Henderson is at the top of the historian game even if she claims to not hold the title and I truly hope we receive another history piece in the future from her pen. ...more |
Notes are private!
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1
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May 06, 2024
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Jun 12, 2024
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Mar 05, 2022
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Hardcover
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| 1982168013
| 9781982168018
| 1982168013
| 4.21
| 81,067
| Oct 05, 2021
| Oct 05, 2021
|
liked it
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I’m quite sure that regardless of your gender or sexual orientation; you have a crush on actor, producer, director, host, writer, foodie, bartender, f
I’m quite sure that regardless of your gender or sexual orientation; you have a crush on actor, producer, director, host, writer, foodie, bartender, father, brother, husband, etc etc; Stanley Tucci. I mean, look at him! JUST LOOK AT HIM! The man is a handsome devil, talented and witty to boot! Woo, is it getting hot in here, Goodreads? Jokes aside, Tucci is about as obsessed with food (ingredients, flavors, nuances, background history) as we are obsessed with his face. This is undeniable if you have watched an episode of Tucci’s CNN travel program, “The Search for Italy”. Tucci has already put his pen to two previous food-centric books and is back with a foodie memoir in, “Taste: My Life Through Food”. If you are searching for a typical Hollywood memoir focusing on a celebrity’s upbringing, profession in La La Land, gossip about sex, drugs, and rock n roll; and some ‘woe is me attitude’ coupled with, “I’m a better person, now”… Then “Taste” ISN’T for you. “Taste” doesn’t follow the ‘typical’ celebrity tell-all memoir and is instead a topical look at Tucci’s passion: food. Although Tucci DOES touch upon his childhood, celebrity-status and successes; it is through the lens of the food that graced his table, belly and made those events even more memorialized in his own mind. “Taste” is exactly what the title claims to be: nothing more and nothing less. “Taste” begins in a charming way setting the table (pun intended and achieved – haha, Tucci!) for a delightful read. Tucci jumps into his past as a child and hashes tales of his family and thus ultimately reveals how he became the man that he is today. In fact, he had such a lovely upbringing (I’m sure there are skeletons in the closet but “Taste” was simply not the time or place to reveal them); that readers with traumatic lives (such as myself) might be slightly triggered and envious. That being said; this simply means that Tucci is a wonderful storyteller and is able to bring a narrative visually to life. At this point, “Taste” is very emotive to the reader. Tucci’s writing is very accessible to the general audience and yet isn’t dummied down (let’s be real: many celebrities should stick to their day jobs and not attempt to write books). Tucci is intelligent and complex and yet infuses “Taste” with ample doses of comedy and humor sprinkled throughout to keep the reader smiling and enthused while maintaining that the material remains fresh. Even the occasional recipe is written in a way that encourages a chuckle. However, it is obvious that a ghostwriter was used in “Taste” even though one is not acknowledged. This is evident through the inconsistencies of the writing as “Taste” toggles back-and-forth with two different writing styles that is hard to ignore. You had some help, Tucci, didn’t you? It is okay to admit it! As “Taste” progresses, it begins to lose some steam and the boiling pot settles (another pun!). Tucci’s tales become quite repetitive and read exactly the same: “I ate here. I liked this dish. Then I ate here with this person. I liked or hated that.” Boring! There isn’t much excitement to be shared or a thesis to these experiences. It is also at this point that Tucci begins to name drop chefs, other foodies, and his celebrity friends which are consequentially tedious and too typical Hollywood. This type of behavior is seemingly ‘below’ Tucci and has little place in “Taste” therefore weakening the essence of the memoir. “Taste” could also benefit from a bit more emotion and insight as it sometimes feels too clinical and hyper-focused on the recap. It is clear that Tucci holds back in his attempt to focus on the food tales. This inhibits the reader from really diving into Tucci’s psyche and getting to know the real man- even if through food. It isn’t until the end of “Taste” when Tucci finally “opens up” and highlights his cancer diagnosis and the correlation with food, eating, and what he learned from his medical life trial. However, even this section still doesn’t shed as many layers as it should/could. Also absent from “Taste” is a section of photo color plates that seems to be the usual stylistic formula for celebrity memoirs. Although this isn’t a hugely tragic departure; it would have been nice. “Taste” does end in a memorable and ‘cute’ way rounding out the text and going full-circle to the beginning of the piece. This is done well on a writing level and with its attempt to connect with readers concluding “Taste” on a positive note. Tucci is a lovable man and my crush on his remains extant. However, “Taste”, although pleasant enough; is a bit too surface level and I expected a little bit more. “Taste” is a quick-read and suggested heartily for all Tucci fans but don’t expect to truly dive into the man’s diary and soul. ...more |
Notes are private!
