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| 1668023776
| 9781668023778
| 1668023776
| 4.51
| 8,444
| Sep 17, 2024
| Sep 17, 2024
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None
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Notes are private!
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0
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not set
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not set
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Aug 16, 2024
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Hardcover
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| 0062825232
| 9780062825230
| 0062825232
| 4.43
| 6,265
| May 14, 2024
| May 14, 2024
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it was amazing
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When I was a pint-sized 4-year old in the late 80s living in the heart-shaped state of the US (Ohio); I wasn’t playing with Barbie dolls or pretending
When I was a pint-sized 4-year old in the late 80s living in the heart-shaped state of the US (Ohio); I wasn’t playing with Barbie dolls or pretending to be a princess and instead developed my first musician crush (Axl Rose) and was ballsy enough to ask my mother if I could attend a Guns N Roses concert (clearly, that was a ‘no’). As we entered the 90s, I wore Chucks and plaid, watched “Daria” and “Beavis and Butthead” and my favorite bands were Nirvana, Stone Temple Pilots, Pearl Jam, Soundgarden and Blind Melon. I was in elementary school learning basic subjects but was already a full-blown grunge rocker chick. Aside from a detour when I was obsessed with boyband 98 Degrees in high school (I still am!); I never outgrew this version of myself. During this time, I started to listen to punk music, become interested in the punk movement and was introduced to feminist punk band, Bikini Kill. Lead singer Kathleen Hanna fascinated me and I thought she was simply the coolest. Flash forward to my college years when I was now working in the music industry and I heard about a band, Le Tigre from the music magazine I was working under. Who was in the band? None other than Bikini Kill’s Kathleen Hanna! It also came on my radar that Kathleen had married Adam Horowitz (Ad-Rock) of Beastie Boys fame. So, obviously, she was still cool as eff. Well, ladies and gents, Kathleen Hanna (currently touring with Bikini Kill at the time of this review) has stepped forward ready to offer new revelations of her punk rock life with her first memoir, “Rebel Girl: My Life as a Feminist Punk”. Musician memoirs tend to fit two camps: they are either terribly written and are overflowing with heavily-inflated, entitled stories about sex, drugs and rock n roll or they are penned considerably well but are monotone and ‘boring’ in terms of content often begging the question, “Why did you even write this? Did you need extra cash?” It is fair to go into such reading with an open state of mind but not necessarily expecting the best. Well, fear not because Hanna delivers one of the best celebrity memoirs actively in the top of its class – and I’ve read MANY. Although chronological in format, “Rebel Girl” takes a narrative story approach and flows like a collection of perfectly assembled literary short stories. Her writing is concise but image-laden, to the point but offering the perfect ratio of details at the same time, spunky but also sweet and thoroughly engrossing the reader. I was often late to my engagements and even over-boiled a pot of water because I couldn’t stop reading. Hanna allows the reader to jump into the pages and feel as though they are living the events with her being genuinely emotive with her writing. None of this should be surprising as Hanna is a songwriter and a creative; but “Rebel Girl” is truly outstanding when it comes to famous figure memoirs. Hanna doesn’t censor herself from divulging hot topics such as drugs, rapes, borderline inter-family incest/sexual assault, abortions, the feminist movement and fellow musicians like the late Kurt Cobain, Ian MacKaye of Fugazi, Joan Jett and Kim Gordon of Sonic Youth. Unlike her memoir-writing peers, however, Hanna doesn’t name drop or attempt to create sensationalism – this was simply her life. In fact, Hanna often glosses over details regarding these big names (how they met, her inner thoughts/feelings toward these individuals, etc) leaving readers with some unanswered questions that is obviously meant to make sure she DOESN’T come off as boastful. This does bleed over to other topics in “Rebel Girl” where Hanna drops a bomb nonchalantly and doesn’t elaborate leaving some reader dissatisfaction and chaos in her trail but I suppose this is very punk rock of her and she can discuss (or not discuss) whatever the hell she wants. “Rebel Girl” features very short chapters (some as condensed as 1-2 pages) which generally create a disjointed and clunky piece in the hands of other writeres but just like everything else Hanna does: it works to the benefit of “Rebel Girl”. The memoir is smooth and makes perfect sense with a timely and exciting heartbeat. Also noticeable, although luckily not overdone, is Hanna’s habit of over explaining herself and overly wanting to show that she is ‘woke’ and not racist and how the Riot Grrl movement she started got out of hand. I understand her need to show her sensitivity but calm down, we get it. You don’t have to be so defensive. No one is accusing you of being a bad person. “Rebel Girl” does suffer from a slight cool down in the latter chapters revealing the timeline of falling in love with Adam while he was still married (BAD!!!!) and the days of Le Tigre and Julie Ruin. Something about the storytelling seemed ‘empty’ in comparison to the former pages and was missing the same magical pizzazz even being repetitive. This is redeemed as Hanna highlights her medical issues and Lyme Disease diagnosis but it is fair to say the concluding chapters aren’t as titillating. Hanna concludes “Rebel Girl” with a sort of self therapy analysis of her life/ways and cements that she is STILL a work in progress even in the fifth decade of her life and as a mom of an adopted son, Julius. This felt slightly abrupt and cut- off but also made sense in the context. “Rebel Girl” is buttressed with black and white photos throughout and a section of color photo plates (although the captions/descriptions for the photo plates are in the back of the book and not conducive to flipping back and forth just to decipher who/what is in each photo). Hanna’s “Rebel Girl” is a stunningly, crisply constructed memoir that packs a punch with vivid storytelling but also stays in its lane. Even though "Rebel Girl" isn't 'perfect'... it is certainly teetering on the edge. “Rebel Girl” is recommended for all Bikini Kill/Kathleen Hanna fans, early 90s music aficionados, those interested in the feminist movement and general celebrity memoir seekers. ...more |
Notes are private!
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1
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Aug 17, 2024
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Aug 23, 2024
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Jun 30, 2024
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Hardcover
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| 1668009048
| 9781668009048
| 1668009048
| 3.86
| 472,647
| Oct 24, 2023
| Oct 24, 2023
|
really liked it
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The current pop princess – and probably owner of the planet – may be Taylor Swift; but she inherited that bejeweled crown from Britney Jean Spears. Br
The current pop princess – and probably owner of the planet – may be Taylor Swift; but she inherited that bejeweled crown from Britney Jean Spears. Britney was EVERYWHERE in the late 90s/early 2000s: men wanted her and women wanted to be her. Her star may have dimmed slightly; but she never left the hearts of my generation. In most recent times, Britney was in the media due to the #freeBritney movement coordinated by her fans to remove her conservatorship held by her awful, evil father (yes, I went there. I hate him even more after reading this text) which won Britney her freedom after 13 years. Now was the time for Britney to finally tell her side of the story and it came in the form of the eagerly-anticipated, highly publicized memoir, “The Woman in Me”. Even though the media feeding frenzy behind “The Woman in Me” (even without Britney ever doing any press) basically spoiled the entire memoir by disclosing all the juicy tidbits; a general sense of urgency and excitement still surrounds the memoir. “The Woman in Me” follows a standard, chronological timeline starting with Britney’s family tree, childhood and upbringing in Kentwood, Louisiana. Initially, “The Woman in Me” brings a slight wave of disappointment as Spears doesn’t seem to effectively detail her life nor reveal her inner psyche/emotions either at the time of the events or in hindsight. The narrative is glossed over and is too vague: less than what readers would expect (I will return to this later). It is said that several ghostwriters participated in the compilation of “The Woman in Me” and therefore their writing skills can be questioned over that of solely placing the blame on Spears. On the other hand, “The Woman in Me” manages to capture her tone and voice and this successfully builds a connection with Spears even despite the light start. Spears remedies this filtered storytelling by becoming more comfortable with her chronicle as “The Woman in Me” proceeds. She acknowledges all the key points, salacious gossip and events fans are familiar with; while unveiling what was simultaneously happening behind the scenes that were hidden from view. This not only makes events more clear; but unwraps the person that Spears is, overall, making her more relatable and understood. “The Woman in Me” stands out among celebrity memoirs in a couple ways that also highlights the moral code that Spears seems to hold herself to: 1) Traditionally, most celebrity memoirs name drop other celebrities and try to make their own popularity strengthen with their Hollywood ties/friends. Spears rarely does this and even when mentioning other famous figures; it is almost in-passing or simply not in an obnoxious way. This is exemplary as Spears could have certainly spilled scandal on EVERYONE. 2) High-profile figures fill their memoirs with a ‘woe-is-me’ – attitude never taking accountability for their own deeds (including drug use) and point fingers at everyone else wanting a pity party. Spears is not guilty of this in “The Woman in Me” and instead makes it a point to express that she knows she isn’t perfect, has had her fair share of wrong-doing but that her ‘punishments’ aren’t in-line with her actions and have been over the top/undeserved. Spears could have also stormed on a rage-filled binge cussing everyone and anyone out for all of the negativity in her life (including the conservatorship) – I know I would have if I was behind the pen of the memoir! In fact, the media made it appear as this would be the case: Britney finally getting revenge! This is not how “The Woman in Me” goes down at all with Spears being cautious and polite in her telling of events. Actually, she is TOO nice! The figures in her life would have deserved some of the crass comments that could have filled the text. This not only elevates “The Woman in Me” above some tabloid fight on the memoir shelves; but also demonstrates the strength of character and maturity that Spears encompasses. The metaphorical volume reaches a crescendo when Spears dives into discussing her existence during her conservatorship, the roles her mother, father and sister, Jaime Lynn, played; her reactions to learning of the #freeBritney movement in real time and her eventual court case and freedom to where she stands today. It is at this point that Spears (and perhaps her ghostwriting team) shout everything from the rooftops. The text is emotive (I admittedly shed a tear at one point, truly feeling for her grief), resonating, philosophical and multi-layered with depth. These latter chapters of “The Woman in Me” are clearly the star of the entire piece. To return to the earlier point about the former portions of the text being rushed, thin and vague: it becomes obvious with the chapters focusing on the conservatorship and her current life; that this was done with intention. It is obvious that “The Woman in Me” isn’t a true memoir. Spears didn’t really care to talk about her entire life and the fans basically know it all, anyway. The whole point of “The Woman in Me” was to finally expose her side of the conservatorship and how it killed her entire spirit and almost made her suicidal. The biography pages are merely to set-up to solidify how awful her family and the people around her already were within the roots. When viewed in this way, “The Woman in Me” is very powerful and critical for all women (and men, too) to read in order for a victim to have a voice. “The Woman in Me” most definitely concludes in a manner that forces readers to consider those around them and that the expression holds true that, “We don’t know what others are struggling with”. “The Woman in Me” does NOT contain a section of photo plates as common in memoirs but it isn’t necessary as everyone has seen a million photos, videos, etc; of the likeness of Britney Spears since 1998. “The Woman in Me” is a super-fast read and isn’t a literary masterpiece; but it is a vital read for all fans of Britney Spears and pop culture. It is also important on the level of feminism as “The Woman in Me” touches upon the double-standards in today’s society against women and the privileges that men hold. Note:“The Woman in Me” was toggling at 3.5 but in lieu of half-stars and due to the strength of the latter chapters; I have rounded up to 4 stars. ...more |
Notes are private!
