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CREATIVE
PYOLUTION

BY

HENRI BERGSON

AUTHORIZED TRANSLATION BY

ARTHUR MITCHELL, Pu.D.

MACMILLAN AND CO, LIMITED


ST. MARTIN’S STREET, LONDON
1922
COPYRIGHT

First Edition March 1911


Reprinted November 1911, 1912, 1913
1914, 1919, 1920, 1922

PRINTED IN GREAT BRITAIN


TRANSLATOR’S NOTE

In the writing of this English translation of Professor


Bergson’s most important work, 1 was helped by the
friendly interest of Professor William James, to whom
I owe the illumination of much that was dark to me
as well as the happy rendering of certain words and
phrases for which an English equivalent was difficult
to find. His sympathetic appreciation of Professor
Bergson’s thought is well known, and he has expressed
his admiration for it in one of the chapters of 4 Plural-
istic Universe. It was his intention, had he lived to
see the completion of this translation, himself to intro-
duce it to English readers in a prefatory note.
I wish to thank my friend, Dr. George Clarke Cox,
for many valuable suggestions.
I have endeavoured to follow the text as closely as
possible, and at the same time to preserve the living
union of diction and thought. Professor Bergson has
himself carefully revised the whole work. We both
of us wish to acknowledge the great assistance of Miss
Millicent Murby. She has kindly studied the trans-
lation phrase by phrase, weighing each werd, and her
revision has resulted in many improvements.
But above all we must express our acknowledgment
v
vi CREATIVE EVOLUTION

to Mr. H. Wildon Carr, the Honorary Secretary of


the Aristotelian Society of London, and the writer of
several studies of “ Evolution Créatrice.”! We asked
him to be kind enough to revise the proofs of our
work. He has done much more than revise them:
they have come from his hands with his personal
mark in many places. We cannot express all that
the present work owes to him.
ARTHUR MITCHELL.

Harvarp University.

1 Proceedings of the Aristotelian Society, vols. ix. and x., and Hibbert
Fournal for July 1910.
CONTENTS
PAGE

INTRODUCTION , 4 i r , ; ‘ 1X

CHAPTER I
Tue Evo.tution oF Lire—MeEcuanism anp TELEOLOGY

Of duration in general—Unorganized bodies and abstract time—


Organized bodies and real duration—Individuality and the
process of growing old. : ; : I
Of transformism and the different ways of interpreting ‘p= Radica!
mechanism and real duration: the relation of biology to
physics and chemistry—Radical finalism and real duration:
the relation of biology to philosophy . ‘ ‘ : 24
The quest of a criterion—Examination of the various theories with
regard to a particular example—Darwin and _insensible
variation—De Vries and sudden variation—Eimer and ortho-
genesis—Neo-Lamarckism and the hereditability of acquired
characters ‘ ; . 56
Result of the inquiry—The al ae ; ‘ ‘ 89

CHAPTER II
Tue Divercent Direcrions oF THE EvoLurion oF LIFE
—Torpor, INTELLIGENCE, INSTINCT
General idea of the evolutionary process—Growth—Divergent
and complementary tendencies—The meaning of bea and
of adaptation . 103
The relation of the areal to ms ee ny nana of
animal life—The development of animal life . : a SEES
The main directions of the evolution of life: torpor, intelligence,
instinct , ? , ; : 142
The nature of the intellect . ‘ d : + EGS
The nature of instinct ' : A ; Se
Life and consciousness—The apparent place of man in nature <b <aee
Vil
vill CREATIVE EVOLUTION

CHAPTER iif
On THE Meaninc oF Lire—THE Orper or Nature
AND THE ForM OF INTELLIGENCE
PAGE
Relation of the problem of life to the problem of knowledge—The
method of philosophy—Apparent vicious circle of the method
proposed—Real vicious circle of the opposite method ,
Simultaneous genesis of matter and intelligence—Geometry in-
herent in matter—Geometrical tendency of the intellect—
Geometry and deduction—Geometry and induction—Physical
laws ; ‘ ; : ‘ : ; 210

Sketch of a theory of knowledge based on the analysis of the idea


of Disorder—Two opposed forms of order: the problem of
genera and the problem of /aws—The idea of “disorder” an
oscillation of the intellect between the two kinds of order 232
Creation and evolution—Ideal genesis of matter—The origin and
function of life—The essential and the accidental in the vital
process and in the evolutionary movement—Mankind—The
life of the body and the life of the spirit 245

CHAPTER
IV
Tue CINEMATOGRAPHICAL MECHANISM OF [THOUGHT AND THE
Mecuanistic ILLustion—A GLANCE AT THE HisTorY OF
SysrEMs—RegEaL Becominc anp Fatse EvoLuTionisM

Sketch of a criticism of philosophical systems, based on the analysis


of the idea of Immutability and of the idea of “ Nothing ”—
Relation of metaphysical problems to the idea of “ Nothing”
—Real meaning of this idea 287
Form and Becoming 314
_ The philosophy of Forms and its conception of Becoming—Plato
and Aristotle—The natural trend of the intellect 33*
Becoming in modern science : two views of Time . 347
The metaphysical interpretation of modern science: Descartes,
Spinoza, Leibniz 365
The Criticism of Kant ‘ ‘ - ; 376
The evolutionism of Spencer 384

INDEX 393
INTRODUCTION

Tue history of the evolution of life, incomplete as it


yet is, already reveals to us how the intellect has been
formed, by an uninterrupted progress, along a line which
ascends through the vertebrate series up to man. It
shows us in the faculty of understanding an appendage
of the faculty of acting, a more and more precise, more
and more complex and supple adaptation of the con-
sciousness of living beings to the conditions of exist-
ence that are made for them. MHence should result
this consequence that our intellect, in the narrow
sense of the word, is intended to secure the perfect
fitting of our body to its environment, to represent the
relations of external things among themselves—in
short, to think matter. Such will indeed be one of
the conclusions of the present essay. We shall see
that the human intellect feels at home among inanimate
objects, more especially among solids, where our action
finds its fulcrum and our industry its tools ; that our
concepts have been formed on the model of solids ;
that our logic is, pre-eminently, the logic of solids;
that, consequently, our intellect triumphs in geometry,
wherein is revealed the kinship of logical thought with
unorganized matter, and where the intellect has only
to follow its natural movement, after the lightest
possible contact with experience, in order to go from
ix
x CREATIVE EVOLUTION

discovery to discovery, sure that experience is following


behind it and will justify it invariably.
But from this it must also follow that our thought,
in its purely logical form, is incapable of presenting
the true nature of life, the full meaning of the evolu-
tionary movement. Created by life, in definite circum-
stances, to act on definite things, how can it embrace
life, of which it is only an emanation or an aspect?
Deposited by the evolutionary movement in the course
of its way, how can it be applied to the evolutionary
movement itself? As well contend that the part is
equal to the whole, that the effect can reabsorb its
cause, or that the pebble left on the beach displays
the form of the wave that brought it there. In fact,
we do indeed feel that not one of the categories of
our thought—unity, multiplicity, mechanical causality,
intelligent finality, etc.—applies exactly to the things of
life : who can say where individuality begins and ends,
whether the living being is one or many, whether it
is the cells which associate themselves into the
organism or the organism which dissociates itself into
cells ? In vain we force the living into this or that one
of our moulds. All the moulds crack. They are
too narrow, above all too rigid, for what we try to put
into them. Our reasoning, so sure of itself among
things inert, feels ill at ease on this new ground. It
would be difficult to cite a biological discovery due
to pure reasoning. And most often, when experience
has finally shown us how life goes to work to obtain a
certain result, we find its way of working is just that
of which we should never have thought.
Yet evolutionist philosophy does not hesitate to
extend to the things of life the same methods of
explanation which have succeeded in the case of un-
INTRODUCTION x1
organized matter. It begins by showing us in the
intellect a local effect of evolution, a flame, perhaps
accidental, which lights up the coming and going of
living beings in the narrow passage open to their action ;
and lo! forgetting what it has just told us, it makes of
this lantern glimmeringin a tunnel a Sun which can
illuminate the world. Boldly it proceeds, with the .
powers of conceptual thought alone, to the ideal recon-
struction of all things, even of life. True, it hurtles in
its course against such formidable difficulties, it sees
its logic end in such strange contradictions, that it very
speedily renounces its first ambition. “It is no longer
reality itself,” it says, “that it will reconstruct, but only
an imitation of the real, or rather a symbolical image ;
the essence of things escapes us, and will escape us
always ; we move among relations ; the absolute is not
in our province; we are brought to a stand before
the Unknowable.”—But for the human intellect, after
too much pride, this is really an excess of humility.
If the intellectual form of the living being has been
gradually modelled on the reciprocal actions and
reactions of certain bodies and their material environ-
ment, how should it not reveal to us something of
the very essence of which these bodies are made?
Action cannot move in the unreal. A mind born
to speculate or to dream, I admit, might remain
outside reality, might deform or transform the real,
perhaps even create it, as we create the figures of
men and animals that our imagination cuts out of
the passing cloud. But an intellect bent upon the act
to be performed and the reaction to follow, feeling its
object so as to get its mobile impression at every instant,
is an intellect that touches something of the absolute.
Would the idea ever have occurred to us to doubt
xi CREATIVE EVOLUTION

this absolute value of our knowledge if philosophy


had not shown us what contradictions our speculation
meets, what dead-locks it ends in? But these diffi-
culties and contradictions all arise from trying to apply
the usual forms of our thought to objects with which
our industry has nothing to do, and for which, therefore,
our moulds are not made. Intellectual knowledge, in
so far as it relates to a certain aspect of inert matter,
ought, on the contrary, to give us a faithful imprint of
it, having been stereotyped on this particular object.
It becomes relative only if it claims, such as it is, to
present to us life—that is to say, the maker of the
stereotype-plate.

Must we then give up fathoming the depths of life ?


Must we keep to that mechanistic idea of it which the
understanding will always give us—an idea necessarily
artificial and symbolical, since it makes the total
activity of life shrink to the form of a certain human
activity which is only a partial and local manifestation
of life,a result or by-product of the vital process? We
should have to do so, indeed, if life had employed all
the psychical potentialities it possesses in producing pure
understandings—that is to say, in making geometricians.
But the line of evolution that ends in man is not the
only one. On other paths, divergent from it, other
forms of consciousness have been developed, which
have not been able to free themselves from external
constraints or to regain control over themselves, as
the human intellect has done, but which, none the less,
also express something that is immanent and essential
in the evolutionary movement. Suppose these other
forms of consciousness brought together and amalga-
mated with intellect: would not the result be a
INTRODUCTION xiil
consciousness as wide as life? And such a conscious-
ness, turning around suddenly against the push of life
which it feels behind, would have a vision of life
complete—would it not?—even though the vision
were fleeting.
It will be said that, even so, we do not transcend
our intellect, for it is still with our intellect, and
through our intellect, that we see the other forms of
consciousness. And this would be right if we were
pure intellects, if there did not remain, around our
conceptual and logical thought, a vague nebulosity,
made of the very substance out of which has been
formed the luminous nucleus that we call the intellect.
Therein reside certain powers that are complementary
to the understanding, powers of which we have only
an indistinct feeling when we remain shut up in our-
selves, but which will become clear and distinct when
they perceive themselves at work, so to speak, in the
evolution of nature. They will thus learn what sort
of effort they must make to be intensified and expanded
in the very direction of life.

This amounts to saying that sheory of knowledge


and theory of life seem to us inseparable. A theory
of life that is not accompanied by a criticism of know-
ledge is obliged to accept, as they stand, the concepts
which the understanding puts at its disposal: it can
but enclose the facts, willing or not, in pre-existing
frames which it regards as ultimate. It thus obtains
a symbolism which is convenient, perhaps even
necessary to positive science, but not a direct vision of.
its object. On the other hand, a theory of knowledge
which does not replace the intellect in the general
evolution of life will teach us neither how the frames
X1V CREATIVE EVOLUTION

of knowledge have been constructed nor how we


can enlarge or go beyond them. It is necessary that
these two inquiries, theory of knowledge and theory
of life, should join each other, and, by a circular
process, push each other on unceasingly.
Together, they may solve by a method more sure,
brought nearer to experience, the great problems that
philosophy poses. For, if they should succeed in
their common enterprise, they would show us the
formation of the intellect, and thereby the genesis of
that matter of which our intellect traces the general
configuration. They would dig to the very root of
nature and of mind. They would substitute for the
false evolutionism of Spencer—which consists in cutting
up present reality, already evolved, into little bits
no less evolved, and then recomposing it with these
fragments, thus positing in advance everything that
is to be explained—a true evolutionism, in which
reality would be followed in its generation and its
growth.
But a philosophy of this kind will not be made in a
day. Unlike the philosophical systems properly so
called, each of which was the individual work of a man
of genius and sprang up as a whole, to be taken or
left, it will only be built up by the collective and pro-
gressive effort of many thinkers, of many observers
also, completing, correcting and improving one another.
So the present essay does not aim at resolving at once
the greatest problems. It simply desires to define the
method and to permit a glimpse, on some essential
points, of the possibility of its application.
Its plan is traced by the subject itself. In the
first chapter, we try on the evolutionary progress the
two ready-made garments that our understanding
CHAPTER

THE EVOLUTION OF LIFE—-MECHANISM AND TELEOLOGY

Tue existence of which we are most assured and which


we know best is unquestionably our own, for of
every other object we have notions which may be con-
sidered external and superficial, whereas, of ourselves,
our perception is internal and profound. What, then,
do we find? In this privileged case, what is the precise
meaning of the word “exist”? Let us recall here
briefly the conclusions of an earlier work.
I find, first of all, that I pass from state to state. |
am warm or cold, | am merry or sad, I work or I de
nothing, I look at what is around me or I think of
something else. Sensations, feelings, volitions, ideas
—such are the changes into which my existence is
divided and which colour it in turns. 1 change, then,
without ceasing. But this is not saying enough.
Change is far more radical than we are at first inclined
to suppose.
For I speak of each of my states as if it formed a
block and were a separate whole. I say indeed that I
change, but the change seems to me to reside in the
passage from one state to the next: of each state, taken
separately, I am apt to think that it remains the same
during all the time that it prevails. Nevertheless, a
slight effort of attention would reveal to me that there
% I B
2 CREATIVE EVOLUTION CHAP
is no feeling, no idea, no volition which is not under-
poing change every moment: if a mental state ceased
to vary, its duration would cease to flow. Let us take
the most stable of internal states, the visual perception
of a motionless external object. The object may remain
the same, I may look at it from the same side, at the
same angle, in the same light ; nevertheless the vision
I now have of it differs from that which I have just had,
even if only because the one is an instant older than
the other. My memory is there, which conveys some-
thing of the past into the present. My mental state,
as it advances on the road of time, is continually
swelling with the duration which it accumulates: it
goes on increasing—rolling upon itself, as a snowball
on the snow. Still more is this the case with states
more deeply internal, such as sensations, feelings,
desires, etc., which do not correspond, like a simple
visual perception, to an unvarying external object.
But it is expedient to disregard this uninterrupted
change, and to notice it only when it becomes sufficient
to impress a new attitude on the body, a new direction
on the attention. Then, and then only, we find that
our state has changed. The truth is that we change
without ceasing, and that the state itself is nothing
but change.
This amounts to saying that there is no essential
difference between passing from one state to another
and persisting in the same state. If the state which
“remains the same” is more varied than we think, on
the other hand the passing from one state to another
resembles, more than we imagine, a single state being
prolonged ; the transition is continuous. But, just
because we close our eyes to the unceasing variation
of every psychical state, we are obliged, when the
I DURATION 3
change has become so considerable as to force itself
on our attention, to speak as if a new state were placed
alongside the previous one. Of this new state we
assume that it remains unvarying in its turn, and
-so on endlessly. The apparent discontinuity of the
psychical life is then due to our attention being fixed
on it by a series of separate acts: actually there is
only a gentle slope; but in following the broken
line of our acts of attention, we think we perceive
separate steps. True, our psychic life is full of the
unforeseen. A thousand incidents arise, which seem
to be cut off from those which precede them, and
to be disconnected from those which follow. Dis-
continuous though they appear, however, in point of
fact they stand out against the continuity of a back-
ground on which they are designed, and to which
indeed they owe the intervals that separate them;
they are the beats of the drum which break forth here
and there in the symphony. Our attention fixes on
them because they interest it more, but each of them
is borne by the fluid mass of our whole psychical
existence. [Each is only the best illuminated point of a
moving zone which comprises all that we feel or think
or will—all, in short, that we are at any given moment.
It is this entire zone which in reality makes up our
state. Now, states thus defined cannot be regarded
as distinct elements. They continue each other in an
endless flow.
But, as our attention has distinguished and separated
them artificially, it is obliged next to reunite them by
an artificial bond. It imagines, therefore, a formless
ego, indifferent and unchangeable, on which it threads
the psychic states which it has set up as inde-
pendent entities. Instead of a flux of fleeting shades