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1
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Nov 08, 2021
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Nov 16, 2021
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Nov 08, 2021
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Hardcover
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| 1797209590
| 9781797209593
| 1797209590
| 4.10
| 112
| unknown
| Oct 19, 2021
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it was amazing
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Cats are undeniably the most duel-natured, larger-than-life persona in the animal kingdom. Allow me to elaborate: felines have been worshipped as gods
Cats are undeniably the most duel-natured, larger-than-life persona in the animal kingdom. Allow me to elaborate: felines have been worshipped as gods since their domestication many civilizations ago, gained the reputation of evil wrongdoings as witches’ familiars, given the title of, “King of the Jungle” and yet cuddled in millions and millions of households worldwide like a little wibby baby. This is a cat’s world and we’re simply living in it. It comes as no surprise that felines can serve as a mystical portal connecting us to the spiritual realm and are thus useful as divination tool-partners. Cat whisperer and perhaps the founder of cat occult with her cat tarot cards, Megan Lynn Koot, introduces feline divination in, “Pawmistry: Unlocking the Secrets of the Universe with Cats”. If you are seeking an absolutely adorable, illustrative, vivid, comedic, unique-subject, charming, cat-centric piece for yourself or your spiritual cat-loving BFF; then you have to look no further than Kott’s “Pawmistry”. “Pawmistry” immediately enraptures readers with its glorious cover alone and a glance through its illustrated pages; but when you laugh-out-loud in the first two sentences… then you know “Pawmistry” is a pure masterpiece. Kott’s work is simple and yet simultaneously clever; exploring how to use your household Mr. Flufferson as a divination aide. Kott is hilarious with her approach being both affectionate with cats and her readers creating a style and is approachable and relatable. This doesn’t discredit her actual knowledge on the topic; offering intriguing divination methods such as reading’s a cat’s ‘toe beans’, food kibble patterns, eye blinks, etc. “Pawmistry” is mostly meant to be silly for the cat-lover audiences but it also has that, “What if?” – factor that adds a reality check and ensures that “Pawmistry” isn’t just a cheesy gag-gift. Kott's organic writing is delightful with “Pawmistry” and never “tries too hard” to be engaging – she just is; while also supplementing the work with interactive activities, pages and even a poster-sized divination board. It is almost demeaning to the book to describe it as ‘cute’; but it is just so darn cute! “Pawmistry” is difficult to put down but it must be put aside in order to savor the pages because readers will not want it to end. Cuteness aside; actual facts and depth are prevalent on the pages of “Pawmistry” which is why it is spell-binding on many levels (pun intended). Not to mention, the paired illustrations are perfect and equally engaging. “Pawmistry” can simply do no wrong. Kott is exceptional at stylistic sense, formatting and knowing the ideal ratio of time spent on a singular cat-divination topic. For such a small volume; “Pawmistry” packs a lot of punch. Kott finalizes the text with a summary conclusion on cat divination, background author information, further reading suggestions, etc. The ending is memorable and solidly defines the purpose of the text. “Pawmistry” is a super fast read (1-2 days) but is emotive-enough for a book twice its length. Kott’s work is witty, charismatic, informative, distinctive and compelling both visually and on the subject-at-hand. “Pawmistry” is a delightful little book suggested for all cat-obsessed readers and especially those interested in divination, occult, spirituality, etc. *Note: I own a black cat and she, curiously, was super-interested in and interactive with “Pawmistry”. She went as far as immediately pouncing on the divination board and then laying on it. Hmm! Very interesting, indeed! ...more |
Notes are private!
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1
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Feb 05, 2022
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Feb 07, 2022
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Aug 25, 2021
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Hardcover
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| 0241476895
| 9780241476895
| 0241476895
| 4.12
| 2,708
| Jul 29, 2021
| Jul 29, 2021
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it was amazing
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The Wars of the Roses (posthumously-named) was a bitter time in English history as cousins murdered cousins, brothers mutilated brothers and everyone
The Wars of the Roses (posthumously-named) was a bitter time in English history as cousins murdered cousins, brothers mutilated brothers and everyone grappled at the crown wanting to make it his own. Simplified into the House of York (white rose) against House of Lancaster (red rose); the descendents of Edward III never stood still: King Henry VI and his queen, Margaret of Anjou, the Beauforts, the Nevilles, Jaquetta of Luxembourg, the Tudors and of course Richard, Duke of York, his nephew Richard, Earl of Warwick (the ‘Kingmaker’) and of course… York’s wife, Cecily, Duchess of York. Cecily is always on the peripheral of both history books and historical-fiction as the wife of York and the mother to two kings (Edward and Richard III) and is hinted at as calculating, conniving and a bitch but yet she has rarely received the spotlight exploring her true role in events and her character. Anne Garthwaite spits on this shunning of Cecily and makes her the subject of a rich historical-fiction novel in, “Cecily’. One can usually tell within the first chapter of a novel the caliber of the content be it amateur, solidly-average or masterful. Where does “Cecily” lay on this spectrum? Let’s just say ‘masterful’ is an understatement as Garthwaite doesn’t even wait an entire chapter to prove her writing skills but sparkles immediately within the first few pages instantly dropping the jaws of readers. The book is barely even opened and yet the pages spill out with colorful, vivid descriptions, beautiful scores of language, emotive events and even philosophical meanderings. If you don’t exhale a, “Holy shit!” then you are simply immovable. One would never guess that this is Garthwaite’s debut novel and well into her 50s as her writing is stunning, exceptional and soul-moving. “Cecily” follows the course of events from Cecily and Richard’s early marriage through childbirth to future kings, the civil uprisings of the Wars of the Roses, contending with an ‘unwell’ king and onward to the bloodiest battle in English history (Towton) and Edward coming to the throne. Often times historical fiction waters down history like a thinned wine given to children on holidays and fluffs it up with a focus on period-piece entertainment. Garthwaite eschews this and focuses on the history of the period, politics, and the Wars of the Roses while intermeshing these with a character-driven drama with Cecily serving as its sun. “Cecily” is brimming with luscious historical fact and readers feel that they are a part of the plot while the tapestry is woven around them versus simply being a spectator. In fact, “Cecily” is rendered so ‘real’ (which can probably be attributed to Garthwaite’s decades-long thorough research); that one will have to pinch him/herself as a reminder that this is NOT a history text and is only based on fact. Garthwaite’s writing is so glorious, captivating, deeply-drenched with emption and metaphorical; that she stands on-par with the historical-fiction genre’s leading authors (I need not list them here as all history buffs and English historical-fiction fans known to whom I refer). The temptation stands to take breaks from the reading in order to preserve the text and not finish too quickly. The pace is lively, drums with a life force of a universe and envelops readers even in ‘slower’ parts. “Cecily” does fall victim to a weakness which is that of a, “As you know, Bob” – style of storytelling where the characters discuss the events (in this case Cecily and Richard) versus actually living them. Usually, this is a cause for a collective groan and dampens the credibility of the novel. Somehow,that is not an accusable trait of “Cecily”. The ‘discussions’ make sense in “Cecily” being that many women didn’t have the legal or temporal rights to engage in events first-hand and had to partake in machinations through their husbands. It also helps to sharply follow the character arc, growth and changes of Cecily’s personality. Garthwaite is able to cut out all the parts of Cecily - be it a protective mother, devoted wife, bitter political figure and eventually a yearning hand at the throne for her husband and then her son at the death of her husband. “Cecily” is both a macro and micro view of this formidable woman and showcases her entirely versus compartmentalizing her in a box. Even if “Cecily” kept on this train track and rode it all the way to the concluding station; it would stand as a remarkable novel – but Gathwaite doesn’t rest. At approximately the 180-page mark, “Cecily” becomes even bolder, louder, invigorating and obsessively delicious as the Wars of the Roses kick into high gear and Cecily and Richard battle for the crown. This isn’t a part of history that is hidden and Richard, Cecily and the Earl of Warwick often play key roles but this is a fresh and revolved perspective. Even those staunchly history-focused and well-versed in the subject; will find themselves understanding the events in a new way and casting aside previous judgments they had of these figures. It isn’t that Garthwaite attempted to rehabilitate this cast of characters with “Cecily” but more so that her research penetrates the pages and offers a new, credible and firm view. “Cecily” is engaging to the core until its final chapters and pages that end with fanfare and yet without “trying too hard” or simply squeezing water out of a sponge. “Cecily” is truly magnetic and breathtaking shutting its cover in a memorable way and with the ability to both entertain and educate. Missing is a section that would explore any major derivatives from the history taken by the author which would help those new to the subject; but this isn’t a major detriment although worth noting. “Cecily” is a dramatic, complex, riveting, tour de force of a novel that is absolutely dazzling from start to finish. “Cecily” is recommended for all English history fans, particularly of the Wars of the Roses and those with a feminist attraction to the powerful female goddesses who ‘ruled’ behind the scenes. I can only hope – nay, BEG – Garthewaite to pen another novel and not bow out now. ...more |
Notes are private!