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1
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Dec 16, 2023
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Dec 17, 2023
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Oct 24, 2023
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Hardcover
| ||||||||||||||
| 1250890977
| 9781250890979
| 1250890977
| 3.81
| 22,679
| Oct 24, 2023
| Oct 24, 2023
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it was amazing
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I don’t care what you claim as your gender, sexual orientation or sexual identification; I am convinced that EVERYONE is either in love with or wants
I don’t care what you claim as your gender, sexual orientation or sexual identification; I am convinced that EVERYONE is either in love with or wants to be John Stamos. My ex-boyfriend worked as a Set Dresser on the show, “Grandfathered” starring Stamos and he would text me from on-set with stories or sneaking photos. This is something he would normally never do because it is below his professional grade; but my ex knew it made me squeal with jealousy. I even learned that Stamos married his current wife a couple miles from my apartment here in the San Fernando Valley area of Los Angeles. Stamos began making girls scream in the 80s as a teen heartthrob on “General Hospital”, capitulated to fame with “Full House” and showed off his musical chops while touring (and still touring) with the Beach Boys and other musical acts. He’s performed on Broadway, produced sitcoms and started in several television programs and films. Is there anything Stamos HASN’T done?! Writing a book is one; but this can be checked off the list with the heavily-anticipated memoir, “If You Would Have Told Me” where Stamos invites readers into his life and shows that he is more – much more – than just a handsome face. Most Hollywood celebrity memoirs follow the same exact format either A) a straight forward from-birth-to-now autobiography or B) essays expounding on various life lessons or humor incidents experienced in the said individual’s life. These memoirs are either very poorly-written (stick to your day jobs, celebs!) or too far ‘off’ from their real ‘voice’ due to an external ghostwriter. Plus, the texts usually try too hard to be comedic, overly name drop other famous people in a grossly narcissistic way and/or have a pity party about substance abuse. Even though “If You Would Have Told Me” fits into the B option of formatting; it is NOT a victim of the latter crimes. Stamos DOES begin “If You Would Have Told Me” with an intro into his life starting with his highly-publicized DUI and peppers the story with details mentioning his fancy car or popularity which can be off-putting for some readers (myself included); but bear with Stamos. Once you breeze past this, it is obvious that Stamos isn’t fishing for compliments or avoiding fault but rather is doing the opposite: laying his obvious insecurities on the table. Stamos is NOT the typical Hollywood douchebag and is actually ‘a good guy’ with depth that goes far beyond that gorgeous, dark complexion. Beware that the urge to mention expensive cars or hot spot restaurants does continue to occur within “If You Would Have Told Me” but it is tolerable due to its low ratio opposite much more substantial text. “If You Would Have Told Me” follows a chronological timeline but doesn’t highly focus on a straight-forward life or career re-telling. Stamos highlights both these personal and professional stories but infuses the text with psychological and even philosophical meanderings. Using this method, Stamos reveals his inner self and surprises readers with his complexity and spirituality. Don’t fret that Stamos is pretentious, as that is not the case. “If You Would Have Told Me” is quite organic, accessible and personable. Stamos is intelligent and nuanced but he also has his humorous side and is conversational with readers. There is something very special about “If You Would Have Told Me”; but perhaps this is because there is something very special about Stamos, himself. Stamos has been very forward during the entire writing process that he worked alongside ghostwriter Daphne Young and has paraded her writing prowess in being able to capture his voice. This is 100% true of “If You Would Have Told Me”. Instead of the typical dissonance between ghostwriters and celebrities where readers can obviously tell, “So-and-so doesn’t talk like this!”; “If You Would Have Told Me” is so aggressively the embodiment of Stamos that readers can hear his voice through the text. It is truly a surprise that there is a ghostwriter, at all. Daphne Young certainly deserves props! The narrative of “If You Would Have Told Me” is compelling, gripping and is a strong page-turner. I found myself distracted and ‘running late’ to appointments because I had to read a few more pages of this magical memoir! Stamos is raw and shares the lessons he’s learned but isn’t above admitting his faults, fears, pains and confusions with life. These truths carry “If You Would Have Told Me” and is empowering to readers in a healing sort of way. Ironically, “If You Would Have Told Me” can be compared in substance and style to his “Full House” co-star Andrea Barber’s memoir, “Full Circle: From Hollywood to Real Life and Back Again” (sidenote: I wrote Barber a raving review on here and she personally thanked me for my review!). Stamos exemplifies a mature, grown-ass man by not focusing on sex, drugs, rock-n-roll, gossipy celebrity party stories or salacious rumors. Yes, Stamos mentions of some of this; but it is somewhat in passing and not glorified. In fact, Stamos sometimes cuts stories off or doesn’t dive into deep enough detail leaving readers with some unanswered questions but this could be due to privacy reasons which is understandable as Stamos doesn’t have to tell us everything (even if we wish he did!). Related to this, don’t expect countless “Full House” (or “Fuller House”) behind-the-scenes stories as Stamos hardly discusses that aspect of his life excluding his relationships with Bob Saget and Dave Coulier which he mentions often. This might be disappointing for fan readers of “If You Would Have Told Me” but again, the highlight of “If You Would Have Told Me” is the ability to go above the glitz and glamour and dig deeper. There IS a major “Full House” blunder, however. Page 123 recalls Mary Kate and Ashley Olsen playing Michelle Tanner, “As identical twins, they can take turns sharing short takes without spending long hours on the set.” Mary Kate and Ashley are FRATERNAL twins and NOT identical! This has been discussed about 29084578956089234897509 times. How the heck did Stamos, Ms. Daphne Young and an editor allow that to make it to publishing!? Yikes! Stamos kept the most emotive chapters for last, surrounding such events as the death of his mother, the passing of his ‘brother’ and co-star Bob Saget and his marriage to Caitlin and birth of their son, Billy (named after his father). Stamos is unfiltered and human in his expressions and readers will shed tears (at least, I did). This concludes “If You Would Have Told Me” in a memorable and magnetic way that truly reveals the humble and amazing man that is John Stamos. "If You Would Have Told Me" contains not just one but TWO sections of glorious photo plates. “If You Would Have Told Me” is an engaging and entertaining memoir but also hits the deeper, soul points that elevate it above fellow celebrity memoirs. Stamos is ‘real’ and more than the compartmentalized ego that Hollywood tries to make him. He is relatable with both talents and flaws and his actively learning alongside the rest of us. Although a relatively fast read; “If You Would Have Told Me” is a wonderful memoir and is recommended for all fans of John Stamos, “Full(er) House”, readers ripe with 80s and 90s nostalgia and those seeking a celebrity memoir with some depth. ...more |
Notes are private!
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1
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Nov 16, 2023
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Nov 19, 2023
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Sep 19, 2023
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Hardcover
| ||||||||||||||
| 1250878357
| 9781250878359
| 1250878357
| 3.74
| 64,202
| Jun 06, 2023
| Jun 06, 2023
|
liked it
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Most of us discovered Elliot Page in his titular lead role in the 2007 film, “Juno” (although he’d been acting since he was a small child). Nowadays,
Most of us discovered Elliot Page in his titular lead role in the 2007 film, “Juno” (although he’d been acting since he was a small child). Nowadays, the “Umbrella Academy” star graces the pages of the press for his declaration of being gay and his highly-publicized transition into a male body in order to match the gender he’s felt he should have been born. As an advocate on such subjects (Page is also fighting personal demons and promoting self-growth); Page certainly has a lot to say. Some of these truths are declared in Page’s debut memoir with, “Pageboy”. “Pageboy” is not the typical Hollywood memoir in that readers will discover less of a behind-the-scenes La La Land sensational romp and more of a therapy-session journal. Meaning, “Pageboy” takes on a thematic approach to Page’s life in which he mostly discusses his self-journey to come to terms with being gay and wanting to surgically transition into a male. Yes, there are some celebrity name-drops (Kate Mara, anyone?); but overall, “Pageboy” is a more complex memoir. Some readers have responded negatively to this stylistic format; but, in reality the mish-mosh chronology -essay style versus the straight biography timeline is becoming quite popular among celebrity memoirs and frankly helps alleviate boredom. The foundation is structurally sound and readers mentioning a difficulty in “following along” should accept that as a personal problem as it is truly not present in “Pageboy”. Page’s actual writing is quite elevated in comparison to his fellow celebrities who typically pen memoirs on an elementary-level and hire poor editors. However, “Pageboy” still suffers from some blatant flaws. Firstly, Page has the tendency to deviate from the topic on hand and over-detail tangents such as the architectural history of buildings. These paragraphs literally have nothing to do with his life or stories and are better fit for stage notes or for art department’s production call sheets. It is simply unnecessary and makes readers question the integrity of the editor in “Pageboy”. Second, Page is so massively guarded and insecure; that the majority of “Pageboy” is a retelling of his journey but without truly revealing his feelings, analysis of the situations or psyche. “Pageboy” is a therapy exercise of self-reflection rather than really being an asset to readers. Occasionally, the text comes off as ‘pointless’ if Page isn’t willing to “let readers in”. Isn’t that the whole point of a memoir – to allow readers to truly get to know and connect with the individual? There is an absence of a true acquaintance with Page. This can possibly be due to the fact that he is still on the path to truly discovering his own self-worth (his emotional struggle is still so evident) but again, that is the point of writing such a piece and not just to recall events. It isn’t until approximately page 160 that Page allows some of the walls to disintegrate but still not enough to resurrect “Pageboy”. Even though the media has promoted “Pageboy” as being a collection of juicy, sex stories – this is a total fabrication, misconception and marketing ploy. Yes, Page does mention sexual encounters, cum and body parts; but honestly, it is on a much more prude level than the memoir has been advertised. The most openly-sexual portion is the reveal of Page’s relationship with actress Kate Mara (while she had a boyfriend); but other than that, “Pageboy” is not at all raunchy. You will find more people doing the nasty in a hip hop video. The prime disappointment with “Pageboy” is Page’s negativity and, for the lack of a better term, whining. Page HAS, without a doubt, experienced bullying, hate, threats and discomfort from fans, family, friends and Hollywood executives/peers and obviously this was undeserved and NOT acceptable. There is no reason why, in the year 2023, the LGBTQIA2+ community has to deal with ANY of this. Who cares about anyone’s sexual orientation, preference or gender as long as they aren’t hurting anyone?! However, the rest of Page’s life hasn’t been ‘that bad’. My father was killed when I was only four years old, my mother brutally physically and emotionally abused me, she remarried several times with one stepfather raping me regularly at age eight, I have NO extended family as both mother and father were only children, I am first-generation in the US which makes it virtually impossible to succeed (it generally takes 2-3 generations for immigrants to truly be successful) and my list goes on. My life has been 100x worse than Page in these regards and yet she hardly EVER mentions anything positive, happy or joyful in “Pageboy”. It would be far more beneficial to readers if Page demonstrated a range of emotions and thus made “Pageboy” more complete. Again, I understand that Page struggled and still is with his sexuality and body and “Pageboy” serves as a mere reflection of this journey. My own memoir would also be a ‘Debbie Downer’. Even so, this makes Elliot seem a bit entitled, immature and ungrateful for the privileges he does possess. On the other hand, I did come away from “Pageboy” with a grasp of my own Cis-gender privilege which I never realized I have because it isn’t something I think about or notice. “Pageboy” is certainly helpful in this regard especially to those readers who reside in superficial Los Angeles like Page and I (I live in North Hollywood). Much of the content within “Pageboy” is repetitive in that the essays are basically the same experience/story but a different time/day serving to make “Pageboy” tedious and less eventful while reading. Page missed the mark on effectively reaching readers both on an emotional level or educating on the topic of transgender transformations. I learned more during an episode of TLC’s reality dating show, “90 Day Fiancé” when a male described his surgeries and feelings experienced while transitioning from a female. Page’s conclusion of “Pageboy” is equally ill-footed in the emotional realm and doesn’t truly stir readers. “Pageboy” is simply not as emotive, memorable and ally-building as suspected or expected. “Pageboy” is like a magazine editorial interview but without revealing his inner-self. Unlike standard Hollywood memoirs; “Pageboy” is devoid of a section of photo plates. This may be because Page doesn’t like viewing photos of his old body but even some images of his family, city in Canada he grew up, current photos, etc; would have been helpful while reading. “Pageboy” is not ‘bad’ and is most certainly better than many celebrity memoirs in the field. Page composed the proper foundation for a wonderful piece but he needed to let go and expand: be fearless! “Pageboy” is missing the magic that some of his peers managed to flare in their own memoirs. Despite this, “Pageboy” is suggested for fans of Elliot Page or those interested in the journey of a trans- individual. ...more |
Notes are private!
