It'S A Sign: Rubato, Chatty Kate
It'S A Sign: Rubato, Chatty Kate
It'S A Sign: Rubato, Chatty Kate
IT’S A SIGN
Music by TOM KITT
Lyrics by BRIAN YORKEY
Rubato, chatty
Cm/E¨
KATE:
Yes - ter - day this wom - an met this man in Mad - i - son Park quite by
mf
3 G7/D Cm
chance, all at ran - dom, as it were. But they met a - gain just now, in this
mp
mf
C Fm
6
tun - nel, in the dark could mere chance have caused the two things to oc -
2
Like a ticking clock
8 Fm/A¨ Cm/G G
cur? Or could there be an - oth - er mean - ing to in - fer? Could the
mp
Cm/G G Cm/G G7
11
un - i - verse have a mes - sage... for him... and... her?
poco rit.
Hard Soul
13
µ/C
µ
You meet a man who is
ff
mf
16
E¨ F
hand - some and nice, quite by chance one day...
3
19 Cm7(add4)
But then you meet that same hand - some man twice. En - tic - ing!
21
E¨ C7/E
That’s not chance, no way.
F7
23
B¨/F F9 E¨maj7/F
The u - ni - verse has a mes - sage for you,
25 F9 E¨maj7/F F9 A¨13
and if you’re smart, then you’ll let it through It’s
fp
4
G7sus
27
µ G7sus µ
just a gen - tle shove, a sig - nal from a - bove, It’s
G7sus B¨5
29
plain to see it’s meant to be— you’re des - tined for love! It’s a
Cm7
31
F/C
sign Oh, it’s a sign! Like when
f
Fm/C
33
Cm7
clouds o - pen up or the stars a - lign. It’s a
5
E¨maj13
35
A¨maj7
sud - den smile, a nice sur - prise, so act just like those wis - est guys and
Dm7¨5
37
G7sus G7#9
fol - low that north star and you’ll be fine— It’s a
mf
µ/C
39
E¨maj7 F9
sign.
mp
f
Cm9
41
MALE NEW YORKER 1:
To - day a pi - geon shit right on my head, it’s still in my hair.
mf
6
44
E¨ F Cm7(add4) FEMALE NEW YORKER:
The Vir - gin Mar - y ap -
46
peared in my bread, I said: “That’s her face right there.”
Cm7
48
E¨ C7/E F7 B¨/F
MALE NEW YORKER 2:
I found a sand - wich right
50 F9 E¨maj7/F F9 E¨maj7/F
KATE:
here on the floor! Now those are signs that you
52 F9 A¨13 G7sus µ G7sus
can’t ig - nore. It’s per - fect and it’s plain, like
fp
54 µ G7sus
rain -bows in the rain. One more clue there for you do I
B¨5 Cm7
56
have to ex - plain that it’s a sign? Oh, it’s a
f
F/C
58
Fm/C
sign... like the leaves in your tea or the cork
8
Cm7
60
E¨maj13
in your wine! It’s a la - dy’s wink, a po - et’s rhyme, a
A¨maj7
62
Dm7¨5
train door o - pens just in time, it is - n’t just some hand - some strang - er’s line,
64 G7sus G7#5(#9) µ/C
it’s a sign.
mf mp
3
66
It’s a new moon on a Mon - day night, a
9
µ/C#
68
blue moon on a late - night flight. Pat-terns in your lat - te cup,
mf
70
D7 Am7/D
but -tered bread falls but - ter up. When a stray dog comes to stay,
72 D7 G/D Dm7 E¨7
when a black cat walks your way, that tin - gle in your fin - gers, too, means
E7 E7#9
74
some -thing good is here for you... It’s a
cresc.
10
76
Am7 D/A
sign! Oh, it’s a sign! like when
f
78
F/A Am7
clouds o - pen up, or the stars a - lign.
80 Cmaj13 Fmaj7
Read your tea leaves just in case, read the wrink - les on your face. They’re
82 Bm7¨5 E7
tell -ing you your life is on the line... the
11
84
F7 D(add2)/F#
gal - ax - y has got your grand de - sign... It’s
86
G E7/G#
per - fect, it’s pro - found, and it’s di - vine... it’s di - vine...
88 E7sus E7#9
it’s di - vine...
