Identity Guidelines - Fourth Edition: April 2010

University Guidelines:Layout 1 22/6/10 10:04 Page 1
Identity guidelines – fourth edition
April 2010
02
Contents
Introduction 03 Typography Posters 41
Typeface 21 Certificates 42
The logo Readability 22 Advertisements 43
History of the University’s coat of arms 05 Newsletters 44
Core element 06 Imagery Creating leaflets and booklets 45
Trademark and licensing 07 Our image style 24
Exclusion zone and the coat of arms 08 Image library 25 Digital communication
Recommended sizing 09 Websites - basic design guidelines 47-48
Logo positioning - top left 10 Graphic language Example websites 49-50
Logo positioning - bottom left 11 The design grid 27 Social networks 51
Departmental logos for stationery only 12 A5 grid 28
Sub-branding/additional logos 13 A4 grid 29 Other guidance
A3 grid 30 Livery 53
Colour Using the grid 31 Signage 54
Palette 15 Sample layouts and examples 32-33 Legal advice 55
Palette and text legibility 16
Palette - accessibility 16 Templates and examples Accessibility
Pantone and CMYK references 17 Overview 35 Best practice 57
RGB and websafe references 18 Stationery 36-38
Working with the palette 19 PowerPoint 39 Paper and printing
Publication and report covers 40 Recommendations 59
Contact
Useful information 61
03
Introduction
The guidelines
The University of Cambridge is proud of its status as a leading higher education
institute. Our name and logo are important assets that have recognition around
the world.
These guidelines are designed to help us present our logo and our image in a
consistent way in all communication materials we need to produce.
If you have any queries contact Communications Services
[email protected]
04
The logo
Fourth edition – April 2010
05
The logo
History of the University’s coat of arms
In the United Kingdom armorial bearings are granted under Royal authority by the In England a motto is not an official part of the official grant and so the University
Kings of Arms, who are officers appointed by the Crown; they are in law akin to a coat of arms is complete without it. The University has by custom an adopted
dignity such as a peerage. Their regulation in England, Wales and Northern Ireland motto, which can be used if required and should be placed either under or around
is conducted through the Earl Marshal and the College of Arms in London. In the arms. The motto is usually given as:
Scotland authority to regulate coats of arms lies with the Lord Lyon King of Arms.
Latin: Hinc lucem et pocula sacra
English: Literal: From here, light and sacred draughts, Non-literal: From this place,
The University of Cambridge was granted its arms in 1573 by Robert Cooke,
we gain enlightenment and precious knowledge.
Clarenceux King of Arms and a graduate of St. John's College, for use by the
Chancellor, Masters, Fellows and Scholars as a corporate body. The arms Cooke
The University has no right to change its coat of arms without Royal Authority; it
granted are officially described in heraldic terminology or blazon as follows:
must remain true to the blazon given above.
Gules on a Cross Ermine between four Lions passant guardant Or a Bible fesswise
Gules clasped and garnished Or the clasps in base. The lettering in the University logo has been slightly adjusted to make it clearer for
digital use.
This may be rendered into plain English as follows:
New logos can be downloaded from the Communications Services website:
On a red background, a cross of ermine fur between four gold lions walking but www.admin.cam.ac.uk/offices/communications/services/logos/
with one fore-leg raised, and facing the observer. These lions must always face the
left-hand edge of the page or item on which the arms are displayed (which means
they are facing right, heraldically speaking). On the centre of the cross is a closed Old version
book with its spine horizontal and with clasps and decoration, the clasps pointing
downward.
The University coat of arms is often mistakenly called the University crest. A crest is
a particular part of a full armorial achievement that also includes helm, mantling,
shield and sometimes supporters. The University, like some other older corporate
bodies, has no crest. The University shield is a better term to use, since the shield
contains the complete coat of arms and is the most usual way of displaying them,
but they can also be presented on other shapes, such as an oval. New version
06
The logo
Core element
The logo consists of the coat of arms and the University of Cambridge
logotype. It should not be redrawn, digitally manipulated or altered. It
must always be positioned on the left (see page 10).
The logo must always be reproduced from a digital master reference.
This is available in eps, jpeg and gif format. Please ensure the
appropriate artwork format is used (a Raven password is required).
www.admin.cam.ac.uk/offices/communications/services/logos/
File formats
eps: professional usage
jpeg: desktop publishing
gif: digital usage
Colour
The logo only appears in the four colour variants shown on this page.
Black, Red Pantone 032, Yellow Pantone 109 and white coat of arms
with black or white name. Single colour black or white. Please try to
avoid any other colour combinations. CMYK breakdowns will be
determined by individual application software.
Red Pantone 032 R237 G41 B57

Yellow Pantone 109 R254 G209 B0
These colours are unique to the logo and should not be used
elsewhere on our communications. See page 14 for our colour
palette. Yellow Pantone 109 can be replaced with Gold Pantone 872.
Accessibility
The logo must always have good contrast with the background to
ensure maximum impact and accessibility.
An exclusion zone is required around the logo (see page 08).
For departmental logos see page 12

07
The logo
Trademark and licensing
The University coat of arms has significant commercial
value, for example, through use on merchandising
and promotional items.
The University names and arms are registered
trademarks and may only be used with permission of
the University or by registered licence holders.
Use of logo
The University’s coat of arms and logotype are used to
identify an official publication, presentation or
website of the University of Cambridge.
If the use falls outside official use, you will need to
gain permission from the appropriate office before
publication.
Holograms
Hologram marked tags identify official products with
unique identity numbers.
For more information about licensing, contact
Communications Services.
[email protected]
08
The logo
Exclusion zone arms
width
In order to maximise its visual presence the logo
requires a surrounding area clear of any other graphic arms
elements or text. width
The minimum exclusion zone is equal to the width of
the coat of arms. Always allow at least this amount of
clear space around the logo. It is important that this
rule is observed and the exclusion zone is maintained
at all times.
The recommended minimum clearance is to protect arms
the logo. The logo will appear on many different width
applications and formats and this will help to give it
clarity and presence. This is not a placement guide. It
is a minimum only.
For use of the logo with departmental names, please
see page 12.
The coat of arms

The coat of arms should not be used as a substitute
for the logo. The logo should always be used as a
whole, including both the coat of arms and the
name of the University.
The coat of arms can sometimes be used as a graphic
device or watermark in printed publications where
there are no images to complement the text. It is
usually printed bleeding off the page and sized
approximately 55% of the height of the page and
placed one third of the distance from the top (see
example).
09
The logo
Recommended sizing
Logo size consistency is important when producing a 48mm 30mm
wide range of communications.
A size formats
Shown here are the recommended sizes for
reproduction across various A series formats. minimum size
DL and A5
DL 48mm
A5 48mm
A4 65mm
A3 92mm
65mm
Placement
The logo always appears in a set size and position on
all our communications. See pages 10–11
Minimum size
Our logo must be clearly visible and reproduced
consistently. For this reason a minimum size has been A4
established. The size is 30mm measured across the
width of the logo.
The logo does not have a maximum reproduction size.
Alternative sizes 92mm
The logo is reduced or enlarged proportionately to
accommodate alternative sizes. It must never be
compressed or expanded but always scaled up or
down in proportion.
A
Measurements A and B
must always be the same.
A3
B
10
The logo
Positioning – top left
17 92
Consistent positioning of the logo is vital,

20
it must always appear on the left.
The logo can appear in two set positions.
Either at the top of the area or at the bottom,
but always ranged left.
Logo size and position
DL
Logo 48mm 12 65 8 48
left margin 8mm
top margin 9mm 9
14
A5
Logo 48mm
left margin 8mm
top margin 9mm
8 48
A4
Logo 65mm 9
left margin 12mm
top margin 14mm
A3
Logo 92mm
left margin 17mm
top margin 20mm
Landscape formats
The top and left hand margins remain the
same for the corresponding landscape DL
formats.
A5 A4 A3
11
The logo
Positioning – bottom left
Consistent positioning of the logo is vital,
it must always appear on the left.
The logo can appear in two set positions.
Either at the top of the area or at the bottom,
but always ranged left.
Logo size and position
DL
Logo 48mm
left margin 8mm
base margin 9mm
A5
Logo 48mm
left margin 8mm
base margin 9mm
A4 A5
9
Logo 65mm
left margin 12mm 8 48
base margin 14mm
A3
Logo 92mm
left margin 17mm DL
14 A4 9
base margin 20mm
Landscape formats 12 65 8 48
The bottom and left hand margins remain the
same for the corresponding landscape
formats.
20 A3
17 92
12
The logo
Departmental logos for stationery only
Departmental names work with the logo as shown
opposite. This relationship is designed for stationery
applications only.
Please see page 28 - 31 for departmental names on Version one Secretariat
publications other than stationery. The font sizes for
one, two and three line departmental names are as
follows:
one line: 14 point type
two lines: 12 point type
three lines: 8 point type
These size relationships are determined by the
departmental name length. The departmental name Version two, for names that Office of External Affairs
should not extend beyond the bounds of the logo. appear on two lines and Communications
All departmental stationery templates can be found
online at
www.admin.cam.ac.uk/cam-only/offices/communications/services/templates
(a Raven password is required)
Version three, this is designed for very Wellcome Trust/Cancer Research UK