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1
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Mar 03, 2024
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Mar 12, 2024
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Feb 25, 2021
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Hardcover
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| 0500018693
| 9780500018699
| 0500018693
| 3.91
| 46
| Oct 1998
| Jan 01, 1998
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it was ok
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History lovers desire nothing more than an intimate look at the figures they study: through their senses at the world that surrounded them and through
History lovers desire nothing more than an intimate look at the figures they study: through their senses at the world that surrounded them and through their minds, surveying their very thoughts. The latter can be difficult without official extant documents; but the former is more accessible for prosperity. Susan Watkins, a social historian, explores the pageantry surrounding the Virgin Queen in, “The Public and Private Worlds of Elizabeth I” (photographs by Mark Fiennes). “The Public and Private Worlds of Elizabeth I” is a full-color, glossy, coffee table book exploring the reign of Elizabeth I in regards to the social aspect: architecture, gifts, pageantry, art, clothing, etc; that Elizabeth, herself, experienced. Albeit, in a very restricted and limited way. Watkins recalls the Elizabethan period and categorizes the social history but this is not only without taking a deep dive into the history;but also without 100% accuracy. One must remember that “The Public and Private Worlds of Elizabeth I” is dated (published in 1998); but the main reason for this seems to be a lack of effort and the fact that Watkins is not a Tudor historian. “The Public and Private Worlds of Elizabeth I” is best used as an introductory course for those new to the subject or as a visual guide. Watkins highlights the graphic aspect of “The Public and Private Worlds of Elizabeth I” by including photos, images and illustrations of Elizabethan artifacts and modern-day locations/influences. Unfortunately, there are more modern-day photos within the pages of “The Public and Private Worlds of Elizabeth I” making the piece less of a history supplement and more of a taster/curiosity-builder. Although the images include descriptive captions; some of the graphics cover the entire background of a page face without presenting the text in darker ink and thus are difficult to read (and I have 20/20 vision). The entire point of “The Public and Private Worlds of Elizabeth I” is to be an inviting coffee table book but it is instead somewhat bland and uninspiring. Also weakening “The Public and Private Worlds of Elizabeth I” is the absence of a chronological study. Each chapter is a topical view and Watkins goes back-and-forth in a single chapter with Elizabeth’s age making the history difficult to follow along. Much of “The Public and Private Worlds of Elizabeth I” equally falls apart by running off on numerous tangents that are skimmable, at best. On a positive note, Watkins manages to describe some events in a more social detail than seemingly other Tudor texts; consequentially providing some fresh details and adding much needed depth to “The Public and Private Worlds of Elizabeth I”. Watkins concludes “The Public and Private Worlds of Elizabeth I” with an epilogue both summarizing the book thesis and discussing Elizabeth’s social legacy. This is followed with a timeline of key events in Elizabeth’s life and a directory of present-day Elizabethan locations/museums and artifacts which can be visited by readers (be sure to double-check the list as, again, “The Public and Private Worlds of Elizabeth I is over 20 years old). “The Public and Private Worlds of Elizabeth I also includes a light bibliography. “The Public and Private Worlds of Elizabeth I” feels like a thin and incomplete look at the socially intimate life of Queen Elizabeth I with Watkins being a poor authority on the subject despite any of her credentials. “The Public and Private Worlds of Elizabeth I” is suggested only for those readers new to the subject or polished readers striving to read all Elizabeth-based pieces. Otherwise, “The Public and Private Worlds of Elizabeth I” can be skipped. ...more |
Notes are private!