|
4 CREATIVE EVOLUTION CHAP.
merging into each other, it perceives distinct and,
so to speak, sod colours, set side by side like
the beads of a necklace; it must perforce then
suppose a thread, also itself solid, to hold the beads
together. But if this colourless substratum is per-
petually coloured by that which covers it, it is for
us, in its indeterminateness, as if it did not exist,
since we only perceive what is coloured, or, in other
words, psychic states. As a matter of fact, this sub-
stratum has no reality ; it is merely a symbol intended
to recall unceasingly to our consciousness the artificial
character of the process by which the attention places
clean-cut states side by side, where actually there
is a continuity which unfolds. If our existence were
composed of separate states with an impassive ego
to unite them, for us there would be no duration.
For an ego which does not change does not exdure,
and a psychic state which remains the same so long
as it is not replaced by the following state does not
endure either. Vain, therefore, is the attempt to range
such states beside each other on the ego supposed to
sustain them: never can these solids strung upon a solid
make up that duration which flows. What we actually
obtain in this way is an artificial imitation of the
internal life, a static equivalent which will lend itself
better to the requirements of logic and language, just
because we have eliminated from it the element of
real time. But, as regards the psychical life unfolding
beneath the symbols which conceal it, we readily per-
ceive that time is just the stuff it is made of.
There is, moreover, no stuff more resistant nor
more substantial. For our duration is not merely one
instant replacing another ; if it were, there would never
be anything but the present—no prolonging of the
DURATION F
past into the actual, no evolution, no concrete duration.
Duration iis the continuous progress of the past which
gnaws into the future and which swells as it advances.
And as the past grows without ceasing, so also there is
no limit to its preservation. Memory, as we have tried
to prove,' is not a faculty of putting away recollections
in a drawer, or of inscribing them in a register. There
is no register, no drawer ; there is not even, properly
speaking, a faculty, for a faculty works intermittently,
when it will or when it can, whilst the piling up of
the past upon the past goes on without relaxation. In
reality, the past is preserved by itself, automatically.
In its entirety, probably, it follows us at every instant ;
all that we have felt, thought and willed from our
earliest infancy is there, leaning over the present which
is about to join it, pressing against the portals of con-
sciousness that would fain leave it outside. The cerebral
mechanism is arranged just so as to drive back into the
unconscious almost the whole of this past, and to admit
beyond the threshold only that which can cast light
on the present situation or further the action now
being prepared—in short, only that which can give
useful work. At the most, a few superfluous recollec-
tions may succeed in smuggling themselves through
the half-open door. These memories, messengers
from the unconscious, remind us of what we are
drageing behind us unawares. But, even though we
may have no distinct idea of it, we feel vaguely that our
past remains present to us. What are we, in fact, what
is our character, if not the condensation of the history
that we have ae from our birth—nay, even before
our birth, since we bring with us prenatal dispositions ?
Doubtless we think with only a small part of our past,
1 Matiere et mémoire, Paris, 1896, chaps. ii. and iii.
6 CREATIVE EVOLUTION CHAP.
but it is with our entire past, including the original
bent of our soul, that we desire, will and act. Our
past, then, as a whole, is made manifest to us in its
impulse; it is felt in the form of tendency, although
a small part of it only is known in the form of idea.
From this survival of the past it follows that
consciousness cannot go through the same state twice.
The circumstances may still be the same, but they will
act no longer on the same person, since they find him
at a new moment of his history. Our personality,
which is being built up each instant with its accumulated
experience, changes without ceasing. By changing, it
prevents any state, although superficially identical with
another, from ever repeating itinits very depth. That
is why our duration is irreversible. We could not live
over again a single moment, for we should have to
begin by effacing the memory of all that had followed.
Even could we erase this memory from our intellect,
we could not from our will.
Thus our personality shoots, grows and ripens with-
out ceasing. Each of its moments is something new
added to what was before. We may go further : it is
not only something new, but something unforeseeable.
Doubtless, my present state is explained by what was
in me and by what was acting on me a moment ago.
In analysing it I should find no other elements. But
even a superhuman intelligence would not have been
able to foresee the simple indivisible form which gives
to these purely abstract elements their concrete organiza-
tion. For to foresee consists of projecting into the
future what has been perceived in the past, or of
imagining for a later time a new grouping, in a new
order, of elements already perceived. But that which
has never been perceived, and which is at the same
DURATION 4
time simple, is necessarily unforeseeable. Now such
is the case with each of our states, regarded as a
moment in a history that is gradually unfolding : it is
simple, and it cannot have been already perceived, since
it concentrates in its indivisibility all that has been
perceived and what the present is adding to it besides.
It is an original moment of a no less original history.
The finished portrait is explained by the features of
the model, by the nature of the artist, by the colours
spread out on the palette ; but, even with the know-
ledge of what explains it, no one, not even the artist,
could have foreseen exactly what the portrait would be,
for to predict it would have been to produce it before
it was produced—an absurd hypothesis which is its
own refutation. Even so with regard to the moments
of our life, of which we are the artisans. Each of
them is a kind of creation. And just as the talent of
the painter is formed or deformed—in any case, is
modified—under the very influence of the works he
produces, so each of our states, at the moment of its
issue, modifies our personality, being indeed the new
form that we are just assuming. It is then right
to say that what we do depends on what we are;
but it is necessary to add also that we are, to a certain
extent, what we do, and that we are creating our-
selves continually. This creation of self by self is
the more complete, the more one reasons on what
one does. For reason does not proceed in such
matters as in geometry, where impersonal premisses
are given once for all, and an impersonal conclusion
must perforce be drawn. Here, on the contrary, the
same reasons may dictate to different persons, or to
the same person at different moments, acts profoundly
different, although equally reasonable. The truth is
8 CREATIVE EVOLUTION CHAP.
that they are not quite the same reasons, since they are
not those of the same person, nor of the same moment.
That is why we cannot deal with them in the abstract,
from outside, as in geometry, nor solve for another
the problems by which he is faced in life. Each
must solve them from within, on his own account.
But we need not go more deeply into this. We are
seeking only the precise meaning that our conscious-
ness gives to this word “ exist,” and we find that, for
a conscious being, to exist is to change, to change is
to mature, to mature is to go on creating oneself
endlessly. Should the same be said of existence in
general ?

A material object, of whatever kind, presents


opposite characters to those which we have just been
describing. Either it remains as it is, or else, if it
changes under the influence of an external force, our
idea of this change is that of a displacement of parts
which themselves do not change. If these parts took
to changing, we should split them up in their turn.
We should thus descend to the molecules of which the
fragments are made, to the atoms that make up the
molecules, to the corpuscles that generate the atoms,
to the “imponderable” within which the corpuscle
is perhaps a mere vortex. In short, we should push
the division or analysis as far as necessary. But we
should stop only before the unchangeable.
Now, we say that a composite object changes by
the displacement of its parts. But when a part has
left its position, there is nothing to prevent its return
to it. A group of elements which has gone through
a state can therefore always find its way back to that
state, if not by itself, at least by means of an external
UNORGANIZED BODIES 9
cause able to restore everything to its place. This
amounts to saying that any state of the group may be
repeated as often as desired, and consequently that the
group does not grow old. It has no history.
Thus nothing is created therein, neither form nor
matter. What the group will be is already present in
what it is, provided “ what it is” includes all the points
of the universe with which it is related. A superhuman
intellect could calculate, for any moment of time, the
position of any point of the system in space. And as
there is nothing more in the form of the whole than
the arrangement of its parts, the future forms of the
system are theoretically visible in its present con-
figuration.
All our belief in objects, all our operations on the
systems that science isolates, rest in fact on the idea
that time does not bite into them. We have touched
on this question in an earlier work, and shall return to
it in the course of the present study. For the moment,
we will confine ourselves to pointing out that the
abstract time ¢ attributed by science to a material
object or to an isolated system consists only ina certain
number of simultaneities or more generally of corre-
spondences, and that this number remains the same,
whatever be the nature of the intervals between the
correspondences. With these intervals we are never
concerned when dealing with inert matter ; or, if they
are considered, it is in order to count therein fresh
correspondences, between which again we shall not care
what happens. Common sense, which is occupied
with detached objects, and also science, which considers
isolated systems, are concerned only with the ends of the
intervals and not with the intervals themselves. There-
fore the flow of time might assume an infinite rapidity,
fe) CREATIVE EVOLUTION CHAP.
the entire past, present, and future of material objects
or of isolated systems might be spread out all at once
in space, without there being anything to change either
in the formulae of the scientist or even in the language
of common sense. The number ¢ would always stand for
the same thing ; it would still count the same number
of correspondences between the states of the objects or
systems and the points of the line, ready drawn, which
would be then the “ course of time.”
Yet succession is an undeniable fact, even in the
material world. Though our reasoning on isolated
systems may imply that their history, past, present, and
future, might be instantaneously unfurled like a fan,
this history, in point of fact, unfolds itself gradually,
as if it occupied a duration like our own. If I want to
mix a glass of sugar and water, I must, willy-nilly,
wait until the sugar melts. This little fact is big with
meaning. For here the time I have to wait is not that
mathematical time which would apply equally well to the
entire history of the material world, even if that history
were spread out instantaneously in space. It coincides
with my impatience, that is to say, witha certain portion
of my own duration, which I cannot protract or contract
as I like. It is no longer something thought, it is some-
thing ved. It is no longer a relation, it is an absolute.
What else can this mean than that the glass of water,
the sugar, and the process of the sugar’s melting in the
water are abstractions, and that the Whole within which
they have been cut out by my senses and understanding
progresses, it may be in the manner of a consciousness?
Certainly, the operation by which science isolates
and closes a system is not altogether artificial. If it
had no objective foundation, we could not explain
why it is clearly indicated in some cases and im-
t UNORGANIZED BODIES Il
possible in others. We shall see that matter has a
tendency to constitute iso/able systems, that can be
treated geometrically. In fact, we shall define matter
by just this tendency. But it is only a tendency.
Matter does not go to the end, and the isolation
is never complete. If science does go to the
end and isolate completely, it is for convenience of
study ; it is understood that the so-called isolated
system remains subject to certain external influences.
Science merely leaves these alone, either because it
finds them slight enough to be negligible, or because
it intends to take them into account later on. It is
none the less true that these influences are so many
threads which bind up the system to another more
extensive, and this to a third which includes both, and
so on to the system most objectively isolated and most
independent of all, the solar system complete. But,
even here, the isolation is not absolute. Our sun
radiates heat and light beyond the farthest planet.
And, on the other hand, it moves in a certain fixed
direction, drawing with it the planets and their satellites.
The thread attaching it to the rest of the universe
is doubtless very tenuous. Nevertheless it is along
this thread that is transmitted down to the smallest
particle of the world in which we live the duration
immanent to the whole of the universe.
The universe exdures. The more we study the
nature of time, the more we shall comprehend that
duration means invention, the creation of forms, the
continual elaboration of the absolutely new. The
systems marked off by science endure only because they
are bound up inseparably with the rest of the universe.
It is true that in the universe itself two opposite
movements are to be distinguished, as we shall see
12 CREATIVE EVOLUTION CHAP.
later “on, descent” and’ “ascent.” “Phe iret wonly
unwinds a roll ready prepared. In principle, it might
be accomplished almost instantaneously, like releasing
a spring. But the ascending movement, which corre-
sponds to an inner work of ripening or creating, endures
essentially, and imposes its rhythm on the first, which
is inseparable from it.
There is no reason, therefore, why a duration, and
so a form of existence like our own, should not be attri-
buted to the systems that science isolates, provided such
systems are reintegrated into the Whole. But they
must be so reintegrated. The same is even more
obviously true of the objects cut out by our perception.
The distinct outlines which we see in an object, and
which give it its individuality, are only the design of a
certain kind of influence that we might exert on a
certain point of space: it is the plan of our eventual
actions that is sent back to our eyes, as though bya
mirror, when we see the surfaces and edges of things.
Suppress this action, and with it consequently those
main directions which by perception are traced out for
it in the entanglement of the real, and the individuality
of the body is re-absorbed in the universal interaction
which, without doubt, is reality itself.

Now, we have considered material objects generally.


Are there not some objects privileged ? The bodies we
perceive are, so to speak, cut out of the stuff of nature
by our perception, and the scissors follow, in some way,
the marking of lines along which action might be taken.
But the body which is to perform this action, the body
which marks out upon matter the design of its eventual
actions even before they are actual, the body that has
only to point its sensory organs on the flow of the rea]
ORGANIZED BODIES 13
in order to make that flow crystallize into definite forms
and thus to create all the other bodies—in short, the
living body—is this ; a1 body aas others are ?
Doubtless it, also, consists in a portion of extension
bound up with the rest of extension, an intimate part of
the Whole, subject to the same physical and chemical
laws that govern any and every portion of matter. But,
while the subdivision of matter into separate bodies is
relative to our perception, while the building up of
closed-off systems of material points is relative to our
science, the living body has been separated and closed
off by Nature herself. It is composed of unlike parts
that complete each other. It performs diverse functions
that involve each other. It 1s an individual, and of no
other object, not even of the crystal, can this be said,
for a crystal has neither difference of parts nor diversity
of functions. No doubt, it is hard to decide, even in
the organized world, what is individual and what is not.
The difficulty is great, even in the animal kingdom ;
with plants it is almost insurmountable. This difficulty
is, moreover, due to profound causes, on which we shall
dwell later. We shall see that individuality admits of
any number of degrees, and that it is not fully realized
anywhere, even in man. But that is no reason for
thinking it is not a characteristic property of life. The
biologist who proceeds as a geometrician is too ready to
take advantage here of our inability to give a precise and
general definition of individuality. A perfect definition
applies only to a completed reality ; now, vital properties
are never entirely realized, though always on the way
to become so ; they are not so much séases as tendencies.
And a tendency achieves all that it aims at only if it is not
thwarted by another tendency. How, then, could this
occur in the domain of life, where, as we shall show, the
14 CREATIVE EVOLUTION CHAP.
interaction of antagonistic tendencies is always implied !
In particular, it may be said of individuality that, while
the tendency to individuate is everywhere present in
the organized world, it is everywhere opposed by the
tendency towards reproduction. For the individuality
to be perfect, it would be necessary that no detached
part of the organism could live separately. But then
reproduction would be impossible. For what is repro-
duction, but the building up of a new organism with a
detached fragment of the old ? Individuality therefore
harbours its enemy at home. Its very need of per-
petuating itself in time condemns it never to be complete
inspace. The biologist must take due account of both
tendencies in every instance, and it is therefore useless
to ask him for a definition of individuality that shall fit
all cases and work automatically.
But too often one reasons about the things of life
in the same way as about the conditions of crude
matter. Nowhere is the confusion so evident as in
discussions about individuality. We are shown the
stumps of a Lumbriculus, each regenerating its head
and living thenceforward as an independent individual;
a hydra whose pieces become so many fresh hydras;
a sea-urchin’s egg whose fragments develop com-
plete embryos: where then, we are asked, was the
individuality of the egg, the hydra, the worm ?—But,
because there are several individuals now, it does not
follow that there was not a single individual just
before. No doubt, when I have seen several drawers
fall from a chest, I have no longer the right to say
that the article was all of one piece. But the fact is
that there can be nothing more in the present of the
chest of drawers than there was in its past, and if it is
made up of several different pieces now, it was so from
,