long divisional names that appear on Gurdon Institute of Cancer and
three lines of text or more Developmental Biology
13
Examples
Sub-branding/additional logos
Recommended positioning for any additional
partnership logos is at the opposite end of the page
to the University logo. If multiple logos are required,
they should start from left and be placed next to each
other leaving sufficient space around them.
Please observe the exclusion zone for all logos (see
page 08).
The creation of additional logos is discouraged. The
University logo should be sufficient - see page 12 for
treatment of departmental names on stationery and
page 28 of departmental names on publications.
14
Colour
15
Colour
Palette
The core colour palette is shown opposite (middle row). It
should be used on all our communications.
A set of tonally darker and lighter colours have been
developed in order to support the five core colours.
These 10 supporting colours are designed to work
with the core colours, in various combinations. They
should be used to add depth and variety.
PANTONE ® PANTONE ® PANTONE ® PANTONE ® PANTONE ®
There is no set colour for departments or areas of the 284 C 142 C 583 C 5215 C 557 C
University. Any of the fifteen colours within the lighter palette Cambridge Blue
palette may be used for any communication.
Attention should be given to the use of appropriate
colours. Minimal colour usage is often the most
effective.
Please see pages 31–33 for example applications.
Red Pantone 032 and Yellow Pantone 109 are unique
to the University logo and should not be used
elsewhere on our communications.
285 C 158 C 369 C 513 C 7466 C
core palette
PANTONE ® PANTONE ® PANTONE ® PANTONE ® PANTONE ® PANTONE ® PANTONE ®

032 C 109C 541 C 718 C 574 C 669 C 5473 C
darker palette
16
Colour
Palette and text legibility
Accessibility 100% 80% tint 60% tint 40% tint 20% tint
When choosing colour it is important to consider the
best options from the palette that will project the
information clearly, effectively and complement any
chosen images.
There must always be good contrast between text and

the background colour. Dark colours on a white or
very pale background are the most legible. White type PANTONE ® PANTONE ® PANTONE ® PANTONE ® PANTONE ®
should only be used on a very dark background – for 284 C 284 C 284 C 284 C 284 C
example Pantone 541, 574, 699 and 5473. Colours tints of colour from lighter palette
such as Pantone 285, 513 and 7466 are suitable
background colours for small quantities of text, such
as headings, charts and diagrams or small blocks of
white text white text white text
text that you wish to highlight.
on a dark on a dark on a dark
All colours on the previous page are shown at values background background background
of 100%. To achieve paler tones, it is also possible to
use any of the colours at lower percentages as
illustrated here in the tints of Pantone 284.
PANTONE ® PANTONE ® PANTONE ®
285 C 513 C 7466 C
core palette
white text white text white text white text

on a dark on a dark on a dark on a dark
background background background background
PANTONE ® PANTONE ® PANTONE ® PANTONE ®

541 C 574 C 669 C 5473 C
darker palette
17
Colour
Pantone and CMYK references
The Pantone® and CMYK references for the
palettes are:
Pantone 284 C.59 M.17 Y.00 K.0

Pantone 142 C.0 M.25 Y.78 K.0
Pantone 583 C.31 M.1 Y.100 K.10
Pantone 5215 C.44 M.81 Y.11 K.51 284 C 142 C 583 C 5215 C 557 C
Pantone 557 C.48 M.4 Y.35 K.10 lighter palette
Pantone 285 C.90 M.48 Y.0 K.0

Pantone 158 C.0 M.65 Y.95 K.0
Pantone 369 C.73 M.0 Y.100 K.0
Pantone 513 C.58 M.99 Y.0 K.0
Pantone 7466 C.88 M.0 Y.29 K.0
285 C 158 C 369 C 513 C 7466 C
Pantone 541 C.100 M.58 Y.9 K.50 core palette
Pantone 718 C.0 M.76 Y.100 K.3
Pantone 574 C.58 M.22 Y.98 K.79
Pantone 669 C.89 M.97 Y.8 K.47
Pantone 5473 C.88 M.20 Y.32 K.53

541 C 718 C 574 C 669 C 5473 C
darker palette
18
Colour
RGB and websafe references
The RGB and web safe references for the colour
palette are:
Professional Desktop Web

printing printing
Pantone 284 R.106 G.173 B.228 6699ff
Pantone 142 R.239 G.189 B.71 ffcc33 PANTONE ® PANTONE ® PANTONE ® PANTONE ® PANTONE ®
284 C 142 C 583 C 5215 C 557 C
Pantone 583 R.168 G.180 B.0 99cc00
lighter palette Cambridge Blue
Pantone 5215 R.181 G.147 B.155 cc9999
Pantone 557 R.163 G.193 B.173 a3c1ad
Pantone 285 R.0 G.115 B.207 0066cc

Pantone 158 R.227 G.114 B.34 ff6600
Pantone 369 R.88 G.166 B.24 669900
Pantone 513 R.142 G.37 B.141 993399
Pantone 7466 R.0 G.179 B.190 00cccc 285 C 158 C 369 C 513 C 7466 C
core palette
Pantone 541 R.0 G.62 B.114 003366
Pantone 718 R.200 G.78 B.0 cc6600
Pantone 574 R.67 G.81 B.37 336633
Pantone 669 R.65 G.45 B.93 333366
Pantone 5473 R.21 G.101 B.112 006666
Use the RGB references above to change colours given PANTONE ® PANTONE ® PANTONE ® PANTONE ® PANTONE ®
on templates. 541 C 718 C 574 C 669 C 5473 C
darker palette
19
Colour
Working with the palette
The palette of 15 colours has been designed to work
independently or together in various combinations. Name of division
Each core colour has a corresponding lighter and 01

Communication title
darker colour. The lighter palette works well as a PANTONE ®
284 C
PANTONE ®
285 C
PANTONE ®
541 C
background, highlight or graphic. The darker palette is
blue palette
the most suitable for type. They can be used as
individual colour sets ie just the blue palette. Or the
colour sets can be effectively combined. For example,
the blue set works visually with the orange/yellow set.
There is no preordained colour for departments or
areas within the University. When choosing colour 142 C 158 C 718 C
please consider the most appropriate options from orange/yellow palette Name of division
the palette that will project the information clearly,

effectively and complement your chosen images. 02
Communication title
When designing suites of literature you may want to

choose a consistent colour combined with a selection
of alternative highlight colours to code the individual PANTONE ® PANTONE ® PANTONE ®
5473 C 7466 C 557 C
publications and create a family feel.
teal palette
Minimal colour usage is often the most graphically
effective. Undisciplined colour usage and tonally
inappropriate combinations will dilute the impact of
our identity. Therefore you should only use colours
from our palette. Some suggested colour Name of division
combinations are shown opposite. PANTONE ® PANTONE ® PANTONE ®

5215 C 513 C 669 C
03
There must always be good contrast between text and purple palette Communication title
the background colour. Dark type on a white or very

pale background are the most visually accessible.
White type should only be used on a very dark
background. (See page 31).
583 C 574 C 369 C
green palette colour combinations suite of literature

20
Typography
Arial
21
Typography
Typeface
Arial has been selected as the University’s
primary typeface, and is used for promotional
materials that are produced in-house.
Please see pages 35–41 for templates, examples
and further information.
Arial has been selected in consultation with the
Disability Resource Centre. We know it will not
suit every application and an investigation is
Arial is a widely available sans-serif typeface and computer font

underway for a complementary font for use by
packaged with Microsoft Windows, other Microsoft software applications,

non-Microsoft users. Further information will also
Apple Mac OS X and many PostScript computer printers. It should be

be provided with respect to a monospace
used for all our internally produced communications.

typeface.
Text can be either ranged from the left-hand
edge of the coat of arms or the left-hand edge of
the logotype. Please avoid centred or justified
titles and text.
Sans serif font alternative (for use by professional designers) Serif font alternative
Myriad Sabon
Myriad is used for items where the design is commissioned from external Sabon may be used where a serif font is required – for example in large
agencies ie the University Annual Report, undergraduate and graduate bodies of text.
prospectus, exhibition stands, advertising, magazines etc.
22
Typography
Readability
Lower case letters, with their ascenders and descenders, make it easy for the eye to
process word formations.
UPPER CASE LETTERS HAVE NO VARIETY OR OUTLINE AND THEREFORE MAKE IT

HARDER TO READ
Reserve capital letters for headlines if necessary - certainly never use in body copy.
Alignment Unjustified text