E5 G5 E7#9 µ A5
90
It’s a sign!
ff
YOU NEVER KNOW
Music by TOM KITT
Lyrics by BRIAN YORKEY
Heartfelt (q = 78)
A(add4)/C# E7/B
mp
3 A7sus A7 D(add2) A(add2)/C# B7sus B9
E7sus E7 A(add4)/C# JOSH:
6
You nev - er know how
mp
8 E7sus/B E7/B A7sus A7
bad - ly this could go. I’ve got dis - as - ter writ - ten on my
2
10 D(add2) A(add2)/C# B7sus B7
cheek. The odds are I’m some two - faced, ly - ing freak who will
E7sus E7 F#m7 Amaj7/E
12
whis - per pret - ty things, then leave you flat and steal your cat.
14 B(add2)/D# B7(add2)/D# D(add2)
It might not be that bad, but e - ven
E7sus
16 E7 A(add4)/C#
so... You nev - er see the
mf
3
E7sus/B E7/B A7sus A7
18
worst that things can be. You think you do, ’cause you’ve been hurt be -
D(add2) F#m7/C# B7sus B7
20
fore. An - oth - er hurt might hurt you that much more and
E7sus E F#m7 F#m9/E
22
odds are I will do what most men do— and hurt you too—
24 B9/D# Dmaj9
’cause men are men and odds are odds, al - though—
4
26 E13sus E13 E7 A2/4 A Bm7(add4)
you nev - er know. You may
C#m7 Asus2/C# C#m7 F#m7 D(add2)/E
28
3
think you know the end at the be - gin - ning, but the truth is, there’s no mor-tal way to tell.
mf
Asus A Bm7(add4) Amaj9/C#
30
And the game’s not o - ver ’til the fin - al in - ning, and I’m
f
F#m
Amaj7/E B(add2)/D#
32
grin - ning ’cause this game might just end well. You
mp
5
34 Dm(maj7) Dm6 A(add4)/C#
nev - er know if I
p
36 E7sus/B E7/B A7sus A7
on - ly want your dough. I might be on the lam or on the dole,
mp
38 D(add2) A(add2)/C# B7sus B7
off my meds or off my nut or on pa - role— or
40 E7sus E13 F#m7 Amaj7/E
e - ven worse, I might be some - one who is meant for you...
6
B9/D# Dmaj9
42
and may - be that’s the thing to lay you low... you
mf
cresc.
nev - er know if I’m a
Dmaj9/F# A(add2)/E
46
drunk - ard or a dul - lard, too call - ous or too clev - er— or if I
3
mf
Dmaj9/F# A,9/C#
48
might just be the man who’s meant to be with you for - ev - er... you nev - er
f
7
50 Bm9(add4) E13sus E7
know. You nev - er, ev - er
mp
52 A(add4)/C# E7/B
know.
mp
A7sus A7 D(add2) A(add2)/C#
54
B7sus B9 E7sus E7 A
56
rit.
1
Lyrics by BRIAN YORKEY
With pedal
3
LUCAS:
You don’t need to love me,
6
A¨(add4)/G
or tell me that you do. Don’t make me an - y
A¨(add4)/F A¨(add4)/E¨
9
prom - is - es— just prom - ise we’re not through.
2
12
D¨maj9
Don’t give me one damn thing— I won’t let you call this
14
D¨maj9/C
greed— Just let me give to you— that’s the on - ly thing I need.
16
B¨m9(add4)
I know that this can work— if you’d plant one sim - ple
18
E¨sus E¨
seed you’d see it grow... You don’t need to
3
D¨maj9
21
B¨m7 E¨7(add4)/B¨ A¨(add4)
love me to know.
p
mp
24
You don’t need to
27
A¨(add4)/G
need me— it’s bet - ter that you don’t.
mf
30
D¨maj9/F
If each of us can walk a - way, it won’t mat - ter that I
4
A¨(add4)/E¨
33
won’t. We’ll both be self - con -
35 D¨maj9#11
tained— but to - geth - er, not a - lone. You can keep me in the dark—
37 D¨maj9#11/C
hell, it’s all I’ve ev - er known. But we both could use a
39 B¨m11(add13) D¨maj9 E¨sus
friend— who will al - ways check the phone and take the call...