I ORGANIZED BODIES 15
the date of its manufacture. Generally speaking, un-
organized bodies, which are what we have need of in
order that we may act, and on which we have modelled
our fashion of thinking, are regulated by this simple
law : the present contains nothing more than the past, and |
what is found in the effect was already in the cause. But
suppose that the distinctive feature of the organized body
is that it grows and changes without ceasing, as indeed
_ the most superficial observation testifies, there would be
nothing astonishing in the fact that it was ove in the first
instance, and afterwards many. The reproduction of uni-
cellular organisms consists in just this—the living being
divides into two halves, of which each is a complete
individual. True, in the more complex animals, nature
localises in the almost independent sexual cells the
power of producing the whole anew. But something
of this power may remain diffused in the rest of the
organism, as the facts of regeneration prove, and it is
conceivable that in certain privileged cases the faculty
may persist integrally in a latent condition and manifest
itself on the first opportunity. In truth, that I may
have the right to speak of individuality, it is not
necessary that the organism should be without the
power to divide into fragments that are able to live.
It is sufficient that it should have presented a certain
systematisation of parts before the division, and that
the same systematisation tend to be reproduced in each
separate portion afterwards. Now, that is precisely
what we observe in the organic world. We may con-
clude, then, that individuality is never perfect, and that
it is often difficult, sometimes impossible, to tell what is
an individual and what is not, but that life nevertheless
manifests a search for individuality, as if it strove to
constitute systems naturally isolated, naturally closed.
16 CREATIVE EVOLUTION CHAP,

By this is a living being distinguished from all that


our perception or our science isolates or closes artifici-
ally. It would therefore be wrong to compare it to an
object. Should we wish to find a term of comparison in
the inorganic world, it is not to a determinate material
object, but much rather to the totality of the material
universe that we ought to compare the living organism.
It is true that the comparison would not be worth
much, for a living being is observable, whilst the whole
of the universe is constructed or reconstructed by
thought. But at least our attention would thus have
been called to the essential character of organization.
Like the universe as a whole, like each conscious being
taken separately, the organism which lives is a thing
that endures. Its past, in its entirety, is prolonged into
its present, and abides there, actual and acting. How
otherwise could we understand that it passes through
distinct and well-marked phases, that it changes its age
—in short, that it has a history? If I consider my
body in particular, I find that, like my consciousness,
it matures little by little from infancy to old age; like
myself, it grows old. Indeed, maturity and old age
are, properly speaking, attributes only of my body ; it
is only metaphorically that I apply the same names to
the corresponding changes of my conscious self. Now,
if I pass from the top to the bottom of the scale of
living beings, from one of the most to one of the least
differentiated, from the multicellular organism of man to
the unicellular organism of the Infusorian, I find, even
in this simple cell, the same process of growing old. The
Infusorian is exhausted at the end of a certain number
of divisions, and though it may be possible, by modify-
ing the environment, to put off the moment when a
rejuvenation by conjugation becomes necessary, this
I INDIVIDUALITY AND AGE 17
cannot be indefinitely postponed.’ It is true that
between these two extreme cases, in which the organism
is completely individualised, there might be found a
multitude of others in which the individuality is less
well marked, and in which, although there is doubtless
an ageing somewhere, one cannot say exactly what it is
that grows old. Once more, there is no universal bio-
logical law which applies precisely and automatically to
every living thing. There are only directions in which
life throws out species in general. Each particular
species, in the very act by which it is constituted,
affirms its independence, follows its caprice, deviates
more or less from the straight line, sometimes even
remounts the slope and seems to turn its back on its
original direction. It is easy enough to argue that a
tree never grows old, since the tips of its branches
are always equally young, always equally capable of
engendering new trees by budding. But in such an
organism—which is, after all, a society rather than an
individual—something ages, if only the leaves and the
interior of the trunk. And each cell, considered separ-
ately, evolves in a specific way. Wherever anything
lives, there is, open somewhere, a register in which time
is being inscribed.
This, it will be said, is only a metaphor.—It is of
the very essence of mechanism, in fact, to consider as
metaphorical every expression which attributes to time
an effective action and a reality of its own. In vain
does immediate experience show us that the very basis
of our conscious existence is memory, that is to Say, the
prolongation of the past into the present, or, in a word,
duration, acting and irreversible. In vain does reason
1 Calkins, “Studies on the Life History of Protozoa” (Archiv f
Entewicklungsmechanik, vol. xv.. 1903, pp. 139-186).
Cc
18 CREATIVE EVOLUTION CHAP.
prove to us that the more we get away from the objects
cut out and the systems isolated by common sense
and by science and the deeper we dig beneath them,
the more we have to do with a reality which changes as
a whole in its inmost states, as if an accumulative
memory of the past made it impossible to go back
again. ‘The mechanistic instinct of the mind is stronger
than reason, stronger than immediate experience. The
metaphysician that we each carry unconsciously within
us, and the presence of which is explained, as we shall
see later on, by the very place that man occupies
amongst the living beings, has its fixed requirements,
its ready-made explanations, its irreducible propositions:
all unite in denying concrete duration. Change must be
reducible to an arrangement or rearrangement of parts ;
the irreversibility of time must be an appearance relative
to our ignorance; the impossibility of turning back
must be only the inability of man to put things in place
again. So growing old can be nothing more than the
gradual gain or loss of certain substances, perhaps both
together. Time is assumed to have just as much
reality for a living being as for an hour-glass, in which
the top part empties while the lower fills, and all goes
where it was before when you turn the glass upside
down.
True, biologists are not agreed on what is gained
and what is lost between the day of birth and the day
of death. There are those who hold to the continual
growth in the volume of protoplasm from the birth of
the cell right on to its death.1_ More probable and more
profound is the theory according to which the diminution
1 Sedgwick Minot, “On Certain Phenomena of Growing Old” (Proc.
Amer. Assoc. for the Advancement of Science, 39th Meeting, Salem, 1891,
pp. 271-288).
t INDIVIDUALITY AND AGE a? ae

bears on the quantity of nutritive substance contained


in that “inner environment” in which the organism is
being renewed, and the increase in the quantity of un-
excreted residual substances which, accumulating in the
body, finally “crust it over.”* Must we, however—with
an eminent bacteriologist—declare any explanation of
growing old insufficient that does not take account of
phagocytosis ?* We do not feel qualified to settle the
question. But the fact that the two theories agree in
affirming the constant accumulation or loss of a certain
kind of matter, even though they have little in common
as to what is gained and lost, shows pretty well that
the frame of the explanation has been furnished a priori.
We shall see this more and more as we proceed with
our study: it is not easy, in thinking of time, to escape
the image of the hour-glass.
The cause of growing old must lie deeper. We
hold that there is unbroken continuity between the
evolution of the embryo and that of the complete
organism. ‘The impetus which causes a living being
to grow larger, to develop and to age, is the same
that has caused it to pass through the phases of
the embryonic life. The development of the embryo
is a perpetual change of form. Any one who attempts
to note all its successive aspects becomes lost in an
infinity, as is inevitable in dealing with a continuum.
Life does but prolong this prenatal evolution. The
proof of this is that it is often impossible for us to say
whether we are dealing with an organism growing old
or with an embryo continuing to evolve ; such is the
1 Le Dantec, L’Individualité et Terreur individualiste, Paris, 1905,
pp. 34 ff.
2 Metchnikoff, “La Dégénérescence sénile” (Année biologique, ili., 1897,
pp. 249 ff.). Cf. by the same author, La Nature humaine, Paris, 1902,
pp: 312 ff.
zo CREATIVE EVOLUTION CHAP.

case, for example, with the larvae of insects and crustacea.


On the other hand, in an organism such as our own,
crises like puberty or the menopause, in which the in-
dividual is completely transformed, are quite comparable
to changes in the course of larval or embryonic life—yet
they are part and parcel of the process of our ageing.
Although they occur at a definite age and within a
time that may be quite short, no one would maintain
that they appear then ex abrupto, from without, simply
because a certain age is reached, just as a legal right
is granted to us on our one-and-twentieth birthday. It
is evident that a change like that of puberty is in
course of preparation at every instant from birth, and
even before birth, and that the ageing up to that crisis
consists, in part at least, of this gradual preparation.
In short, what is properly vital in growing old is the
insensible, infinitely graduated, continuance of the
change of form. Now, this change is undoubtedly
accompanied by phenomena of organic destruction : to
these, and to these alone, will a mechanistic explanation
of ageing be confined. It will note the facts of sclerosis,
the gradual accumulation of residual substances, the
growing hypertrophy of the protoplasm of the cell.
But under these visible effects an inner cause lies
hidden. The evolution of the living being, like that
of the embryo, implies a continual recording of dura-
tion, a persistence of the past in the present, and so an
appearance, at least, of organic memory.
The present state of an unorganized body depends ex-
clusively on what happened at the previous instant ; and
likewise the position of the material points of a system
defined and isolated by science is determined by the
position of these same points at the moment immedi-
ately before. In other words, the laws that govern
: INDIVIDUALITY AND AGE 21
unorganized matter are expressible, in principle, by
differential equations in which time (in the sense in
which the mathematician takes this word) would play
the rdle of independent variable. Is it so with the
laws of life? Does the state of a living body find its
complete explanation in the state immediately before?
Yes, if it is agreed @ priori to liken the living body to
other bodies, and to identify it, for the sake of the
argument, with the artificial systems on which the
chemist, physicist, and astronomer operate. But in
astronomy, physics, and chemistry the proposition has
a perfectly definite meaning: it signifies that certain
aspects of the present, important for science, are
calculable as functions of the immediate past. Nothing
of the sort in the domain of life. Here calculation
touches, at most, certain phenomena of organic
destruction. Organic creation, on the contrary, the
evolutionary phenomena which properly constitute life,
we cannot in any way subject to a mathematical treat-
ment. It will be said that this impotence is due only
to our ignorance. But it may equally well express
the fact that the present moment of a living body does
not find its explanation in the moment immediately
before, that a// the past of the organism must be
added to that moment, its heredity—in fact, the whole
of a very long history. In the second of these two
hypotheses, not in the first, is really expressed the
present state of the biological sciences, as well as their
direction. As for the idea that the living body might
be treated by some superhuman calculator in the
same mathematical way as our solar system, this has
gradually arisen from a metaphysic which has taken a
more precise form since the physical discoveries of
Galileo, but which, as we shall show, was always the
20 CREATIVE EVOLUTION CHAP.

natural metaphysic of the human mind. Its apparent


clearness, our impatient desire to find it true, the
enthusiasm with which so many excellent minds accept
it without proof—all the seductions, in short, that it
exercises on our thought, should put us on our guard
against it. The attraction it has for us proves well
enough that it gives satisfaction to an innate inclination.
But, as will be seen further on, the intellectual tendencies
innate to-day, which life must have created in the course
of its evolution, are not at all meant to supply us with
an explanation of life: they have something else to do.
Any attempt to distinguish between an artificial
and a natural system, between the dead and the living,
runs counter to this tendency at once. Thus it happens
that we find it equally difficult to imagine that the
organized has duration and that the unorganized has
not. When we say that the state of an artificial system
depends exclusively on its state at the moment before,
does it not seem as if we were bringing time in, as if
the system had something to do with real duration?
And, on the other hand, though the whole of the past
goes into the making of the living being’s present
moment, does not organic memory press it into the
moment immediately before the present, so that the
moment immediately before becomes the sole cause of
the present one f—To speak thus is to ignore the
cardinal difference between concrete time, along which
a real system develops, and that adstract time which
enters into our speculations on artificial systems.
What does it mean, to say that the state of an artificial
system depends on what it was at the moment immedi-
ately before? There is no instant immediately before
another instant ; there could not be, any more than
there could be one mathematical point touching another.
c.. INDIVIDUALITY AND AGE 23
The instant “immediately before”’ is, in reality, that
which is connected with the present instant by the
interval dt. All that you mean to say, therefore, is
that the present state of the system is defined by
equations into which differential coefficients enter,
such as ds/dt, du/dt, that is to say, at bottom, present
velocities and present accelerations. You are therefore
really speaking only of the present—a present, it is true,
considered along with its zendency. ‘The systems science
works with are, in fact, in an instantaneous present that
is always being renewed ; such systems are never in that
real, concrete duration in which the past remains bound
up with the present. When the mathematician calculates
the future state of a system at the end of a time 4, there
is nothing to prevent him from supposing that the uni-
verse vanishes from this moment till that, and suddenly
reappears. It is the +th moment only that counts—
and that will be a mere instant. What will flow on in
the interval—that is to say, real time—does not count,
and cannot enter into the calculation. If the mathe-
matician says that he puts himself inside this interval,
he means that he is placing himself at a certain point,
at a particular moment, therefore at the extremity
again of a certain time ¢’; with the interval up to 7’
he is not concerned. If he divides the interval into
infinitely small parts by considering the differential dz,
he thereby expresses merely the fact that he will
consider accelerations and velocities—that is to say,
numbers which denote tendencies and enable him to
calculate the state of the system at a given moment.
But he is always speaking of a given moment—a static
moment, that is—and not of flowing time. In short,
the world the mathematician deals with 1s a world that
dies and is reborn at every instant,—the world which
24 CREATIVE EVOLUTION CHAP,

Descartes was thinking ofwhen he spoke of continued creation.


But, in time thus conceived, how could evolution,
which is the very essence of life, ever take place?
Evolution implies a real persistence of the past in the
present, a duration which is, as it were, a hyphen, a
connecting link. In other words, to know a living
being or watural system is to get at the very interval
of duration, while the knowledge of an artificial or
mathematical system applies only to the extremity.
Continuity of change, preservation of the past in
the present, real duration—the living being seems,
then, to share these attributes with consciousness.
Can we go further and say that life, like conscious
activity, is invention, is unceasing creation ?

It does not enter into our plan to set down here


the proofs of transformism. We wish only to
explain in a word or two why we shall accept it, in
the present work, as a sufficiently exact and precise
expression of the facts actually known. The idea of
transformism is already in germ in the natural classi-
fication of organized beings. The naturalist, in fact,
brings together the organisms that are like each other,
then divides the group into sub-groups within which
the likeness is still greater, and so on: all through the
operation, the characters of the group appear as general
themes on which each of the sub-groups performs its
particular variation. Now, such is just the relation
we find, in the animal and in the vegetable world,
between the generator and the generated: on the
canvas which the ancestor passes on, and which his
descendants possess in common, each puts his own
original embroidery. True, the differences between
the descendant and the ancestor are slight, and it may
: TRANSFORMISM 25
be asked whether the same living matter presents
enough plasticity to take in turn such different forms
as those of a fish, a reptile and a bird. But, to this
question, observation gives a peremptory answer. It
shows that up to a certain period in its development the
embryo of the bird is hardly distinguishable from that of
the reptile, and that the individual develops, throughout
the embryonic life in general, a series of transforma-
tions comparable to those through which, according
to the theory of evolution, one species passes into
another. AQ single cell, the result of the combination
of two cells, male and female, accomplishes this work
by dividing. Every day, before our eyes, the highest
forms of life are springing from a very elementary form.
Experience, then, shows that the most complex has been
able to issue from the most simple by way of evolu-
tion. Now, has it arisen so, as a matter of fact? Pale-
ontology, in spite of the insufficiency of its evidence,
invites us to believe it has ; for, where it makes out the
order of succession of species with any precision, this
order is just what considerations drawn from embryo-
geny and comparative anatomy would lead any one
to suppose, and each new paleontological discovery
brings transformism a new confirmation. Thus, the
proof drawn from mere observation is ever being
strengthened, while, on the other hand, experiment
is removing the objections one by one. The recent
experiments of H. de Vries, for instance, by showing
that important variations can be produced suddenly
and transmitted regularly, have overthrown some of
the greatest difficulties raised by the theory. They
have enabled us greatly to shorten the time biological
evolution seems to demand. They also render us
less exacting toward paleontology. So that, all things
26 CREATIVE EVOLUTION CHAP.
considered, the transformist hypothesis looks more and
more like a close approximation to the truth. It is
not rigorously demonstrable ; but, failing the certainty
of theoretical or experimental demonstration, there is a
probability which is continually growing, due to evidence
which, while coming short of direct proof, seems to
point persistently in its direction: such is the kind of
probability that the theory of transformism offers.
Let us admit, however, that transformism may be
wrong. Let us suppose that species are proved, by
inference or by experiment, to have arisen by a dis-
continuous process, of which to-day we have no idea.
Would the doctrine be affected in so far as it has a
special interest or importance for us? Classification
would probably remain, in its broad lines. The actual
data of embryology would also remain. The correspond-
ence between comparative embryogeny and comparative
anatomy would remain too. Therefore biology could
and would continue to establish between living forms
the same relations and the same kinship as transformism
supposes to-day. It would be, it is true, an ideal
kinship, and no longer a material affiliation. But, as
the actual data of paleontology would also remain, we
should still have to admit that it is successively, not
simultaneously, that the forms between which we find
an ideal kinship have appeared. Now, the evolutionist
theory, so far as it has any importance for philosophy,
requires no more. It consists above all in establishing
relations of ideal kinship, and in maintaining that wher-
ever there is this relation of, so to speak, /ogica/ afhliation
between forms, there is also a relation of chronological
succession between the species in which these forms
are materialized. Both arguments would hold in any
case. And hence, an evolution somewhere would still
: TRANSFORMISM 27
have to be supposed, whether in a creative Thought in
which the ideas of the different species are generated
by each other exactly as transformism holds that
species themselves are generated on the earth; or in a
plan of vital organization immanent in nature, which
gradually works itself out, in which the relations of
logical and chronological affiliation between pure
forms are just those which transformism presents as
relations of real affiliation between living individuals;
or, finally, in some unknown cause of life, which
develops its effects as if they generated one another.
Evolution would then simply have been transposed,
made to pass from the visible to the invisible.
Almost all that transformism tells us to-day would
be preserved, open to interpretation in another way.
Will it not, therefore, be better to stick to the letter of
transformism as almost all scientists profess it? Apart
from the question to what extent the theory of evolution
describes the facts and to what extent it symbolizes
them, there is nothing in it that is irreconcilable with
the doctrines it has claimed to replace, even with that
of special creations, to which it is usually opposed.
For this reason we think the language of transformism
forces itself now upon all philosophy, as the dogmatic
affirmation of transformism forces itself upon science.
But then, we must no longer speak of /ife in general
as an abstraction, or as a mere heading under which all
living beings are inscribed. At a certain moment, in
certain points of space, a visible current has taken rise ;
this current of life, traversing the bodies it has organized
one after another, passing from generation to generation,
has become divided amongst species and distributed
amongst individuals without losing anything of its
force, rather intensifying in proportion to its advance.
28 CREATIVE EVOLUTION CHAP,

