Unit 3. Modal Verbs. Theory and Exercise
Unit 3. Modal Verbs. Theory and Exercise
Unit 3. Modal Verbs. Theory and Exercise
The verbs can, could, may, might, will, would, shall (mainly British English), should,
must, have to and ought to are called modal auxiliary verbs.
They are used before the infinitives of other verbs, and add certain kinds of meaning
connected with certainty or with obligation and freedom to act. Need and dare, and the
expression had better can also be used like modal auxiliary verbs.
Characteristics:
Meanings:
1.- Use one of the modal verbs in brackets to fill each gap :
1. They (can/might) ___________ be away for the weekend but I'm not sure.
6. Listen, please. You (may not/might not) ___________ speak during this exam.
10. You (can/might) ___________ be right but I'm going back to check the times.
2.- Use one of the modal verbs in brackets to fill each gap :
(are, can, could, do, does, has, have, must, should, would)
"UNDERGROUND MUSIC"
Waiting for the Metro in Paris is a lot more pleasant nowadays, thanks to a project
orchestrated by transit officials.
As Jim Bittermann reports, it brings a whole new concept to the term "underground
music."
It may be rush hour in the Paris underground, but these days down here there are good
reasons to slow down a little when commuting is more than just getting from A to B,
when the transit 1. _________ be too rapid.
Increasingly, the underground tunnels Parisians know as the Metro echo with music
worth being late for. That wasn't, and even today, isn't always the case. There's never a
shortage of those risking starvation by attempting to sing for their supper, and there's
always someone to appreciate an artist struggling.
Transit officials came to the conclusion that if they 3. __________ not beat the
musicians at their game, perhaps they 4. __________ perhaps join them, or at least
organize it a little better. So just over a year ago, they set up auditions to select the 300-
or-so performers who 5. __________ become the official underground musicians of
Paris.
And it is now an ongoing process. Every six months, all the officially sanctioned
musicians, minus those who 6. __________ found real work and plus those looking for
a underground gig, 7. ___________ appear at a Metro audition.
Antione Nazo, a one-time guitar plucker himself, video tapes them all for approval by a
music committee. "We 8. __________ not have the pretension that we
9. __________ selecting music virtuosos," Nazo says. "We just put ourselves in the
shoes of the riders. We want good quality music, not too aggressive, and as diversified
as possible."
For those selected to be the Metro's officially sanctioned performers, there's a badge
which ensures they 11. __________ work uninterrupted by transit authority police, and
which often guarantees as well a good well travelled spot in a busy metro station, which
some musicians, when the mood of the travelling public is right, 12. __________ mean
as much as 600 euros a day in income.
Of course, that 13. __________ not happen every day to everyone. But many down
here are not looking for a fortune.
Paul Suzan said that "the people who play here play because they first of all, they love
the music. But it keeps you in shape and gives you some pocket money".
5. Complete the second sentence in each pair. Use no more than five words
including the word in bold. Do NOT change this word.