Amanda's Reviews > Saga, Volume 1

How to describe Saga? It's like someone took Firefly, coated it liberally in WTF, and sprinkled a little Quentin Tarantino on top. Yeah, it's some wonderfully messed up stuff.

The planet Landfall is at war with one of its moons, known as Wreath. The indigenous people of Landfall seem reliant on technology and sport some nifty little insect-like wings, while the people of Wreath have horns (they may be my favorites as each character in the later issues has horns varying from rhino, to antelope, to ox--you get the idea) and are skilled in the use of magic. The war between these cultures has become an accepted part of life, the hatred of the enemy deeply ingrained in both species.

Now enter Marko and Alana, from Wreath and Landfall, respectively, who are ex-soldiers in this war. Defying their cultures, they have fallen in love and the birth of their newborn child, Hazel, has marked them for termination by basically everyone in the universe. Both have known violence and are adept at using it to protect each other and Hazel. On the run from the numerous assassins tracking them, they banter away like a married couple and slowly reveal the history that brought them to this juncture.

And now a convenient list of the absurdities that await the Saga reader, so you can gauge whether or not the "WTF" element is for you:

--a planet known as Sextillion that specializes in, you guessed it, sex
--prostitutes that consist of giant heads teetering on top of Rockette style legs
--a forest that actually grows rocketships
--a race of robots that have television screens for heads
--graphic sex scene featuring the aforementioned robots
--a topless assassin who is all woman (sans arms) from the waist up and all arachnid from the waist down
--the ghost of a teenage girl who must have suffered a gruesome death as she's nothing but hanging intestines from the waist down; naturally, she tags along as Hazel's "babysitter"
--and LYING CAT, my new favorite comic book character is a giant feline sidekick to The Will, one of the assassins contacted about offing Marko and Alana; Lying Cat can detect whether or not others are engaging in a bit of creative truth telling

While the base storyline is one we've read before, the execution is unlike anything I've ever read. Vaughan gleefully injects new and intriguing absurdities into the premise and it's really difficult to get a fix on where this sucker is going--but that's part of the great thing. The ride is so much fun that I really don't care. The artwork by Fiona Staples has a raw and edgy quality that suits the storyline perfectly.

I've been getting the monthly issues, which have the added benefit of a letters section in which Vaughan responds to reader letters. The results are often hilarious and I find myself looking forward to this section with the same anticipation I look forward to the storyline.

Cross posted at This Insignificant Cinder and at Shelf Inflicted