It is well known that, on the theory of the “ continuity


of the germ-plasm,” maintained by Weismann, the
sexual elements of the generating organism pass on
their properties directly to the sexual elements of the
organism engendered. In this extreme form, the
theory has seemed debatable, for it is only in exceptional
cases that there are any signs of sexual glands at the
time of segmentation of the fertilized egg. But,
though the cells that engender the sexual elements do
not generally appear at the beginning of the embryonic
life, it is none the less true that they are always formed
out of those tissues of the embryo which have not
undergone any particular functional differentiation, and
whose cells are made of unmodified protoplasm.’ In
other words, the genetic power of the fertilized ovum
weakens, the more it 1s spread over the growing mass
of the tissues of the embryo; but, while it is being
thus diluted, it is concentrating anew something of
itself on a certain special point, to wit, the cells from
which the ova or spermatozoa will develop. It might
therefore be said that, though the germ-plasm is not
continuous, there is at least continuity of genetic
energy, this energy being expended only at certain
instants, for just enough time to give the requisite
impulsion to the embryonic life, and being recouped as
soon as possible in new sexual elements, in which,
again, it bides its time. Regarded from this point of
view, life is like a current passing from germ to germ
through the medium of a developed organism. It is as if
the organism itself were only an excrescence, a bud
caused to sprout by the former germ endeavouring to
continue itself in a new germ. The essential thing is
the continuous progress indefinitely pursued, an invisible
1 Roule, L’ Embryologie générale, Paris, 1893, p. 319.
: BIOLOGY, PHYSICS AND CHEMISTRY 29
progress, on which each visible organism rides during
the short interval of time given it to live.
Now, the more we fix our attention on this con-
tinuity of life, the more we see that organic evolution
resembles the evolution of a consciousness, in which
-the past presses against the present and causes the
,upspringing of a new form of consciousness, incom-
\mensurable with its antecedents. That the appearance
of a vegetable or animal species is due to specific causes,
nobody will gainsay. But this can only mean that if,
after the fact, we could know these causes in detail, we
could explain by them the form that has been pro-
duced ; foreseeing the form is out of the question.’ It
may perhaps be said that the form could be foreseen if
we could know, in all their details, the conditions under
which it will be produced. But these conditions are
built up into it and are part and parcel of its being ;
they are peculiar to that phase of its history in which
life finds itself at the moment of producing the form :
how could we know beforehand a situation that is
unique of its kind, that has never yet occurred and
will never occur again? Of the future, only that is
foreseen which is like the past or can be made up
again with elements like those of the past. Such is
the case with astronomical, physical and chemical facts,
with all facts which form part of a system in which
elements supposed to be unchanging are merely put
together, in which the only changes are changes of
position, in which there is no theoretical absurdity
in imagining that things are restored to their place;
in which, consequently, the same total phenomenon,
1 The irreversibility of the series of living beings has been well set forth
by Baldwin (Development and Evolution, New York, 1902; in particular
Pp: 327)-
30 CREATIVE EVOLUTION CHAP,

or at least the same elementary phenomena, can be


repeated. But an original situation, which imparts
something of its own originality to its elements, that is
to say, to the partial views that are taken of it, how
can such a situation be pictured as given before it is
actually produced ?? All that can be said is that, once
produced, it will be explained by the elements that
analysis will then carve out of it. Now, what is true of
the production of a new species is also true of the pro-
duction of a new individual, and, more generally, of any
moment of any living form. For, though the variation
must reach a certain importance and a certain generality
in order to give rise to a new species, it is being produced
every moment, continuously and insensibly, in every
living being. And it is evident that even the sudden
‘mutations "’ which we now hear of are possible only if
a process of incubation, or rather of maturing, is going
on throughout a series of generations that do not seem
to change. In this sense it might be said of life, as
of consciousness, that at every moment it is creating
something.”
But against this idea of the absolute originalityand un-
foreseeability of forms our whole intellect rises in revolt.
1 We have dwelt on this point and tried to make it clear in the Essai
sur les données tmmédtates de la conscience, pp. 140-151.
2 In his fine work on Genius in Art (Le Génie dans Tart), M. Séailles
develops this twofold thesis, that art is a continuation of nature and that
life is creation. We should willingly accept the second formula ; but by
creation must we understand, as the author does, a synthesis of elements ?
Where the elements pre-exist, the synthesis that will be made is virtually
given, being only one of the possible arrangements. This arrangement a
superhuman intellect could have perceived in advance among all the
possible ones that surround it. We hold, on the contrary, that in the
domain of life the elements have no real and separate existence. They are
manifold mental views of an indivisible process. And for that reason there
is radical contingency in progress, incommensurability between what goes
before and what follows—in short, duration.
: BIOLOGY, PHYSICS AND CHEMISTRY 31:
The essential function of our intellect, as the evolution
of life has fashioned it, is to be a light for our conduct,
to make ready for our action on things, to foresee, for
a given situation, the events, favourable or unfavourable,
which may follow thereupon. Intellect therefore in-
stinctively selects in a given situation whatever is like
something already known; it seeks this out, in order
that it may apply its principle that ‘like produces like.”
In just this does the prevision of the future by
common sense consist. Science carries this faculty to
the highest possible degree of exactitude and preci-
sion, but does not alter its essential character. Like
ordinary knowledge, in dealing with things science is
concerned only with the aspect of repetition. Though
the whole be original, science will always manage to
analyse it into elements or aspects which are approxi-
mately a reproduction of the past. Science can work
only on what is supposed to repeat itself—that is to say,
on what is withdrawn, by hypothesis, from the action
of real time. Anything that is irreducible and irrever-
sible in the successive moments of a history eludes
science. To get a notion of this irreducibility and
irreversibility, we must break with scientific habits
which are adapted to the fundamental requirements of
thought, we must do violence to the mind, go counter
to the natural bent of the intellect. But that is just
the function of philosophy.
In vain, therefore, does life evolve before our eyes
as a continuous creation of unforeseeable form: the
idea always persists that form, unforeseeability and con-
tinuity are mere appearance,—the outward reflection of
our own ignorance. What is presented to the senses as
a continuous history would break up, we are told, into
a series of successive states. ‘ What gives you the
32 CREATIVE EVOLUTION CHAP,
impression of an original state resolves, upon analysis,
into elementary facts, each of which is the repetition
of a fact already known. What you call an unfore-
seeable form is only a new arrangement of old ele-
ments. The elementary causes, which in their totality
have determined this arrangement, are themselves old
causes repeated in a new order. Knowledge of the
elements and of the elementary causes would have
made it possible to foretell the living form which is
their sum and their resultant. When we have
resolved the biological aspect of phenomena into
physico-chemical factors, we will leap, if necessary, over
physics and chemistry themselves ; we will go from
masses to molecules, from molecules to atoms, from
atoms to corpuscles: we must indeed at last come to
something that can be treated as a kind of solar
system, astronomically. If you deny it, you oppose
the very principle of scientific mechanism, and you
arbitrarily affirm that living matter is not made of the
same elements as other matter.’”"—We reply that we
do not question the fundamental identity of inert
matter and organized matter. The only question is
whether the natural systems which we call living
beings must be assimilated to the artificial systems that
science cuts out within inert matter, or whether they
must not rather be compared to that natural system
which is the whole of the universe. That life is a kind
of mechanism I cordially agree. But is it the mechanism
of parts artificially isolated within the whole of the
universe, or is it the mechanism of the real whole?
The real whole might well be, we conceive, an in-
divisible continuity. The systems we cut out within it
would, properly speaking, not then be parts at all;
they would be partial views of the whole. And, with
; BIOLOGY.-PRIsICo AND CHEMISTRY: 33

these partial views put end to end, you will not make
even a beginning of the reconstruction of the whole,
any more than, by multiplying photographs of an object
in a thousand different aspects, you will reproduce the
object itself. So of life and of the physico-chemical
phenomena to which you endeavour to reduce it.
Analysis will undoubtedly resolve the process of organic
creation into an ever-growing number of physico-
chemical phenomena, and chemists and physicists will
have to do, of course, with nothing but these. But
it does not follow that chemistry and physics will ever
give us the key to life.
A very small element of a curve is very near being
a straight line. And the smaller it is, the nearer. In
the limit, it may be termed a part of the curve or a
part of the straight line, as you please, for in each
of its points a curve coincides with its tangent. So
likewise “ vitality’ is tangent, at any and every point,
to physical and chemical forces ; but such points are,
as a fact, only views taken by a mind which imagines
stops at various moments of the movement that
generates the curve. In reality, life is no more made
of physico-chemical elements than a curve is composed
of straight lines.
In a general way, the most radical progress a science
can achieve is the working of the completed results into
a new scheme of the whole, by relation to which they
become instantaneous and motionless views taken at in-
tervals along the continuity of a movement. Such, for
example, is the relation of modern to ancient geometry.
The latter, purely static, worked with figures drawn
once for all; the former studies the varying of a
function—that is, the continuous movement by which
the figure is described. No doubt, for greater strict-
D
34 CREATIVE EVOLUTION CHAP,
ness, all considerations of motion may be eliminated
from mathematical processes ; but the introduction of
motion into the genesis of figures is nevertheless the
origin of modern mathematics. We believe that it
biology could ever get as close to its object as mathe-
matics does to its own, it would become, to the physics
and chemistry of organized bodies, what the mathematics
of the moderns has proved to be in relation to ancient
geometry. The wholly superficial displacements of
masses and molecules studied in physics and chemistry
would become, by relation to that inner vital move-
ment (which is transformation and not translation) what
the position of a moving object is to the movement
of that object in space. And, so far as we can see, the
procedure by which we should then pass from the
definition of a certain vital action to the system of
physico-chemical facts which it implies would be like
passing from the function to its derivative, from the
equation of the curve (i.e. the law of the continuous
movement by which the curve is generated) to the
equation of the tangent giving its instantaneous
direction. Such a science would be a mechanics of
transformation, of which our mechanics of translation
would become a particular case, a simplification, a pro-
jection on the plane of pure quantity. And just as an
infinity of functions have the same differential, these
functions differing from each other by a constant, so
perhaps the integration of the physico-chemical elements
of properly vital action might determine that action only
in part—a part would be left to indetermination. But
such an integration can be no more than dreamed of ;
we do not pretend that the dream will ever be realised.
We are only trying, by carrying a certain comparison as
far as possible, to show up to what point our theory
1 BIOLOGY, PHYSICS AND CHEMISTRY 35
goes along with pure mechanism, and where they part
company.
Imitation of the living by the unorganized may,
however, go a good way. Not only does chemistry
make organic syntheses, but we have succeeded in
reproducing artificially the external appearance of certain
facts of organization, such as indirect cell-division and
protoplasmic circulation. It is well known that the
protoplasm of the cell effects various movements within
its envelope ; on the other hand, indirect cell-division
is the outcome of very complex operations, some in-
volving the nucleus and others the cytoplasm. These
latter commence by the doubling of the centrosome, a
small spherical body alongside the nucleus. The two
centrosomes thus obtained draw apart, attract the broken
and doubled ends of the filament of which the original
nucleus mainly consisted, and join them to form two
fresh nuclei about which the two new cells are con-
structed which will succeed the first. Now, in their
broad lines and in their external appearance, some at least
of these operations have been successfully imitated. If
some sugar or table salt is pulverized and some very old
oil is added, and a drop of the mixture is observed under
the microscope, a froth of alveolar structure is seen
whose configuration is like that of protoplasm, according
to certain theories, and in which movements take
place which are decidedly like those of protoplasmic
circulation.’ If, in a froth of the same kind, the air is
extracted from an alveolus, a cone of attraction is seen
to form, like those about the centrosomes which result
in the division of the nucleus.? Even the external
1 Batschli, Untersuchungen iiber mikroskopische Schaume und das Proto
plasma, Leipzig, 1892, First Part.
2 Rhumbler, “Versuch einer mechanischen Erklaérung der indirekten
Zell- und Kernteilung” (Rouwx’s Archiv, 1896).
36 CREATIVE EVOLUTION CHAP.
motions of a unicellular organism—of an amoeba, at any
rate—are sometimes explained mechanically. The dis-
placements of an amoeba in a drop of water would be
comparable to the motion to and fro of a grain of dust
in a draughty room. Its mass is all the time absorbing
certain soluble matters contained in the surrounding
water, and giving back to it certain others; these
continual exchanges, like those between two vessels
separated by a porous partition, would create an ever-
changing vortex around the little organism. As for
the temporary prolongations or pseudopodia which the
amoeba seems to make, they would be not so much
given out by it as attracted from it by a kind of
inhalation or suction of the surrounding medium.’
In the same way we may perhaps come to explain the
more complex movements which the Infusorian makes
with its vibratory cilia, which, moreover, are probably
only fixed pseudopodia.
But scientists are far from agreed on the value of
explanations and schemas of this sort. Chemists have
pointed out that even in the organic—not to go
so far as the organized—science has reconstructed
hitherto nothing but waste products of vital activity;
the peculiarly active plastic substances obstinately defy
synthesis. One of the most notable naturalists of our
time has insisted on the opposition of two orders of
phenomena observed in living tissues, anagenesis and
katagenesis. The rdle of the anagenetic energies is to
raise the inferior energies to their own level by
assimilating inorganic substances. They construct the
tissues. On the other hand, the actual functioning of