Text can be ranged from the left hand edge of the coat of arms Always use unjustified text (ranged left)
or left hand edge of the logotype.
The quick brown fox jumped The quick brown fox jumped
over the lazy dog. The quick over the lazy dog. The quick
brown fox jumped over the brown fox jumped over the
lazy dog. The quick brown fox lazy dog. The quick brown fox
jumped over the lazy dog. The jumped over the lazy dog. The
The quick brown fox jumped over the lazy dog. quick brown fox jumped over
quick brown fox jumped over
the lazy dog. The quick brown the lazy dog. The quick brown
The quick brown fox jumped over the lazy dog. fox jumped over the lazy dog. fox jumped over the lazy dog.
23
Imagery
24
Imagery
Our image style
Photography is a powerful and dynamic tool. Our
values and ethos are reflected in the images we use.
They should communicate the diversity, energy and
personality of what we do.
Photography should convey emotions and
atmosphere. Look beyond the straightforward and
typical to find a more inspirational perspective.
Consider detail or unusual angles to increase impact
and create effective communications. Our images
show natural, real-life people and situations. They
should convey emotions, atmosphere and engage the
audience.
Images should feel observational and spontaneous
rather than staged, and show a contrast with our
heritage – beautiful architecture and the energy of the
people who interact with the University.
Images can be reproduced in full colour, single colour
(monotone) and black and white.
Only use images that are relevant and add value.
Ensure the content does not offend or alienate. Avoid
clichés, and racial and gender stereotyping.
Images that are used in printed materials should be
reproduced at print quality – 300 dpi.
Important guidance regarding consent, usage and
copyright issues can be found at
www.admin.cam.ac.uk/offices/communications/services
Photography examples © University of Cambridge, Getty Images, Axiom Photographic Agency, Corbis, Harriet Logan, David Oliver, Michael Heffernan
25
Imagery
Image library
Our online image library contains a selection of
approved photography than can be used to enhance
your communications.
Some examples are shown opposite.
The image library can be viewed at
www.admin.cam.ac.uk/offices/communications/services/
(a Raven password is required).
The copyright of the images belongs to the University
of Cambridge and images can be used free of charge
for University and College communications.
Please see page 33 for examples of how to use
pictures in different layouts.
Consent forms
Appropriate consent forms should be completed if
participants are photographed, recorded or filmed
during University events or activities.
A selection of consent forms is available at
www.admin.cam.ac.uk/cam-only/offices/legal/copyright
(a Raven password is required).
26
Graphic language
27
Graphic language
The design grid
The horizontal grid structure forms the basis of the
University’s brand language. It adds a unique and
distinctive personality. It generates brand recognition
and creates an underlying and consistent structure for
all our promotional communications.
The grid allows a customised design approach and
can be applied in a dramatic or minimal way. It allows
a large variety of layouts and designs to be created,
whilst maintaining maximum brand presence.
The horizontal grid is a flexible device designed to
add structure to the layout of images, text and other
graphic elements. It should be used as a guide for the
placement of text and images. This includes
departmental names and headlines which should
appear as part of the main design of the page.
On promotional materials, departmental names
should not sit with the logo as on stationery.
Please see page 31 for examples.
28
Graphic language
A5 grid
8 48
The example opposite illustrates our A5 grid template. 9

The logo should always appear in a consistent size and
position, either at the top or bottom of the page. See
pages 09-10 for size and positioning guidance.
The A5 grid consists of 30 horizontal panels. Each panel
has a depth of 7mm.
The grid is available as an eps file in A5, A4 and A3
formats.
The grid should be used as a guide for the placement of
text and images. This includes departmental names and
headlines which should appear as part of the main
design of the page. On promotional materials,
departmental names should not sit with the logo as on
stationery. Please see page 31 for examples.
Alberni Masterclasses 2010

Institute of Continuing Education
Bottom of page logo positioning option

29
Graphic language
A4 grid
12 65
The example opposite illustrates our A4 grid template. 14

has a depth of 10mm, except for the final base panel
which is 7mm.
formats.

10
30
Graphic language
A3 grid
17 92
The example opposite illustrates our A3 grid template.

20
has a depth of 20mm except for the final base panel
which is 14mm.
formats.

20

31
Graphic language
Using the grid
These examples highlight the versatility of the grid
used in cover layouts.
Templates have been created to provide a range of
options using this grid system. See pages 35-41 for
examples.
For externally commissioned materials, the designer
will be able to apply the appropriate grid system for Title of document
Communication title
PUBLICATION HEADING 2008
your communication materials.
Publication main heading
Method
Different combinations of the horizontal panels can 2008
be used as required.
Use the grid structure to hold titles, departmental
names and images. Name of division
The grid can also be used to create an effect by

overlaying an image with different tints in each or a
combination of panels. Communication title
Name of division
Document heading set in Myriad

Titles
Please note that titles can be ranged left or ranged Publication main heading
Secondary level of publication heading
right. Please avoid centred or justified titles and text. containing further information

Titles and text can be either ranged from the left-hand
2008
ege of the the coat of arms or the left-hand edge of
the logotype. 1 2
For departmental names as part of the design, please
see examples 1, 2 and 3.

Communication title
2008 2008
Name of division
Document heading set in Myriad
3
32
Graphic language
Sample layouts and examples
Our typographic style is strong, clear and simple. Introductory copy style. While the transfer of
Article main title style research and ideas from the lab to the
The grid is used as a versatile, underlying horizontal typeset on two lines commercial arena is thriving, medical research
continues to make significant advances.
The grants and prizes awarded to University
structure for typography. Headlines should be researchers are testament to the contribution
they make to medical understanding.
prominent and limited to a small number of words.
There is a large-scale programme of outstanding research ability and is designed to
Introductory text, paragraphs and quotations or facts investment and recruitment at the Cavendish
Laboratory (Department of Physics). Work
started this year on the £12.5 million Centre
help universities retain internationally recognised
scientists. Dr Giussani’s work in prenatal
physiology has led to exciting possibilities for
for the Physics of Medicine, which will house bringing preventative medicine back into the
can act as a summary of the content or key messages. notional text interdisciplinary research in
medicine and biology.
dummy copy.
Secondary level heading
Dr Dennis Bray, Department of Physiology, The academic research excellence of the
Development and Neurology, has won the University combined with the complete clinical
£170,000 Royal Society and Academie des infrastructure provided by the Cambridge
Body copy is generally typeset ranged left, ragged Sciences Microsoft European Science Award, one
of the largest prizes in science, for his innovative
use of computer simulations to better
understand bacteria. Dr Bray is using his prize to
University Hospitals NHS Trust and the
associated presence of other organisations such
as the MRC and Cancer Research UK fosters the
development of translational research and new
right. Never justify text. set up a computational facility for his

department, which will help to advance his work
and that of others.
therapies. Dummy copy appears here.
The government has recognised the
contribution made by these partnerships, as well
Secondary heading as the potential for more, and the area has been
The Cambridge Institute for Medical Research designated as one of the government’s new
has been awarded a £4 million grant by the Comprehensive Biomedical Research Centres.
The recommended minimum point size for body copy Wellcome Trust, which will enable the Institute
to stay at the leading edge of research into how
diseases arise and to play a key role training
The Centre will receive substantial new research
and development funding from the National
Institute for Health Research and will address
tomorrow’s academic doctors and medical major health priorities such as cancer,
on an A4 page is 11 point set on 13 point leading. scientists. Veterinary teaching and research has
also been enhanced thanks to a £10.7 million
Wellcome Trust initiative to encourage students
cardiovascular disease, neurosciences, metabolic
disorders and transplantation.
to pursue research careers in veterinary Researchers from the Department of

medicine. Dummy copy appears here. Pharmacology, in collaboration with colleagues
in Edinburgh, India and Japan, have, for the first
We aim to engage people by presenting our words The programme is being carried out in
partnership with the seven UK Veterinary
Schools, and will include several new fellowships
time, been able to film the interaction between
a bacterial enzyme and a DNA strand from an
attacking virus. The real-time footage of these
and a range of scholarships. Veterinary research nano-scale events has marked implications for
and messages in a contemporary and clear way. makes major contributions to animal and human
health, improving quality and safety through the
food chain and providing comparative studies
scientists. Dummy copy appears here.
An international team of researchers, led by
Cambridge scientists, have conducted the
that inform human medicine. Dr Dino Giussani
Unnecessary graphic elements should be avoided as has won the highly competitive Royal Society
Wolfson Research Merit Award, which means he
can now continue his work at Cambridge, rather
world’s first large-scale ‘whole genome search’
for faulty genes that increase breast cancer risk.
They studied the DNA.
than moving abroad.
they distract from the message. Avoid typographic 10 University of Cambridge Running head for publication 11
clutter.
Tension and pace in a document is created through University of Cambridge Running head for publication
Outstanding research ability and is designed to
the controlled use of type size, images and colours help universities retain internationally
recognised scientists. Dr Giussani’s work in
prenatal physiology has led to exciting
possibilities for bringing preventative medicine
from our palette. back into the dummy copy. The academic
research excellence of the University combined
with the complete clinical infrastructure
provided by the Cambridge University
Hospitals NHS Trust and the associated
presence of other organisations such as the
The inclusion of sufficient white (clear) space allows Article heading MRC and Cancer Research UK fosters the
development of translational research.
Introductory copy style set in myriad roman. Transfer of

