Ilse's Reviews > Walter Benjamin Stares at the Sea
Walter Benjamin Stares at the Sea
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Ilse's review
bookshelves: 2024, short-stories-novella, uk, reviewed, 21th-century, favourites
Mar 13, 2024
bookshelves: 2024, short-stories-novella, uk, reviewed, 21th-century, favourites
The art of disappearance - meeting the art of finding
Every great story has one line that is its heart, its vital essence concentrated in but a few words, its lambent core. This is the one line that illuminates everything, that lets us feel the story, a story of things that flicker, things that fade.

Walter Benjamin Stares at the Sea is an amusing, imaginative and playful collection of 19 short stories which revolve around recurrent and connected motives and themes like time, disappearance, vanishing, getting lost and found – the evanescence of things, people and words. In the story What remains of Claire Blanck only the footnotes remain, the actual story they are commenting on has vanished. Nonetheless the footnotes give the impression to reflect on other stories in the collection, the blanked out words on the almost white pages illustrating the leitmotif of disappearance, emphasizing what went missing, was omitted or deleted: All short stories are about loss, but more, perhaps, about the traces things leave behind. All short stories are ghost stories.. A man witnesses how his belongings and furniture are gradually disappearing from his flat (One art). A brother tries to keep an eye on his sister but cannot hold on to her (Sister).
All these books, she said, their pages are empty, perfect blanks until you begin to read.
There is a sense of gentle enchantment to these dreamlike stories, of which some have a fabular quality (The Neva Star, Violons and pianos are horses, with a nod to Nietzsche). A few are inspired by factual material drawn from the history of film and photography, forgotten pioneers like a Hippolyte Bayard who protested against the lack of recognition he faced by staging a picture of himself as a drowned man.
Photography is a way of creating permanence where none exists.

Some stories – in a way perhaps all the stories - thematize the art of storytelling, reflecting on the process of writing, documenting how the aspiring short story writer correlates to the masters of the short story genre – Chekhov inevitably but also French and American and other Russian authors (Gogol, Kharms, Dovlatov, Zoshchenko ) (A brief history on the short story: I wish for a skilled pen, the careful placing of each element, the timing of a slow reveal to a crushing truth. On the moment you might pounce Borges! Carver! Rose steals your thunder and throws the name on the table himself. Rather than simply exaggerating in casual namedropping however, Rose makes it part of the fun, toying with Bergson, Walter Benjamin and St Augustine in an airy and humorous way that reminded me of the short stories of Antonio Tabucchi. Only in one – rather sweet - story I wondered about the need to give away the author of the story that is on the menu of the English class (Proud woman, pearl necklace, twenty years). A story titled by the song I’m in love with a German film star that is entirely constructed from and structured through songs made me smile. There is nothing like music from one’s younger days that can rekindle memories of strong feelings (All cats are grey, Struggle for pleasure, Four hours).
If only life had a shape. If only life had the sense of a story.
The titular story – an exercise in alternate history - and the focus of the art of storytelling reminded me that for a short time I had access to a digital copy of Walter Benjamin’s own fiction The Storyteller: Tales out of Loneliness that expired before I could read it, which in the light of Rose’s theme strikes me as apt as well as ironic. An adroit, cheerful and charming collection which is well-worth reading, Walter Benjamin Stares at the Sea also has the merit to rekindle my curiosity about that collection, if only to experience these acute words of Benjamin on storytelling within the text they belong: The storyteller: he is the man who could let the wick of his life to be consumed completely by the gentle flame of his story.
Thanks to the author, Melville House Publishing, and NetGalley for providing me with an ARC.
(Illustrations by Yedai Art)
Every great story has one line that is its heart, its vital essence concentrated in but a few words, its lambent core. This is the one line that illuminates everything, that lets us feel the story, a story of things that flicker, things that fade.