1 Berthold, Studien iber Protoplasmamechanik, Leipzig, 1886, p. 102. Cf.


the explanation proposed by Le Dantec, Théorie nouvelle de la vie, Paris,
1896, p. 60.
tr BIOLOGY, PHYSICS AND: CHEMISTRY: 37

life (excepting, of course, assimilation, growth, and


reproduction) is of the katagenetic order, exhibiting
the fall, not the rise, of energy. It is only with these
facts of katagenetic order that physico-chemistry deals—
that is, in short, with the dead and not with the living.
The other kind of facts certainly seem to defy
physico-chemical analysis, even if they are not anagenetic
in the proper sense of the word. As for the artificial
imitation of the outward appearance of protoplasm,
should a real theoretic importance be attached to this
when the question of the physical framework of
protoplasm is not yet settled? We are still further
from compounding protoplasm chemically. Finally, a
physico-chemical explanation of the motions of the
amoeba, and a fortiori of the behaviour of the In-
fusoria, seems impossible to many of those whc
have closely observed these rudimentary organisms.
Even in these humblest manifestations of life they
discover traces of an effective psychological activity.’
But instructive above all is the fact that the tendency
to explain everything by physics and chemistry 1s
discouraged rather than strengthened by deep study of
histological phenomena. Such is the conclusion of the
truly admirable book which the histologist E. B.
Wilson has devoted to the development of the cell:
“The study of the cell has, on the whole, seemed to
1 Cope, The Primary Factors of Organic Evolution, Chicago, 1896, pp.
475-484. ‘
2 Maupas, “Etude des infusoires ciliés” (Arch. de xoologie expérimentale,
1883, pp. 47, 491, 518, 549, in particular). P. Vignon, Recherches de
cytologie générale sur les épithéliums, Paris, 1902, p. 655. A profound study
of the motions of the Infusoria and a very penetrating criticism of the
idea of tropism have been made recently by Jennings (Contributions to the
Study of the Behaviour of Lower Organisms, Washington, 1904). ‘The
“type of behaviour” of these lower organisms, as Jennings defines it
(pp. 237-252), is unquestionably of the psychological order.
38 CREATIVE EVOLUTION ro
widen rather than to narrow the enormous gap that
separates even the lowest forms of life from the
inorganic world.” *
To sum up, those who are concerned only with the
functional activity of the living being are inclined to
believe that physics and chemistry will give us the key
to biological processes.” They have chiefly to do, as a
fact, with phenomena that are repeated continually in
the living being, as in a chemical retort. This explains,
in some measure, the mechanistic tendencies of phy-
siology. On the contrary, those whose attention is
concentrated on the minute structure of living tissues,
on their genesis and evolution, histologists and em-
bryogenists on the one hand, naturalists on the other,
are interested in the retort itself, not merely in its
contents. They find that this retort creates its own
form through a wnique series of acts that really con-
stitute a history. Thus, histologists, embryogenists,
and naturalists believe far less readily than physiologists
in the physico-chemical character of vital actions.
The fact is, neither one nor the other of these two
theories, neither that which affirms nor that which
denies the possibility of chemically producing an
elementary organism, can claim the authority of experi-
ment. They are both unverifiable, the former because
science has not yet advanced a step toward the chemical
synthesis of a living substance, the second because
there is no conceivable way of proving experimentally
the impossibility of a fact. But we have set forth the
theoretical reasons which prevent us from likening the
living being, a system closed off by nature, to the
1 E. B. Wilson, The Cell in Development and Inheritance, New York,
1897, p. 330. ;
2 Dastre, La Vie et la mort, p. 43.
RADICAL MECHANISM 39
systems which our science isolates. These reasons
have less force, we acknowledge, in the case of a
rudimentary organism like the amoeba, which hardly
evolves at all. But they acquire more when we
consider a complex organism which goes through a
regular cycle of transformations. The more duration
marks the living being with its imprint, the more
obviously the organism differs from a mere mechanism,
over which duration glides without penetrating. And
the demonstration has most force when it applies to
the evolution of life as a whole, from its humblest
origins to its highest forms, inasmuch as this evolution
constitutes, through the unity and continuity of the
animated matter which supports it, a single indivisible
history. Thus viewed, the evolutionist hypothesis
does not seem so closely akin to the mechanistic
conception of life as it is generally supposed to be.
Of this mechanistic conception we do not claim, of
course, to furnish a mathematical and final refutation.
But the refutation which we draw from the consideration |
of real time, and which is, in our opinion, the only |
refutation possible, becomes the more rigorous and
cogent the more frankly the evolutionist hypothesis is
assumed. We must dwell a good deal more on this
point. But let us first show more clearly the notion of
life to which we are leading up.
The mechanistic explanations, we said, hold good
for the systems that our thought artificially detaches
from the whole. But of the whole itself and of the
systems which, within this whole, seem to take
after it, we cannot admit a priori that they are
mechanically explicable, for then time would be use-
less, and even unreal. The essence of mechanical
explanation, in fact, is to regard the future and the
ex:
40 CREATIVE EVOLUTION CHAP.
__past.as calculable functions of the present, and thus to
claim that a@// is given. On this hypothesis, past,
present and future would be open at a glance to a
superhuman intellect capable of making the calculation.
Indeed, the scientists who have believed in the
universality and perfect objectivity of mechanical
explanations have, consciously or unconsciously, acted
on a hypothesis of this kind. Laplace formulated it
with the greatest precision: “ An intellect which at a
given instant knew all the forces with which nature is
animated, and the respective situations of the beings
that compose nature—supposing the said intellect were
vast enough to subject these data to analysis—would
embrace in the same formula the motions of the
greatest bodies in the universe and those of the
slightest atom : nothing would be uncertain for it, and
the future, like the past, would be present to its eyes.” }
And Du Bois-Reymond: “We can imagine the
knowledge of nature arrived at a point where the
universal process of the world might be represented by
a single mathematical formula, by one immense system
of simultaneous differential equations, from which
could be deduced, for each moment, the position,
direction,and velocity of every atom of the world.” ?
Huxley has expressed the same idea in a more con-
crete form: “If the fundamental proposition of
evolution is true, that the entire world, living and not
living, is the result of the mutual interaction, according
to definite laws, of the forces possessed by the molecules
of which the primitive nebulosity of the universe was
composed, it is no less certain that the existing world
1 Laplace, “Introduction a la théorie analytique des probabilités’
(Euvres completes, vol. vii., Paris, 1886, p. vi.).
2 Du Bois-Reymond, Uber die Grenzen des Naturerkennens, Leipzig,
1892.
: RADICAL FINALISM 41
lay, potentially, in the cosmic vapour, and that a
sufficient intellect could, from a knowledge of the
properties of the molecules of that vapour, have
predicted, say the state of the Fauna of Great Britain
in 1869, with as much certainty as one can say what
will happen to the vapour of the breath on a cold
winter’s day.” In such a doctrine, time is still spoken
of : one pronounces the word, but one does not think
of the thing. For time is here deprived of efficacy, and
if it does nothing, it zs nothing. Radical mechanism
implies a metaphysicinwhich the totality of therreal
is postulated complete in eternity, andin which the
apparent duration of things expresses merely the
infirmity of a mind that cannot know everything at
once. But duration is something very different from
this for our consciousness, that is to say, for that which
is most indisputable in our experience. We perceive
duration as a stream against which we cannot go. It
is the foundation of our being, and, as we feel, the
very substance of the world in which we live. It is of
no use to hold up before our eyes the dazzling pros-
pect of a universal mathematic; we cannot sacrifice
experience to the requirements of a system. That is
why we reject radical mechanism.

But radical finalism is quite as unacceptable, and for


the same reason. The doctrine of teleology, in its
extreme form, as we find it in Leibniz for example, im-
plies that things and beings merely realize a programme ©
previously arranged. But if there is nothing unfore-
seen, no invention or creation in the universe, time is
useless again. Asin the mechanistic hypothesis, here <,.
again it is supposed that all is given. Finalism thus ~“*._
understood is only inverted mechanism. It springs
42 CREATIVE EVOLUTION CHAP.
from the same postulate, with this sole difference, that
in the movement of our finite intellects along succes-
sive things, whose successiveness is reduced to a mere
appearance, it holds in front of us the light with which
it claims to guide us, instead of putting it behind.
It substitutes the attraction of the future for the
impulsion of the past. But succession remains none
the less a mere appearance, as indeed does movement
itself. In the doctrine of Leibniz, time is reduced to
a confused perception, relative to the human stand-
point, a perception which would vanish, like a rising
mist, for a mind seated at the centre of things.
Yet finalism is not, like mechanism, a doctrine with
fixed rigid outlines. It admits of as many inflections
as we like. The mechanistic philosophy is to be
taken or left : it must be left if the least grain of dust,
by straying from the path foreseen by mechanics, should
show the slightest trace of spontaneity. The doctrine
of final causes, on the contrary, will never be defini-
tively refuted. If one form of it be put aside, it will
take another. Its principle, which is essentially psy-
chological, is very flexible. It is so extensible, and
thereby so comprehensive, that one accepts something
of it as soon as one rejects pure mechanism. The
ama we shall put forward in this book will therefore
necessarily partake of finalism to a certain extent. For
that reason it is important to intimate exactly what
we are going to take of it, and what we mean to leave.
Let us say at once that to thin out the Leibnizian
finalism by breaking it into an infinite number of
pieces seems to us a step in the wrong direction.
This is, however, the tendency of the doctrine of
finality. It fully realizes that if the universe as a whole
is the carrying out of a plan, this cannot be demon-
1 RADICAL FINALISM 43
strated empirically, and that even of the organized
world alone it is hardly easier to prove all harmonious :
facts would equally well testify to the contrary. Nature
sets living beings at discord with one another. She
everywhere presents disorder alongside of order, retro-
gression alongside of progress. But, though finality
cannot be affirmed either of the whole of matter or
of the whole of life, might it not yet be true, says the
finalist, of each organism taken separately? Is there
not a wonderful division of labour, a marvellous soli-
darity among the parts of an organism, perfect order in
infinite complexity ? Does not each living being thus
realize a plan immanent in its substance ?—This theory
consists, at bottom, in breaking up the original notion
of finality into bits. It does not accept, indeed it
ridicules, the idea of an external finality, according to
which living beings are ordered with regard to each
other : to suppose the grass made for the cow, the lamb
for the wolf—that is all acknowledged to be absurd.
But there is, we are told, an iusernal finality : each
being is made for itself, all its parts conspire for
the greatest good of the whole and are intelligently
organized in view of that end. Such is the notion
of finality which has long been classic. Finalism has
shrunk to the point of never embracing more than one
living being at a time. By making itself smaller, it
probably thought it would offer less surface for blows.
The truth is, it lay open to them a great deal more.
Radical as our own theory may appear, finality is
external or it is nothing at all.
Consider the most complex and the most harmonious
organism. All the elements, we are told, conspire for
the greatest good of the whole. Very well, but let
us not forget that each of these elements may itself be
nv CREATIVE EVOLUTION CHAP.
an organism in certain cases, and that in subordinating
the existence of this small organism to the life of the
great one we accept the principle of an exzernal finality.
The idea of a finality that is a/ways internal is therefore
a self-destructive notion. An organism is composed of
tissues, each of which lives for itself. The cells of which
the tissues are made have also a certain independence.
Strictly speaking, if the subordination of all the elements
of the individual to the individual itself were complete,
we might contend that they are not organisms, reserve
the name organism for the individual, and recognise
only internal finality. But every one knows that
these elements may possess a true autonomy. To say
nothing of phagocytes, which push independence to
the point of attacking the organism that nourishes
them, or of germinal cells, which have their own life
alongside the somatic cells,—the facts of regeneration
are enough : here an element or a group of elements
suddenly reveals that, however limited its normal space
and function, it can transcend them occasionally; it
may even, in certain cases, be regarded as the equivalent
of the whole.
There lies the stumbling-block of the vitalistic
theories. We shall not reproach them, as is ordinarily
done, with replying to the question by the question
itself: the “vital principle” may indeed not explain
much, but it is at least a sort of label affixed to our
ignorance, so as to remind us of this occasionally,! while
1 There are really two lines to follow in contemporary neo-vitalism: on
the one hand, the assertion that pure mechanism is insufficient, which assumes
great authority when made by such scientists as Driesch or Reinke, for
example ; and, on the other hand, the hypotheses which this vitalism super-
poses on mechanism (the “entelechies ” of Driesch, and the “ dominants ” of
Reinke, etc.). Of these two parts, the former is perhaps the more interesting
See the admirable studies of Driesch—Die Lokalisation morphogenetischer
I RADICAL FINALISM 45

mechanism invites us to ignore that ignorance. But the


position of vitalism is rendered very difficult by the
fact that, in nature, there is neither purely internal
finality nor absolutely distinct individuality. The
organized elements composing the individual have
themselves a certain individuality, and each will claim
its vital principle if the individual pretends to have
its own. But, on the other hand, the individual itself
is not sufficiently independent, not sufficiently cut off
from other things, for us to allow it a “ vital principle”
of its own. An organism such as a higher vertebrate
is the most individuated of all organisms; yet, if we
take into account that it is only the development of an
ovum forming part of the body of its mother and of
a spermatozoon belonging to the body of its father,
that the egg (ze. the ovum fertilized) is a connecting
link between the two progenitors since it is common
to their two substances, we shall realize that every
individual organism, even that of a man, is merely a
bud that has sprouted on the combined body of both
its parents. Where, then, does the vital principle of
the individual begin or end? Gradually we shall be
carried further and further back, up to the individual’s
remotest ancestors: we shall find him solidary with
each of them, solidary with that little mass of proto-
plasmic jelly which is probably at the root of the
genealogical tree of life. Being, to a certain extent,
one with this primitive ancestor, he is also solidary
with all that descends from the ancestor in divergent
directions. In this sense each individual may be
Vorgdnge, Leipzig, 1899; Die organischen Regulationen, Leipzig, 1901;
Naturbegriffe und Natururteile, Leipzig, 1904 ; Der Vitalismus als Geschichte
und als Lehre, Leipzig, 1905 ; and of Reinke—Die Welt als Tat, Berlin,
1899 ; Einleitung in die theoretische Biologie, Berlin, 1901 ; Philosophie der
Botanik, Leipzig, 1905.
46 CREATIVE EVOLUTION CHAY.
said to remain united with the totality of living
beings by invisible bonds. So it is of no use to try
to restrict finality to the individuality of the living
being. If there is finality in the world of life, it
includes the whole of life in a single indivisible
embrace. This life common to all the living un-
doubtedly presents many gaps and incoherences, and
again it is not so mathematically ove that it cannot
allow each being to become individualized to a cer-
tain degree. But it forms a single whole, none the
less ; and we have to choose between the out-and-
out negation of finality and the hypothesis which co-
ordinates not only the parts of an organism with the
organism itself, but also each living being with the
collective whole of all others.
Finality will not go down any easier for being
taken asa powder. Either the hypothesis of a finality
immanent in life should be rejected as a whole, or
it must undergo a treatment very different from
pulverization.