important text to stand out in a layout. Scale change research and ideas from the lab to the commercial arena is
thriving, medical research continues to make very
is also a useful tool in the creation of layouts. significant advances. The grants and prizes awarded to
University researchers are testament to the amazing
contribution they make to medical understanding.
Juxtapose small with large to achieve dynamic Dr Dennis Bray, Department of Physiology,
Development and Neurology, has won the
The government has recognised the
contribution made by these partnerships, as
layouts, ie small type (body copy) next to large type (a £170,000 Royal Society and Academie des
Sciences Microsoft European Science Award,
one of the largest prizes in science, for his
innovative use of computer simulations to
well as the potential for more, and the area has
been designated as one of the government’s
new Comprehensive Biomedical Research
Centres. The Centre will receive substantial new
quote), a large full bleed image next to a white page. better understand bacteria. Dr Bray is using his
prize to set up a computational facility for his
department, which will help to advance his
research and development funding from the
National Institute for Health Research and will
address major health priorities such as cancer,
work and that of others. cardiovascular disease, copy neurosciences,
metabolic disorders and copy transplantation.
The Cambridge Institute for Medical Research Researchers from the Department of text
Consistent typefaces and appropriate use of has been awarded a £4 million grant by the
Wellcome Trust, which will enable the Institute
to stay at the leading edge of research into
how diseases arise and to play a key role
Pharmacology, in collaboration with colleagues
in Edinburgh, India and Japan, have, for the first
time, been able to film the interaction between
a bacterial enzyme and a DNA strand from an
typography will maintain our strong visual identity. training tomorrow’s academic doctors and
medical scientists. Veterinary teaching and
research has also been enhanced thanks to a
£10.7 million Wellcome Trust initiative to
attacking virus. The real-time footage of these
nano-scale events has marked implication. An
international team of researchers.
encourage students to pursue research careers

in veterinary medicine.
The programme is being carried out in

partnership with the seven UK Veterinary
Schools, and will include several new
fellowships and a range of scholarships.
Veterinary research makes major contributions
to animal and human health, improving quality
and safety through the food chain and
providing comparative studies that inform
human medicine. Dr Dino Giussani has won
the highly competitive Royal Society Wolfson
Research Merit Award, which means he can
now continue his work at Cambridge.
10 University of Cambridge Running head for publication 11
33
Graphic language
Examples
Examples of page layouts show different
interpretations of the guidelines yet maintain a
consistent graphic language.
Moving forward together

INTRODUCTION BY THE VICE-CHANCELLOR
Cambridge education is shared by many students. We have

been welcoming Indian students for 150 years, with steadily
increasing numbers in recent times. More than 1,000 Indian
students have received financial support from Cambridge in
the last two decades.
Increasingly, boundaries at Cambridge exist to be crossed!

Interdisciplinary teaching and research flourish – from the
Centre for Research in the Arts, Social Sciences and Humanities,
to Cambridge Neuroscience, launched this autumn, which
brings together over 500 academics from 30 departments.
But Cambridge crosses other kinds of boundary too. The

University and the private sector have collaborated for 40
years, producing the Cambridge Phenomenon, or ‘Silicon Fen’.
Nokia, Kodak and Genzyme have all recently decided to locate
major research labs in Cambridge, joining Microsoft Research,
Schlumberger, Toshiba and Hitachi, and I am proud that
Cambridge has attracted more venture capital to its start-up
businesses in the last five years than any other university in the
THE UNIVERSITY OF CAMBRIDGE has been home to some of the United Kingdom. In short, Cambridge crackles with
world’s great minds, and a crucible for fundamental, world- entrepreneurial excitement and activity, as new discoveries are
changing discoveries. put to use for the benefit of society.
But we cannot and do not work alone: we take seriously our Boundary-crossing in the geographical sense is at the heart
relationships with the wider world. Academics and students of this brochure. No single nation, let alone a single university,
from India have helped Cambridge grow into the global can solve many of the world’s great challenges, whether the
presence that it is today, and we seek now to deepen and issue is climate change, religious conflict, poverty or contagious
broaden the partnership between Cambridge and India for disease. Cambridge and India already work together – and I
the years to come. am confident that we shall do so more and more.
The pages of this brochure offer a glimpse of modern Please get in touch using the flap at the back of this brochure.
Cambridge, with all its diversity and energy, and highlight You may be an academic, an investor or company who would
the major contributions that Indian minds have made and like to hear about our research; a student looking for the best
are making to Cambridge – in the hope of inspiring you to university for your graduate research; or an alumnus wishing to
join us in the pursuit of our shared ambitions. contact old friends and to learn more about what’s going on at
Cambridge today.
Front cover Faculty of Law, Cambridge “In many ways, Cambridge made me.” This recognition of the
transformative quality of education at Cambridge came from We will be delighted to hear from you.
the Prime Minister, Dr Manmohan Singh, when he spoke at 1
the ceremony awarding him a Cambridge Honorary Doctorate PROFESSOR ALISON RICHARD
in October 2006. We hope that Dr Singh’s appreciation of his VICE-CHANCELLOR, UNIVERSITY OF CAMBRIDGE
Professor Andy Parker heads the

Cambridge eScience Centre which,
as part of the EU-IndiaGrid, provides
the IT backbone for major research
projects between the EU and India.
Professor Parker also works at
CERN, the world’s largest particle
physics laboratory.
Thinking numbers
mathematics and physics
Developing a new generation of supercomputers and exploring the origins of

the universe are just two activities within a wide array of research programmes
underway in the mathematics and physics departments at Cambridge
Berberis temolaica Alpine bed Lamium orvala, dead nettle Large Shrub Border
CAREFULLY STORED IN THE WREN LIBRARY at Trinity College, Cambridge The collective genius of these scientists brings us closer to QUANTUM THEORY MATHEMATICS
is a first edition of the Philosophiae Naturalis Principia questions that have puzzled humanity for millennia: what are Quantum mechanics is considered the scientific community’s Founded in 1992, the Isaac Newton Institute for Mathematical
Mathematica by Sir Isaac Newton, the farmer’s son who the smallest particles of matter? How did the Universe most successful physical theory. Scientists at Cambridge Sciences Institute runs research programmes that attract
This border can be viewed from all sides, the shrubs planted in a tiered blue Saxifraga paniculata var. minutifolia. Several thymes carpet the discovered the laws of gravity, acceleration and reciprocal originate? What is the nature of space time? Their students share are advancing understanding of the meaning of the theory, renowned mathematical scientists at all stages of their careers
arrangement. Two Taxus baccata ‘Dovestoniana Aurea’, golden Westfelton ground; the golden leaved Thymus pulegioides ‘Bertram Anderson’ and the action. It includes annotated corrections, in Newton’s own a fascination for making sense of the Universe and looking ever tackling its unification with gravity, and developing its from around the world.
yew, occupy the centre. Its semi horizontal branches have pendulous tiny variegated foliage of Thymus vulgaris ‘Silver Posie’ are favourites. handwriting, for the second edition. deeper into the laws that govern it. implications for cosmology.
golden foliage. Corylus avellana ‘Contorta’, contorted hazel, is grown for its No fewer than 25 Fields Medallists and eight Nobel Prize
contorted stems, which are most evident during the winter months, North Border 21 Cambridge has one of the greatest NANOSCIENCE Quantum computation and quantum cryptology are new winners have taken part in Institute programmes. It is not
concentrations of mathematicians and An expanding area of applied science, nanoscience is the study modes of information processing achieved by harnessing surprising, thus, that Andrew Wiles chose the Institute as the
particularly when supplemented with catkins. The emerging fresh young Aesculus x neglecta ‘Erythroblastos’ is a small to medium sized tree grown
physicists in the world of how the arrangement of atoms and molecules (the basic physical phenomena unique to quantum mechanics. The place to unveil his proof of Fermat’s Last Theorem, which had
red Photinia x fraseri ‘Red Robin’ shoots, backed by dark evergreen mature for its new unfolding shrimp pink foliage, which gradually fades to green units of all matter) affects the properties of materials. The aim of Centre for Quantum Computation is a group that brings eluded mathematicians for over 350 years.
foliage are particularly attractive. A group of Viburnum plicatum ‘Pink as new chlorophyll is produced. Variegation and light colours assist in Newton’s successors at Cambridge include Charles Babbage, research projects is often to produce new or enhanced together mathematicians, physicists and computer scientists
Beauty’ adds value throughout the growing season. Its compact outline is brightening this shady border throughout the year. Two Euonymus fortunei who planned to create a ‘mechanical difference engine’ – now materials or products. to develop the theory and practical implementation of these Around 20 Indian researchers visit the Newton Institute each
clothed in spring with white flowers, which gradually fade over an cultivars provide different variegation; ‘Emerald ‘n’ Gold’ with gold seen as the world’s first computer – JJ Thomson, who revolutionary applications. year to take part in its programmes. Indian mathematicians who
extended period to soft pink. In late summer, clusters of small light red markings, ‘Silver Queen’ has white variegation. The taller Ligustrum lucidum discovered the electron, and Sir Jagadish Chandra Bose, who The Cambridge Nanoscience Centre is a multidisciplinary centre have worked at the Institute as Rothschild Visiting Professors
berries appear followed by purple autumn foliage. Similar autumn colours ‘Excelsum Superbum’ is equally striking with varying shades of green and demonstrated wireless communication using radio waves two with over 300 researchers, whose work paves the way for a new include Professor T V Ramakrishnan of the Indian Institute of
are produced by Nandina domestica, sacred bamboo. The vigorous yellow. The deciduous golden hazel, Corylus avellana ‘Aurea’ has a similar years before Marconi. generation of supercomputers and improved medical diagnosis Sciences, Professor A Sen of the Harish-Chandra Research
and treatment. Institute and Professor D Dhar of the Tata Institute of
Lathyrus sylvestris is allowed to scramble through some of the more effect during the growing season, also acting as a focal point at the south
Today Cambridge has one of the greatest concentrations Fundamental Research.
resilient shrubs. This perennial sweet pea produces an abundance of pink end of the Pergola. In-between are herbaceous plants tolerant of some
of mathematicians and physicists in the world. They include Head of the Department of Engineering’s Nanoscience Group,
flowers throughout the season. shade; many flower during spring and early summer. Geranium phaeum, Professor Mark Welland has substantial experience in industry
Professor Stephen Hawking, the world’s most famous
widow geranium relishes the site, producing copious dark red spring theoretical physicist. as well as research. Under his leadership, the Centre has signed
Round Lawn and Alpine Bed 20 flowers, the more refined Geranium ‘Johnson’s Blue’ follows, with lilac blue a major collaborative project with telecoms company Nokia.
A hornbeam, Carpinus betulus, hedge, surrounds the Round Lawn; the flowers with a distinct red stigma in the centre. Lamium orvala is the
focal point is a snow pear, Pyrus nivalis. The raised Alpine Bed mirrors the largest dead nettle, with knee-high pink spring flowers, Geum rivale, water 8 9
circular layout. Small shrubs and dwarf conifers provide a framework avens, has light apricot flowers. Alchemilla mollis, lady’s mantle, has frothy
surrounded by drifts of alpine plants. A dwarf conifer, Pinus heldreichii billowing yellow flowers, which spill over and soften the border edge.
‘Compact Gem’ provides the central focal point. The compact deciduous
Berberis thunbergii ‘Atropurpurea Nana’ is grown for its purple/red summer Large Shrub Border 22
foliage. Crocus and miniature Narcissus bulbs supply early season interest. This shrub border is situated to the south east of the hornbeam hedge.
The reliable Narcissus ‘Tête-à-tête’ flowers in March, while the autumn The design uses woody plants with varying foliage shape and colour.
flowering Crocus sativus draws a veil over the flowering season. Cotinus ‘Grace’ produces vivid purple new growth, especially when pruned
A familiar range of alpine plants is grown, including Armeria, thrifts, to a stool each winter. The flowers in midsummer resemble clouds of
Dianthus, pinks and Sedums, stonecrops. In March vertical yellow flower smoke backed by purple foliage, which turn to fiery hues in autumn.
spikes stand above deep green rosettes of Saxifraga x apiculata, in contrast Other purple-leaved shrubs include the upright Berberis thunbergii ‘Red
to the glaucous rosettes of Saxifraga marginata var. rocheliana and the tiny Chief’ and the dark leaved Physocarpus opulifolius ‘Diabolo’. Physocarpus
20 21
34
Templates and examples