Walter Benjamin Stares at the Sea is an amusing, imaginative and playful collection of 19 short stories which revolve around recurrent and connected motives and themes like time, disappearance, vanishing, getting lost and found – the evanescence of things, people and words. In the story What remains of Claire Blanck only the footnotes remain, the actual story they are commenting on has vanished. Nonetheless the footnotes give the impression to reflect on other stories in the collection, the blanked out words on the almost white pages illustrating the leitmotif of disappearance, emphasizing what went missing, was omitted or deleted: All short stories are about loss, but more, perhaps, about the traces things leave behind. All short stories are ghost stories.. A man witnesses how his belongings and furniture are gradually disappearing from his flat (One art). A brother tries to keep an eye on his sister but cannot hold on to her (Sister).
All these books, she said, their pages are empty, perfect blanks until you begin to read.
There is a sense of gentle enchantment to these dreamlike stories, of which some have a fabular quality (The Neva Star, Violons and pianos are horses, with a nod to Nietzsche). A few are inspired by factual material drawn from the history of film and photography, forgotten pioneers like a Hippolyte Bayard who protested against the lack of recognition he faced by staging a picture of himself as a drowned man.
Photography is a way of creating permanence where none exists.

Some stories – in a way perhaps all the stories - thematize the art of storytelling, reflecting on the process of writing, documenting how the aspiring short story writer correlates to the masters of the short story genre – Chekhov inevitably but also French and American and other Russian authors (Gogol, Kharms, Dovlatov, Zoshchenko ) (A brief history on the short story: I wish for a skilled pen, the careful placing of each element, the timing of a slow reveal to a crushing truth. On the moment you might pounce Borges! Carver! Rose steals your thunder and throws the name on the table himself. Rather than simply exaggerating in casual namedropping however, Rose makes it part of the fun, toying with Bergson, Walter Benjamin and St Augustine in an airy and humorous way that reminded me of the short stories of Antonio Tabucchi. Only in one – rather sweet - story I wondered about the need to give away the author of the story that is on the menu of the English class (Proud woman, pearl necklace, twenty years). A story titled by the song I’m in love with a German film star that is entirely constructed from and structured through songs made me smile. There is nothing like music from one’s younger days that can rekindle memories of strong feelings (All cats are grey, Struggle for pleasure, Four hours).
If only life had a shape. If only life had the sense of a story.
The titular story – an exercise in alternate history - and the focus of the art of storytelling reminded me that for a short time I had access to a digital copy of Walter Benjamin’s own fiction The Storyteller: Tales out of Loneliness that expired before I could read it, which in the light of Rose’s theme strikes me as apt as well as ironic. An adroit, cheerful and charming collection which is well-worth reading, Walter Benjamin Stares at the Sea also has the merit to rekindle my curiosity about that collection, if only to experience these acute words of Benjamin on storytelling within the text they belong: The storyteller: he is the man who could let the wick of his life to be consumed completely by the gentle flame of his story.
Thanks to the author, Melville House Publishing, and NetGalley for providing me with an ARC.
(Illustrations by Yedai Art)
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Reading Progress
March 1, 2024
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Started Reading
March 7, 2024
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Finished Reading
March 13, 2024
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Jaidee, so glad to hear that, thank you very much! I dearly hope you’ll enjoy your adventure with Rose more than reading ‘Parade’ - I was somewhat dwelling in another world reading this and I loved the feeling :)

I'd love to hear your thoughts on the way Walter Benjamin and Bergson feature in this collection, Jon - thanks a lot for reading this.


They are mildly ingenious - and the marketing of them is surely clever as well ("A book that belongs on the same shelf as Italo Calvino’s “ If on a Winter’s Night a Traveler" :))


Dear Katia, you make me smile making this sound appealing to you, that title is terribly tempting isn’t it 😊? I thought about your reading of Benjamin last year and one of the reasons I pushed the request button to ask for an ARC for this was I imagined the joyful moment on which I could bring this collection to your attention when it would turn out worthwhile – and it turned out excellent (with the caveat it might not have the depth of your usual fare) Of course, I could have known that this wouldn’t have escaped your observant eye and so is old news to you 😊. I’ll see if I can find a copy of ‘The storyteller’ so we can discuss it (our local library has little of him at hand), you definitely make it sound like a good start? ‘The details’ on the International booker list! Maybe I should have a look at the books listed on it if there are more that might be interesting to read 😊?