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1
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Jun 28, 2023
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Jul 03, 2023
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May 22, 2023
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Hardcover
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| 0593355423
| 9780593355428
| 0593355423
| 3.66
| 29,534
| Nov 15, 2022
| Nov 15, 2022
|
liked it
|
Lauren Graham is one of those artists who isn’t always in the limelight (perhaps because she doesn’t exhibit any saucy or ‘bad’ behavior); and yet her
Lauren Graham is one of those artists who isn’t always in the limelight (perhaps because she doesn’t exhibit any saucy or ‘bad’ behavior); and yet her name is recognized and beloved by all – especially those in the “Gilmore Girls” fan cult. Quick note: I am a proud member of said cult and attended the 2022 “Gilmore Girls” Christmas event at Warner Brothers studios where fans experienced an immersive holiday walk-through on the ‘Stars Hollow’ back lot set. It was one of the best days of my life. Her longevity in entertainment, sassy but not over-the-top humor coupled with a down-to-earth demeanor; makes her the best friend fans wish they could have. Lauren Graham delights readers with her third installment of essays in, “Have I Told You This Already?: Stories I Don’t Want to Forget to Remember”. Lauren Graham is far from salacious and this is reflected in her feel-good writing. Like her previous offerings; “Have I Told You This Already?” is not a gossip magazine, ultra-revealing, Hollywood sex and rock-n-roll memoir; but is rather a collection of stories that readers will find to be either insightful, entertaining or both. Graham’s tone is conversational and welcomes readers with open arms but there is still a clear filter where Graham doesn’t want to be too revealing. This is her right and prerogative; but it distances herself to some degree from her fans. As much as I adore Graham – and I truly do – “Have I Told You This Already” is a tad absent with the intrigue. Okay, bluntly, it is a bit boring. It is appreciated that Graham shares stories that are relatable, humble and believable; but there is little about the essays that are memorable or standout once the book is closed. That’s not to say Graham doesn’t pepper the pages with some cheeky humor and charm; but it fails to live up to her first memoir/essays (the second wasn’t that great either). “Have I Told You This Already” straddles the line between being a “regular person” and just not truly having much more to say. “Have I Told You This Already?” does contain some Hollywood-life tales but to the book’s advantage; they are described without any conceited snub and are told from the perspective of Graham not ultimately understanding the lifestyle; herself. This adds to her friendly persona and the ability for readers to connect with her being that few of her readers live the Hollywood life (I actually live in North Hollywood in LA so I understand a bit better the life she speaks of). Graham has the advantage of being a decent writer in terms of language and literary devices as, sadly, too often Hollywood memoirs/essays are written so poorly that someone should really tell the celebrities to stick to their day jobs. “Have I Told You This Already?” is readable and easy-to-understand by the general reader but not dummied down. The final two chapters/essays in “Have I Told You This Already?” take a noticeably striking turn with Graham diving deeper into her emotions and lessons than at any previous point in the text. It is at this time that readers finally experience the compelling essence and union with Graham that is initially missing and so desperately desired. If only the entirety of “Have I Told You This Already?” played out like the book’s conclusion; than the piece would be much more riveting and of value. There is honestly not too much to note about “Have I Told You This Already?”. The text is ‘cute’ and a light, quick read that die-hard fans will enjoy; but it is just middle-fare and not something to rush toward and most certainly not suitable for non-Graham fans only interested in Hollywood, in general. “Have I told You This Already?” is simply ‘okay’. Sorry Lauren- I still love you! ...more |
Notes are private!
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1
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Jan 2023
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Jan 05, 2023
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Aug 01, 2022
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Hardcover
| ||||||||||||||
| 1647225191
| 9781647225193
| 1647225191
| 4.34
| 313
| May 10, 2022
| May 10, 2022
|
really liked it
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Mention the early 2000s Amy Sherman-Palladino episodic series “Gilmore Girls” and most every woman in their late 30s/early 40s will brighten with glee
Mention the early 2000s Amy Sherman-Palladino episodic series “Gilmore Girls” and most every woman in their late 30s/early 40s will brighten with glee. This demographic is still binge viewing the show for the 800th time even 20 years later. It’s me. I’m one of these women. I was/am utterly obsessed with “Gilmore Girls” and was living a parallel life with the character of bookish Rory as I was the exact age as Alexis Bledel’s on-screen teenager during the show’s airing. Flash forward 20 years and I have now surpassed her mother, Lorelai, in age (head trip!) played by Lauren Graham. One of the reoccurring themes of the spit-fire, fast-talking show set in fictional Stars Hollow, Connecticut is: food. From junk food eating Rory and Lorelai, Luke’s Diner, Friday night dinners with Richard and Emily and everything in between; the Gilmores loved to eat! Fans can take a food journey with GG in, “Gilmore Girls: The Official Cookbook” collaborated by Elena P. Craig and Kristen Mulrooney. Like its peers in the Hollywood television-inspired cookbook genre; “Gilmore Girls: The Official Cookbook” is a hard-cover, high-resolution colorful graphic feast exuding charm and whimsy with tie-ins to the series that will satisfy hard-core fans. However, this is where comparisons end and “Gilmore Girls: The Official Cookbook” ups the ante and surpasses the crowd. Unlike other similar cookbooks in which recipes are inspired by characters or episodes of their respective show; “Gilmore Girls” featured actual food, meals and restaurants and thus “Gilmore Girls: The Official Cookbook” highlights these dishes bringing the series to life through food. Readers are transported to Stars Hollow and beyond – such as to Yale with Rory – and feel as though they are frolicking alongside the characters. “Gilmore Girls: The Official Cookbook” is divided into chapters on a topical basis (Luke’s Diner, The Independence Inn/ The Dragonfly Inn/Sookie St. James’s Creations, A Stars Hollow Potluck, Lorelai and Rory’s House, Beyond Stars Hollow) with each recipe exploring an actual food item from an episode. Accompanied with laugh-out-loud introduction summaries by Craig and Mulrooney with references all fans will remember and notable script quotes; “Gilmore Girls: The Official Cookbook” is truly a fan’s dream come true. The recipes cover a satisfying array of silly to more high-end and a smorgasbord of beverages, appetizers, salad, soups, entrees and desserts. Although some of the recipes follow more intricate instructions; all are easy-to-understand and with accessible ingredients to the average cook. Also helpful are the beautiful food-porn images paired with the majority of the recipes. Craig and Mulrooney’s “Gilmore Girls: The Official Cookbook” is not without some weaknesses, however. The authors are slightly inconsistent in recipe detail with some reading as vague while others are overly detailed. For example, four different methods for pasta dough production in a single recipe using a variety of kitchen gadgets are not unusual while the next recipe may essentially be two steps. The recipes would have also benefited from additional information such as listed prep/cook times at a glance and nutritional facts. Even though “Gilmore Girls: The Official Cookbook” doesn’t diminish in value without these supplements; they would have strengthened the collection. Gilmore fans will also be disappointed by the absence of excessive “Gilmore Girls” photos, tidbits and bonuses but this is a cookbook, after all, and not a behind-the-scenes tome concerning the series. Craig and Mulrooney conclude “Gilmore Girls: The Official Cookbook” with fortifications including dietary considerations regarding the original preparations, glossary of terms, measurement conversions and a space for reader notes. “Gilmore Girls: The Official Cookbook” is not necessarily a culinary adventure but it is a delightful romp that brings the nostalgia of “Gilmore Girls” to life. “Gilmore Girls: The Official Cookbook” is thus recommended for all GG fans and is most certain to induce laughter and joy. ...more |
Notes are private!
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1
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Nov 10, 2022
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Nov 13, 2022
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Mar 27, 2022
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Hardcover
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| 0316119636
| 9780316119634
| 0316119636
| 4.52
| 427
| unknown
| Jun 28, 2022
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None
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Notes are private!