5
42 E¨ D¨maj9/F A¨/G E¨7sus
You don’t need to need me at all.
mp
A¨sus
45
A¨ D¨ E¨9(add4)/D¨
Let me be your e - mer - gen - cy con- tact,
cresc. mf
48 D¨sus2 E¨9/D¨ A¨sus2,4 A¨(add4) A¨sus A¨/G
your oc - ca - sion - al plus - one. Your ex - cuse to take a
51 D¨6/9/F D¨sus2 D¨sus2,#4 D¨(add2) E¨9sus
sick day when the fore - cast calls for sun.
cresc.
Cm
6
54
E¨
A¨maj7/C
Cm7
We can keep on be - ing lone - ly... but we don’t have to be
mp
57
Fm7(add4) Fm7 D¨sus2/F B¨m7(add4)
B¨m7
a - part. And I’ll nev - er e - ven ask you to
cresc.
D¨(add2)
60 A¨maj7/C B¨m7(add4) B¨m7 A¨maj7/C
let me have your heart... so I’ll nev - er break your
D¨maj9 B¨m7(add4) B¨m7 A¨/C D¨maj9(no3)
63
heart. No, I’ll nev - er break your heart
66
You don’t need to love me to let me help you
mp
p
A¨5/G
69
D¨sus2/F
through. You don’t need to con - fide in me—
Fm7
72
E¨7sus A¨/C
I’ve got crap e - nough for two. You don’t need to
75
D¨maj9 D¨6/9 Fm7/C
an - swer, I’ll know be - fore you do...
mp
8
A¨sus2/C
78
Fm7/B¨ A¨sus/B¨
But hear me, and be -
81
Fm7/C A¨maj7/E¨ D¨ E¨7/D¨
lieve me, that you don’t need to love me
cresc.
the way that I love you.
p sub. mp
A¨
88
mp
1
Regretful (h = 72)
G¨5
p
4
BETH:
You learn to take your cof - fee black... You
7
C¨sus2
learn to drink your whisk - ey neat... You learn to take the
10
show - er cold... and sleep on tir - ed feet. You
2
D¨sus
13
learn to or - der din - ner in... You learn to send the
16
C¨sus2
laun - dry out... You learn how to a - muse your - self—
cresc.
C¨
19
G¨5
You learn to live with - out.
mp
22
You
3
C¨(add2)
25
tell your - self you’re rich at last, in mon - ey, and in
mf
28
G¨5 C¨(add2)/E¨
time, You draw a bath and
mp
C¨(add2)
31
D¨sus D¨
then un - plug the phone. You
dim. cresc.
C¨(add2)
34
pour your - self a pin - ot, Clos Du Val, two thou - sand
mf
4
E¨m7
37
F¨sus2
three, You sit a spell, a
f mf
dim.
D¨sus
40
queen up - on her throne... You go to bed a - lone.
G¨5
43
p
46
LIZ:
You learn to fall a - sleep a - lone. You
mp
5
49
C¨sus2
learn to si - lence tick - ing clocks. You learn to pull the
52
shades at night and dou - ble - check the locks. You
D¨sus
55
learn to speak so calm - ly when your heart would like to
58
C¨sus2
scream and shout... You learn to stop, and breathe, and smile—
cresc.
6
C¨
61
G¨5
You learn to live with - out.
64
C¨(add2) C¨sus2,#4 C¨(add2) C¨sus2,#4
You find the coat and tie you thought you’d
cresc. mf
C¨(add2)
67
C¨sus2,#4 G¨5
C¨(add2)/E¨
70
C¨sus2,#4 C¨(add2) C¨sus2,#4 D¨sus D¨
toss his fav - ’rite shoes on to the pile
dim.
7
73
D¨sus D¨(add4) C¨sus2 G¨/C¨ D¨sus/C¨ G¨/C¨
You see him in the fac - es of the boys
mf
cresc.
76
C¨sus2 E¨m7(add4)
he left be - hind and
f
cresc.
F¨(add2) F¨sus2,#4 F¨(add2) F¨sus2,#4 D¨sus
79
die a bit with eve - ry ti - ny smile, but
dim.