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1
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Jan 17, 2021
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Jan 22, 2021
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Jan 16, 2021
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Hardcover
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| 0241003040
| 9780241003046
| 0241003040
| 4.42
| 1,462
| Sep 22, 2016
| Sep 10, 2016
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liked it
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I am extremely blessed, honored and grateful that I spent my days in research libraries (and printing presses) before I could walk or talk; almost dir
I am extremely blessed, honored and grateful that I spent my days in research libraries (and printing presses) before I could walk or talk; almost directly out of the womb. I’ve seen one of the original Tyndale translated Bibles, an original “Canterbury Tales” manuscript and multiple other manuscripts and illuminations. All that being said; I am not Christopher De Hamel. Who is Mr. Christopher De Hamel? De Hamel is one of the most sought-after paleographers (the study of manuscripts and their ownership) and one of the top leading experts in the field. Not many can hold a candle to De Hamel’s expertise. Despite his high status, De Hamel strives to reveal the world of paleography in, “Meetings with Remarkable Manuscripts: Twelve Journeys into the Medieval World”. If forced to compartmentalize “Meetings with Remarkable Manuscripts”; then one might simply call the text an art history piece. However, this would be downplaying the sheer scope of the De Hamel’s writing. “Meetings with Remarkable Manuscripts” is a combination medieval art history, memoir, exposé, technical study and research supplement. In “Meetings with Remarkable Manuscripts”, De Hamel presents twelve manuscripts throughout the course of 600 pages and breaks down various aspects of the artifacts: composition (paper, parchment, font, ink), creation process, history of ownership, use of the manuscript (purpose), his own journey to the research libraries to study the texts, etc. The twelve manuscripts are chosen based on distinct merits such as the actual fame surrounding the manuscript (for example, Jeanne of Navarre’s Book of Hours and an original “Canterbury Tales”), art quality, creation and ownership; to name a few qualifiers. This gives readers a variety of history lessons and a wide reach on the subject. “Meetings with Remarkable Manuscripts” is very ‘heavy’ reading and is certainly not light even for those readers well-versed in medieval history, art, and/or manuscripts. Not only does De Hamel cover a lot of ground regarding the histories of each manuscript and the literal modern-day physical appearances; but he also tends to go off on tangents. “Meetings with Remarkable Manuscripts” often drones on-and-on and feels like it was missing a credible editor. Many portions of “Meetings with Remarkable Manuscripts” are apt for skimming resulting in an inconsistent, uneven pace that is very up-and-down with strong opposite end spectrum hitters (meaning, the text is either very strong or weak with little middle ground). De Hamel loosens the text with occasional bouts of that good ole’ English sarcasm and sass, lightening the reader’s work load. Unfortunately, De Hamel sometimes takes this too far into a negative territory. Many readers and reviewers complain that De Hamel displays blatant sexism, misogyny and inequality of the genders; making derogatory, offhand and unnecessary comments regarding women ranging from one too many comments about women’s weight and looks to mentioning that, “…usually women sit in this part of the room” but not explaining context. Yet, all the men are credited as being helpful meanwhile women are generally described as being cranky. Not only does this have NO place in an academic piece; but it has no place ANYWHERE ! Quite bluntly, it is disgusting and takes away from De Hamel’s credibility. Related to this, De Hamel is often pompous and arrogant commenting on how research library staff supposedly treats him like gold and gives him VIP treatment or he continuously shuns practices like wearing gloves when handling manuscripts like the entitled man that he is. First off, this once again should not be included in such a text and second: NO ONE CARES!!!! De Hamel sounds like a rock band groupie bragging about how many band members he’s had sex with. On a more positive note, De Hamel is clearly very passionate and educated on the subject at hand and is amazing at the sleuthing that is the aim of paleography. There are illuminating moments (no pun intended) that exemplify why De Hamel is a leader in his career field. “Meetings with Remarkable Manuscripts” is glorious in presentation with glossy full-color pages overflowing with beautiful, detailed images from each of the twelve manuscripts. “Meetings with Remarkable Manuscripts” is certainly a feast for the eyes. Although not a huge defector, but noticeable, is De Hamel’s failure to translate all foreign language quotes and phrases. Why include these if most readers can’t understand them? Is this once again De Hamel’s ego assuming everyone knows multiple languages just because he does? Los Angeles resident readers such as myself; will find especial delight in the mentioning of the Getty and its illuminated manuscripts, the Huntington Research Library (my favorite place in LA!) and its copy of an original “Canterbury Tales”. De Hamel concludes “Meetings with Remarkable Manuscripts” with an emotional summary of the importance of the manuscripts plus a PSA about paleography and how (supposedly) everyone is encouraged to join the career field. Yes, I’m sure an arrogant, sexist male-dominated field is very ‘open’ (eye roll). “Meetings with Remarkable Manuscripts” is supplemented with Notes (with run-on sentences covering the entire page so don’t expect much clarity) and a bibliography list. “Meetings with Remarkable Manuscripts” is a beautiful visual piece on a marvelous topic. However, the text is clunky and inconsistent, De Hamel is conceited and demeaning to women and the text often divulges from the thesis. “Meetings with Remarkable Manuscripts” is suggested for readers with a deep interest in the subject but definitely not for novice readers or the ‘Average Joe’. ...more |
Notes are private!
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1
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Dec 22, 2020
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Dec 27, 2020
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Dec 22, 2020
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Hardcover
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| 1526729539
| 9781526729538
| 1526729539
| 4.62
| 8
| unknown
| Jan 18, 2021
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really liked it
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Before hand-written signatures became the go-to identifier and/or official sign-off; certification was made legal by the use of seals: device (image)
Before hand-written signatures became the go-to identifier and/or official sign-off; certification was made legal by the use of seals: device (image) and legend (text) imprints pressed into softened wax and affixed to documents. All readers of history texts and even historical fiction tend to be familiar with this practice. There was more to a seal than just being the symbol of official correspondence, however. These seals served as a branding tool to visually dictate blood lineage, class status, profession, location and various other tidbits of information. Who knew that ‘branding’ wasn’t solely a modern-day marketing contrivance?! Dr. Paul Dryburgh - the Principal Records Specialist at The National Archives in England – introduces readers to part of their seal archival collection in, “Royal Seals: Images of Power and Majesty”. “Royal Seals” is a full-color, glossy-paged history coffee table book that appendages the collection of seals at The National Archives and showcases them by division of Royal Seals, Personal Seals and Ecclesiastical Seals. Naturally, this is a curated textual exhibition as the entire collection residing at The National Archives would fill several volumes and thus Dryburgh had the difficult task of selecting which artifacts to highlight. “Royal Seals” immediately illuminates readers with an education on the usage of seals, how they were made, who utilized them, etc; and therefore “Royal Seals” offers a compelling grace both for research and/or entertainment purposes. Dryburgh maintains a middle-ground tone approach that is familiar and casual; but still enforces credibility and professionalism making “Royal Seals” perfectly accessible for the average reader. Each section of “Royal Seals” gloriously revisits history spotlighting specific seals and their owners while explaining the historical impact at the time of use and on predecessors. Simultaneously, Dryburgh familiarizes the artistic merits of the seal with its actual creation and visual impact. The first section features the seals of the English monarchy and marches along in chronological order accompanied with stunning photographs of the actual seal per discussion. The text is detailed and explanatory; but with a moving pace that entraps in its own right alongside the images. Unfortunately, this isn’t pimpled without some negatives as Dryburgh often comments on intricate aspects of the seals that can NOT be noticed in the photos no matter how hard one squints or holds the pages to one’s eyes. These are probably only ascertained with the seal in hand or under a magnifying glass. This does come with some frustration to readers. Added to this, is Dryburgh’s habit of diving into the details of monarchial seals that aren’t visually demonstrated. Why mention these seals at all if the pages aren’t supplemented with the images? “Royal Seals” progresses into the seals of nobility, women, tradesmen and onward to the clergy and ecclesiastical powers. It is invigorating to see the seal of laymen (aside from just royalty) as readers can understand the usage of seals in comparison to today’s notarized seals of authenticity or ink-stamps on documents. There are examples of repetition among the text that elicits reader groans (“You’ve already said this, Dryburgh!”); but it isn’t terribly disadvantageous to “Royal Seals”, overall. Dryburgh culminates the text with a conclusion quickly traversing a look at how seal were produced in relation to the actual materials, chemical compositions of the colors, monetary values and lasting effects. This would have made sense in the beginning of “Royal Seals” but it is understandable given that Dryburgh wanted to explain the seals in a preliminary exercise so that the details are more dissected. The finality does feel abrupt and suddenly ‘ends’ without a proper summation. Dryburgh attempts to remedy this with a short list of sources for additional reading/research. Despite some minor flaws, “Royal Seals” is a beautiful visual representation and conversational discussion of the history of seals in England and is certainly recommended for history-lovers interested in this niche subject. “Royal Seals” is a lovely addition to any art coffee table or on a history fan’s bookshelves. ...more |
Notes are private!
