Cape Communication Studies June 2011 U1 p2
Cape Communication Studies June 2011 U1 p2
Cape Communication Studies June 2011 U1 p2
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02
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09 MAY2011 (p.m.)
INSTRUCTIONS TO CAI\DIDATES
l.
2.
AnswerALL questions.
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02t14020/c.APE 2011
-3SECTION A
MODTJLE 1 - GATIIERING AI\D PROCESSING INFORMATION
1.
Read the extract below carefully and then answer the question that follows.
Though it's tue that tsunamis are ocean waves, calling them by the same name as the
ordinary wind-driven variety is a bit like referring to firecrackers and atomic warheads both as
"explosives". Triggered by volcanic eruptions, landslides, earttrquakes, and even impacts by
asteroids or comets, a tsunami represents a vast volume of seawater in motion - the source of its
destructive power.
10
15
20
On the open ocean, tsunami waves approach speeds of 500 mph, almost fast enough to
keep pace with a jetliner. But gazing out of the window of a 747, you wouldn't be able to pick
it out from the wind-driven swells. In deep water, the waves spread out and hunch down, with
hundreds of miles between crests that may be just a few feet high. Apassenger on a passing ship
would scarcely detect their passing. But in fact, the tsunami crest is just the very tip of a vast mass
of water in motion, as a tsunami can travel great distances with little loss of energy. The 1960
earthquake offthe coast of Chile generated a tsunami that had enough force to kill 150 people in
Japan after ajoumey of 22 hours and 10,000 miles.
As the waves in the tsunami reach shore, they slow down due to the shallowing sea floor,
in speed is often accompanied by a dramatic increase in wave height. Tsunamis
also flood in suddenly without warning. Tsunami waves usually don't curve over and break,
like Hawaiian surf waves. Survivors of tsunami attacks describe them as dark "walls" of water.
Impelled by the mass of water behind them, the waves bulldoze onto the shore and overwhelm the
coast, snapping ftees like twigs, toppling stone walls and lighthouses, and smashing houses and
buildings into kindling.
and the loss
The contours of the seafloor and coastline have a profound influence on the height of the
waves - sometimes with surprising and dangerous results. During the 1993 tsunami attack on
Okushiri, Japan, the wave "1'nup" on the coast averaged about 15 to 20 metres (50 - 65 feet). But
in one particular spot, the waves pushed into a V-shaped valley open to the sea, concenfrating the
water in a tighter and tighter space. In the end, the water ran up to 32 metres (90 feet) above sea
level, about the height of an 8-storey office building.
Courtesy WNETORG
Write an ESSAY of not more than 500 words in which you identiff the writer's main point and
UIpose, and comment on THREE organisational strategies and THREE language techniques
used to achieve the purpose. The shategies and techniques identified should be supported by
specific references to the extract.
Total25 marks
021r4020/cAPE 2011
-4SECTION B
MODT]LE 2 _ LAI\GUAGE AI{D COMMI]NITY
Read the extract below carefully and then answer the question that follows.
2.
Carol threw many a tantrum in the bathroom, screaming at Eudora to hurry up and get
the soap offher and Eudora said, 'Awright White-lady,' after which she would sometimes mutter
under her breath, 'You damn lil red ants!' Then Carol enjoyed running all over the house naked
with Eudora shouting after her: 'Come put-on yu frack! Caral! Come put-on yu frack!' The day
Carol started calling her dress her 'frack', Auntie Beatrice was near hysterical: 'If you can't speak
properly when you speak to these children then don't bother to say anything to them at alMt's
not that you never went to school in Grenada! What class did you go up to?'
10
'Well! There you are! Third Standard! That means you could very well speak properly
if you wanted to! You came over here to better yourself, girl, so I don't understand why you have
to go on talking like Grenadian people!'
Eudora always looked as though she was on the point of crying. She went about singing
in a moumful voice the chorus:
15
20
25
During the day when Auntie Beatrice and Uncle Norman were at work and the others at
school (Auntie Beatrice said that I would go to school with Carol and Jessica soon), Eudora leaned
over the banister and talked gaily with people going up the road, laughing quite as boisterously as
Tantie. Sometimes people came in to her. There was a young man who always had a matchstick
in his mouth and a cap on back to front. He chewed the matchstick and eyed her up and down
slowly with the matchstick hanging out of onp comer of his mouth and the other corner shetched
upwards in a saucy sneer: 'How the Seen-Giargies gal?'
'Gwan, you hear, you ever hear me say "seen-Giargies"? I from St. GeOrge's, boy, an
gwan I tell you, come-out the people house. You want the Madam put me out on the sheets?'
'Let she put yu out nuh. Yu could come down by me,' and he made a swipe at her as she
fled giggling to the kitchen.
Adaptedfrom Merle Hodge, CrickCrack MonkE.
Heinemann Educational Publishers, 1970, pp. 38
- 39.
02rr4020/cAPE
20ll
(a)
What in the passage indicates Eudora's social status and her attitude to language
O)
WhatAuntie Beahice's behaviour reveals about her perceived social 'superiority' and her
attitude to language
(c)
How social tensions between the characters in ONE of the following pairs are conveyed
verbally and non-verbally:
Total25 marks
02tr4020tcAPE 2011
-6SECTION C
MODTTLE 3 _ SPEAKING AND WRITING
3.
Read the foltowing scenario carefully and then answer the question that follows.
You are a member of the Abstinence Club in your high school. You are concemed about the
small numbers of students that attend your weekly meetings. You have been asked to organise a
campaign that would convince students to attend meetings.
In an ESSAY of no more than 500 words, write
the following:
(a)
Shategies you would use to attract students to club meetings and justification for these
strategies
(b)
(c)
Total25 marks
END OF TEST
The Council has made every effort to trace copyright holders. However, if any have been
inadvertently overlooked, or any material has been inconectly acknowledged' CXC will be
pleased to coruect this at the earliest opportunity.
02tr4020lcAPE 2011