Relax tempo
82
D¨ G¨5
on - ly for a while.
mp
8
Colla voce
85
G¨
ELIZABETH:
You learn to count the qui - et wins— an
p
89
G¨/C¨
ho - ur with no un - promp-ted tears— and not to count the dead -
92
D¨sus/C¨
- ly days as they fade in - to years. You
A Tempo
95
D¨7sus C¨(add2)/E¨
learn to stand a - lone at last, so brave, and bold, and
mp
cresc. poco a poco
9
98
D¨7sus(F) D¨7/F
strong, and stout. You learn some - how to like the dark and
G¨sus
101 A¨m7(add4)
e - ven love the doubt. You learn to hold your life
p mf cresc. poco a poco
104
G¨sus/B¨
in - side you and nev - er let it out. You
C¨sus2
D¨7sus
107
learn to live and die and then to live... You
fp mf
cresc.
cresc.
10
D¨sus/C¨
110
E¨m7(add4)
learn to live with - out...
p sub. f
C¨sus2(add#4)
113
You learn to live with - out...
116
D¨/C¨ G¨5
You learn to live with - out.
p sub.
mp
120
1
HEY, KID
Music by TOM KITT
Lyrics by BRIAN YORKEY
Colla voce
B¨sus2,#4 F(add2)/A C7(add4)/G F6/9/A
JOSH:
Hey, kid. Ev -’ry - one’s wait - ing on you, kid. Ev -’ry - one’s won - d’ring what you’ll
mf mp
3 B¨6(add#4) Dm7(add4) C7sus(add6) C7 F,9 Fsus2,4
do, kid. It’s true, kid. Me too, kid.
mf mp mf
legato throughout
5
Fmaj9 Fsus2,4 Fmaj9
Hey, kid, we’re so ex - cit - ed just to
cresc. mf
2
Fsus2,4 F,9
7
know you’ll soon be here. Say— kid— we’re both de -light - ed— though that
may not seem so clear. But I did my O. B. ro - ta- tion, so I know the ins and
cresc. dim.
11 Dm9 B¨sus2,#4 F/A F(add2)/A
outs. And you’re an act of God’s cre - a - tion, so I’m fine with all the
cresc.
Dm9 B¨sus2 F(add2)/A
13
doubts. I’m a doc - tor and a
dim.
3
15 Gm7add4 C7sus
sol - dier, I’ve been shelled, and un - der fire... but kid— if I
cresc.
17 Fmaj9 Fsus2,4
say that you don’t scare me, I’m a liar.
dim.
Fmaj9 Fsus2,4
19
Now, kid— you did sur - prise me, though I know the facts of life.
mf
Fmaj9 Fsus2,4 E¨/G Fsus2,4 E¨/G
21
Wow, kid— it ter - ri - fies me just to say, “my preg - nant wife.” ’Cause
cresc.
4
23 B¨sus2,#4 F/A F(add2)/A Dm9
kid, I got - ta tell ya, I’m not read - y—not a bit. There’s this
dim.
25 B¨sus2,#4 F(add2)/A Dm9
ma - cho act I’ll sell ya— while in - side I lose my shit. It’s
cresc.
27 B¨sus2 F(add2)/A Gm7add4
not that I don’t want you, ’cause I do, des - pite my
dim.
29 C7sus
fears, but kid— is it true you’ll stick a - round for eigh - teen
cresc.
5
31 F,9 Fsus2,4 F6/9
years? Then the
mf p sub.
Patter, in tempo
D¨maj7 G¨6/9
33
call comes on the i - Phone, I grab a cab cross town, I
p
find her on the fourth floor, and they’ve got her in the gown. She’s
E¨m7 A¨13
35
nev - er looked less love - ly— she’s a grump and she’s got gas. And the
6
E¨m7
36
A¨13¨9
la - bor’s eigh - teen hou - rs— oh my God, kid— move your ass. Then at
cresc.
Am7
37
Am7/D
D
last you make your en - trance and, well, kid, you’re quite a sight. I’ll be
mf
Am9
38
D7sus D9
hon - est— you’re dis - gust - ing— but I know that you’re all right. Though you’re
cresc.
39
Gm7 Am7
scream - ing and you’re spit - ting and I can’t quite see your charms, they
p sub.
cresc.
7
B¨maj9
Bm7¨5
40
clean you and they clothe you and they put you in my arms... And I
rit.
f
dim.
C7sus
42
real - lize, in an in - stant that I’ve known you all a - long, that I’ve
mp a tempo
44
want - ed you for - ev - er, that I’ll nev - er do you wrong. And what
46 B¨(add2)/D C7sus/E
ev - er this world comes to, and what - ev - er comes our way— I will
cresc. poco a poco
8
48 Fsus G13 Dm/G
watch you, and pro - tect you, I prom - ise, kid, we’ll be o -
cresc.