The error of radical finalism, as also that of radical


_mechanism, is to extend too far the application of
certain concepts that are natural to our intellect.
Originally, we think only in ordef to ack. «(Our
intellect has been cast in the mould of action.
Speculation is a luxury, while action is a necessity.
Now, in order to act, we begin by proposing an end;
we make a plan, then we go on to the detail of the
mechanism which will bring it to pass. This latter
operation is possible only if we know what we can
reckon on. We must therefore have managed to
extract resemblances from nature, which enable us to
anticipate the future. Thus we must, consciously or
I BIOLOGY AND: PHILOSOPHY An
unconsciously, have made use of the law of causality.
Moreover, the more sharply the idea of efficient
causality is defined in our mind, the moreit takes
the form of a mechanical causality. And this scheme,
in its turn, is the more mathematical according as it
expresses a more rigorous necessity. That is why we
have only to follow the bent of our mind to become
mathematicians. But, on the other hand, this natural
mathematics is only the rigid unconscious skeleton
beneath our conscious supple habit of linking the
same causes to the same effects ; and the usual object
of this habit is to guide actions inspired by intentions,
or, what comes to the same, to direct movements com-
bined with a view to reproducing a pattern. We are
born artisans as we are born geometricians, and indeed
we are geometricians only because we are artisans.
Thus the human intellect, inasmuch as it is fashioned
for the needs of human action, is an intellect which
proceeds at the same time by intention and by calcula-
tion, by adapting means to ends and by thinking out
mechanisms of more and more geometrical form.
Whether nature be conceived as an immense machine
regulated by mathematical laws, or as the realization
of a plan, these two ways of regarding it are only the
consummation of two tendencies of mind which are
complementary to each other, and which have their
origin in the same vital necessities.
For that reason, radical finalism is very near radical
mechanism on many points. Both doctrines are reluct-
ant to see in the course of things generally, or even
simply in the development of life, an unforeseeable
creation of form. In considering reality, mechanism
regards only the aspect of similarity or repetition. It
is therefore dominated by this law, that in nature there
48 CREATIVE EVOLUTION CHAP
is only /ike reproducing /ike. ‘The more the geometry
in mechanism is emphasized, the less can mechanism
admit that anything is ever created, even pure form.
In so far as we are geometricians, then, we reject the
unforeseeable. We might accept it, assuredly, in so
far aS we are artists, for art lives on creation and
implies a latent belief in the spontaneity of nature.
But disinterested art is a luxury, like pure specula-
tion. Long before being artists, we are artisans ; and
all fabrication, however rudimentary, lives on likeness
and repetition, like the natural geometry which serves
as its fulcrum. Fabrication works on models which
it sets out to reproduce; and even when it invents,
it proceeds, or imagines itself to proceed, by a new
arrangement of elements already known. Its principle
is that “we must have like to produce like.” In
short, the strict application of the principleof finality,
like that of the principle of mechanical causality, leads
tothe conclusion that “allis given.” Both principles
say the same thing in their respective languages, because
they respond to the same need.
That is why again they agree in doing away with time.
Real duration 1s that duration which gnaws on things,
and leaves on them the mark of its tooth. If every-
thing is in time, everything changes inwardly, and the
same concrete reality never recurs. Repetition is there-
fore possible only in the abstract: what is repeated is
some aspect that our senses, and especially our intellect,
have singled out from reality, just because our action,
upon which all the effort of our intellect is directed,
can move only among repetitions. Thus, concentrated
on that which repeats, solely preoccupied in welding
the same to the same, intellect turns away from the
vision of time. It dislikes what is fluid, and solidifies
t BIOLOGY AND PHILOSOPHY 49
everything it touchgs;-—We do not tht#k_real time.
But we /ive it, ee el » The
feeling we have of our evolution and e evolution
of all things in pure duration is there, forming around
the intellectual concept properly so-called an indistinct
fringe that fades off into darkness. Mechanism and
finalism agree in taking account only of the bright
nucleus shining in the centre. They forget that this
nucleus has been formed out of the rest by con-
densation, and that the whole must be used, the fluid
as well as and more than the condensed, in order to
grasp the inner movement of life.
Indeed, if the fringe exists, however delicate and
indistinct, it should have more importance for philo-
sophy than the bright nucleus it surrounds. For it is
its presence that enables us to affirm that the nucleus
is a nucleus, that pure intellect is a contraction, by con-
densation, of a more extensive power. And, just
because this vague intuition is of no help in directing
our action on things, which action takes place ex-
clusively on the surface of reality, we may presume
that it is to be exercised not merely on the surface,
but below.
As soon as we go out of the encasings in which
radical mechanism and radical finalism confine our
thought, reality appears as a ceaseless upspringing of
something new, which has no sooner arisen to make
the present than it has already fallen back into the
past ; at this exact moment it falls under the glance
of the intellect, whose eyes are ever turned to the rear.
This is already the case with our inner life. For each
of our acts we shall easily find antecedents of which it
may in some sort be said to be the mechanical resultant.
And it may equally well be said that each action is the
E
50 CREATIVE EVOLUTION CHAP.
realization of an intention. In this sense mechanism
is everywhere, and finality everywhere, in the evolu-
tion of our conduct. But if our action be one that
involves the whole of our person and is truly ours,
it could not have been foreseen, even though its ante-
cedents explain it when once it has been accomplished.
And though it be the realizing of an intention, it
differs, as a present and zew reality, from the intention,
which can never aim at anything but recommencing or
rearranging the past. Mechanism and finalism are
therefore, here, only external views of our conduct.
They extract its intellectuality. But our conduct slips
between them and extends much further. Once again,
this does not mean that free action is capricious, un-
reasonable action. ‘To behave according to caprice is
to oscillate mechanically between two or more ready-
made alternatives and at length to settle on one of
them; it is no real maturing of an internal state, no
real evolution; it is merely—however paradoxical the
assertion may seem—bending the will to imitate the
mechanism of the intellect. A conduct that is truly
our own, on the contrary, is that of a will which does
not try to counterfeit intellect, and which, remaining
itself{—that is to say, evolving—ripens gradually into
acts which the intellect will be able to resolve in-
definitely into intelligible elements without ever reach-
ing its goal. The free act is incommensurable with
the idea, and its “ rationality ’’ must be defined by this
very incommensurability, which admits the discovery
of as much intelligibility within it as we will. Such is
the character of our own evolution ; and such also,
without doubt, that of the evolution of life.
Our reason, incorrigibly presumptuous, imagines
itself possessed, by right of birth or by right of con-
I BIOLOGY AND PHILOSOPHY 51
quest, innate or acquired, of all the essential elements
of the knowledge of truth. Even where it confesses
that it does not know the object presented to it, it
believes that its ignorance consists only in not knowing
which one of its time-honoured categories suits the
new object. In what drawer, ready to open, shall we
put it? In what garment, already cut out, shall we
clothe it? Is it this, or that, or the other thing ? And
“ this,” and “that,” and “the other thing” are always
something already conceived, already known. The
idea that for a new object we might have to create a
new concept, perhaps a new method of thinking, is
deeply repugnant to us. The history of philosophy is
there, however, and shows us the eternal conflict of
systems, the impossibility of satisfactorily getting the
real into the ready-made garments of our ready-made
concepts, the necessity of making to measure. But,
| rather than go to this extremity, our reason prefers to
announce once for all, with a proud modesty, that it has
to do only with the relative, and that the absolute is not
a
Se
in its province. This preliminary declaration enables
it to apply its habitual method of thought without
any scruple, and thus, under pretence that it does
not touch the absolute, to make absolute judgments
upon everything. Plato was the first to set up the
theory that to know the real consists in finding its Idea,
that is to say, in forcing it into a pre-existing frame
already at our disposal—as if we implicitly possessed
universal knowledge. But this belief is natural to the
human intellect, always engaged as it is in determining
under what former heading it shall catalogue any new -
object ;and it may be said that, in a certain sense, we
are allborn Platonists. ue
Nowhere iis the inadequacy of this method so obvious
52 CREATIVE EVOLUTION Har.
as in theories of life. If, in evolving in the direction
of the vertebrates in general, of man and intellect in par-
ticular, life has had to abandon by the way many elements
incompatible with this particular mode of organization
and consign them, as we shall show, to other lines of
development, it is the totality of these elements that we
must find again and rejoin to the intellect proper, in
order to grasp the true nature of vital activity. And
we shall probably be aided in this by the fringe of vague
intuition that surrounds our distinct—that is, intellectual
—representation. For what can this useless fringe be,
if not that part of the evolving principle which has not
shrunk to the peculiar form of our organization, but has
settled around it unasked for, unwanted? It is there,
accordingly, that we must look for hints to expand the
intellectual form of our thought ; from there shall we
_ derive the impetus necessary to lift us above ourselves.
To form an idea of the whole of life cannot consist in
combining simple ideas that have been left behind in us
by life itself in the course of its evolution. How could
the part be equivalent to the whole, the content to
the container, a by-product of the vital operation to
the operation itself? Such, however, is our illusion
when we define the evolution of life as a “ passage from
the homogeneous to the heterogeneous,” or by any
other concept obtained by putting fragments of intellect
side by side. We place ourselves in one of the points
where evolution comes to a head—the principal one,
no doubt, but not the only one; and there we do
not even take all we find, for of the intellect we keep
only one or two of the concepts by which it expresses
itself; and it is this part of a part that we declare
representative of the whole, of something indeed which
goes beyond the concrete whole, I mean of the evolution
I BIOLOGY AND PHILOSOPHY ae

movement of which this “whole” is only the present


stage! The truth is, that to represent this the entire
intellect would not be too much—nay, it would not be
enough. It would be necessary to add to it what
we find in every other terminal point of evolution.
And these diverse and divergent elements must be
considered as so many extracts which are, or at least
which were, in their humblest form, mutually com-
plementary. Only then might we have an inkling. of
the real nature of the evolution movement ; and even
then we should fail to grasp it completely, for we
should still be dealing only with the evolved, which
is a result, and not with evolution itself, which is the
act by which the result is obtained.
Such is the philosophy of life to which we are
leading up. It claims to transcend both mechanism.
and finalism ; but, as we announced at the beginning, |
it is nearer the second doctrine than the first. It will,
not be amiss to dwell on this point, and show more¢
precisely how far this philosophy of life resembles©
finalism and wherein it is different.
Like radical finalism, although in a vaguer form,
our philosophy represents the organized world as a
harmonious whole. But this harmony is far from
being as perfect as it has been claimed to be. It admits
of much discord, because each species, each individual
even, retains only a certain impetus from the universal
vital impulsion and tends to use this energy in its own
interest. In this consists adaptation. ‘The species and
the individual thus think only of themselves—whence
arises a possible conflict with other forms of life.
Harmony, therefore, does not exist in fact; it exists
rather in principle ; I mean that the original impetus
is a common impetus, and the higher we ascend the
54 CREATIVE EVOLUTION CHAP,

stream of life the more do diverse tendencies appear


complementary to each other. Thus the wind at a
street corner divides into diverging currents which are
all one and the same gust. Harmony, or rather
“ complementarity,” is revealed only in the mass, in
tendencies rather than in states. Especially (and this
is the point on which finalism has been most seriously
mistaken) harmony is rather behind us than before. It
is due to an identity of impulsion and not toa common
aspiration. It would be futile to try to assign to life
an end, in the human sense of the word. To speak of
an end is to think of a pre-existing model which has
only to be realized. It is to suppose, therefore, that
all is given, and that the future can be read in the
present. It is to believe that life, in its movement and
in its entirety, goes to work like our intellect, which
is only a motionless and fragmentary view of life, and
which naturally takes its stand outside of time. Life,
on the contrary, progresses and endures in time. Of
course, when once the road has been travelled, we
can glance over it, mark its direction, note this in
psychological terms and speak as if there had been
pursuit of an end. Thus shall we speak ourselves.
But, of the road which was going to be travelled, the
human mind could have nothing to say, for the road
has been created pari passu with the act of travelling
over it, being nothing but the direction of this act itself.
At every instant, then, evolution must admit of a
psychological interpretation which is, from our point
of view, the best interpretation ; but this explanation
has neither value nor even significance except retrospec-
tively. Never could the finalistic interpretation, such as
we shall propose it, be taken for an anticipation of the
future. It is a particular mode of viewing the past in
BIOLOGY AND PHILOSOPHY 55
the light of the present. In short, the classic conception
of finality postulates at once too much and too little:
it is both too wide and too narrow. In explaining life
by intellect, it limits too much the meaning of life:
intellect, such at least as we find it in ourselves, has
been fashioned by evolution during the course of
progress ; it is cut out of something larger, or, rather,
it is only the projection, necessarily on a plane, of a
reality that possesses both relief and depth. It is this
more comprehensive reality that true finalism ought to
reconstruct, or, rather, if possible, embrace in one view.
But, on the other hand, just because it goes beyond
intellect—the faculty of connecting the same with the
same, of perceiving and also of producing repetitions—
this reality is undoubtedly creative, i.e. productive of
effects in which it expands and transcends its own being.
These effects were therefore not given in it in advance,
and so it could not take them for ends, although, when
once produced, they admit of a rational interpretation,
like that of the manufactured article that has reproduced
amodel. In short, the theory of final causes does not
go far enough when it confines itself to ascribing some
intelligence to nature, and it goes too far when it
supposes a pre-existence of the future in the present in
the form of idea. And the second theory, which sins
by excess, is the outcome of the first, which sins by
defect. In place of intellect proper must be substituted
the more comprehensive reality of which intellect is
only the contraction. The future then appears as
expanding the present: it was not, therefore, con-
tained in the present in the form of a represented
end. And yet, once realized, it will explain the present
as much as the present explains it, and even more;
it must be viewed as an end as much as, and more
56 CREATIVE EVOLUTION CHAP.

than, a result. Our intellect has a right to consider


the future abstractly from its habitual point of view,
being itself an abstract view of the cause of its own
being.
It is true that the cause may then seem beyond our
grasp. Already the finalist theory of life eludes all
precise verification. What if we go beyond it in one of
its directions ? Here, in fact, after a necessary digres-
sion, we are back at the question which we regard as
essential : can the insufficiency of mechanism be proved
by facts? We said that if this demonstration is
possible, it is on condition of frankly accepting the
evolutionist hypothesis. We must now show that if
mechanism is insufficient to account for evolution, the
way of proving this insufficiency is not to stop at the
classic conception of finality, still less to contract or
attenuate it, but, on the contrary, to go further.
Let us indicate at once the principle of our demon-
stration. We said of life that, from its origin, it is
the continuation of one and the same impetus,
divided into divergent lines of evolution. Something
has grown, something has developed by a series of
additions which have been so many creations. This
very development has brought about a dissociation of
tendencies which were unable to grow beyond a certain
point without becoming mutually incompatible. Strictly
speaking, there is nothing to prevent our imagining
that the evolution of life might have taken place in one
single individual by means of a series of transformations
spread over thousands of ages. Or, instead of a single
individual, any number might be supposed, succeeding
each other in a unilinear series. In both cases evolu-
tion would have had, so to speak, one dimension only.
But evolution has actually taken place through millions
i THE QUEST OF A CRITERION wi
of individuals, on divergent lines, each ending at a
crossing from which new paths radiate, and so on
indefinitely. If our hypothesis is justified, if the
essential causes working along these diverse roads are
of psychological nature, they must keep something in
common in spite of the divergence of their effects, as
school-fellows long separated keep the same memories
of boyhood. Roads may fork or by-ways be opened
along which dissociated elements may evolve in an inde-
pendent manner, but nevertheless it is in virtue of the
primitive impetus of the whole that the movement of
the parts continues. Something of the whole, therefore,
must abide in the parts; and this common element
will be evident to us in some way, perhaps by the
presence of identical organs in very different organisms.
Suppose, for an instant, that the mechanistic explana-
tion is the true one: evolution must then have occurred
through a series of accidents added to one another,
each new accident being preserved by selection if it
is advantageous to that sum of former advantageous
accidents which the present form of the living being
represents. What likelihood is there that, by two
entirely different series of accidents being added to-
gether, two entirely different evolutions will arrive at
similar results? The more two lines of evolution
diverge, the less probability is there that accidental outer
influences or accidental inner variations bring about the
construction of the same apparatus upon them, especially
if there was no trace of this apparatus at the moment
of divergence. But such similarity of the two products
would be natural, on the contrary, on a hypothesis like
ours : even in the latest channel there would be some-
thing of the impulsion received at the source. Pure
mechanism, then, would be refutable, and finality, in
58 CREATIVE EVOLUTION CHAP.