35
Templates
Overview
Templates are available for the following communication
materials that are produced in-house. They are
specifically designed to enable consistent, time-efficient
and economical in-house production when access to
bespoke externally produced design A facilities are Leak testing of
unavailable or inappropriate. Colour bars can be adjusted radioactive sealed
as appropriate to typographic content (see RGB resources
references on page 18).
Guidance notes
The following templates are available:
Stationery Design
Agenda Templates for posters,
Business cards leaflets, newsletters,
Certificates publication and report Health and Safety Division
Compliment slips covers are available in

Fax Microsoft Word: A5, A4,
Letterhead A3, DL
Memo Microsoft Publisher: A5, February 2008 February 2008 February 2008 February 2008
Minutes A4, A3, DL Health and Safety Division Health and Safety Division Health and Safety Division Health and Safety Division
Purchase delivery Dealing with

PowerPoint An HTML template for Drivingat work and storage of food threats by post Using Ethidium Bromide?
From Tsar to Red Tsar: Competence for driving on A guide for departments and faculties An information guide for people
electronic newsletters is Russia c1860 – 1939
Dr Simon Doney’s course investigates the causes and the course
University business receiving parcels, packages
and letters
This leaflet provides you with the information you need
for assessing the risks of using ethidium bromide and for
developing a safe operating / experimental procedure.
also available. of the epoch-shaping Russian Revolution. It focuses on the

collapse of the Tsarist regime in 1917, Lenin and the Bolshevik
coup, and the impact of the Civil War.
It is of particular importance for those in the Biological and
clinical sciences.
10 meetings starting on Monday 14 Sept 2009 at 7.45pm
Bures Village Hall. Cost: £70
For further information and to book, call Thelma
All templates are available from Horner on 07981 745555

www.cont-ed.cam.ac.uk
www.admin.cam.ac.uk/offices/communications/services/templates Institute of Continuing Education
H
36
Templates
Stationery – agenda, compliment slip, fax, letterhead, memo, minutes
Tailored departmental templates are available for
All grey areas
Name Surname Council minutes
agendas, compliment slips, fax sheets, Accreditation
Position
should be
amended
letterheads, memos and minutes. Our Ref: XX/XXX/X00 00 00/00
Name 24 September 2007 at 10.15am in the Council Room, The Old Schools.
Institution
1st line address Present: The Vice-Chancellor (in the Chair); the Master of Darwin, the Master of Emmanuel, the
2nd line address President of Lucy Cavendish; Professor Anderson, Dr Taub, Professor Young; Dr Bampos, Dr
All grey areas can be amended and Town & postcode Clark, Dr Cowley, Mr Dowling, Dr Reid, Ms Lowther, Dr MacDonald; Mr Brown, Lord Simon; Mr
Comerford and Mr Fletcher (for unreserved business); with the Registrary, the Administrative
Secretary, the University Draftsman, Mr Troupe and the Registrary-elect; Professor Minson (Pro-
Date Vice-Chancellor), the Academic Secretary and the Director of Finance.
personal/departmental contact details should Dear

Apologies for absence were received from the Master of Clare, Professor Baranski, Dr Whitehead
and Mr Ensor-Rose
This letter template is set in Arial 11point copy with 14 point linefeed. All copy is upper and The Senior and Junior Proctors were also present.
be added to the bottom right-hand corner. lowercase. All University letters are set in the typeface Arial. No other font can be used. Our letters
are ranged left and ragged right. UNRESERVEDBUSINESSPARTA:
PRELIMINARY,LEGISLATIVEANDSTRAIGHTFORWARDBUSINESS
This letter template is set in Arial 11 point copy with 14 point linefeed. All copy is upper and
lowercase. All University letters are set in the typeface Arial. No other font can be used. Our letters 1. Minutes
are ranged left and ragged right. This letter template is set in Arial 11 point copy with 14 point The Minutesofthemeetingheldon23July2007wereapproved.
linefeed. All copy is upper and lowercase. All University letters are set in the typeface Arial. No
other font can be used. Our letters are typeset ranged left and ragged right. This letter template is Action: AEFtoweb
Microsoft Word templates are available from: set in Arial 11 point copy with 14 point linefeed. All copy is upper and lowercase.
2. ProcedureoftheCouncil
(a) ApprovalofAgenda:itemsstarredasnotrequiringdiscussion
All University letters are set in the typeface Arial. No other font can be used. Our letters are
ranged left and ragged right. This letter template is set in Arial 11 point copy with 14 point linefeed. The Councilapprovedmattersfordecisionsetoutintheconfirmedstarreditems.
All copy is upper and lowercase. All University letters are set in the typeface Arial. No other font
can be used. Our letters are typeset ranged left and ragged right. This letter template is set in Arial (b) CouncilCirculars
11 point copy with 14point linefeed. All copy is upper and lowercase. All University letters are set The Council noted issue and approved (or proposed issue and potential approval) of the following:
in the typeface Arial. No other font can be used. Our letters are ranged left and ragged right. This
www.admin.cam.ac.uk/offices/communications/services letter template is set in Arial 11 point copy with 14 point linefeed. All copy is upper and lowercase.
All University letters are set in the typeface Arial. No other font can be used.
Circular
24/07
Issue
27 July
Approval
6 August
25/07 3 August 13 August
Our letters are typeset ranged left and ragged right. This letter template is set in Arial 11 point 26/07 10 August 23 August
copy with 14 point linefeed. All copy is upper and lowercase. 27/07 24 August 10 September
This letter template is set in Arial 11 point copy with 14 point linefeed. All copy is upper and 28/07 21 September 1 October
lowercase. All University letters are set in the typeface Arial. No other font can be used. Our letters
Template address and contact information will be are ranged left and ragged right. This letter template is set in Arial 11 point copy with 14 point
linefeed. All copy is upper and lowercase. All University letters are set in the typeface Arial. No
other font can be used. Our letters are typeset ranged left and ragged right. This letter template is
3. Vice-Chancellor’sReport
(a) TheVice-ChancellorhadacceptedaninvitationtoserveontheUUKBoard.
set in Arial 11 point copy with 14 point linefeed. All copy is upper and lowercase.
stacked from the base so that the template will The Old Schools
Cambridge CB2 3PU All grey areas
Tel: +44 (0) 1223 339396
Fax: +44 (0) 1223 764062
should be
re-adjust upwards when new information, such as The Old Schools
Cambridge CB2 3PU
Tel: +44 (0) 1223 XXXXXX
Email: [email protected]
www.cam.ac.uk
amended
Fax: +44 (0) 1223 XXXXXX
Email: [email protected]
a mobile phone number, etc, is added. www.cam.ac.uk
Extra leading is recommended for the body copy 1 page letter continuation minutes
of letters. 11/14 type is suggested for optimal
readability.
agenda memo fax
The recommended style for telephone numbers