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1
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Mar 17, 2024
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Mar 26, 2024
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Nov 22, 2020
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Hardcover
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| 1368010687
| 9781368010689
| 1368010687
| 4.12
| 156
| unknown
| Sep 29, 2020
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really liked it
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The world is filled with diverse opinions, preferences, tastes, and passions but there are some things that EVEYRONE loves despite race, color or cree
The world is filled with diverse opinions, preferences, tastes, and passions but there are some things that EVEYRONE loves despite race, color or creed. One of these consensual loves is none other than the hit sitcom, “The Golden Girls”. If you don’t/didn’t like “The Golden Girls”; then you truly are some sort of monster or beast. What is there not to love about snarky Dorothy, sexpot Blanche, naive but sweet Rose and sarcastic but wise Sophia? It has been almost 30 years since the last episode of this beloved television program aired and yet fans of all ages are as obsessed as ever watching “The Golden Girls” in syndication all over the world, every single day. Now, you can also cook with the lovely ladies - and more than just cheesecake- thanks to culinary expert Christopher Styler and photographer Andrew Scrivani in, “The Golden Girls Cookbook: 90 Delectable Recipes from Blanche, Rose, Dorothy and Sophia". Like the thousands of cookbooks gracing the shelves of foodies; “The Golden Girls Cookbooks” falls in-line with a glossy, full-color graphic presentation border-lining the art coffee table spectrum. However, “The Golden Girls Cookbook” stands out among the crowd with its comedic, fan-friendly approach and unique stylistic offerings via Styler. “The Golden Girls Cookbook” kicks off this golden food journey with a table of contents categorized by dish-type for ease of cookbook recipe identification; but the actual contents are split into sections based on each Golden Girl (starting with Dorothy, Rose, Blanche and lastly Sophia). Each section contains various dishes, beverages and desserts offering a well-rounded menu. The intriguing factors are in the details that are utterly delicious (no pun intended). Each girl’s section is parlayed to her character on the show with recipes that she believably would have concocted (such as Rose with Scandinavian farm recipes, Blanche cooking up Southern takes and Sophia highlighting her Italian heritage) or that go along with an episode plotline that true fans will remember. Most of the recipes are prefaced with a blurb introduction that allows the entire recipe to take on the tone of the respective Golden Girl while resulting in the reader visualizing them actually cooking. “The Golden Girls Cookbook” is a cooking guide but is inevitably also entertaining. In fact, Styler ups the entertainment ante by including small cartoon jokes and photos from the show alongside “Golden Wisdom” cooking and recipe tips. The clincher, though, is the jargon and writing style of the recipes. Instead of a rote instruction or professional outline; Styler uses a friendly, conversational narrative filled with humor. The recipes make the Golden Girls feel like they are your best friends telling you how to cook rather than a buttoned-up foodie chef. There is nothing stiff about “The Golden Girls Cookbook”. The selection of recipes is also ideal with few ingredients, simple-to-make and quick dishes mixing gourmet with classic favorites. Many of the recipes are healthy and are on-par with current diet food trends plus offer meatless versions. Even those readers with dietary restrictions such as myself (I am Celiac); will find it easy to substitute ingredients. There are some grievances with “the Golden Girls Cookbook” although they are minor. First, too many of the recipes contain mayonnaise (nasty!) but this is subjective to my personal taste. Second, not only are the photos a bit poor on quality and in an outdated food styling art; but there aren’t enough of them. Also absent are nutritional facts which are commonplace in most cookbooks. And where is all the cheesecake?! There are not enough cheesecake recipes. I don’t think the Golden Girls would have approved. “The Golden Girls Cookbook” is diverse in accommodation to serving size with some recipes serving larger parties while others are enough for singles or duos. This is notable as most cookbooks target family-sized groups and alienate smaller living arrangements. Readers beware: Sophia’s Italian section is not for the novice cook. The majority of the recipes are long and detailed with multiple, intricate steps. This section also features few reference photos so there aren’t enough visual aids to guide the reader to the final product. A small hiccup, but one that is noticeable, is a matter of layout: occasionally, ingredients are listed on the next page of multiple-part dishes even though the steps are concluded on the previous page. This is both confusing and not visually pleasing. Despite small flaws; “The Golden Girls Cookbook” is a charming and unique food journey based on “The Golden Girls” that is sure to delight all fans of the sitcom and projects the sense that you are cooking right alongside everyone’s four favorite gals. ...more |
Notes are private!