But, given that I recently read Saunder's 'stories' about story-writing, I guess I should let some time pass before the next navel-gazing read. Sometimes we can get too much of a good thing, but that doesn't apply to your reviews. :))

Alexander, thank you very much! So many and unpredictable are the ways that lead us to read a particular book or author - and Rose's is a rather sweet and gentle pointing to Walter Benjamin, playing with the thought to set up a similar work on Los Angeles as he did with the Arcades project. I only read about Benjamin so far, what would you recommend to a beginner as an entrance to his thought?


I would start with "Berlin Childhood around 1900" and "Berlin Chronicle" - these are not theoretical heavy weights, but they introduce to a certain way of associative thinking, one in flow with allegory and metaphors way beyond typical intellectual style. He dares to look beyond and above and below the words. In a next step, I suggest to read his Kafka articles, which comprise a good way how he thinks about language and literature. There is so much to discover in his thoughts, an endless journey of communicative exploration of culture, visions and to be established harmony of body and mind. I really like him.

Margaret, it was a remarkably uplifting read :) thank you so much for reading this and for your as always so generous comment!


But, given that I recently read Saunder's 'stories' about story-writing, I guess I should let some time pass before the next navel-gazing read. Sometimes we can get too much of a good thing, but that doesn't apply to your reviews. :))
Ah, dear Violeta, thank you so much for making me laugh :))- (being fed up with) navel-gazing seems to turn into quite a discussion topic lately (I am thinking of Katia's recent reviews and comments - and Ulysse's too :)). What I appreciated so much about Rose's reflecting on the storyteller is his light touch, not taking the storyteller - himself - so seriously - I can imagine that Saunders' tone is more earnest, instructive and edifying (nonetheless I hope to read his book as well :)). Because I yet have to explore Benjamin's thought myself and hope to do so with the roadmap friends are generously providing me with here, I cannot solve your dilemma, but if you don't mind searching a little around on the internet, you can sample one of Rose's story online to get a taste: "Trouvé" on The Quietus.



Ilse, Saunders' tone is light as feather, and he doesn't take himself too seriously either, so I guess that's the way to go about navel- gazing these days ;-)
Thanks a lot for your suggestion, I'll search for that piece to get an idea of Rose's writing.

Jeroen, thank you very much 😊. I am glad I am not the only one who was intrigued by that title 😊. That single sentence is one of the many of which I can imagine a philosophical mind like yours finds a playground in which to get lost for hours. Evidently you have me terribly curious now about your own creation and the conclusions of your investigations?! Was it published or is it findable on line? I had to look up Mink, only familiar with the name through the singer Mink DeVille (from one of my previous lives 😊). For this simple reader who is typing this, Rose’s quote on life lacking a narrative shape made me smile as well as sigh, also reminding me of what Julian Barnes wrote in ‘Flaubert’s Parrot and which on some moments I find quite relatable: “Books say: She did this because. Life says: She did this. Books are where things are explained to you; life is where things aren't. I'm not surprised some people prefer books”.

Alexander, thank you very much for your thoughtful suggestions and for pointing out a path into Benjamin's work. I'll start with 'Berlin childhood', which fortunately has been translated into Dutch not so long ago which might be helpful to find a copy. I love the beautiful and alluring way you express why you think so highly about his work, I very much look forward to learn more about his thoughts on my turn. On Kafka, I'll soon dip into a beautiful collection of his drawings I found in a second hand bookshop - a lucky find, because our local library doesn't have a copy.

David, I am delighted the title resonated with you as well - how fascinating that the title reminds you of Calvino’s stories: according to the editor, the book belongs on the same shelf as Calvino :) charming is a quality that would be an apt description of some of the stories in this collection: maybe I need to read more of Calvino :)?

Thanks a lot, Linda! I thought the mood of this dreamlike paintings echoed the atmophere of the stories, particularly capturing the melancholic atmosphere of the titular story, Walter Benjamin lost in thought, while staring at the sea :).