Date Day, DD/MM/YYYY To To To Name
and email addresses is as follows: Time
To
X.XXa/pm
Name
From
Date
From
Date
At
Your Fax
Institution
Number
At Meeting room Copy to Copy to From Name
Subject Details Subject Subject Date Date
Our Ref XX/XXX/X00 00 00/00 Pages Number Pages Number
Our Ref XX/XXX/X00 00 00/00 Subject Details
+44 (0)1223 123456 or 01223 123456 Title header for agenda in Arial bold
Typeset in 11 point Arial on 14 point linefeed. All copy is typeset ranged left and ragged right. Left Option heading style in Arial bold
Present: List of attendees aligning type makes this easier for the reader to find the starting point of the next line. Please do
Typeset in 11 point Arial on 14 point linefeed. All copy is typeset ranged left and ragged right. Left
[email protected] Apologies: List of names
1. First agenda point

not justify copy as this can create uneven spaces between individual words. Arial bold can be
used to highlight key information, headings and secondary level headings. Large areas of capitals
should be avoided and italic copy must be kept to a minimum. This will help to make the
aligning type makes this easier for the reader to find the starting point of the next line. Please do
not justify copy as this can create uneven spaces between individual words. Arial bold can be
Speaker information more accessible. used to highlight key information, headings and secondary level headings. Large areas of capitals
Any additional information should be avoided and italic copy must be kept to a minimum. This will help to make the
Leaving a space between paragraphs also makes reading easier. Indenting copy can sometimes information more accessible.
2. Second agenda point make the start of the line difficult to find. Our fax sheets are typeset in 11 point Arial on 14 point
Speaker
For preprinted colour letterheads, please refer to (a) Any additional information
Details
linefeed. All copy is typeset ranged left and ragged right. Left aligning type makes this easier for
the reader to find the starting point of the next line. Please do not justify copy as this can create
uneven spaces between individual words. Arial bold can be used to highlight key information,
Leaving a space between paragraphs also makes reading easier. Indenting copy can sometimes
make the start of the line difficult to find. Our fax sheets are typeset in 11 point Arial on 14 point
linefeed. All copy is typeset ranged left and ragged right. Left aligning type makes this easier for
headings and secondary level headings. Large areas of capitals should be avoided and italic copy the reader to find the starting point of the next line. Please do not justify copy as this can create
(b) Any additional information
uneven spaces between individual words. Arial bold can be used to highlight key information,
the recommended supplier list or contact Details must be kept to a minimum. This will help to make the information more accessible. Our fax
sheets are typeset in 11 point Arial on 14 point linefeed. All copy is typeset ranged left and ragged
right. Left aligning type.
headings and secondary level headings. Large areas of capitals should be avoided and italic copy
must be kept to a minimum. This will help to make the information more accessible. Our fax
sheets are typeset in 11 point Arial on 14 point linefeed. All copy is typeset ranged left and ragged
right. Left aligning type.
Communications Services.
[email protected]
The Old Schools The Old Schools The Old Schools

Cambridge CB2 3PU Cambridge CB2 3PU Cambridge CB2 3PU
Tel: +44 (0) 1223 XXXXXX Tel: +44 (0) 1223 XXXXXX Tel: +44 (0) 1223 XXXXXX
Fax: +44 (0) 1223 XXXXXX Fax: +44 (0) 1223 XXXXXX Fax: +44 (0) 1223 XXXXXX
Email: [email protected] Email: [email protected] Email: [email protected]
www.cam.ac.uk www.cam.ac.uk www.cam.ac.uk
agenda memo fax

37
Templates
Stationery – compliment slip
A colour or black and white Microsoft Word template
is available for in-house production of compliment
slips. with compliments
All grey areas should be personalised.
Type text here

Master artwork files have also been produced for
compliment slips that are externally printed
(ie litho printed).
1st Address Line
2nd Address Line
The recommended style for telephone numbers and Town and Postcode All grey
email addresses is as follows: Tel: +44 (0) 1223 XXXXXX areas
Fax: +44 (0) 1223 XXXXXX should be
Mobile: +44 (0) 7000 XXXXXX amended
[email protected]
+44 (0)1223 123456 or 01223 123456
[email protected] www.cam.ac.uk
Template information is stacked from the base so that

the template will re-adjust upwards when new
information, such as a mobile phone number etc, is
added.
with compliments
Microsoft Word templates are available from:
Joe Bloggs
www.admin.cam.ac.uk/offices/communications/services Administrative Officer
For preprinted colour compliment slips, please refer to Type text here
the recommended supplier list or contact
Communications Services. Central Building
1 South Street
[email protected] Cambridge CB2 1TN
Tel: +44 (0) 1223 123456
Fax: +44 (0) 1223 123456
[email protected]
www.cam.ac.uk
personalised example
38
Templates
Stationery – business cards
Business card templates are available in two
different formats, horizontal and vertical.
The recommended style for telephone numbers and

email addresses is a follows:
+44 (0)1223 123456 or 01223 123456 Department name Department name
[email protected]
Name
Template information will be stacked from the base Job Title
Name
so that the template will re-adjust upwards when Position
Address
new information, such as a mobile phone number Town, Postcode, United Kingdom
Tel: +44 (0)1223 XXXXXX, Fax: +44 (0)1223 XXXXXX Address Line 1
etc, is added. [email protected] Address Line 2
www.cam.ac.uk Town
Microsoft Publisher templates are available from: Postcode
United Kingdom
Tel: +44 (0)1223 XXXXXX
Mobile: +44 (0)1223 XXXXXX
For preprinted business cards, please refer to the Fax: +44 (0)7XXX XXXXXX
recommended supplier list or contact [email protected]
Communication Services. www.cam.ac.uk
[email protected]
39
Templates
PowerPoint
A PowerPoint template has been produced to ensure
visual consistency and should be used for all our
presentations.
This template should be used for internal and external
presentations.
If using images, the style and content of photographs
Title slide heading set in Arial
should reflect the diverse work of the University and Secondary level information
Secondary level information
be vibrant, inspirational and engaging. Only use
images that are relevant and add value.
Division name appears here
Text slide heading set in Arial Text slide heading set in Arial
Improve communication with all colleagues Improve communication with all colleagues involved in administration
involved in administration and management in and management in the University
the University
Provide a forum for discussion and information about significant
Provide a forum for discussion and information developments or proposals
about significant developments or proposals
Help me understand what you think and want to contribute
Help me understand what you think and want to
contribute Learn more about parts of the administration from presentations
led by practitioners
Provide a network to facilitate sharing of information, to stimulate new

ideas and contacts and to strengthen the sense of our profession
in the University
40
Templates
Publication and report covers
A series of templates are available for the creation of
publication and report covers. Division name appears here Division name appears here
These templates help to create consistent, economical

Title of publication
communication material for in-house production, when Title of publication Title of publication
bespoke design facilities are unavailable. Secondary level information appears here Secondary level information appears here
Secondary level information Secondary level information
Secondary level information appears here
The templates will work with desktop printers where full Secondary level information
bleed printing is unavailable and a clear border is

created. Please see the example at right.
If you are printing on coloured paper stock please ensure
the paper colour matches our palette as closely as
possible, and that the contrast between the colour of the Division name appears here
paper and colour of the text is adequate.

template example with
All template covers use Arial. Please avoid using any
printer border
other typefaces.
Microsoft Word and Publisher templates are available
from:
Title of publication Title of publication Title of publication

that appears on two lines that appears on two lines
Secondary level information appears here Secondary level information appears here Secondary level information appears here
Secondary level information Secondary level information Secondary level information
Division name appears here Division name appears here Division name appears here
41
Templates
Posters
The principles of our brand language must be applied
to all of our communication activities in order to
reinforce a strong and unified presentation of the
University. Poster title Poster title
Secondary event details
Secondary event details
Posters should be eye-catching, informative and easy

to understand. Event location, date and time
Event location, date and time
Nulla a lectus. Nam aliquet. Ut felis, ultrices tincidunt,

Nulla a lectus. Nam aliquet. Ut felis, ultrices tincidunt,
sodales a, porttitor euismod, pede. Nunc condiment nisl
eu ipsum. Lorem ipsum dolor sit amet, consectetuer.
Cras scelerisque.
In order to achieve maximum impact and consistency Cras scelerisque.
Text line
Text line
Text line
Text line
a set of templates are available specifically for in-

house production when bespoke design facilities are example 1
unavailable.
The examples opposite show three different styles.
They can be created using a full range of colours from
the University palette. No colourway is used for a
specific purpose or area within the University. Please Poster title Poster title
Secondary event details Secondary event details
choose the most appropriate for your information and

communication needs. Event location, date and time Event location, date and time
Nulla a lectus. Nam aliquet. Ut felis, ultrices tincidunt, Nulla a lectus. Nam aliquet. Ut felis, ultrices tincidunt,
The examples are designed to work with desktop sodales a, porttitor euismod, pede. Nunc condiment nisl
Cras scelerisque.
Cras scelerisque.
printers where full bleed printing is unavailable and a Text line