50
C7sus E¨6/9
kay... We’ll be o - kay... We’ll be o -
52
A¨maj9 E¨/G E¨sus/G E¨/G
kay... Hey...
dim.
54 Fmaj9 Fsus2,4
kid. I feel like yell - ing— ring the bell and bang the drum. Say,
mp cresc.
9
56 Fmaj9 Fsus2,4 E¨/G Fsus2,4 E¨/G
kid, there’s just no tell-ing all the things that you’ll be - come. And I
mp cresc.
58 B¨sus2,#4 F/A F(add2)/A Dm9
think we’ll have some fun here, your mom, and you, and me. And be-
mf
dim.
60 B¨sus2,#4 F(add2)/A
fore your time is done here, kid of mine, I hope
cresc.
61
Dm9
you’ll see that this
10
62 B¨sus2 F(add2)/A Gm7add4
life is what you make it— it’s cli - ché, which means it’s
dim. mp
64
C7sus
true. And kid, it makes my life to know I helped make
cresc.
66
Fmaj9 Fsus2,4 F6/9
you. As a
f
dim. mp
fath - er, kid, I may not have a clue, but your mom and me will some - how mud - dle through. If my
p colla voce
11
70 C9/E A7sus A7
ass - hole dad could do it, I can too— in
cresc.
71 Dm G9
fact, I’ll do bet - ter, I’ll start new. ’Cause
rall. dim.
72 C7sus
C7
kid, our kid, my kid— I love
mf cresc.
a tempo
Fmaj9 Gm7/F F(add2) Gm7/C F
74
you.
f
rall.
1
Tenderly, poco rubato
Asus2/G#
D(add2)/F# Asus2/G#
D(add2)/F#
mp
Asus2/G# D(add2)/F# Asus2/G#
DAVID:
5
If you met him to - mor - row and knew you would lose him,
8 D(add2)/F# Asus2/G# D(add2)/F# Esus
If you saw him and saw all the hurt you would know,
E D6/9 F#m7/C# Bm7(add4) D/A
12
Would you hold him while you had him— or let him
cresc.
2
With movement (q. = 65)
16
G(add2) Asus2/G# D(add2)/F#
go? If you knew that your laugh - ter would not last for -
mf p mp
20 Asus2/G# D(add2)/F# Asus2/G#
ev - er, But you knew while it
23 D(add2)/F# Esus E
did you would breathe it like air, Would you
cresc.
D6/9
26
F#m7/C# Bm7(add4) D(add2)/A
let him make you love him? Would you
mf dim.
3
Em7
29
D(add2)/F# G6/9 Em7
dare? Feel - ing like you feel to - day,
32 D(add2)/F# G6/9 Asus A
Tell me you’d just walk a - way... What would you
cresc. dim.
Bm(add4) Gsus2 D(add2)
35
do if you could do it all o - ver?
mp
D/C# Bm(add4) Gsus2
38
What would you do if you could start it all
mf
cresc. dim.
4
Asus
41 A D(add2)/F#
new? If you could go back
mf
cresc.
Gsus2
D/G Asus A
44
know - ing what you know now— What would you do?
dim. p
Asus2/G#
47 D(add2)/F# Asus2/G# D(add2)/F#
mp
Asus2/G# D(add2)/F# Asus2/G# D(add2)/F#
51
p
1
Lyrics by BRIAN YORKEY
Moderately slow
C(add2)/E D(add2)/F#
mp
Colla voce
4 G5
LIZ:
In my life I nev - er thought I’d get a
mf p
7
G5/F#
sec - ond chance I thought I was done— then I met you. And though
10 G5/F F G/F
I nev - er dreamed I could learn how to love a - gain, I placed my
2
13 C(add2)/E Cm(add2)/E¨ Cm6/E¨
bet and you came through I
mp p
D7sus G/D C#m7(¨5)
17
some - how still lost. I some - how al - ways do
mf
Em(add2)/C#
Csus2
20
This time feels new.
mp
25
C Csus
Thank you for find - ing me— and thank you for the care— and
27
Csus2 C Csus
Gm Gsus2 Gsus
Gm
fuck you for mak - ing me think that this life might be fair. You
30
C Csus2,4
C
Csus2,4
prom - ised to love me— a prom - ise you kept— and
mf dim.