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1
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Oct 28, 2020
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Oct 30, 2020
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Oct 20, 2020
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Hardcover
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| 1846045126
| 9781846045127
| 1846045126
| 4.58
| 108,371
| Sep 05, 2017
| Aug 16, 2018
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really liked it
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As a full –blooded Hungarian woman (first-generation in the US) whom is the granddaughter of a concentration camp survivor (my maternal grandfather wa
As a full –blooded Hungarian woman (first-generation in the US) whom is the granddaughter of a concentration camp survivor (my maternal grandfather was a prisoner at Buchenwald); I feel heavy pain in reaction to Holocaust stories/memoirs/etc. It troubles me greatly and yet I can’t stop – a self-torture of sorts but perhaps part of generational healing. Edith Eger (neé Elefanté – ‘elephant’ in Hungarian) was imprisoned at Auschwitz at the tender age of 17 and lived to tell the tale but not without deep scars, trauma and psychological flaws. As a professional career psychiatrist; Eger has used her healing of others to heal own psyche. Eger shares this portion of her life in the memoir, “The Choice”. Eger splits “The Choice” into three main subject sections: (1) childhood and imprisonment at Auschwitz (2) escape and survival (3) healing and career. “The Choice” is not entirely a Holocaust memoir and instead dapples heavily in psychology, philosophy and even (subtly) in the self-help territory. Eger tells her story with a poignant voice and dives immediately into the WWII landscape. The initial issue arises with Eger’s retelling of her time at Auschwitz. Although the visuals of the concentration camp are vivid and loud with imagery; the personal emotions are not. There is a filter, a block and almost clinical essence to Eger’s recap which results in the reader not truly understanding how Eger felt and what occurred in her psyche consequentially leaving many unanswered questions. This may be due to Eger’s personal pains and an inability (or flat out denial in order to self-preserve) to relive the tumultuous ordeal; but it weakens the text especially in comparison to other memoirs of similar likeness. There is also an unbelievable aspect to “The Choice”: everything always seems to work out perfectly in terms of timing. Eger and her ghost writers may have condensed chronology in order to progress the story (I cannot verify this) but it makes “The Choice” seem unrealistic and like a plot to a film. Perhaps Eger actually had a great bout of lucky moments. Either way, this causes a weary response from readers. Eger’s “The Choice” becomes more compelling with the recall of her escape and survival from Auschwitz. At this point, Eger drops some of the veil surrounding her deeper feelings and strengthens the connections with readers. Eger uses her psychology education and training to self-diagnose and explore her own frustrations of both her emotions and her time at Auschwitz and starting life over post-haste. “The Choice” serves as more than a harrowing Holocaust tale and is essentially about human healing, growth, and overcoming traumatic events and changes. “The Choice” has multiple layers and a meatier depth. Many reviews complain about Eger’s reflection of her psychiatry patient cases finding it ‘boring’ or not worth including in “The Choice”. On the contrary, this is absolutely necessary as it has helped Eger discover herself as a person and embark on her mental and emotional healing. The journeys of these patients are very much intricate to Eger’s own. “The Choice” arrives at a very shocking, emotional climax (I will not spoil it) that is magnificently gripping and provokes reader reflection (I cried). Eger skillfully presents this with an organic ease without “trying too hard” which makes it that much more impactful. There are some issues throughout “The Choice” with cohesiveness of storytelling (or lack thereof) making it obvious where ghostwriters were picking up the pen. This isn’t a downfall of “The Choice” per se, but it is noticeable and difficult to ignore. The closing chapters of “The Choice” fits into pop-psych book shelves while also offering a sense of healing for the reader, personally. Eger addresses the reader directly in a one-on-one conversation making “The Choice” more powerful than a simple portrait biography. Eger concludes “The Choice” in a memorable way, summing up all of the emotions explored and expressed throughout the text. “The Choice” is a combination Holocaust memoir, pop-psych, self-help, character study, healing piece that is suggested for all readers interested in any of the above topics regardless of the flaws and imperfections throughout the pages. “The Choice” is certainly more emotionally evocative for Hungarian and/or Jewish readers but it is definitely enticing for all interested in the Holocaust and survivor stories. ...more |
Notes are private!
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1
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Jun 29, 2020
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Jul 05, 2020
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Jun 29, 2020
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Paperback
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| 3.66
| 128
| Jul 18, 2018
| Jul 2018
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it was amazing
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Reginald Pole has always been a looming figure in English history: the man had Plantagenet/Yorkist blood coursing though his veins and was a scholar,
Reginald Pole has always been a looming figure in English history: the man had Plantagenet/Yorkist blood coursing though his veins and was a scholar, humanist, philosopher and an esteemed Cardinal of the church. Reginald could have been the King of England or the next Pope at the Vatican - both roles which he shunned. However you look at it; Reginald was an impressive, illuminating figure and yet, history tends to push him off the main stage. Samantha Wilcoxson gives Reginald his well-deserved glory in, “Prince of York: A Story of Reginald Pole”. Reginald Pole plays a role in two of Wilcoxson’s ‘Plantagenet Embers’ novels (“Faithful Traitor and “Queen of Martyrs”) but takes all the attention in “Prince of York”. Following a narrative leading up to “Queen of Martyrs”; “Prince of York” stands on its own and can be read independently rather than a prequel or companion piece. In fact, “Prince of York” goes above and beyond the expectations of a novella and brilliantly grows with the readers exuding stylistic properties that are intensely gripping. Wilcoxson’s writing is gloriously illustrative in respect to both the settings/scenery and the characters; completely transporting the reader to Renaissance Italy. Rather than simply being an English history story; “Prince of York” explores the Renaissance, Reformation, Counter-Reformation, Papal Italy, art, and monarchial politics. Wilcoxson’s research is clear and the plot jumps from the pages. Wilcoxson’s characterization of Reginald is all-encapsulating and genuinely reveals Reginald’s feelings and participation of events in a believable and ‘real’ way. Even with this accessibility; Wilcoxson digs deeper unraveling Reginald’s psyche making “Prince of York” far from a shallow novella. Readers walk hand-in-hand with Reginald with a lively heartbeat and pace along with other (famous) figures of note. “Prince of York” deeply encourages further research of Reginald and demonstrates how much history has otherwise ignored this fascinating figure (sadly). Every element of the “Prince of York” narrative is compelling and has mind-blowing depth that outdoes both novellas and novels, alike. Wilcoxson infuses classic lit flows that elevate “Prince of York” to another level that is typically difficult to obtain. The conclusion of “Prince of York” is a cliff hanger of sorts but is still deliciously satisfying. Wilcoxson fortifies “Prince of York” with an Afterword, Further Reading and Author’s Note. “Prince of York” is an exquisite work and is without a doubt, Wilcoxson’s best out of the ‘Plantagenet Embers’ novels and novellas. “Prince of York” brings Reginald Pole, the Renaissance, and history alive and is suggested for all readers interested in the subject and not just those having read Wilcoxson’s other writings as “Prince of York” can be read as a standalone piece. ...more |
Notes are private!