Text line
Text line
Text line
clear border is created. The logo and information areas

are positioned a sufficient distance from the page
edge (example 4). example 2
If you are printing onto coloured paper stock please
ensure the chosen colour matches our palette as Division title Division title Division title
closely as possible (see page 15).P Poster title Poster title Poster title
Secondary event details Secondary event details Secondary event details
Event location, date and time Event location, date and time Event location, date and time
Text line Text line Text line

Text line Text line Text line
Event details Event details Event details

Nulla a lectus. Nam aliquet. Ut felis, ultrices tincidunt, Nulla a lectus. Nam aliquet. Ut felis, ultrices tincidunt, Nulla a lectus. Nam aliquet. Ut felis, ultrices tincidunt,
sodales a, porttitor euismod, pede. Nunc condiment nisl sodales a, porttitor euismod, pede. Nunc condiment nisl sodales a, porttitor euismod, pede. Nunc condiment nisl
eu ipsum. Lorem ipsum dolor sit amet, consectetuer. eu ipsum. Lorem ipsum dolor sit amet, consectetuer. eu ipsum. Lorem ipsum dolor sit amet, consectetuer.
example 4
(with printer
example 3 border)
42
Examples
Certificates
Microsoft Word templates allow the details to be
customised with the recipient’s name, course details,
Institute of Continuing Education Institute of Continuing Education
achievement and signatories etc. Health and Safety
The name and course titles are set in Arial Bold and the
remaining copy in Arial Roman. The signatures should be
Certifies that This Certificate confirms the attendance of
written by hand. Course name
STEPHEN WARD Student Name
Microsoft Word templates are available online at
This is to certify that
www.admin.cam.ac.uk/offices/communications/services/templates has completed the requirements for the (Course name)
Student Name Postgraduate Diploma on 6 December 2008
in Notarial Practice at the (Venue)
has has undertaken a course of study
and has reached the required standard 6 December 2008
6 December 2008
Director of Continuing Education Mr.W J Hudson

Director of Continuing Education and Lifelong Learning Acting Director of Health and Safety
and Lifelong Learning
personalised
example
43
Examples
Advertisements
The design, size and format of advertisements will be
determined by the publications in which they are to
appear and the amount of information they need to
Looking for work Looking for work Looking for work Looking for work
communicate. Copy should be edited to a concise this summer? this summer? this summer? this summer?
length. University of Cambridge International University of Cambridge International University of Cambridge International University of Cambridge International
Summer Schools can offer 4–7 weeks Summer Schools can offer 4–7 weeks Summer Schools can offer 4–7 weeks Summer Schools can offer 4–7 weeks
work for senior Cambridge undergraduate work for senior Cambridge undergraduate work for senior Cambridge undergraduate work for senior Cambridge undergraduate
The advertisements opposite illustrate how the and graduate students. £200 per week
plus college accommodation.
and graduate students. £200 per week
horizontal panels of our system can be applied and For details call network: 60850
or 01223 760850 or email:
For details call network: 60850
or 01223 760850 or email:
or 01223 760850 or email:
or 01223 760850 or email:
used to hold different levels of information, headings [email protected] [email protected] [email protected] [email protected]
and images. Impact can be created in both colour and

black and white.
Copy is set in upper and lowercase, ranged left and

ragged right.
For further information regarding recruitment

advertisements, please contact the Human Resources
Division:
Compliance Team
Human Resources Division
[email protected]
44
Examples
Newsletters
Newsletter templates are available for printed and electronic newsletters.
The electronic template is suitable for use by people that have a basic understanding
of HTML. It can be used in conjunction with Microsoft Outlook to produce Outlook
stationery. The template has been tested on a variety of email programmes.
Templates for printed A4 newsletters are available in Microsoft Publisher. A small

booklet style template is available in Microsoft Word and Publisher formats.
45
Creating leaflets and booklets
There are a few basic things to consider when creating any communications material for the University.
Before concentrating on the style and design, think about the purpose of the publication. Why are you creating
it and what do you want to achieve?
Make sure you know
• who your target audience is
• what your main messages are
When creating the content and design, make sure you follow the University’s house style. At the most basic
level, this includes the correct position of the University logo, the use of the correct typeface and appropriate
colour palette.
Text
• informative
• easy to understand and read (consider the language and font size)
• style suitable for the target audience
• not too much text in a small space, only the most important information required
Images
• interesting and not staged
• relevant to the text and to the audience
• that add value to your message (for example, telling people what your building looks like does not add value)
Colour
• use the University’s colour palette
• do not use red colour (reserved for the University’s coat of arms)
Printing
• booklets usually require a page number divided by four (4, 8, 16, etc. pages)
• if using a desktop printer, make sure that the logo and text are far enough from the edge of the paper
• A5 and DL leaflet and booklet templates are available in black and white and colour
46
Digital communication
47
Website
Basic design guidelines for University of Cambridge websites
The logo
The University logo should appear at the top left of web pages where it is used. The logo needs to link to
www.cam.ac.uk
Sub-branding
If a sub-brand is introduced into a website header, please allow at least a coat of arms width between the
University logo and the site name.
If space permits, it may be more elegant to introduce the sub-brand below the logo banner. This is the preferred
and recommended approach. Please see the example below.
48
Website
Colour
Please use the websafe colour palette on page 18. Tints of these colours can be used, but make sure that:
• any text that sits on top of colour is of a sufficient contrast to be legible
• the tints that you use are also websafe
A good resource online for checking contrast acceptability is:
http://gmazzocato.altervista.org/colorwheel/wheel.php
Font family
Please use the following font-family in your css for the main body style: Verdana, Arial, Helvetica, and sans-serif.
Please do not use any other font styles. This font family has been tested as being the most legible on-screen
font to read.
Kits for building departmental websites

The University Computing Service offers a suite of templates and code kits which have been created in
collaboration with Communications Services. They are available from:
http://www.cam.ac.uk/about/webstyle/
49
Website
Example websites
The following websites conform to these basic guidelines.
Department of Engineering The Cambridge Science Festival

www.eng.cam.ac.uk www.admin.cam.ac.uk/sciencefestival
50
Website
Example websites
Research Horizons Undergraduate Admissions

www.research-horizons.cam.ac.uk www.cam.ac.uk/admissions/undergraduate/
If you need any additional support or guidance for building or commissioning University of Cambridge websites please contact
[email protected]
51
Social networks
Social networking Other useful things to remember
Consider both strategic and practical issues when setting up a social networking
site for a department. Who the site is aimed at, what kind of information will be Consider an update strategy
published, who will update the page, what kind of style will be used and so on. • Decide what information will be shared through the social networking sites. Is it
used to promote future events, help with general communications or student
Persona applications?
It is desirable to have a consistent voice, despite the multiple users who might be • When will the site be updated (before, during, after an event)?
producing content for a departmental social networking site. To help maintain • Decide if the updates include University-wide happenings or just departmental
consistency: ones.
• Speak in first person plural (We are holding an event tomorrow. Feel free to • Consider if the departmental newsfeed should appear on the social site.
contact us.) • Create a timetable for all departmental events which should be included in the
• Try to use active, rather than passive, words social networking updates.
• Try to maintain a semi-casual tone, without using slang or jargon
• Keep updates relevant to the department. Consider if using a RSS feed from the
Promotion University’s news site will provide relevant information for your followers. Most
There are a few simple steps that can be taken to promote departmental social relevant stories could always be posted manually. This would allow the
networking sites in a subtle but effective way. departmental voice to be more consistent but requires more time and effort from
• All emails sent from the department should include a hyperlink to the social the people updating the site.
networking site(s). The hyperlink should be included in the email signature. • Updates should not breach e-safety; the use of names should be omitted.
• Any mailings could highlight the department’s presence in the social networking • The guidelines on the departmental tone and voice should always be followed.
sites.
• Presentations should include details of the social networking sites in the ‘how to Suggestions for department-related updates
contact us’ section. • Any major updates made to the departmental website
• Departmental webpage should have shortcut icons which lead directly to the • Reminder of an up and coming event or a registering deadline.
social networking sites. • Photos from events (departmental or University)
• Following an event, encourage participants to view photos/video clips on the • New videos, research findings.
departmental social networking sites. • Forum/discussion questions that are posed to the current followers.
Response monitoring and management
Checking for new queries or responses could be done a few times a day. In general,
social networking site users don’t expect an instant reply but queries should be
acknowledged in a timely manner to maintain user’s confidence.
• Responses to queries should give a short answer to an exact question posed, with
a link to relevant information on the University’s website.
• Avoid giving the impression that questions are foolish, or that info should have
been easily found elsewhere.
• Make appropriate arrangements when people responsible for replying to the
queries are on holiday.
• Publish your moderation policy.
52
Other guidance
53
Templates
Livery
The University logo should appear on the side and on
the back of University vehicles. Where required, the
office, department or faculty name should be
positioned and set in the same proportions as for the
stationery design (see page 12), and the exclusion
zone should also be observed (see page 8).
54
Examples
Signage
University signage should have a white background
and be produced using either vinyl lettering, paint or
digital printing. All text should appear in black.
Buildings
This example demonstrates the basic principle in the M12B Arts School M16E Mond Building
M13A Arup Building (Main) M11A Old Cavendish And Rayleigh Wing
design of signage. It is important that any signage M13B Arup Building (East Tower) M11C Old Cavendish Laboratory
M13C Arup Tower (West Tower) M11B Old Cavendish East Wing
produced is consistent in its appearance and design to M16B Austin Building M15C Old Metallurgy
M13A Babbage Lecture Theatre M11E Old Physical Chemistry
maximise impact and accessibility. M16D Balfour Building M17 4 Parsons Court
The signage information aligns with the left hand New M16C
M12A
M15B
Cockcroft Building
Examination Halls
Goldsmiths Laboratory
M11D
M???
M19
Phoenix Building
Rayleigh Lecture Room
Rolls Royce University Technology Centre
edge of the logo, wherever possible. All type is set in
Myriad upper and lowercase, ranged left, ragged right.
Museums M15D
M11C
Heycock Wing
Maxwell Lecture Theatre
M15A
M14
Shell Building
Zoology Building
Heading should be Myriad Bold or Semi Bold and the Site