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0
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not set
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not set
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Jan 24, 2022
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Board Book
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| 0063056232
| 9780063056237
| 4.13
| 39,499
| Apr 12, 2022
| Sep 22, 2020
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really liked it
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* This review is for an ARC copy of “Hello Molly” won through Goodreads Giveaways. This copy may differ from the final published text* Three- time Emmy * This review is for an ARC copy of “Hello Molly” won through Goodreads Giveaways. This copy may differ from the final published text* Three- time Emmy nominee and “Saturday Night Live” alum Molly Shannon is often dubbed as one of the funniest female cast members on SNL. However, her comedy, acting skills and personal life go far beyond superficial laughter and reveal layers upon layers of depth. Molly Shannon uncovers her inner- self in the autobiographical memoir, “Hello Molly”. “Hello Molly” wins the award for, “Most Intense Hollywood Memoir Opener” with Shannon eschewing a comedic or fluffy unoriginal introduction and instead dives into the traumatic tale of her living through a horrific car accident at age four that took the lives of her mother, baby sister and cousin with her father behind the wheel. Shannon doesn’t use this angle to garner pity or to convince readers that she is a warrior who has overcome odds (although she is that descriptor); but rather to connect with humans – even strangers- on the rawest level. Shannon is immediately bonded to readers with mutual respect driven from both sides. “Hello Molly” is certainly a page-turner from the get-go. Shannon follows a chronological retelling of her life on a very personal level. Although “Hello Molly” is somewhat choppy in its narrative and almost ‘incomplete’ in some of its storytelling; it ‘works’ and is actually all the more readable using this stylistic format. Shannon does fall victim to recapping her life with too much blunt, objective perspective rather than becoming very emotive with readers. Perhaps this is simply how she is as a person or it may be a defense mechanism. Typically, this can cause a disconnect with memoir readers; but that is not the case with “Hello Molly”. Shannon still manages to come alive and open her inner psyche even without being a walking anxiety attack. Still, a little more sentimental recall would have fared “Hello Molly” well. Those readers hoping for the standard Hollywood memoir dripping in gossip-y name-dropping and sex, drugs and rock-n-roll; will be slightly disappointed with “Hello Molly”. On the contrary, readers seeking a more spiritual understanding of Molly Shannon will be quite pleased. Again, the text is complex and yet offers an entertaining flair. There are occasional moments when “Hello Molly” is obviously written by Sean Wilsey with some repetition and varying tones. Even taking this into consideration, “Hello Molly” is quite consistent and steady in both its pace and storytelling. Shannon supplements “Hello Molly” with quotes and discourses from her loved ones giving their hindsight perspective of her and/or life events. Although this is a character reference literary device; it feels out of place in a nonfiction memoir. Fortunately, this tactic isn’t overdone nor does it diminish the value of Shannon’s writing. “Hello Molly” naturally focuses a suitable chunk on Shannon’s “Saturday Night Live” days giving readers a behind-the-scenes insight into her personal and professional growth during this period; plus explaining how SNL is produced. “Hello Molly” will satisfy fans of the repertoire program and Shannon’s individual fan base. Following Shannon’s SNL career highlight, “Hello Molly” reverts back to a more personal and visceral unveiling of her life and the death of her father; bringing “Hello Molly” back full-circle to the opening of the text and thus providing readers with a well-rounded experience. This concludes “Hello Molly” on a strong and memorable note solidifying its accomplishments over that of other celebrity memoirs. Although not featured in the ARC copy: the final version of “Hello Molly” will include a section of photo plates from Shannon’s life. “Hello Molly” is an intense, passionate and compelling look at Shannon’s life that deviates from the traditional Hollywood memoir. Shannon doesn’t ever implore the “woe is me”- pity party so common with celebrities nor the egotistical, conceited entitlement that also runs rampant in this scene. Rather, Shannon truly connects with readers showing that she is also human and treats readers like friends. Even with some flaws, “Hello Molly” is a delightful memoir and recommended for all Molly Shannon fans whether in passing or die-hards. ...more |
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1
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Apr 05, 2022
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Apr 08, 2022
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Nov 11, 2021
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Hardcover
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| 1984877925
| 9781984877925
| 1984877925
| 4.26
| 69,358
| Nov 09, 2021
| Nov 09, 2021
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it was amazing
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Everyone knows Will Smith: whether as a TV/film actor, musician/MC/rapper, writer, whatever multi-hyphenate you want to throw in there. Encouragingly,
Everyone knows Will Smith: whether as a TV/film actor, musician/MC/rapper, writer, whatever multi-hyphenate you want to throw in there. Encouragingly, what Smith isn’t known for is the typical Hollywood drama – sex, drugs, physical fights, run-ins with the law, etc. Smith is just an all-around talented and loveable dude. Right? Well, naturally there is more to Will Smith: much more. The side of Will Smith that he doesn’t overtly share with the public eye and quite honestly is a side that he tries to withhold even from HIMSELF. Smith finally opens up his true inner-self with the help of Mark Manson (author of, “The Subtle Art of Not Giving a F*ck”) in, “Will”. “Will” is not your run-of-the-mill Hollywood memoir in which a celebrity recounts his/her childhood, career, throws in dashes of “woe-is-me”-pity party complaining and boosts a self ego with fellow celebrity name-dropping. Rather, “Will” is a cathartic therapy session that combines elements of a biography, psychedelic stream of consciousness, self-journey revelations and personal diary. Yes, Smith DOES divulge his childhood background and his career fame – you will get the 411- but “Will” is so much more than a gossip column. Smith put blood, sweat and tears into the production of “Will” which he revealed in the limited YouTube-series, “Best Shape of My Life”. In fact, it is encouraged to watch the series before reading “Will” as it couples as a great prequel supplement to the text. Smith opens “Will” revealing the tapestry of his childhood which ultimately shaped the man that he is today along with the morals he holds true. Smith’s writing is vivid, colorful and grippingly-illustrative transporting the reader into the memories. However, the writing style utilized by Smith is somewhat choppy and apparent that he writes in a sort of ADHD-manner instead of a smooth consistent stream. This isn’t necessarily a harmful deterrent to the text but one that the reader simply needs to assimilate. Once that is done; “Will” becomes steady and accessible. Adding to this slightly disjointed nature; is the obvious interjections and content added by Mark Manson with a noticeable change in the toggle of writing between Smith and Manson. Perhaps this is something that would slip past most readers proving that it isn’t a jarring characteristic of “Will”. There is also some very obvious repetition in “Will” with Smith duplicating certain memories, phrases, or psychological meanderings but this seems more in the manner of his attempt at reminding himself; rather than in the realm of poor writing. Again, “Will” is more than a memoir and holds true to a therapy session and it needs to be viewed as such embracing the imperfections. Smith’s focus shifts to that of his career growth and future trajectory; highlighting comedic or noteworthy lessons he experienced in route. These give “Will” a strong value; but also offer an insight into who Smith is and how he got to this point in his life. Unfortunately, at this juncture, Smith decides to enthusiastically address himself as, “the biggest movie star on the planet” and similar ilk. Even if these less-than-humble bragging declarations can be proven valid with data and statistics; is this even necessary? Not to mention, feels very out of place in a piece that is overall ‘deep’, complex and not standard narcissistic Hollywood. It also seems Smith felt like he had to include such statements to keep his reputation and even he wasn’t comfortable. Or perhaps he was… who can really know but smith, himself. Either way, it is quite off-putting and weakens “Will”. Similarly, there are some cringe-worthy moments in “Will” (anyone paying attention to media coverage of Smith in late 2021 knows to what I am referring). Smith could have kept these confessions to himself as they are “too much” but his candor and willingness to be open with readers can, on the contrary, be applauded. On a positive note, even though Smith reflects on hardships and struggles he has endured throughout his five decades; he never throws a pity party and makes it clear that he realizes that others have had it much worse. This is very refreshing and starkly contrasts “Will” with other celebrity memoirs where entitled “stars” whine and moan about rich-people problems. The finalizing chapters of “Will” feel slightly empty and rushed in comparison to the former chapters but still conclude on a memorable note summarizing the text well. Readers truly feel they ride along with Smith and are familiarized with his inner-psyche until the very last drop. “Will” is supplemented with two sections of color and black-and-white-photo plates. Smith’s psychological and emotionally-drenched “Will” is not without its flaws but in relation to other Hollywood memoirs is a remarkable and moving piece that invigorates and demands respect. “Will” is recommended for all Will Smith fans and/or readers who enjoy celebrity memoirs. Note: I would give “Will” 4½ stars but in comparison to other celebrity memoirs and in lieu of half-stars; I have rounded up to 5. ...more |
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1
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Dec 17, 2021
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Dec 20, 2021
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Nov 11, 2021
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Hardcover
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| 1982168013
| 9781982168018
| 1982168013
| 4.21
| 81,078
| Oct 05, 2021
| Oct 05, 2021
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liked it
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I’m quite sure that regardless of your gender or sexual orientation; you have a crush on actor, producer, director, host, writer, foodie, bartender, f