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1
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Jun 06, 2020
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Jun 07, 2020
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Jun 08, 2020
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Kindle Edition
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| unknown
| 3.71
| 265
| 2018
| Feb 26, 2018
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liked it
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The Woodville family was certainly a “love them or hate” – lot. Some viewed the family as upstarts and hated Elizabeth Woodville for catching the eye
The Woodville family was certainly a “love them or hate” – lot. Some viewed the family as upstarts and hated Elizabeth Woodville for catching the eye of King Edward IV and becoming queen. Some felt pity for the disappearance of the princes Richard and Edward. While other were thankful for Princess Elizabeth uniting York and Lancaster when she married King Henry VII. However one feels; the Woodvilles were certainly the talk of the town and still are, even today. Samantha Wilcoxson focuses on Elizabeth Woodville in the novella, “Once a Queen: A Story of Elizabeth Woodville”. Unlike the novella “The Last Lancastrian” which served as a prequel to the ‘Plantagenet Embers’ novel, “Plantagenet Princess, Tudor Queen”; “Once a Queen” is a companion/supplement narrative flowing alongside the novel but from the perspective of Elizabeth Woodville (Elizabeth of York’s mother). In fact, “Once a Queen” is suggested to be read after the novel as it contains spoilers and alternate hypothesis that could otherwise confuse reader if read beforehand. Wilcoxson even includes exact passages from “Plantagenet Princess, Tudor Queen” in “Once a Queen” but elaborates on Elizabeth Woodville’s actions and view rather than her daughter’s psyche and thoughts. This helps to create a fuller look and understanding of all the events that took place. “Once a Queen” feels slightly ‘forced’ and rushed, lacking the organic ease of its predecessor novella, “The Last Lancastrian”. Wilcoxson admits to not building a secure connection with Elizabeth Woodville making the absence of this foundation quite evident on the pages of “Once a Queen”. Simply, readers can tell which characters Wilcoxson meshes with and which are surrounded by boundaries as these are passed along in the narrative. Wilcoxson highlights “Once a Queen” as a retelling and alternate history exploring “could have” – speculation. The events within the story are therefore meant to provoke possibilities and are not a definitive historical account or recap. Those readers preferring a heavy focus on history and being experts on the subject may find some of Wilcoson’s streams to be too exaggerated and best to be taken with a grain of salt. The conclusion of “Once a Queen” is flat and devoid of any emotive energy but it does play well with “Plantagenet Princess, Tudor Queen” and encourages readers to switch off between the novel and novella. Wilcoxson strengthens “Once a Queen” with an afterward, suggested reading, and an author’s note. “Once a Queen” is an alternate take on Elizabeth Woodville and her scheming of events that is meant more for historical entertainment than a firm recap. “Once a Queen” is a quick, one-hour read suggested for readers of the ‘Plantagenet Embers’ series. ...more |
Notes are private!
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1
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Jun 05, 2020
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Jun 05, 2020
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Jun 07, 2020
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Kindle Edition
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| 3.87
| 246
| 2017
| Oct 16, 2017
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it was amazing
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Richard Neville (The Earl of Warwick) is known in prosperity as the “Kingmaker”; but he is not the only one who can claim such a title. Margaret Beauf
Richard Neville (The Earl of Warwick) is known in prosperity as the “Kingmaker”; but he is not the only one who can claim such a title. Margaret Beaufort – the mother of the King Henry VII – is inarguably the schemer who helped Henry gain his crown and thus making her the matriarch of the Tudor family and dynasty. Margaret has a firm boxed-characterization as a stern, highly-religious, emotionless, cunning, clever, pompous, formidable woman who would do whatever it takes to forward her son. But, was there more to Margaret? Samantha Wilcoxson seems to think so and presents a more complete picture in the novella, “The Last Lancastrian: A Story of Margaret Beaufort”. “The Last Lancastrian” serves as a prequel to “Plantagenet Princess, Tudor Queen” (the first novel in the ‘Plantagenet Embers’ series) but is actually best read after completing the novels in order to gain a full, rounded impact. “The Last Lancastrian” is told from Margaret’s view which contrasts the voices in the subsequent novel allowing for readers to gain a full-grasp on the subject. Wilcoxson expertly dives into a narrative filled with strong visuals and a vivid tale that is immersive and utterly captivating. Novellas often run the risk of either being too forceful (trying to squeeze too much into a small space) or being inherently empty. Wilcoxson excels at a seamless, smooth-flowing, organic piece that doesn’t fall victim to either issue. “The Last Lancastrian” has a fully bewitching tone and pace. The characterization of Margaret Beaufort conceptualized by Wilcoxson is refreshing with the author offering the typical Beaufort descriptor traits but adding elements that make Margaret more real and accessible. Margaret’s real-life actions are thus more understandable and receive an atypical clarity. Plus, the grey areas to her personality are revealed instead of the standard black and white. Once again, Wilcoxson does this with ease even in a small, constricted medium. “The Last Lancastrian” works well with setting up its partner novel while also encouraging readers to research Margaret Beaufort, separately. “The Last Lancastrian” is a solid introduction to Margaret but doesn’t dummy down the topic, making it also suitable to readers well-versed on the figure. The conclusion of “The Last Lancastrian” is a proper set-up to “Plantagenet Princess, Tudor Queen” but the novella is so delicious; that it is simply a shame that Wilcoxson didn’t pen “The Last Lancastrian” as a full-cover novel. Both Margaret and the plot in the novella are gripping and a full-length novel would have been quite a winner. Wilcoxson supplements “The Last Lancastrian” with an ‘Author’s Note’ and some additional reading materials. “The Last Lancastrian” is a beautiful, terrifically-written, organically-contrived novella that works hand-in-hand with “Plantagenet Princess, Tudor Queen” but is suggested to be read after the novel’s conclusion. Wilcoxson opens up Margaret Beaufort and adds multiple layers to her persona easily and naturally even on a tiny, novella scale. “The Last Lancastrian” is riveting and suggested for all English history lovers and those reading the ‘Plantagenet Embers’ series. ...more |
Notes are private!