32
C Csus2,4
C Csus2,4
I won’t be sor - ry that you said to leap and I
mf dim.
34
Gm Gsus2 Gsus Gm B¨(add2) B¨sus2,#4 B¨(add2) B¨sus2,#4
leapt. I won’t re - gret what I did then, though it
mf
4
37Gm7(add4) Gm7(add4,6) Gm7(add4) Gm7(add4,6)
hurts more than I could i - mag - ine back when, all the
39
E¨ E¨sus2,#4 E¨ E¨sus2,#4 Gsus
42 G Am Em
Am I al - ways start - ing o - ver? In a
p sub. mf
45 F(add2) F C Csus2/B Am
brand new sto - ry am I al - ways back at
5
48
Em F(add2) F Gsus G
one af - ter all I’ve done? ’Cause I’ve
51 C Dm7 C/E
burned all of my bridg - es and learned ev - ’ry last
mp
54 F F(add2) Gm Gm(add2) F
les - son too. So how can I start
mf mp
Driving
57
C5 D Dsus2,4
new? I’ll love our chil - dren, both
p mf
6
60 D Dsus2,4 D Dsus2,4
fierce - ly and well. When they ask a - bout you, oh
62 D Dsus2,4 D Am Asus2 Asus Am
Lord - y, the sto - ries I’ll tell. And
64
D Dsus2,4 D Dsus2,4
I won’t re - gret the lives I did - n’t lead. I
D Dsus2,4 D Dsus2,4 D
66
knew you, I loved you, and let that be all that I
7
Am
68 Asus2 Am G/B C Csus2,#4
need. Say that it’s fate.
f
C
70
Csus2,#4 Am7 D7/A
Say it’s fore - told. I’m through with fight - ing it—
Am7
72
D7/A F Fsus2,#4
I’m much too old. What the gods have to give I’ll
F Fsus2,#4 F Asus A
74
take, and I’ll live, and be bold.
mf cresc.
8
Asus
77 A Bm
If we’re al - ways start - ing
f
F#m G(add2) G D Dsus2/C#
80
o - ver ev - ’ry brand - new morn - ing, then we’re
Bm F#m G(add2) G
83
al - ways start - ing out with the end in
Asus A D
Em7(add4)
86
doubt. We can leave life for to - mor - row or
mf
9
D/F#
89
Gsus2
grieve all that we thought we’d
cresc.
Am
91
Asus2 Am G
do, or make each mo - ment
mf
Csus2
93
Gsus2 G
new. All that has hap - pened is hap - pen - ing
p
96 C(add2) Gsus2 G/F
now. All that might hap - pen is here, some -
10
99 E¨(add2) B¨sus2 B¨/A
how. All of the choic - es that made me,
mp
cresc.
102
G Cm(add2) Csus2,4 Cm
me. All of the ac - ci - dents yet to
mf
105
G Gsus2 G C(add2)
be. All that’s a - head and all that’s be -
mp
cresc. poco a poco
108 Cm Csus2,4 Cm
hind. It’s all in the mo - ment I make up my mind and o - pen my
111 E¨sus2,#4 E¨ E¨sus2,#4 E¨ E¨maj7 E¨6
heart and
f
114 F7(add4) E¨/F F7(add4) E¨/F F7(add4)
start and
117
G5
start. ’Cause we’re
p sub. cresc.
120 µ Cm Gm A¨(add2) A¨
al - ways start - ing o - ver ev - ’ry life we’re
f
12
E¨ E¨maj7/D Cm Gm
123
liv - ing, and we’re al - ways just a - wake ev - ’ry
126 A¨(add2) A¨ B¨sus B¨ E¨
step we take. And, my love, our life is o -
129 Fm7(add4) E¨/G A¨sus2
- ver. But, love, I’ll make you one last
vow, to start o - ver and o - ver and
mp cresc. poco a poco
13
135
C¨6/9(#4)
o - ver some - how. My new life starts right
f
poco rit.
138 A¨(add2)/C B¨7(add4)/D
now!
p a tempo
141
A¨(add2)/C
mf
B¨7sus B¨9 B¨7sus B¨7 E¨
144
f ff