the special sense in which we understand it, would be


demonstrable in a certain aspect, if it could be proved that
life may manufacture the like apparatus, by unlike means,
on divergent lines of evolution; and the strength of the proof
would be proportional both to the divergency between the
lines of evolution thus chosen and to the complexity of the
similar structures found in them.
It will be said that resemblance of structure is due
to sameness of the general conditions in which life has
evolved, and that these permanent outer conditions may
have imposed the same direction on the forces con-
structing this or that apparatus, in spite of the diversity
of transient outer influences and accidental inner changes.
We are not, of course, blind to the rdle which the
concept of adaptation plays in the science of to-day.
Biologists certainly do not all make the same use of it.
Some think the outer conditions capable of causing
change in organisms in a direct manner, in a definite
direction, through physico-chemical alterations induced
by them in the living substance; such is the hypothesis
of Eimer, for example. Others, more faithful to the
spirit of Darwinism, believe the influence of conditions
works indirectly only, through favouring, in the struggle
for life, those representatives of a species which the
chance of birth has best adapted to the environment.
In other words, some attribute a positive influence to
outer conditions, and say that they actually give rise to
variations, while the others say these conditions have
only a negative influence and merely eliminate variations.
But, in both cases, the outer conditions are supposed
to bring about a precise adjustment of the organism to
its circumstances. Both parties, then, will attempt to
explain mechanically, by adaptation to similar condi-
tions, the similarities of structure which we think are
1 THE QUEST OF A CRITERION 59
the strongest argument against mechanism. So we
must at once indicate in a general way, before passing ,
to the detail, why explanations from “adaptation” seem
to us insufficient.
Let us first remark that, of the two hypotheses
just described, the latter is the only one which is not
equivocal. The Darwinian idea of adaptation by auto-
matic elimination of the unadapted is a simple and clear
idea. But, just because it attributes to the outer cause
which controls evolution a merely negative influence,
it has great difficulty in accounting for the progressive
and, so to say, rectilinear development of complex
apparatus such as we are about to examine. How
much greater will this difficulty be in the case of the
similar structure of two extremely complex organs
on two entirely different lines of evolution! An
accidental variation, however minute, implies the
working of a great number of small physical and
chemical causes. An accumulation of accidental varia-
tions, such as would be necessary to produce a com-
plex structure, requires therefore the concurrence
of an almost infinite number of infinitesimal causes.
Why should these causes, entirely accidental, recur the
same, and in the same order, at different points of space
and time? No one will hold that this is the case,
and the Darwinian himself will probably merely main-
tain that identical effects may arise from different causes,
that more than one road leads to the same spot. But
let us not be fooled by a metaphor. The place reached
does not give the form of the road that leads there;
while an organic structure is just the accumulation of
those small differences which evolution has had to go
through in order to achieve it. The struggle for life
and natural selection can be of no use to us in solving
60 CREATIVE EVOLUTION CHAP.
this part of the problem, for we are not concerned here
with what has perished, we have to do only with what
has survived. Now, we see that identical structures
have been formed on independent lines of evolution by
a gradual accumulation of effects. How can accidental
causes, occurring in an accidental order, be supposed
to have repeatedly come to the same result, the causes
being infinitely numerous and the effect infinitely
complicated ? |
The principle of mechanism is that “ the same causes
produce the same effects.” This principle, of course,
does not always imply that the same effects must have
the same causes ; but it does involve this consequence
in the particular case in which the causes remain visible
in the effect that they produce and are indeed its
constitutive elements. That two walkers starting from
different points and wandering at random should finally
meet, is no great wonder. But that, throughout their
walk, they should describe two identical curves exactly
superposable on each other, is altogether unlikely. The
improbability will be the greater, the more complicated
the routes ; and it will become impossibility, if the
zigzags are infinitely complicated. Now, what is this
complexity of zigzags as compared with that of an
organ in which thousands of different cells, each being
itself a kind of organism, are arranged in a definite
order ?
Let us turn, then, to the other hypothesis, and see
how it would solve the problem. Adaptation, it says,
is not merely elimination of the unadapted; it is due
to the positive influence of outer conditions that have
moulded the organism on their own form. This time,
similarity of effects will be explained by similarity of
cause. We shall remain, apparently, in pure mechanism.
1 THE QUEST OF A CRITERION 61
But if we look closely, we shall see that the explanation
is merely verbal, that we are again the dupes of words,
and that the trick of the solution consists in taking the
term “adaptation” in two entirely different senses at
the same time. :
If I pour into the same glass, by turns, water and
wine, the two liquids will take the same form, and the
sameness in form will be due to the sameness in
adaptation of content to container. Adaptation, here,
really means mechanical adjustment. The reason ies
that the form to which the matter has adapted itself
was there, ready-made, and has forced its own shape
on the matter. But, in the adaptation of an organism
to the circumstances it has to live in, where is the pre-
existing form awaiting its matter? The circumstances
are not a mould into which life is inserted and whose
form life adopts: this is indeed to be fooled by a
metaphor. ‘There is no form yet, and life must create
a form for itself, suited to the circumstances which are
made for it. It will have to make the best of these
circumstances, neutralize their inconveniences and
utilize their advantages—in short, respond to outer
actions by building up a machine which has no re-
semblance to them. Such adapting is not repeating, but
replying,—an entirely different thing. If there is still
adaptation, it will be in the sense in which one may say
of the solution of a problem of geometry, for example,
that it is adapted to the conditions. I grant indeed
that adaptation so understood explains why different
evolutionary processes result in similar forms: the same
problem, of course, calls for the same solution. But
it is necessary then to introduce, as for the solution of a
problem of geometry, an intelligent activity, or at least
a cause which behaves in the same way. This is to bring
62 CREATIVE EVOLUTION CHAP,

in finality again, and a finality this time more than ever


charged with anthropomorphic elements. In a word, if
the adaptation is passive, if it is mere repetition in the
relief of what the conditions give in the mould, it will
build up nothing that one tries to make it build ; and
if it is active, capable of responding by a calculated solu-
tion to the problem which is set out in the conditions,
that is going further than we do—too far, indeed, in
our opinion—in the direction we indicated in the
beginning. But the truth is that there is a surreptitious
passing from one of these two meanings to the other,
a flicht for refuge to the first whenever one is about to
be caught in flagrante delicto of finalism by employing
the second. It is really the second which serves the
usual practice of science, but it is the first that generally
provides its philosophy. In any particular case one
talks as if the process of adaptation were an effort of
the organism to build up a machine capable of turning
external circumstances to the best possible account:
then one speaks of adaptation in general as if it were
the very impress of circumstances, passively received
by an indifferent matter.
But let us come to the examples. It would be
interesting first to institute here a general comparison
between plants and animals. One cannot fail to be
struck with the parallel progress which has been accom-
plished, on both sides, in the direction of sexuality.
Not only is fecundation itself the same in higher plants
and in animals, since it consists, in both, in the
union of two nuclei that differ in their properties and
structure before their union and immediately after
become equivalent to each other ; but the preparation
of sexual elements goes on in both under like con-
ditions : it consists essentially in the reduction of the
I THE CHOICE OF AN EXAMPLE 63
number of chromosomes and the rejection of a certain
quantity of chromatic substance. Yet vegetables and
animals have evolved on independent lines, favoured
_by unlike circumstances, opposed by unlike obstacles.
Here are two great series which have gone on
diverging. On either line, thousands and thousands
of causes have combined to determine the morpho-
logical and functional evolution. Yet these infinitely
complicated causes have been consummated, in each
series, in the same effect. And this effect could
hardly be called a phenomenon of “adaptation”:
where is the adaptation, where is the pressure of
external circumstances? There is no striking utility
in sexual generation ; it has been interpreted in the
most diverse ways; and some very acute enquirers
even regard the sexuality of the plant, at least, as a
luxury which nature might have dispensed with.” But
we do not wish to dwell on facts so disputed. The
ambiguity of the term “ adaptation,” and the necessity
of transcending both the point of view of mechanical
causality and that of anthropomorphic finality, will
stand out more clearly with simpler examples. At all
times the doctrine of finality has laid much stress on
the marvellous structure of the sense-organs, in order
to liken the work of nature to that of an intelligent
workman. Now, since these organs are found, in a
rudimentary state, in the lower animals, and since
nature offers us many intermediaries between the
pigment-spot of the simplest organisms and the in-
1 P. Guérin, Les Connaissances actuelles sur la fécondation chez les pha-
nérogames, Paris, 1904, pp. 144-148. Cf. Delage, L’ Hérédité, 2nd edition,
1903, pp. 140 ff.
2 Mobius, Beitrage zur Lehre von der Fortpflanzung der Gewdchse, Jena,
1897, pp. 203-206 in particular. Cf. Hartog, “Sur les phénomenes de re-
production” (Année biologique, 1895, pp. 707-709).
64 CREATIVE EVOLUTION CHAP.

finitely complex eye of the vertebrates, it may just as


well be alleged that the result has been brought about
by natural selection perfecting the organ automatically.
In short, if there is a case in which it seems justifiable
to invoke adaptation, it is this particular one. For
there may be discussion about the function and mean-
ing of such a thing as sexual generation, in so far as
it is related to the conditions in which it occurs ; but
the relation of the eye to light is obvious, and when
we call this relation an adaptation, we must know what
we mean. If, then, we can show, in this privileged
case, the insufficiency of the principles invoked on both
sides, our demonstration will at once have reached a
high degree of generality.
Let us consider the example on which the advocates
of finality have always insisted: the structure of such
an organ as the human eye. They have had no diffi-
culty in showing that in this extremely complicated
apparatus all the elements are marvellously co-
ordinated. In order that vision shall operate, says the
author of a well-known book on Final Causes, “the
sclerotic membrane must become transparent in one
point of its surface, so as to enable luminous rays to
pierce it. ..; the cornea must correspond exactly
with the opening of the socket . . .; behind this
transparent opening there must be refracting media
. . .3 there must be a retina’ at the extremity of the
dark chamber . . .; perpendicular to the retina there
must be an innumerable quantity of transparent cones
permitting only the light directed in the line of their
axes to reach the nervous membrane,” etc. etc. In
reply, the advocate of final causes has been invited to
1 Paul Janet, Les Causes finales, Paris, 1876, p. 83.
2 Ibid. p. 80.
I THE CHOICE OF AN EXAMPLE 65
assume the evolutionist hypothesis. Everything is
marvellous, indeed, if one consider an eye like ours, in
which thousands of elements are codrdinated in a
single function. But take the function at its origin, in
the Infusorian, where it is reduced to the mere impres-
sionability (almost purely chemical) of a pigment-spot
to light: this function, possibly only an accidental
fact in the beginning, may have brought about a slight
complication of the organ, which again induced an
improvement of the function. It may have done this
either directly, through some unknown mechanism, or
indirectly, merely through the effect of the advantages it
brought to the living being and the hold it thus offered
to natural selection. Thus the progressive formation
of an eye as well contrived as ours would be explained
by an almost infinite number of actions and reactions
between the function and the organ, without the inter-
vention of other than mechanical causes.
The question is hard to decide, indeed, when
put directly between the function and the organ, as
is done in the doctrine of finality, as also mechanism
itself does. For organ and function are terms of
different nature, and each conditions the other so
closely that it is impossible to say @ priori whether in
expressing their relation we should begin with the first,
as does mechanism, or with the second, as finalism
requires. But the discussion would take an entirely
different turn, we think, if we began by comparing
together two terms of the same nature, an organ with
an organ, instead of an organ with its function. In
this case, it would be possible to proceed little by little
to a solution more and more plausible, and there would
be the more chance of a successful issue the more
resolutely we assumed the evolutionist hypothesis.
F
66 CREATIVE EVOLUTION CHAP.

Let us place side by side the eye of a vertebrate


and that of a mollusc such as the common Pecten.
We find the same essential parts in each, composed of
analogous elements. The eye of the Pecten presents
a retina, a cornea, a lens of cellular structure like
our own. ‘There is even that peculiar inversion of
retinal elements which is not met with, in general,
in the retina of the invertebrates. Now, the origin
of molluscs may be a debated question, but, what-
ever opinion we hold, all are agreed that molluscs
and vertebrates separated from their common parent-
stem long before the appearance of an eye so complex
as that of the Pecten. Whence, then, the structural
analogy =
Let us question on this point the two opposed
systems of evolutionist explanation in turn—the hypo-
thesis of purely accidental variations, and that of a
variation directed in a definite way under the influence
of external conditions.
The first, as is well known, is presented to-day in
two quite different forms. Darwin spoke of very
slight variations being accumulated by natural selection.
He was not ignorant of the facts of sudden variation ;
but he thought these “ sports,’’ as he called them, were
only monstrosities incapable of perpetuating them-
selves ; and he accounted for the genesis of species by
an accumulation of imsensible variations.’ Such is still
the opinion of many naturalists. It is tending, how-
ever, to give way to the opposite idea that a new
species comes into being all at once by the simultaneous
appearance of several new characters, all somewhat
different from the previous ones. This latter hypo-
thesis, already proposed by various authors, notably
1 Darwin, Origin of Species, chap. ii.
t INSENSIBLE VARIATION 67
by Bateson in a remarkable book,’ has become deeply
significant and acquired great force since the striking
experiments of Hugo de Vries. This botanist, work-
ing on the Oenothera Lamarckiana, obtained at the
end of a few generations a certain number of new
species. The theory he deduces from his experiments
is of the highest interest. Species pass through
alternate periods of stability and transformation.
When the period of “ mutability ’’ occurs, unexpected
forms spring forth in a great number of different
directions. We will not attempt to take sides between
this hypothesis and that of insensible variations.
Indeed, perhaps both are partly true. We wish
merely to point out that if the variations invoked are
accidental, they do not, whether small or great, account
for a similarity of structure such as we have cited.
Let us assume, to begin with, the Darwinian theory
of insensible variations, and suppose the occurrence of
small differences due to chance, and continually accumu-
lating. It must not be forgotten that all the parts
of an organism are necessarily codrdinated. Whether
the function be the effect of the organ or its cause, it
matters little ;one point is certain—the organ will be
of no use and will not give selection a hold unless it
functions. However the minute structure of the
retina may develop, and however complicated it may
become, such progress, instead of favouring vision,
will probably hinder it if the visual centres do not
develop at the same time, as well as several parts of
the visual organ itself. If the variations are accidental,
1 Bateson, Materials for the Study of Variation, London, 1894, especially
pp. 567 ff. Cf. Scott, “Variations and Mutations” (American Journal of
Science, Nov. 1894).
2 De Vries, Die Mutationstheorie, Leipzig, 1901-1903. Cf., by the same
author, Species and Varieties, Chicago, 1905.
68 CREATIVE EVOLUTION CHAP.

how can they ever agree to arise in every part of the


organ at the same time, in such way that the organ
will continue to perform its function? Darwin quite
understood this; it is one of the reasons why he
regarded variation as insensible.’ For a difference
which arises accidentally at one point of the visual
apparatus, if it be very slight, will not hinder the
functioning of the organ; and hence this first
accidental variation can, in a sense, wait for comple-
mentary variations to accumulate and raise vision to a
higher degree of perfection. Granted ; but while the
insensible variation does not hinder the functioning
of the eye, neither does it help it, so long as the varia-
tions that are complementary do not occur. How,
in that case, can the variation be retained by natural
selection? Unwittingly one will reason as if the slight
variation were a toothing stone set up by the organism
and reserved for a later construction. This hypothesis,
so little conformable to the Darwinian principle, is
difficult enough to avoid even in the case of an organ
which has been developed along one single main line of
evolution, e.g. the vertebrate eye. But it is absolutely
forced upon us when we observe the likeness of
structure of the vertebrate eye and that of the molluscs.
How could the same small variations, incalculable in
number, have ever occurred in the same order on two
independent lines of evolution, if they were purely
accidental? And how could they have been preserved
by selection and accumulated in both cases, the same
in the same order, when each of them, taken separately,
was of no use?
Let us turn, then, to the hypothesis of sudden
variations, and see whether it will solve the problem.
1 Darwin, Origin of Species, chap. vi.
ey SUDDEN VARIATION 69
It certainly lessens the difficulty on one point, but it
makes it much worse on another. If the eye of the
mollusc and that of the vertebrate have both been
raised to their present form by a relatively small number
of sudden leaps, I have less difficulty in understand-
ing the resemblance of the two organs than if this
resemblance were due to an incalculable number of
infinitesimal resemblances acquired successively: in
both cases it is chance that operates, but in the second
case chance is not required to work the miracle it
would have to perform in the first. Not only is
the number of resemblances to be added somewhat
reduced, but I can also understand better how each
could be preserved and added to the others; for the
elementary variation is now considerable enough to be
an advantage to the living being, and so to lend itself
to the play of selection. But here there arises another
problem, no less formidable, viz., how do all the parts
of the visual apparatus, suddenly changed, remain so
well codrdinated that the eye continues to exercise
its function? For the change of one part alone will
make vision impossible, unless this change is absolutely
infinitesimal. The parts must then all change at once,
each consulting the others. I agree that a great
number of uncodrdinated variations may indeed have
arisen in less fortunate individuals, that natural selec-
tion may have eliminated these, and that only the
combination fit to endure, capable of preserving and
improving vision, has survived. Still, this combina-
tion had to be produced. And, supposing chance to
have granted this favour once, can we admit that it
repeats the self-same favour in the course of the history
of a species, so as to give rise, every time, all at once, to
new complications marvellously regulated with reference
70 CREATIVE EVOLUTION CHAP