I’m quite sure that regardless of your gender or sexual orientation; you have a crush on actor, producer, director, host, writer, foodie, bartender, father, brother, husband, etc etc; Stanley Tucci. I mean, look at him! JUST LOOK AT HIM! The man is a handsome devil, talented and witty to boot! Woo, is it getting hot in here, Goodreads? Jokes aside, Tucci is about as obsessed with food (ingredients, flavors, nuances, background history) as we are obsessed with his face. This is undeniable if you have watched an episode of Tucci’s CNN travel program, “The Search for Italy”. Tucci has already put his pen to two previous food-centric books and is back with a foodie memoir in, “Taste: My Life Through Food”. If you are searching for a typical Hollywood memoir focusing on a celebrity’s upbringing, profession in La La Land, gossip about sex, drugs, and rock n roll; and some ‘woe is me attitude’ coupled with, “I’m a better person, now”… Then “Taste” ISN’T for you. “Taste” doesn’t follow the ‘typical’ celebrity tell-all memoir and is instead a topical look at Tucci’s passion: food. Although Tucci DOES touch upon his childhood, celebrity-status and successes; it is through the lens of the food that graced his table, belly and made those events even more memorialized in his own mind. “Taste” is exactly what the title claims to be: nothing more and nothing less. “Taste” begins in a charming way setting the table (pun intended and achieved – haha, Tucci!) for a delightful read. Tucci jumps into his past as a child and hashes tales of his family and thus ultimately reveals how he became the man that he is today. In fact, he had such a lovely upbringing (I’m sure there are skeletons in the closet but “Taste” was simply not the time or place to reveal them); that readers with traumatic lives (such as myself) might be slightly triggered and envious. That being said; this simply means that Tucci is a wonderful storyteller and is able to bring a narrative visually to life. At this point, “Taste” is very emotive to the reader. Tucci’s writing is very accessible to the general audience and yet isn’t dummied down (let’s be real: many celebrities should stick to their day jobs and not attempt to write books). Tucci is intelligent and complex and yet infuses “Taste” with ample doses of comedy and humor sprinkled throughout to keep the reader smiling and enthused while maintaining that the material remains fresh. Even the occasional recipe is written in a way that encourages a chuckle. However, it is obvious that a ghostwriter was used in “Taste” even though one is not acknowledged. This is evident through the inconsistencies of the writing as “Taste” toggles back-and-forth with two different writing styles that is hard to ignore. You had some help, Tucci, didn’t you? It is okay to admit it! As “Taste” progresses, it begins to lose some steam and the boiling pot settles (another pun!). Tucci’s tales become quite repetitive and read exactly the same: “I ate here. I liked this dish. Then I ate here with this person. I liked or hated that.” Boring! There isn’t much excitement to be shared or a thesis to these experiences. It is also at this point that Tucci begins to name drop chefs, other foodies, and his celebrity friends which are consequentially tedious and too typical Hollywood. This type of behavior is seemingly ‘below’ Tucci and has little place in “Taste” therefore weakening the essence of the memoir. “Taste” could also benefit from a bit more emotion and insight as it sometimes feels too clinical and hyper-focused on the recap. It is clear that Tucci holds back in his attempt to focus on the food tales. This inhibits the reader from really diving into Tucci’s psyche and getting to know the real man- even if through food. It isn’t until the end of “Taste” when Tucci finally “opens up” and highlights his cancer diagnosis and the correlation with food, eating, and what he learned from his medical life trial. However, even this section still doesn’t shed as many layers as it should/could. Also absent from “Taste” is a section of photo color plates that seems to be the usual stylistic formula for celebrity memoirs. Although this isn’t a hugely tragic departure; it would have been nice. “Taste” does end in a memorable and ‘cute’ way rounding out the text and going full-circle to the beginning of the piece. This is done well on a writing level and with its attempt to connect with readers concluding “Taste” on a positive note. Tucci is a lovable man and my crush on his remains extant. However, “Taste”, although pleasant enough; is a bit too surface level and I expected a little bit more. “Taste” is a quick-read and suggested heartily for all Tucci fans but don’t expect to truly dive into the man’s diary and soul. ...more |
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1
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Nov 08, 2021
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Nov 16, 2021
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Nov 08, 2021
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Hardcover
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| 1368010687
| 9781368010689
| 1368010687
| 4.12
| 156
| unknown
| Sep 29, 2020
|
really liked it
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The world is filled with diverse opinions, preferences, tastes, and passions but there are some things that EVEYRONE loves despite race, color or cree
The world is filled with diverse opinions, preferences, tastes, and passions but there are some things that EVEYRONE loves despite race, color or creed. One of these consensual loves is none other than the hit sitcom, “The Golden Girls”. If you don’t/didn’t like “The Golden Girls”; then you truly are some sort of monster or beast. What is there not to love about snarky Dorothy, sexpot Blanche, naive but sweet Rose and sarcastic but wise Sophia? It has been almost 30 years since the last episode of this beloved television program aired and yet fans of all ages are as obsessed as ever watching “The Golden Girls” in syndication all over the world, every single day. Now, you can also cook with the lovely ladies - and more than just cheesecake- thanks to culinary expert Christopher Styler and photographer Andrew Scrivani in, “The Golden Girls Cookbook: 90 Delectable Recipes from Blanche, Rose, Dorothy and Sophia". Like the thousands of cookbooks gracing the shelves of foodies; “The Golden Girls Cookbooks” falls in-line with a glossy, full-color graphic presentation border-lining the art coffee table spectrum. However, “The Golden Girls Cookbook” stands out among the crowd with its comedic, fan-friendly approach and unique stylistic offerings via Styler. “The Golden Girls Cookbook” kicks off this golden food journey with a table of contents categorized by dish-type for ease of cookbook recipe identification; but the actual contents are split into sections based on each Golden Girl (starting with Dorothy, Rose, Blanche and lastly Sophia). Each section contains various dishes, beverages and desserts offering a well-rounded menu. The intriguing factors are in the details that are utterly delicious (no pun intended). Each girl’s section is parlayed to her character on the show with recipes that she believably would have concocted (such as Rose with Scandinavian farm recipes, Blanche cooking up Southern takes and Sophia highlighting her Italian heritage) or that go along with an episode plotline that true fans will remember. Most of the recipes are prefaced with a blurb introduction that allows the entire recipe to take on the tone of the respective Golden Girl while resulting in the reader visualizing them actually cooking. “The Golden Girls Cookbook” is a cooking guide but is inevitably also entertaining. In fact, Styler ups the entertainment ante by including small cartoon jokes and photos from the show alongside “Golden Wisdom” cooking and recipe tips. The clincher, though, is the jargon and writing style of the recipes. Instead of a rote instruction or professional outline; Styler uses a friendly, conversational narrative filled with humor. The recipes make the Golden Girls feel like they are your best friends telling you how to cook rather than a buttoned-up foodie chef. There is nothing stiff about “The Golden Girls Cookbook”. The selection of recipes is also ideal with few ingredients, simple-to-make and quick dishes mixing gourmet with classic favorites. Many of the recipes are healthy and are on-par with current diet food trends plus offer meatless versions. Even those readers with dietary restrictions such as myself (I am Celiac); will find it easy to substitute ingredients. There are some grievances with “the Golden Girls Cookbook” although they are minor. First, too many of the recipes contain mayonnaise (nasty!) but this is subjective to my personal taste. Second, not only are the photos a bit poor on quality and in an outdated food styling art; but there aren’t enough of them. Also absent are nutritional facts which are commonplace in most cookbooks. And where is all the cheesecake?! There are not enough cheesecake recipes. I don’t think the Golden Girls would have approved. “The Golden Girls Cookbook” is diverse in accommodation to serving size with some recipes serving larger parties while others are enough for singles or duos. This is notable as most cookbooks target family-sized groups and alienate smaller living arrangements. Readers beware: Sophia’s Italian section is not for the novice cook. The majority of the recipes are long and detailed with multiple, intricate steps. This section also features few reference photos so there aren’t enough visual aids to guide the reader to the final product. A small hiccup, but one that is noticeable, is a matter of layout: occasionally, ingredients are listed on the next page of multiple-part dishes even though the steps are concluded on the previous page. This is both confusing and not visually pleasing. Despite small flaws; “The Golden Girls Cookbook” is a charming and unique food journey based on “The Golden Girls” that is sure to delight all fans of the sitcom and projects the sense that you are cooking right alongside everyone’s four favorite gals. ...more |
Notes are private!
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1
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Oct 28, 2020
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Oct 30, 2020
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Oct 20, 2020
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Hardcover
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| 194867744X
| 9781948677448
| 194867744X
| 4.33
| 2,697
| unknown
| Apr 14, 2020
|
liked it
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One of my biggest celebrity crushes (and has been for quite some time) is Mike Rowe, best known as the creator and host of Discovery Channel’s, “Dirty
One of my biggest celebrity crushes (and has been for quite some time) is Mike Rowe, best known as the creator and host of Discovery Channel’s, “Dirty Jobs”. Not only is Mike gorgeous with a heavenly speaking and singing voice (Mike is a professional operatic singer and does voice-over work pretty much on the daily); but he is also a man’s man, not afraid to get dirty on the job site nor in Congress advocating for the job force economy. He is simply dreamy! When I was 22 (I am 36 at the time of this review); I had the amazing pleasure of speaking to Mike on the phone where I proceeded to tell his then forty-something-year old self that I would “so do him”. That’s my Mike Rowe claim to fame. He was very flattered, by the way. Mike has countless fans and has brought his parents – mother, Peggy and father, John- into the Hollywood circle and they have gained their own little Rowe Family stardom. Peggy, known for her sass and sarcasm; penned a best-selling book about her mother (Mike’s grandmother) and is back with a collection of stories about John (Mike’s father) in, “About Your Father and Other Celebrities I Have Known: Ruminations and Revelations from a Desperate Mother to her Dirty Son”. “About Your Father” is an apt title as the text is literally a collection of experience-stories surrounding John Rowe: some from Mike’s childhood and others taking place in more recent years. Stylistically, Peggy Rowe pens the tales as though she is telling them directly to Mike and that consequentially, readers are overhearing the gossip. Each story is confined to a single chapter (rather short) but is well-written and visually detailed with snippets of humor and snark. Yes, these stories are charming and generally interesting; but they would be most comedic to Mike himself in a, “You had to be there”- sort of manner. “About Your Father” is ‘cute; but perhaps for an older target audience. Rowe’s tone is friendly and conversational demonstrating her ease of connecting with the Rowe Family fans. Rowe is neither snooty nor refrained and readers will find themselves wishing to be her friend (or in my case: her daughter-in-law). “About Your Father” is certainly inviting and infuses the essence of warmth and belonging to their family unit. “About Your Father” does well with offering a variety of diverse stories and thus, repetition is not an issue. Peggy Row is also known for her texts and emails to Mike (which he reads out-loud on social media) and therefore it is only natural that “About Your Father” includes some of these media communications, as well. Rowe concludes “About Your Father” with a quick word from John, himself (the foreword is written by Mike) and is also supplemented with a section of Rowe Family color plate photos (holy smokes, Mike’s 1989 headshot is sexy as hell!). “About Your Father” is a sweet, quick (1-2 day) read that evokes family charm but it isn’t anything entirely mind-blowing. “About Your Father” is recommended for Mike Rowe fans (and fans of his parents) or readers looking for a few laughs at or alongside a family’s quirks. ...more |
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1
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Nov 23, 2020
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Nov 24, 2020
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Oct 18, 2020
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Hardcover
| ||||||||||||||
| 0306873729
| 9780306873720
| 0306873729
| 4.23
| 757
| 2020
| May 05, 2020
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it was amazing
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I first noticed comedian Loni Love during her appearances/commentaries on the, “I Love the (insert 80s, 90s, etc)” programs on VH1 in the early 2000s.
