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    Target Practice Part 2

    Uploaded by

    Serge Bourguignon
    The document provides guidance on playing melodies that sound good over chords by targeting the notes in each chord. It demonstrates this concept using chord progressions and notes to play over each chord. Standard music notation and tablature are included as examples.

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    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd

    Target Practice Part 2

    Uploaded by

    Serge Bourguignon
    21 views1 page
    The document provides guidance on playing melodies that sound good over chords by targeting the notes in each chord. It demonstrates this concept using chord progressions and notes to play over each chord. Standard music notation and tablature are included as examples.

    Original Description:

    The Derryl Gabel Guitar Technique Book

    Copyright

    © © All Rights Reserved

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    PDF, TXT or read online from Scribd

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    The document provides guidance on playing melodies that sound good over chords by targeting the notes in each chord. It demonstrates this concept using chord progressions and notes to play over each chord. Standard music notation and tablature are included as examples.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Download as pdf or txt
    21 views1 page

    Target Practice Part 2

    Uploaded by

    Serge Bourguignon
    The document provides guidance on playing melodies that sound good over chords by targeting the notes in each chord. It demonstrates this concept using chord progressions and notes to play over each chord. Standard music notation and tablature are included as examples.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Download as pdf or txt
    of 1

    TARGET PRACTICE

    Performance Notes

    In each example the notes used are "target" notes. These notes are taken directly from the chord.

    In order to create solos that sound good you need to know all the right notes to play. By targeting the notes of each chord you play over,

    ` `
    you can create nice sounding melodies.

    Cmaj9 2 fr. A7 13 5 fr. Dm9 3 fr. G7 13 3 fr. Dm11 5 fr. Bm11 5 fr. E7+9 6 fr. Am7 V 5 fr. Em7 7 fr. Cmaj9
    VIII
    8 fr.
    x x x x x x x x x x x x x x x x x x x

    Fmaj7+118 fr.
    `
    B7 13 5 fr.
    Fmaj7sus2+11
    7 fr. Dm9X 10 fr. G13sus2 10 fr. G/C 8 fr. x F/G 8 fr. Em7 X 10 fr. Am7 12 fr. xD13 10 fr.
    x x x x x x x x xx x x x x

    Am7 open Fmaj9 Bm7 5


    ` `
    E7 13
    `
    Bm7 5 G7+11 2 fr. Cmaj7 2 fr. Fmaj7

    ` `
    x x x x x x x x x x x x x x

    Cmaj9 A7 13 Dm9 G7 13 Cmaj9


    ^
    Gtr I
    ^ ^ ^ ^
    VVV V V gV V V V V V VV
    eV V V
    1
    I 44 V V V V V gV VV V VVV
    V V V eV U
    Gtr II

    73 595 58 73
    T 5 6 6 6 4
    A 54 47 6 6 5 4
    5 5 7 7 375
    B 58 6 7

    Dm11 Bm11 E7+9 Am7V Dm11


    ^ ^ ^ ^ ^

    V V V VVV VVV V V V }V V
    V V VVVVV U
    6
    I VV V V V V gV V V V V

    T 586 5 8 8 6
    A 57 7 5 7 7 59 59
    7 7 7 6 6 6 57 7
    B 58 8 8 8 7 5

    Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org

    PDF created with pdfFactory trial version www.pdffactory.com

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