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1
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Jun 04, 2020
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Jun 05, 2020
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Jun 04, 2020
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Kindle Edition
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| 1542639360
| 4.15
| 403
| 2017
| Apr 12, 2017
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it was ok
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I’m an individual who tends to go against the grain and not follow the Sheeple crowd. While most dislike Mary Tudor (daughter of Katherine of Aragon a
I’m an individual who tends to go against the grain and not follow the Sheeple crowd. While most dislike Mary Tudor (daughter of Katherine of Aragon and King Henry VIII); I understand her plights, pains, and the clarity of propaganda against her allowing me to respect and even ‘like’ the woman. At the end of the day, England’s first reigning Queen is often vilified rather than given a voice. Samantha Wilcoxson attempts to remedy this in the third installment of the ‘Plantagenet Embers’ series with, “Queen of Martyrs: The Story of Mary I”. Wilcoxson’s third novel in the ‘Plantagenet Embers’ series follows the stylistic mold of its predecessors of diving immediately into the thick of a story highlighting a figure not often given a loud enough microphone. “Queen of Martyrs” picks up where “Faithful Traitor” concluded but can easily be read as a standalone novel. Wilcoxson doesn’t fail in providing a rich narrative with floral, literary language; creating detailed visuals. One cannot accuse Wilcoxson of being a poor writer. “Queen of Martyrs” focuses on the history of events rather than an insurmountable amount of fluff but is, unfortunately, the novel in the ‘Plantagenet Embers’ series that seems to slip more to that end of spectrum. The pages are somewhat flat in drama and with its attempt to visualize Mary’s personal feelings. These aren’t necessarily complaints against the strategy itself; but merely bringing attention to the absence of character growth. Mary is quite weak within “Queen of Martyrs” which is certainly the opposite of Wilcoxson’s intent when bringing her to life. ‘Flat’ can also be used to describe the pace of “Queen of Martyrs” which is repetitive and glosses over the historical events and passages that could have been gripping and thus progressed the narrative. “Queen of Martyrs” is best for readers looking for an introduction to Mary’s reign rather than an in-depth look. It should be noted that Wilcoxson changes some of the historical chronology in “Queen of Martyrs” to suit her needs. This isn’t a detrimental trait (as it is commonplace in historical fiction novels); but it does stick out to readers well-versed on the subject. “Queen of Martyrs” takes until the three-quarters mark to develop more articulated depth and more layers to Mary’s characterization. At this point, the novel picks up its pace and simply: is more interesting but some might say this is too little, too late. Furthermore, Wilcoxson’s target aim to rehabilitate and renew Mary’s reputation fails as Mary is portrayed as overly simple-minded and feeble. Even though Mary was certainly kinder than her ‘Bloody Mary’ image; she was more formidable than Wilcoxson’s portrayal which doesn’t do Mary justice. “Queen of Martyrs” includes some fictional steams (spoiler: Mary’s romantic feelings toward Reginald Pole) which on one hand are contrived but on the other are thought-provoking on a “What if?”- angle making Mary more relatable as woman and not just as a one-dimensional queen. Wilcoxson successfully avoids the propaganda surrounding Mary; opening readers to the perspective of alternate views rather than mere falsities. The conclusion of “Queen of Martyrs” misses an opportunity to be truly memorable and emotive but nevertheless is decently rounded. Wilcoxson provides an Afterword explaining the historical liberties within “Queen of Martyrs”, an Author’s Note, and a few suggested reading materials. “Queen of Martyrs” is the weakest of the ‘Plantagenet Embers’ series being somewhat empty, thin, and underdeveloped. However, this comes from a reader whom is very well-versed on Mary and preferring a historical-heavy account with multiple layers. “Queen of Martyrs” is terrible: but simply recommended more for a lighter read or as an introduction to Mary. ...more |
Notes are private!
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1
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May 30, 2020
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Jun 02, 2020
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May 30, 2020
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Paperback
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my rating |
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| 4.51
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not set
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Aug 16, 2024
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| 3.80
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liked it
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Sep 2024
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Aug 10, 2024
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| 4.23
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not set
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Jun 20, 2024
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| 4.23
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did not like it
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Feb 27, 2024
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Aug 09, 2023
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| 3.89
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really liked it
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Aug 08, 2022
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Jul 25, 2022
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| 4.29
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liked it
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Sep 06, 2022
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Apr 20, 2022
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| 4.34
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really liked it
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Nov 13, 2022
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Mar 27, 2022
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| 4.15
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it was amazing
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Jun 12, 2024
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Mar 05, 2022
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| 4.21
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liked it
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Nov 16, 2021
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Nov 08, 2021
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| 4.10
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it was amazing
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Feb 07, 2022
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Aug 25, 2021
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| 4.12
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it was amazing
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Mar 12, 2024
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Feb 25, 2021
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| 3.91
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it was ok
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Jan 22, 2021
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Jan 16, 2021
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| 4.42
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liked it
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Dec 27, 2020
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Dec 22, 2020
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| 4.62
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really liked it
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Mar 26, 2024
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Nov 22, 2020
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| 4.12
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really liked it
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Oct 30, 2020
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Oct 20, 2020
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| 4.58
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really liked it
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Jul 05, 2020
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Jun 29, 2020
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| 3.66
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it was amazing
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Jun 07, 2020
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Jun 08, 2020
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| 3.71
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liked it
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Jun 05, 2020
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Jun 07, 2020
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| 3.87
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it was amazing
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Jun 05, 2020
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Jun 04, 2020
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| 4.15
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it was ok
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Jun 02, 2020
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May 30, 2020
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