I first noticed comedian Loni Love during her appearances/commentaries on the, “I Love the (insert 80s, 90s, etc)” programs on VH1 in the early 2000s. You know the ones – unless you are too young and just aged me. I thought Loni had charisma, a warm energy and was bluntly: hilarious as hell with her comedic timing. Nowadays, Loni is best known as one of the hosts on the Emmy-winning daytime talk show, “The Real” and as a co-host on the podcast, “Café Mocha”. Love, who spent much of her life not exposing her entire psyche to others; puts it all on the table in the her memoir, “I Tried to Change so you Don’t Have to: True Life Lessons”. Love prefaces her own text with a fair warning that although the life events that fill the ensuing pages are authentic; as a comedian, she has taken the liberty to exaggerate or joke for sensationalism, change names to protect the innocent and create composite characters/timelines. Respect is handed to Love as quite a few celebrities do this without giving it a second thought but never reveal the honest veil in their own memoirs. “I Tried to Change so you Don’t Have to” is stylized in a chronological format starting with Love’s early childhood but focuses more on important events rather than a run-of-the-mill autobiography (hence the ‘life lessons’). Love’s voice jumps from the pages immediately with her knack for storytelling and organic ability to connect with the reader. Love simply doesn’t even need to have to ‘try’ to be ‘real’ – readers feel like they are conversing with a best friend. Not to mention, if a reader has their first laugh-out-loud moment as soon as page four; then “I Tried to Change so you Don’t Have to” must be good. To drive this point further, Love doesn’t concentrate on being funny and her prose is intelligent with a delicious narrative: the comedic effects come naturally. This is a refreshing contrast to typical celebrity memoirs; allowing reader to bond with Love and learn her life story/background rather than just be entertained. Love successfully accomplishes this without an elitist attitude or talking down to readers. I live in Hollywood and Los Angeles has a very ‘Us versus Them’ –mentality with most celebrities thinking us regular folk are dirt. Loni Love is NOT one of those celebrities. “I Tried to Change so you Don’t Have to” is incredibly well-written, smooth and cohesive in its arc. Love knows the secret formula on how long she should dwell on a single topic and never bores the reader or goes off on tangents; but also knows the precise moment to move it along like a perfect fictional piece. “I Tried to Change so you Don’t Have to” is compelling and certainly a page-turner while being accessible with a friendly tone. Now, for all readers hooked on celebrity memoirs but sick to death of the sex, drugs and rehab stories paired with the name-dropping of fellow famous stars; topped off with a ‘woe is me’-attitude screaming, “Privilege!”… Then thank your deity of choice because you will NOT find that in Love’s text. I’m sure Love has plenty of juicy tea to spill; but she keeps it classy and knows that those stories do not validate who she is and neither do they have a place in her memoir. Well done, Loni Love! “I Tried to Change so you Don’t Have to” maintains its vibrant energy throughout; never feeling repetitive or dragged out just to fulfill a page count. Either Love has an amazing editor or she is a stupendous writer (probably a mixture of both). The only time Love addresses gossip is a quick blurb regarding the media debacle behind the hasty departure of a co-host on “The Real” is 2016 which Love was (falsely) pinned as the blame. Love mentions the subsequent dark period of fans lashing out and making death threats to her person. Even in this chapter, Love remains steadfast in her professional attitude and neither bad talks others or overly defends her perspective. Love has an admirable spirit that is genuine, raw, nuanced and filled with emotional maturity. “I Tried to Change so you Don’t Have to” closes with a brief look at how Love found love (no pun intended) with her current partner, James. Love did not have to share such personal information (I personally wanted more of this but I am admittedly nosy!); but her choice was positive as it is the perfect finality to the memoir and ended on a memorable note alongside a quick one-on-one pep talk with readers. “I Tried to Change so you Don’t Have to” is strong from beginning to end. Love supplements the text with a small section of black-and-white photo color plates. Loni Love is a well-rounded, amazing woman who truly worked her ass off and rose from the poverty of Detroit to get to where she is. Nothing was handed to her and “I Tried to Change so you Don’t Have to” addresses these rooted psychological effected and yet flows with compassion for others. “I Tried to Change so you Don’t Have to” is a quick (two-day) read that entertains and counsels readers in a loving manner. “I Tried to Change so you Don’t Have to” is recommended for all fans of Loni Love and/or celebrity memoirs. ...more |
Notes are private!
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1
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Oct 15, 2020
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Oct 16, 2020
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Oct 04, 2020
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Hardcover
| ||||||||||||||
| 1250164680
| 9781250164681
| 1250164680
| 4.07
| 23,030
| Sep 29, 2020
| Sep 29, 2020
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it was amazing
|
Even if you aren’t a fan of Mariah Carey’s music or a ‘lamb’ part of her ‘Lambily’; one can’t deny that Mariah Carey is a musical artist legend with i
Even if you aren’t a fan of Mariah Carey’s music or a ‘lamb’ part of her ‘Lambily’; one can’t deny that Mariah Carey is a musical artist legend with incomparable pipes – and she has the countless record sales, #1 hits and accolades to prove it. There is only ONE Mariah Carey. But how much do you know about the woman off the stage? You might associate Carey with her first husband Tommy Mottola or heard about her Total Request Live (TRL) ‘breakdown’. It is finally time for Carey to set the record straight (no pun intended), alongside award-winning writer Michaela Angela Davis, in her first-ever memoir, “The Meaning of Mariah Carey”. Here is the deal: I personally have a lot of respect for Mariah Carey as an artist and enjoy much of her (older) music but I admit that I envisioned a sort of ‘bimbo’ woman with a lack of depth and a memoir that would reflect that stereotype. I figured the text would be vapid, empty and typical of most celebrity memoirs that name drop other key-note figures, talk about drug use and take a self-pitying “woe is me” attitude. Feel free to kick my ass because both “The Meaning of Mariah Carey” and Carey herself are both worlds away from this description. “The Meaning of Mariah Carey” is one of the best memoirs EVER and in fact, one of the best books (coming from a reader whom has read many thousands and reviewed 545 books on Goodreads so far). Absolutely mind-blowing! Carey focuses much of “The Meaning of Mariah Carey” on her childhood and upbringing examining her broken home, experiences with racism (Carey has a white Irish mother and a black father) and her ambitious obsession with music. Calling the text an ‘examination’ is apt as Carey doesn’t just recap her life story but dives in with psychological, philosophical and spiritual lenses. Readers not only learn about Carey’s life and psyche; but also gain a personal re-evaluation of the meaning of struggle and how racism affects individuals. The text is a powerful combination of an emotional page-turner narrative and a beautifully crafted work of human interest art. Expanding on this, the four sections of “The Meaning of Mariah Carey” (mostly chronological but some back-and-forth jumping) is a visual-creation that bounces off the pages. One must remember that there is an award-winning co-writer involved so perhaps she did most of the writing but it doesn’t matter because Carey’s voice and internal meanderings are so clear that the reader is truly “let in”. “The Meaning of Mariah Carey” induces laughter, insight and tears (personally for me it is because Carey and I have some similar, relatable childhood struggles); while obviously being a source of healing for Carey, herself. It is evident that Carey has kept most things private and carried the load on her shoulders for much too long but has finally stripped down in “The Meaning of Mariah Carey”. It is noteworthy that even with all the tragedies Carey has endured; her spirit has remained strong and she worked her ass off to get to where she is today. Nothing was ever handed to her and readers gain a level of respect and new way of looking at Mariah Carey after reading “The Meaning of Mariah Carey”. Carey never begs for pity (although she does sort of blame others); she simply stresses the psychological harm that these events caused her countenance and how she tries to overcome them. This is a stark contrast from many celebrities who come off as spoiled brats in their memoirs and need to check their privilege at the door. “The Meaning of Mariah Carey” also avoids bragging about partying with other Hollywood stars and instead mostly mentions other artists she has worked with musically and the influence they had on Carey both creatively and as a person. This is quite refreshing. HOWEVER, Carey isn’t 100% humble as she basically calls herself a “good girl” but then seems to brags occasionally about smoking weed, her many accolades and awards and all the designer clothing and lavish items she owns. Really, Mariah? No one cares! These were not necessary and break the wonderful, deep bubble that is “The Meaning of Mariah Carey”. For those readers interested in Carey’s romantic life; “The Meaning of Mariah Carey” focuses in large on her marriage to ex- Sony mogul Tommy Mottola while also highlighting her relationships with Derek Jeter, Luis Miguel and Nick Cannon. Oddly, Carey never once mentions her engagement to billionaire James Packer and only briefly alludes to her current boyfriend, Bryan Tanaka. Carey has the right to pick and choose what she shares with readers but if I was Tanaka; my feelings would be hurt as Carey makes Tanaka sound platonic. The final chapters of “The Meaning of Mariah Carey” are on a whole other wavelength than the former parts of the text. These pages feel rushed, repetitious and somewhat contrived. It is obvious that Carey holds back in her retelling of events and doesn’t give all the details or the whole truth. There are many, “Hold up...” – moments as things just don’t add up. For example, Carey has come out to media sources that she was checked into rehab for bipolar disorder treatment but stomps her feet in the memoir that her family were the crazy ones that checked her in for no reason and she was a victim of their borderline criminal behavior. These chapters defile “The Meaning of Mariah Carey”. Luckily, Carey’s conclusion is a strong, emotional finality that reigns the reader back in and is an explosion of sentiment. Stylistically, there is a small flaw with the inclusion of song lyrics randomly in the text which may work better in the audio version of the book. “The Meaning of Mariah Carey” is also supplemented with a section of color photo plates. Even with the weaker latter chapters; “The Meaning of Mariah Carey” is a tour de force much like Mariah, herself and is a deep, nuanced memoir. “The Meaning of Mariah Carey” is of course recommended to all Carey fans but also for the generation growing up in the 80s/90s and for fans of celebrity memoirs. ...more |
Notes are private!