remaining copy is Myriad Roman. Departments
M15C Biological Anthropology
M12B Cambridge Philosophical Society
M12A Cambridge University Students Union
M15A Chemical Engineering
M12B Central Science Library
M12A Central Sites Technical Services
M16E Centre For African Studies
M11B Centre For Family Research
M16C Computing Service
M11E History And Philosophy Of Science
M13C Materials Science and Metallurgy
M16E Mongolia & Inner Asia Studies Unit
M13A Museum Of Zoology
M13C School Of Humanities And Social Sciences
M11C Social Anthropology
M11B Social And Political Sciences
M11B Sociology
M12A Varsity
M11E Whipple Museum Of The History Of Science
M14 Zoology
55
Legal advice
Important guidance for all people taking, recording, commissioning and

using photographs, video and audio.
This guidance is intended for use by University staff and covers consent, usage and
copyright.
The guidance notes include sample forms for use in filming/recording University
events, lectures, etc. Samples of the following forms can be found at
www.admin.cam.ac.uk/cam-only/offices/legal/copyright
• Sample consent/release form: photo/video/film/sound recording
• Sample parent/legal guardian consent/release form: photo/video/film/sound

recording of child /vulnerable adult
• Sample filming/recording location perimeter signage and printed warning of

photography and/or filming and/or sound recording to take place
• Sample assignment of copyright in photographs, video/film and/or sound

recordings to the University from commissioned production companies,
commercial photographers, etc
56
Accessibility
57
Accessibility
Best practice
Designing accessible communications can present a Capital letters Contrast
real challenge. Accessible print and digital Setting text in large amounts of capital letters can There should always be high tonal contrast between
communications material needs to be visually be harder to read than lowercase letters. the text and the background it is printed on. Contrast
interesting to draw a reader to it and legible for is greatest when dark colours are combined with very
people with sight problems and learning difficulties. Italics pale colours.
People with sight problems and learning difficulties These should be treated in a similar way to capital
are often marginalised by design with the production letters. Many partially sighted people can find them Reversing out copy
of bland and uninteresting designs. difficult to read so they should be used minimally. The background colour should be as dark as possible.
Using bold copy or a strong colour to add emphasis is White copy reversed out of a very dark colour or black
In reality, it is impossible to design something that is a good alternative. are the most legible. Attention should be paid to
accessible to everyone. However, we must aim to typesize and very light weights of type to ensure copy
make our communications accessible to as many Leading is always legible.
people as possible, whilst also being creative and Leading (or line feed) is the space between one line of
visually stimulating. type and the next, measured from baseline to Copy on images
baseline. If leading is too narrow or too wide, the text Setting text on an image can make it difficult to read.
Type size will be difficult to read. As a basic rule, the leading The background must always be even in tone with
Our recommended minimum size for printed body should be a minimum of 2 point sizes larger than the excellent contrast and should be digitally retouched,
copy is 11 point. However, if appropriate to the type size. if necessary.
targeted audience, smaller typefaces are permissible.
The RNIB See it Right guidelines recommend a Word spacing, letter spacing and horizontal scaling Design
minimum x-height of 2mm. (The x-height is the Changing the spacing between letters or words and Accessible design is clean, simple and uncluttered
height of a lowercase ‘x’ in the typeface). altering the proportion of the letters (horizontal with good visual navigation.
scaling) are often used to fit more text onto a line. This
Large print documents should use a minimum should be avoided as too little or too much space can
x-height of 2.8mm. make text illegible.
For further information on accessibility please visit Alignment
www.rnib.org.uk Left aligned text with a ‘ragged’ right hand margin is
the most legible as it is easier to find the start and
finish of each line. The spaces between each word are
x
also equal.
x-height
58
Paper and printing

59
Paper and printing
Recommendations
When sourcing printers and paper stocks it is important Desktop printing
to consider your environmental responsibility. The University’s preferred supplier, Office Depot, provides
a wide range of different paper sizes, shades and quality
Professional printing levels from budget 'own-brand' paper to more premium
Choose paper that is 50–100% post-consumer waste ranges. Their products range includes a number of
(PCW), from sustainable sources, elemental chlorine free environmentally friendly, recycled or FSC accredited
(ECF), uncoated, Forest Stewardship Council (FSC) papers. Office Depot can be contacted via the Central
certified and/or made by renewable energy sources like Purchasing Office.
wind or solar power.
Further information
Use non-toxic water-based vegetable or soy inks instead Please contact the Central Purchasing Office
of petroleum-based inks. Look for a printer that uses [email protected]
renewable energy sources. Try waterless printing, which 01223 332233.
eliminates the dampening systems used in conventional
printing. Digital printing, which avoids the film and
chemicals in traditional printing processes, is another
good alternative. Digital printing is also more
economical for smaller quantities.
Conserve ink use by determining whether print projects
need to be full colour. A two-colour or single colour
design can be just as effective.
You can also save paper by using standard press sheet
sizes and synchronising the printing of projects that use
the same paper stock.
Evaluate if projects need to be printed. Could the
information be promoted digitally?
Communications Services holds a list of recommended
local printers. Each printer can provide information on
their environmental credentials and policies.
Further information
www.waterless.org
www.fsc-uk.org
60
Contact
61
Contact
Useful information
Communications Services
The Communications Services team provides advice
and guidance to University departments and Colleges
on print, digital and new media design.
They can recommended designers, production
companies, photographers and printers, who are
familiar with the University’s house style.
The team also looks after licensing for the University
logo and an image library, which includes hundreds of
copyright free images of the University.
Further information
[email protected]
01223 339397

Identity Guidelines - Fourth Edition: April 2010

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University Guidelines:Layout 1 22/6/10 10:04 Page 1

Identity guidelines – fourth edition

Introduction 03 Typography Posters 41

The logo Readability 22 Advertisements 43

History of the University’s coat of arms 05 Newsletters 44

Core element 06 Imagery Creating leaflets and booklets 45

Trademark and licensing 07 Our image style 24

Recommended sizing 09 Websites - basic design guidelines 47-48

Logo positioning - top left 10 Graphic language Example websites 49-50

Logo positioning - bottom left 11 The design grid 27 Social networks 51

Departmental logos for stationery only 12 A5 grid 28

Sub-branding/additional logos 13 A4 grid 29 Other guidance

Colour Using the grid 31 Signage 54

Palette 15 Sample layouts and examples 32-33 Legal advice 55

Palette and text legibility 16

Palette - accessibility 16 Templates and examples Accessibility

Pantone and CMYK references 17 Overview 35 Best practice 57

RGB and websafe references 18 Stationery 36-38

Working with the palette 19 PowerPoint 39 Paper and printing

Publication and report covers 40 Recommendations 59

Red Pantone 032 R237 G41 B57

For departmental logos see page 12

The coat of arms

Consistent positioning of the logo is vital,

Version three, this is designed for very Wellcome Trust/Cancer Research UK

PANTONE ® PANTONE ® PANTONE ® PANTONE ® PANTONE ® PANTONE ® PANTONE ®

There must always be good contrast between text and

white text white text white text white text

PANTONE ® PANTONE ® PANTONE ® PANTONE ®

Pantone 284 C.59 M.17 Y.00 K.0

Pantone 285 C.90 M.48 Y.0 K.0

PANTONE ® PANTONE ® PANTONE ® PANTONE ® PANTONE ®

Professional Desktop Web

Pantone 285 R.0 G.115 B.207 0066cc

Each core colour has a corresponding lighter and 01

the palette that will project the information clearly,

When designing suites of literature you may want to

combinations are shown opposite. PANTONE ® PANTONE ® PANTONE ®

the background colour. Dark type on a white or very

green palette colour combinations suite of literature

Arial is a widely available sans-serif typeface and computer font

packaged with Microsoft Windows, other Microsoft software applications,

Apple Mac OS X and many PostScript computer printers. It should be

used for all our internally produced communications.

UPPER CASE LETTERS HAVE NO VARIETY OR OUTLINE AND THEREFORE MAKE IT

Alignment Unjustified text

The example opposite illustrates our A5 grid template. 9

Alberni Masterclasses 2010

Bottom of page logo positioning option

The example opposite illustrates our A4 grid template. 14

Alberni Masterclasses 2010

The example opposite illustrates our A3 grid template.

Alberni Masterclasses 2010

Bottom of page logo positioning option

The grid can also be used to create an effect by

Document heading set in Myriad

Publication main heading

Publication main heading

Document heading set in Myriad