Thank you very much for your lovely comment, Noel 😊. It seems the choice to turn ‘Walter Benjamin Stares at the Sea’ into the titular story was an excellent one, isn’t it heart-warming to see readers respond to Benjamin? Your feelings of guilt not having read more yet by Benjamin despite reading ‘Illumations’ was such a rewarding experience to you are relatable, alas time is ever short and it seems we cannot read all the time even if we wish to 😊.
Speaking about feeling guilty about books: I have two books of Barthes waiting to be read here (I’ve only read his ‘Mourning diary’ so far, which of course is quite a different kettle of fish than his theoretical work but was deeply moving) and it is likely another year will pass before I’ll get to them- which one would you tackle first?

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Thank you so much for your lovely comment, Abeselom. Glad you thought so. I love to read single short stories in between longer fiction, but reading this collection from cover to cover was helpful to see the leitmotifs and connections between some of the stories.

Candi, most of the time when I was reading these stories I caught myself smiling :). I found it not so easy to pinpoint why they were so uplifting, so the many adjectives admittedly show my struggle to come up with the right words :)). I was struck how Rose managed to create a breezy, light atmosphere without rendering his stories insubstantial. Thank you very much for your generous and kind comment!

Mark, thank you very much for your heart-warming comment! Such a shame it wasn't on your aussie NG, in the meantime it was archived on the US one (have you tried that one? I can use the same account for the UK NG but rarely manage to get approved there, likely because of my bad English :)). It is remarkable how Rose evokes a sense of loss and disappearance without getting heavy-handed, more like how one can feel when waking from a dream. I am glad the artwork resonated with you as well, I thought the soft pink and blue colours and the clouds somehow matching with the dreamlike atmosphere of some of the stories.

Violeta, that sounds like music to my ears, thank you! I am pretty comfortable with meta and navel-gazing if not taking things too seriously, actually ‘featherlight’ might be the word I had been looking for to capture Rose’s tone too, thank you very much. I seem to have grown more fond of lightness at this point in life ;)

Glad you thought so, thank you very much, Stacey! This was a marvellous collection, I admire the author’s vivid imagination and his playful references to other writers.

Excellent! I look forward to hear how you get along with 'Mythologies', Noel - in the meantime I can try to find the copy of 'A Lover's discourse' which must be somewhere here ;p

You put that very well, H, thank you so much! I recently read an essay of Elif Shafak in which she also testifies of her faith in the power and importance of storytelling How to Stay faithSane in an Age of Division - her belief might come across as somewhat overly optimist and naive regarding the current state of the world, but I thought it in a way very moving, inspiring - and courageous as well.

Glad you thought so, thank you very much for stopping by and reading this, Kushagri! These stories were as light as Tanizaki's story on the tattooer was dark :).

Cheryl, that quote to me is the perfect encapsulation of what determines the allure and the strength of a good short story - I wasn't aware that I tend to look for such a sentence in every short story I read, so I am very grateful to C.D. Rose of making me conscious of that :). Thank you very much, as always, for your generous words and for taking the time to read this ♥

I have been listening to several authors discuss their writing process and how they have developed their iconic characters. This often leaves me "reflecting on the process of writing" as I read something interesting.

Thank you very much, Peter, so glad to see you back here! I hope you have been well and simply too busy with your music and other great stuff to spend much time here :) I can imagine some readers aren't too fond about 'writing about writing' and shy away from too much 'meta' reflections, but like you, I am intrigued if well done, and certainly when it is done as playfully as C.D. Rose manages in these stories.

Thank you very much for stopping by and reading this, Tara!"
You're welcome. Very well done. If I had more time, I'd add to my tbr list!

I know the feeling, Tara - so many books that smile at us from the shelves, so little time...

Yules, that's so kind of you to say so, thank you very much - you made my day! The search for images that reflect the mood of a book or at least the impression it left has become part of my reading once I started with it a couple of years ago and now it seems something is missing when I don't manage to find one that fits my mental image of the book :).