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1
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Nov 15, 2020
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Nov 20, 2020
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Oct 02, 2020
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Hardcover
| ||||||||||||||
| 0525655972
| 9780525655978
| 0525655972
| 2.86
| 5,251
| Jul 01, 2020
| Sep 14, 2020
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did not like it
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It was the year 1994. The economy was thriving, the Twin Towers still dominated the New York City skyline, ‘Influencers’ weren’t even sperm yet and I
It was the year 1994. The economy was thriving, the Twin Towers still dominated the New York City skyline, ‘Influencers’ weren’t even sperm yet and I was watching, “The Mask” starring Jim Carrey with my neighbor-friend, Amanda. Carrey was in the height of his fame and I was in love – telling Amanda that one day I will date Jim Carrey. Lofty aspirations for a 10-year old. Flash forward over 20 years to when I am dating a famous magician whose assistant was dating… Jim Carrey! Literally, the first day we met it was announced she was dating Carrey so clearly it was a bragging right. My jealousy was palpable but my degree of separation felt like fate (this is the girlfriend who committed suicide while dating Jim – it was huge in the media. RIP Cathriona). It is only natural that I would want to read a book penned by Carrey and co-written by Dana Vachon which is how “Memoirs and Misinformation” joined my bedside book stack. (Side note: Jim if you are reading this – call me! We have much to discuss. I live in North Hollywood). The last few years of Jim Carrey’s life have been plagued with the media deeming him ‘weird’ and some blaming him for Cathriona’s suicide. Off the deep end, perhaps? Whatever one’s opinion; these criss-crossed, jumbled and clustered emotions are exactly the energies circulating around “Memoirs and Misinformation”. Readers expecting Carrey to offer a straight-forward memoir will find “Memoirs and Misinformation” to miss their target. Instead of a life and career recap; Carrey and Vachon create a fictional novel but based on some of Carrey’s real life meanderings (Jim is even the main ‘character’ in the plot). What is real? What is contrived? These are the questions Carrey intends for readers to explore (although a lot of it is obvious or composite – for instance, I believe the two love interests to be composites of Cathriona and Jim’s first wife, Melissa). “Memoirs and Misinformation” is best described as a psychedelic trip that abruptly evolves into a post-apocalyptic/ dystopian narrative. Carrey’s intents and purposes are clear: the novels storyline parallels his own confused thoughts and are his attempts to understand the philosophies attached. Initially, “Memoirs and Misinformation” is inviting with its well-written structure and assertive Carrey background. “Okay, this could be good”, thinks the reader. But then it gets weird. The blatant issue with “Memoirs and Misinformation” is that Carrey simply “tries too hard”. Carrey is clearly terribly egotistical but severally insecure and therefore constantly at battle with himself. This comes though in the writing with the text exaggerating neurotic tendencies and cloaking them as being deep and complex. Jim, I love you but these are fears and NOT deep soul vacations. Basically, Carrey focuses too much on being ‘weird’ and playing it up. “Memoirs and Misinformation” is supersaturated and simply misses a cohesive strand. Even though, usually, a stream of consciousness novel is deliciously gripping; “Memoirs and Misinformation” fails in that there is no character growth or arc and Carrey is not likable. He is a self-pitying fool and obsessed with sex. On the other hand, Carrey successfully shows his broken interior and doesn’t attempt to gloss it up to be popular which is admirable especially for an individual so obsessed with being liked and accepted. “Memoirs and Misinformation” does carry a sense of reader connection with relatable feelings of despair, depression, being jaded, feeling inadequate, etc. Readers like myself living in Los Angeles will especially understand Carrey’s references in a very concise way. Carrey and Vachon pepper “Memoirs and Misinformation” with a plethora of celebrity cameos and name-dropping. These portrayals are almost certainly fictional although either based on fact or are Carrey’s perceptions of the said individuals. This offers readers some ‘food for thought’. Memoirs and Misinformation” is rich with visuals and imagery and can almost be ‘viewed’ like a film which makes sense with Carrey’s artistic background in film. The text as a whole often dives in post-apocalyptic themes with the end half lingering on the topic. Unfortunately, at this point, “Memoirs and Misinformation” is just too odd. The pace is upbeat but the storyline is so far off-kilter and unbelievable; that it loses its entertainment merit and readers may be reduced to skimming large passages. Simply: Carrey and Vichon are not skilled at dystopian novels. The concluding chapters depicting Carrey’s version of the diabolical end of the world is dragged out and a lull, at best. “Memoirs and Misinformation” becomes another novel entirely and weakens as a whole. The finality is equally poor being abrupt and dissatisfying; leaving unanswered trains of thought. “Memoirs and Misinformation” is plainly disappointing with a credible goal of presenting a unique combination memoir/novel but Carrey and Vachon tried too hard which made it fail and fall apart with an absence of natural and organic finesse. I’m sorry, Jim… It’s simply not good (but still, call me!). “Memoirs and Misinformation” is suggested for die-hard Jim Carrey fans but otherwise it can be skipped. ...more |
Notes are private!
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1
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Aug 21, 2020
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Aug 22, 2020
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Mar 03, 2020
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Hardcover
| ||||||||||||||
| 0806539887
| 9780806539881
| 0806539887
| 4.23
| 2,958
| unknown
| Nov 12, 2019
|
really liked it
|
The name Andrea Barber may be unfamiliar to you but I’m certain ‘Kimmy Gibbler’ rings a bell. Andrea Barber is the actress behind the zany, kooky, but
The name Andrea Barber may be unfamiliar to you but I’m certain ‘Kimmy Gibbler’ rings a bell. Andrea Barber is the actress behind the zany, kooky, but confident next-door neighbor on eight seasons of Full House-fame (and of course, ⅓ of the She-Wolf Pack on Netflix’s Fuller House). Barber is the literal opposite of Kimmy in her character persona but one thing holds steadfast: both are as genuine as you can get. Barber opens her inner world to fans in her memoir, “Full Circle: From Hollywood to Real Life and Back Again”. Hollywood/celeb memoirs can generally be narrowed down into three main themes: (1) Simple autobiography discussing life and career highlights often name-dropping other celebrities (2) Pity/woe-is-me desperation complaining about substance addictions and not acknowledging privilege, opportunity and entitlement (I’m looking at you Barber’s cast mate, Jodie Sweetin!) and (3) A semi-‘how-to’ which still fails to connect with readers due to the above-mentioned privilege and fancy themselves as experts when they certainly are not. “Full Circle” fits none of these and has a special magic to it that can only be attributed to Barber’s person. Yes, “Full Circle” kicks off with a quick bio and background into Barber’s childhood and path to Full House. And yes, Barber delivers this in a sort of ADD-esque manner that is a slightly disheveled and lacks smooth storytelling. But there is much more than that. Unlike most celebrities – even those with the help of ghost writers – Barber can actually write in an enjoyable way that isn’t on the level of a first-grader (note to celebs: you aren’t writers!). Barber’s language is accessible but her narrative is carried in a way almost akin to a stream of consciousness, deep fiction piece. Barber doesn’t just rely on her celebrity-status to connect with readers and rather befriends them as humans. Barber is truly a ‘good person’. It is this down-to-earth rawness that carries “Full Circle”. Barber manages to be one of the relatable celebrities in a way that doesn’t use humor, elite tone or any other stand-out attempts and shows her entire psyche, fears, worries, etc. Barber speaks to the reader as though she is asking fans for advice and not the other way around which makes her darn lovable. Readers feel like they are reading their own diaries and the affirmation goes both ways helping both readers and Barber. Barber spends a large chunk of “Full Circle” discussing and sharing her experiences with Anxiety Disorder, Post-Traumatic Depression, and Chronic Depression. Never once does Barber act like a medical professional, know-it-all, a victim or even a hero. Instead she shares her own frustrations and weaknesses meanwhile empowering all readers who find they are not alone in their life experiences. Neither does Barber use this tactic to gain followers: this is just the person Barber is. “Full Circle” is one of the top ‘realest’ memoirs on the shelves. “Full Circle” also excels at fine philosophical points but again: in an uplifting way. Barber compares events and behaviors (such as running for exercise) into life lessons illuminating her life story and offering conversational tips. What will readers NOT find in “Full Circle” (thankfully)? Sex, drugs, rehab, partying, etc. Most memoirs bank on salacious gossip and train-wreck stories to gain traction and readership. Barber doesn’t have stories like these and wouldn’t sink to that level in the first place (in the chapter discussing her divorce; Barber firmly states that she will not disrespect her ex-husband by talking dirty). “Full Circle” is a classy read. Full House (and Fuller House) fans might be slightly disappointed to not learn as many behind-the-scenes stories as they would hope as Barber speaks more on her life than Full House. This isn’t a Full House expose/tell-all. “Full Circle” is the victim of an editing hiccup: More than once Barber mentions having already spoken on a subject or the book already “has a chapter about this” but she hasn’t spoken about it – but will later in the book. Clearly the chapters presented in the final layout aren’t in the same order as in the manuscript. Why did the editor fail to remove these passages? The finalty of “Full Circle” is weaker than the preceding chapters and isn’t as emotive or memorable as readers would like; leaving something to be desired. Despite this, “Full Circle’ doesn’t lose its merits and positive achievements. “Full Circle” contains a section of photo color prints spanning Barber’s life to-date. Although some may think “Full Circle” is probably just another memoir; it is anything but that descriptor. Barber is a lovely, caring, engaging, ‘real’ individual who never went the diva route and offers a fresh, completely relatable memoir. Although a fast read; readers learn about Barber and themselves and gain a friend in Barber (call me, Andrea, if you are reading this!). “Full Circle” is recommended for fans of Full(er) House, those nostalgic for the 80s and 90s and readers looking for a more personable memoir. ...more |
Notes are private!
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1
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Aug 2020
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Aug 03, 2020
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Oct 15, 2019
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Hardcover
| ||||||||||||||
| 1944648496
| 9781944648497
| 1944648496
| 3.63
| 888
| May 07, 2019
| May 07, 2019
|
it was ok
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WON THIS ON GOODREADS GIVEAWAYS You probably know who Christ Kattan is, even if you haven’t thought about him lately. Kattan was a regular on Saturday WON THIS ON GOODREADS GIVEAWAYS You probably know who Christ Kattan is, even if you haven’t thought about him lately. Kattan was a regular on Saturday Night Live, starred in a couple films, and has mingled with comedy greats since birth – literally, being that his father was the legendary Kip King. Kattan shares his life in the comedy profession and SNL in his first memoir, “Baby, Don’t Hurt Me: Stories and Scars from Saturday Night Live”. As the subtitle hints, “Baby, Don’t Hurt Me” doesn’t fit the traditional tell-all celebrity memoir which usually follows a biography structure. Rather, Kattan opts to focus more on his career and stint on SNL interspersed with some childhood and teen memories. This thesis certainly targets SNL fans and those interested in comedy instead of just those readers seeking a life story. In fact, that is the issue with “Baby, Don’t Hurt Me” – Kattan is a bit too matter-of-fact and doesn’t reveal his true emotions or inner thoughts and therefore puts up a wall between himself and the reader. Even if choosing to only re-tell his career, one would hope for clarity and insight and not the bland resume of stories that Kattan delivers. When Kattan does mention personal antidotes; there are indeed some interesting and well-written blurbs that are told in a stronger voice than the majority of celebrity memoirs that should have never been written. Kattan’s text is illustrative at these points and follows a decent arc. Kattan has the habit of peppering “Baby, Don’t Hurt Me” with tangents and suggestions of YouTube comedy bits or other internet pieces. This is surprisingly well done and adds credibility /interest to Kattan’s story rather than adding ‘fluff’ to “Baby, Don’t Hurt Me”. Again though, this is probably best for readers genuinely interested in comedy and not the average audience. A common trend in comedian memoirs is the propensity to “try too hard” to be funny and make the readers guffaw with laughter. Kattan states in the introduction that his piece is a book about comedy and not a comedy book. Kattan sticks to this disclaimer and offers occasional jokes within the text but with a natural and organic feel. Actually, it can be argued that “Baby, Don’t Hurt Me” is not even that funny overall so if you are expecting knee-slapping humor; you will be sorely disappointed. As “Baby, Don’t Hurt Me” continues to progress, there are notable negative features that brings the entire piece into a downward spiral. First, Kattan’s writing is a tornado and has no definitive direction. The blurbs are chronologically back-and-forth and a smooth, cohesive strand is clearly missing. Kattan also fails to know his audience. Making comments such as that the reader probably doesn’t even know what beta and VHS tapes are; is so far off being that those reading “Baby, Don’t Hurt Me” (and those even knowing who Kattan is) are at least in their early 30s and were alive in the 80s and early 90s. A sort of pretentious attitude comes through from Kattan’s end. This elitist air continues as Kattan is obsessed with name-dropping celebrities and his Hollywood career lifestyle (who he has worked with, dated, partied with, associated with by many degrees, etc). Kattan even randomly mentions a performance with pop-singer Ariana Grande and how his Twitter followers doubled as a result of the appearance. Kattan is SO OBVIOUSLY insecure, desperate to be relevant, and seeks validation. Not only is this sad for him but it also makes “Baby, Don’t Hurt Me” shallow, tedious, and boring unless you are into that tabloid gossip sort of thing. Similarly, Kattan regularly snubs other celebrities but then plays the victim (when he claims to hate those that play the victim) when these celebrities admit to disliking him. He also offhandedly mentions issues with women (he cheats on fiancé) and drug addiction (Kattan doesn’t mention his arrest for DUI nor being kicked out of Sky Harbor Airport in Phoenix); but again blames others for his actions. Simply, Kattan does not come off as likable in “Baby, Don’t Hurt Me”. Redemption in Kattan’s character comes when finally evoking some emotion when discussing his neck surgeries and the death of his father (but still playing the victim card). These parts of “Baby, Don’t Hurt Me” were more complex and multi-faceted. However, Kattan literally ends the piece more or less bad-mouthing SNL which is not only unnecessary but ends the book on a sour note and alienates the reader. “Baby, Don’t Hurt Me” is supplemented with a section of photo color plates. Kattan’s “Baby, Don’t Hurt Me” is a retelling of a professional resume but lacks any emotional depth or unique perceptions when telling the story. Kattan overly focuses on name-dropping, gossip, bashing others, and begging for validation and sympathy. The writing in the piece is strong but being there is a co-author and the actual content is poor; Kattan gets little credit for the language style. I was a fan of Kattan’s before reading this memoir but it has resulted in me no longer assuming that role. “Baby, Don’t Hurt Me” doesn’t hold a candle to other SNL- alum memoirs. Skip this unless you are a diehard Kattan fan and think he can do no wrong. ...more |
Notes are private!
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1
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Jul 23, 2019
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Jul 26, 2019
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Jul 23, 2019
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Hardcover
| ||||||||||||||
| 0062448307
| 9780062448309
| 0062448307
| 3.87
| 2,147
| unknown
| Oct 30, 2018
|
really liked it
|
Justin Timberlake: the name of a man who simply does no wrong. Regardless of age, race, gender, creed, and/or sexual orientation; EVERYONE loves Justi
Justin Timberlake: the name of a man who simply does no wrong. Regardless of age, race, gender, creed, and/or sexual orientation; EVERYONE loves Justin Randall Timberlake. At least, no one dislikes him. The man is a multi-threat artist and a legend to the current generation. Timberlake enters the world of print with his first book release, “Hindsight: & All the Things I Can’t See in Front of Me”. “Hindsight” is the perfect embodiment of Timberlake as it is not only a piece of art but can’t easily be categorized into what it is (just like Timberlake, himself). On the exterior, “Hindsight” is a thick-volume, highly graphic, hard-bound, coffee table book. On the inside, the pages of “Hindsight” are flooded with full-size, high-art photo of Timberlake supplemented with graphics, quotes, and text. Is it a memoir? Art book? Glorified tour program? Perhaps all of the above and so much more; making the piece authentic, raw, and engrossing. Timberlake pens text for “Hindsight” that is a sort of stream of consciousness /blurb-style and put to paper as Timberlake thinks of each subject. This is evident to the fact that there is no real rhyme, reason, or order to what is discussed. As a result, “Hindsight” is a bit clunky and cluttered but on the other hand, shows the ‘real’ side of Timberlake removing him from a pedestal and showing that he is just like everyone else. Equally, the text isn’t written on the level of a top-notch writer but this deficiency reveals the depths of Timberlake’s feelings. There are moments in “Hindsight” that are too contrived and try too hard to be artsy which in turns comes off as amateur. Luckily, this doesn’t hinder the value of “Hindsight”, overall. Timberlake touches upon his childhood, music, career, and personal life (wife and son) in “Hindsight” giving a summarized look into his life. Noticeably, the strongest pages tend to be about Timberlake’s wife (Jessica Biel) and will make most female readers swoon with his romantic overtures. Surprisingly, Timberlake hardly mentions his mother which is unusual being that she has been rather forthright during Timberlake’s entire career. The conclusion of “Hindsight” is slightly abrupt and has a rushed tone resulting in an ending that leans on the weaker end of the spectrum leaving something to be desired. “Hindsight” is certainly not an all-encompassing memoir but it is a tasteful, artistically-gratifying look at Timberlake’s innermost thoughts that do reveal some of the man that he is. “Hindsight” says a lot while using little text. “Hindsight” is recommended for anyone with any interest in Timberlake, whatsoever. ...more |
Notes are private!
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1
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Nov 26, 2018
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Nov 27, 2018
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Nov 16, 2018
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Hardcover
| ||||||||||||||
| 1501163345
| 9781501163340
| 1501163345
| 3.37
| 12,167
| Oct 09, 2018
| Oct 09, 2018
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liked it
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Nowadays, the Hollywood consensus seems to be that if you are an actor/actress with even a nominal amount of success; then writing a memoir is the exp
Nowadays, the Hollywood consensus seems to be that if you are an actor/actress with even a nominal amount of success; then writing a memoir is the expected next rung on fame ladder. Ellie Kemper, the bubbly but fiery redhead known for her Netflix sitcom “The Unbreakable Kimmy Schmidt”, her role as Erin on “The Office”, and as Becca in the comedy film, “Bridesmaids”; joins this list populated with her Hollywood peers-turned-authors and opens the window to her life in, “My Squirrel Days”. Kemper’s approach to the stylistic formatting of “My Squirrel Days” diverges away from the chronological memoir outline and instead presents a chapter-by-chapter topical focus exploring various incarnations of Kemper. In this way, the content of “My Squirrel Days” feels somewhat like an interview but is, on the other hand, more fleshed out in the creativity aspect. The consequence of this method of storytelling is that there is a constant back-and-forth jump in sequencing, making for clunky and clouded reading. Without a doubt, Kemper is a strong writer. Her pace, language, and imagery is accessible but also vivid and exemplifies one who could pen a powerful fictional novel. Much of “My Squirrel Days” reads like a compilation of short stories. The only issue in this direction is that Kemper tries too hard to be humorous and infuse the text with jokes that simply fall flat. Kemper’s comedic timing is on-point and subtle with her acting but bluntly, sort of annoying in her personal memoir. “My Squirrel Days” leans heavily on the side of simply rehashing memories. Readers certainly learn about Kemper through her experiences and shared recollections, however, Kemper holds back and doesn’t dive deep into her inner psyche, emotions, and/or reactions to her life events leaving much mystery and a shroud over entire being. Fans are prevented from getting as close to Kemper as they would prefer. On a positive note, Kemper doesn’t follow the typical Hollywood habit of namedropping other celebrities they have ‘partied’ with, glamorizing drugs, or displaying a “woe is me” – attitude begging for pity in their diva lives. Kemper doesn’t even step foot into these topics and comes across as very down-to-earth. The final chapters of “My Squirrel Days” find Kemper opening up a bit more and knocking down some of her emotional walls. Although she still holds back; the memories reveal her personality more accurately and brings a fresh feel to the pages. Readers reach a new level of clarity and a feeling of finally getting to know Kemper better. “My Squirrel Days” ends smoothly and wraps up the piece in a summarized way. Sadly missing from the memoir are a section of photo plates pr photos strewn throughout (there are less than five throughout the book). This absence is noticeably felt. Kemper’s “My Squirrel Days” is a readable but entertaining collection of essays making for a compelling, quick (1 day) read. Although the piece isn’t mind-blowing or a hard expose; Kemper’s writing is strong, her storytelling is illustrative, and her personality is likable making the overall text enjoyable. “My Squirrel Days” is recommended for fans of Ellie Kemper or any of her acting projects. ...more |
Notes are private!
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1
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Dec 29, 2018
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Dec 29, 2018
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Jul 12, 2018
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Hardcover
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| 4.51
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not set
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Aug 16, 2024
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| 4.43
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it was amazing
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Aug 23, 2024
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Jun 30, 2024
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| 3.86
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really liked it
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Dec 17, 2023
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Oct 24, 2023
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| 3.81
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it was amazing
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Nov 19, 2023
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Sep 19, 2023
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| 3.74
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liked it
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Jul 03, 2023
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May 22, 2023
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| 3.66
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liked it
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Jan 05, 2023
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Aug 01, 2022
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| 4.34
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really liked it
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Nov 13, 2022
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Mar 27, 2022
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| 4.52
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not set
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Jan 24, 2022
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| 4.13
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really liked it
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Apr 08, 2022
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Nov 11, 2021
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| 4.26
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it was amazing
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Dec 20, 2021
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Nov 11, 2021
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| 4.21
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liked it
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Nov 16, 2021
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Nov 08, 2021
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| 4.12
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really liked it
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Oct 30, 2020
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Oct 20, 2020
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| 4.33
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liked it
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Nov 24, 2020
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Oct 18, 2020
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| 4.23
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it was amazing
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Oct 16, 2020
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Oct 04, 2020
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| 4.07
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it was amazing
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Nov 20, 2020
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Oct 02, 2020
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| 2.86
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did not like it
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Aug 22, 2020
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Mar 03, 2020
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| 4.23
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really liked it
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Aug 03, 2020
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Oct 15, 2019
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| 3.63
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it was ok
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Jul 26, 2019
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Jul 23, 2019
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| 3.87
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really liked it
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Nov 27, 2018
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Nov 16, 2018
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| 3.37
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liked it
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Dec 29, 2018
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Jul 12, 2018
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