to each other, and so related to former complications


as to go further on in the same direction? How,
especially, can we suppose that by a series of mere
“accidents” these sudden variations occur, the same,
in the same order,—involving in each case a perfect
harmony of elements more and more numerous and
complex,—along two independent lines of evolution ?
The law of correlation will be invoked, of course;
Darwin himself appealed to it.’ It will be alleged
that a change is not localized in a single point of the
organism, but has its necessary recoil on other points.
The examples cited by Darwin remain classic : white
cats with blue eyes are generally deaf; hairless dogs
have imperfect dentition, etc.—Granted ; but let us not
play now on the word “correlation.” A _ collective
whole of so/idary changes is one thing, a system of
complementary changes — changes so codrdinated as
to keep up and even improve the functioning of an
organ under more complicated conditions—is another.
That an anomaly of the pilous system should be
accompanied by an anomaly of dentition is quite
conceivable without our having to call for a special
principle of explanation; for hair and teeth are
similar formations,’ and the same chemical change of
the germ that hinders the formation of hair would
probably obstruct that of teeth: it may be for the
same sort of reason that white cats with blue eyes
are deaf. In these different examples the “ cor-
relative” changes are only solidary changes (not to
mention the fact that they are really J/esions, namely,
diminutions or suppressions, and not additions, which
1 Darwin, Origin of Species, chap. i. af
2 On this homology of hair and teeth, see Brandt, “Uber . . . eine
mutmassliche Homologie der Haare und Zahne” (Biol. Centralblatt, vol.
XVill., 1898, especially pp. 262 ff.).
i SUDDEN VARIATION ay
makes a great difference). But when we speak of
“correlative” changes occurring suddenly in the
different parts of the eye, we use the word in an
entirely new sense: this time there is a whole set
of changes not only simultaneous, not only bound
together by community of origin, but so codrdinated
that the organ keeps on performing the same simple
function, and even performs it better. That a change
in the germ, which influences the formation of the
retina, may affect at the same time also the formation
of the cornea, the iris, the lens, the visual centres, etc.,
I admit, if necessary, although they are formations that
differ much more from one another in their original
nature than do probably hair and teeth. But that all
these simultaneous changes should occurin such a way
as to improve or even merely maintain vision, this is
what, in the hypothesis of sudden variation, I cannot
admit, unless a mysterious principle is to come in,
whose duty it is to watch over the interest of the
function. But this would be to give up the idea of
“accidental” variation. In reality, these two senses of
the word “correlation” are often interchanged in the
mind of the biologist, just like the two senses of the
word ‘‘adaptation.” And the confusion is almost
legitimate in botany, that science in which the theory
of the formation of species by sudden variation rests
on the firmest experimental basis. In vegetables,
function is far less narrowly bound to form than
in animals. Even profound morphological differences,
such as a change in the form of leaves, have no appreci-
able influence on the exercise of function, and so do not
require a whole system of complementary changes for
the plant to remain fit to survive. But it is not so in
the animal, especially in the case of an organ like the eye,
72 CREATIVE EVOLUTION CHAP.
of very complex structure and very delicate function.
Here it is impossible to identify changes that are simply
solidary with changes which are also complementary.
The two senses of the word “correlation” must be
carefully distinguished; it would be a downright
paralogism to adopt one of them in the premisses of
the reasoning, and the other in the conclusion. And
this is just what is done when the principle of correlation
is invoked in explanations of detai/ in order to account
for complementary variations, and then correlation
in general is spoken of as if it were any group of
variations provoked by any variation of the germ.
Thus, the notion of correlation is first used in current
science as it might be used by an advocate of finality ;
it is understood that this is only a convenient way of
expressing oneself, that one will correct it and fall back
on pure mechanism when explaining the nature of the
principles and turning from science to philosophy.
And one does then come back to pure mechanism,
but only by giving a new meaning to the word
correlation,’—a meaning which would now make
correlation inapplicable to the detail it is called upon
to explain.
To sum up, if the accidental variations that bring
about evolution are insensible variations, some good
genius must be appealed to—the genius of the
future species—in order to preserve and accumulate
these variations, for selection will not look after this.
If, on the other hand, the accidental variations are
sudden, then, for the previous function to go on or
for a new function to take its place, all the changes
that have happened together must be complementary.
So we have to fall back on the good genius again,
this time to obtain the convergence of simultaneous
t ORTHOGENESIS 73
changes, as before to be assured of the continuity of
direction of successive variations. But in neither case can
parallel development of the same complex structures
on independent lines of evolution be due to a mere
accumulation of accidental variations. So we come
to the second of the two great hypotheses we have
to examine. Suppose the variations are due, not to
accidental and inner causes, but to the direct influence
of outer circumstances. Let us see what line we
should have to take, on this hypothesis, to account
for the resemblance of eye-structure in two series that
are independent of each other from the phylogenetic
point of view.
Though molluscs and vertebrates have evolved
separately, both have remained exposed to the influence
of light. And light is a physical cause bringing forth
certain definite effects. Acting in a continuous way,
it has been able to produce a continuous variation
in a constant direction. Of course it is unlikely
that the eye of the vertebrate and that of the mollusc
have been built up by a series of variations due to
simple chance. Admitting even that light enters into
the case as an instrument of selection, in order to
allow only useful variations to persist, there is no
possibility that the play of chance, even thus supervised
from without, should bring about in both cases the
same juxtaposition of elements codrdinated in the same
way. But it would be different supposing that light
acted directly on the organized matter so as to change
its structure and somehow adapt this structure to its
own form. ‘The resemblance of the two effects would
then be explained by the identity of the cause. The
more and more complex eye would be something like
the deeper and deeper imprint of light on a matter
74 CREATIVE EVOLUTION CHAP.

which, being organized, possesses a special aptitude for


receiving it.
But can an organic structure be likened to an
imprint? We have already called attention to the
ambiguity of the term “adaptation.” The gradual
complication of a form which is being better and better
adapted to the mould of outward circumstances is one
thing, the increasingly complex structure of an instru-
ment which derives more and more advantage from
these circumstances is another. In the former case, the
matter merely receives an imprint ; in the second, it
reacts positively, it solves a problem. Obviously it is
this second sense of the word “adapt” that is used
when one says that the eye has become better and better
adapted to the influence of light. But one passes more
or less unconsciously from this sense to the other, and
a purely mechanistic biology will strive to make the
passive adaptation of an inert matter, which submits
to the influence of its environment, mean the same as
the active adaptation of an organism which derives from
this influence an advantage it can appropriate. It must
be owned, indeed, that Nature herself appears to invite
our mind to confuse these two kinds of adaptation, for
she usually begins by a passive adaptation where, later
on, she will build up a mechanism for active response.
Thus, in the case before us, it is unquestionable that
the first rudiment of the eye is found in the pigment-
spot of the lower organisms ; this spot may indeed
have been produced physically, by the mere action of
light, and there are a great number of intermediaries
between the simple spot of pigment and a complicated
eye like that of the vertebrates.—But, from the fact
that we pass from one thing to another by degrees, it
does not follow that the two things are of the same
1 ORTHOGENESIS 75
nature. From the fact that an orator falls in, at first,
with the passions of his audience in order to make
himself master of them, it will not be concluded that to
follow is the same as to Jead. Now, living matter
seems to have no other means of turning circumstances
to good account than by adapting itself to them
passively at the outset. Where it has to direct a
movement, it begins by adopting it. Life proceeds
by insinuation. The intermediate degrees between a
pigment-spot and an eye are nothing to the point:
however numerous the degrees, there will still be
the same interval between the pigment-spot and the
eye as between a photograph and a photographic
apparatus. Certainly the photograph has been gradu-
ally turned into a photographic apparatus ; but could
light alone, a physical force, ever have provoked this
change, and converted an impression left by it into a
machine capable of using it ?
It may be claimed that considerations of utility are
out of place here ; that the eye is not made to see, but
that we see because we have eyes; that the organ 1s
what it is, and “utility” is a word by which we
designate the functional effects of the structure. But
when I say that the eye “ makes use of” light, I do not
merely mean that the eye is capable of seeing ; I allude
to the very precise relations that exist between this
organ and the apparatus of locomotion. The retina of
vertebrates is prolonged in an optic nerve, which, again,
is continued by cerebral centres connected with motor
mechanisms. Our eye makes use of light in that it
enables us to utilize, by movements of reaction, the
objects that we see to be advantageous, and to avoid
those which we see to be injurious. Now, of course,
as light may have produced a pigment-spot by physical
76 CREATIVE EVOLUTION CHAP.
means, so it can physically determine the movements
of certain organisms; ciliated Infusoria, for instance,
react to light. But no one would hold that the in-
fluence of light has physically caused the formation of
a nervous system, of a muscular system, of an osseous
system, all things which are continuous with the
apparatus of vision in vertebrate animals. The truth
is, when one speaks of the gradual formation of the eye,
and, still more, when one takes into account all that
is inseparably connected with it, one brings in some-
thing entirely different from the direct action of light.
One implicitly attributes to organized matter a certain
capacity sui generis, the mysterious power of building
up very complicated machines to utilize the simple
excitation that it undergoes.
But this is just what is claimed to be unnecessary.
Physics and chemistry are said to give us the key to
everything. Eimer’s great work is instructive in this
respect. It is well known what persevering effort this
biologist has devoted to demonstrating that transforma-
tion is brought about by the influence of the external on
the internal, continuously exerted in the same direction,
and not, as Darwin held, by accidental variations. His
theory rests on observations of the highest interest, of
which the starting-point was the study of the course
followed by the colour variation of the skin in certain
lizards. Before this, the already old experiments of
Dorfmeister had shown that the same chrysalis, accord-
ing as it was submitted to cold or heat, gave rise
to very different butterflies, which had long been
regarded as independent species, Vanessa levana and
Vanessa prorsa: an intermediate temperature produces
an intermediate form. We might class with these
facts the important transformations observed in a little
ORTHOGENESIS 97
crustacean, Artemia salina, when the salt of the water it
lives in is increased or diminished.’ In these various
experiments the external agent seems to act as a cause
of transformation. But what does the word “cause”
mean here? Without undertaking an exhaustive
analysis of the idea of causality, we will merely remark
that three very different meanings of this term are
commonly confused. A cause may act by impelling,
releasing, or unwinding. The billiard-ball, that strikes
another, determines its movement by impelling. The
spark that explodes the powder acts by releasing. ‘The
gradual relaxing of the spring that makes the phono-
eraph turn, unwinds the melody inscribed on the
cylinder : if the melody which is played be the effect,
and the relaxing of the spring the cause, we must
say that the cause acts by unwinding. What distin-
guishes these three cases from each other is the
greater or less solidarity between the cause and the
effect. In the first, the quantity and quality of the
effect vary with the quantity and quality of the cause.
In the second, neither quality nor quantity of the
effect varies with quality and quantity of the cause:
the effect is invariable. In the third, the quantity
of the effect depends on the quantity of the cause,
but the cause does not influence the quality of the
effect: the longer the cylinder turns by the action of
the spring, the more of the melody I shall hear, but the
nature of the melody,or of the part heard, does not
depend on the action of the spring. Only in the first
case, really, does cause explain effect; in the others
the effect is more or less given in advance, and the
1 It seems, from later observations, that the transformation of Artemia is
a more complex phenomenon than was first supposed. See on this subject
Samter and Heymons, “ Die Variation bei Artemia salina” (Anhang xu den
Abhandlungen der k. preussischen Akad. der Wissenschaften, 1902).
78 CREATIVE EVOLUTION CHAP,
antecedent invoked is—in different degrees, of course
—its occasion rather than its cause. Now, in saying ~
that the saltness of the water is the cause of the trans-
formations of Artemia, or that the degree of tempera-
ture determines the colour and marks of the wings
which a certain chrysalis will assume on becoming a
butterfly, is the word “ cause” used in the first sense ?
Obviously not: causality has here an intermediary
sense between those of unwinding and releasing.
Such, indeed, seems to be Eimer’s own meaning when
he speaks of the ‘“kaleidoscopic’’ character of the
variation,’ or when he says that the variation of
organized matter works in a definite way, just as
inorganic matter crystallizes in definite directions.’
And it may be granted, perhaps, that the process is
a merely physical and chemical one in the case of
the colour-changes of the skin. But if this sort of
explanation is extended to the case of the gradual
formation of the eye of the vertebrate, for instance, it
must be supposed that the physico-chemistry of living
bodies is such that the influence of light has caused the
organism to construct a progressive series of visual
apparatus, all extremely complex, yet all capable of
seeing, and of seeing better and better. What more
could the most confirmed finalist say, in order to mark
out so exceptional a physico-chemistry ? And will not
the position of a mechanistic philosophy become still
more difficult, when it is pointed out to it that the
ego of a mollusc cannot have the same chemical com-
position as that of a vertebrate, that the organic sub-
stance which evolved toward the first of these two
1 Eimer, Orthogenesis der Schmetterlinge, Leipzig, 1897, p. 24. Cf. Die
Entstehung der Arten, p. 53.
2 Eimer, Die Entstehung der Arten, Jena, 1888, p. 25.
3 Ibid. pp. 165 ff.
: ORTHOGENESIS 79
forms could not have been chemically identical with
that of the substance which went in the other direction,
and that, nevertheless, under the influence of light, the
same organ has been constructed in the one case as in
the other ?
The more we reflect upon it, the more we shall
see that this production of the same effect by two
different accumulations of an enormous number of
small causes is contrary to the principles of mechan-
istic philosophy. We have concentrated the full force
of our discussion upon an example drawn from phylo-
genesis. But ontogenesis would have furnished us
with facts no less cogent. Every moment, right before
our eyes, nature arrives at identical results, in some-
times neighbouring species, by entirely different em-
bryogenic processes. Observations of “ heteroblastia ”
have multiplied in late years,’ and it has been necessary
to reject the almost classical theory of the specificity
of embryonic gills. Still keeping to our comparison
between the eye of vertebrates and that of molluscs,
we may point out that the retina of the vertebrate is
produced by an expansion in the rudimentary brain of
the young embryo. It is a regular nervous centre which
has moved toward the periphery. In the mollusc, on the
contrary, the retina is derived from the ectoderm directly,
and not indirectly by means of the embryonic encephalon.
Quite different, therefore, are the evolutionary processes
which lead, in man and in the Pecten, to the develop-
ment of a like retina. But, without going so far as to
compare two organisms so distant from each other, we
1 Salensky, ‘“‘Heteroblastie” (Proc. of the Fourth International Congress of
Zoology, London, 1899, pp. 111-118). Salensky has coined this word to
designate the cases in which organs that are equivalent, but of different
embryological origin, are formed at the same points in animals related to
each other.
80 CREATIVE EVOLUTION CHAP.

might reach the same conclusion simply by looking at


certain very curious facts of regeneration in one and
the same organism. If the crystalline lens of a Triton
be removed, it is regenerated by the iris." Now, the
original lens was built out of the ectoderm, while the
iris is of mesodermic origin. What is more, in the
Salamandra maculata, if the lens be removed and the
iris left, the regeneration of the lens takes place at
the upper part of the iris; but if this upper part
of the iris itself be taken away, the regeneration takes
place in the inner or retinal layer of the remaining
region.” Thus, parts differently situated, differently
constituted, meant normally for different functions, are
capable of performing the same duties and even of
manufacturing, when necessary, the same pieces of the
machine. Here we have, indeed, the same effect
obtained by different combinations of causes.
Whether we will or no, we must appeal to some inner
directing principle in order to account for this convergence
of effects. Such convergence does not appear possible in
the Darwinian, and especially the neo-Darwinian, theory
of insensible accidental variations, nor in the hypothesis
of sudden accidental variations, nor even in the theory
that assigns definite directions to the evolution of the
various organs by a kind of mechanical composition of
the external with the internal forces. So we come to
the only one of the present forms of evolution which
remains for us to mention, viz., neo-Lamarckism.

It is well known that Lamarck attributed to the


living being the power of varying by use or disuse of
1 Wolff, “Die Regeneration der Urodelenlinse” (Arch. fi Entwwickelungs-
mechanik, i., 1895, pp. 380 ff.).
2 Fischel, “Uber die Regeneration der Linse” (Anat. Anzeiger, xiv., 1898,
PP: 373-380).
I VARIATION AND HEREDITY 81
its organs, and also of passing on the variation so
acquired to its descendants. A certain number of
biologists hold a doctrine of this kind to-day. The
variation that results in a new species is not, they
believe, merely an accidental variation inherent in the
germ itself, nor is it governed by a determinism su
generis which develops definite characters in a definite
direction, apart from every consideration of utility. It
springs from the very effort of the living being to adapt
itself to the circumstances of its existence. The effort
may indeed be only the mechanical exercise of certain
organs, mechanically elicited by the pressure of external
circumstances. But it may also imply consciousness ~
and will, and it is in this sense that it appears to be
understood by one of the most eminent representatives
of the doctrine, the American naturalist Cope.’ Neo-
Lamarckism is therefore, of all the later forms of
evolutionism, the only one capable of admitting an
internal and psychological principle of development,
although it is not bound to do so. And it is also
the only evolutionism that seems to us to account for
the building up of identical complex organs on in-
dependent lines of development. For it is quite
conceivable that the same effort to turn the same
circumstances to good account might have the same
result, especially if the problem put by the circum-
stances is such as to admit of only one solution. But
the question remains, whether the term “ effort’’ must
not then be taken in a deeper sense, a sense even more
psychological than any neo-Lamarckian supposes.
For a mere variation of size is one thing, and a
change of form is another. That an organ can be
1 Cope, The Origin of the Fittest, 1887 ;The Primary Factors of Organic
Evolution, 1896
G
82 CREATIVE EVOLUTION CHAP.

strengthened and grow by exercise, nobody will deny.


But it is a long way from that to the progressive de-
velopment of an eye like that of the molluscs and of
the vertebrates. If this development be ascribed to
the influence of light, long continued but passively
received, we fall back on the theory we have just
criticized. If, on the other hand, an internal activity 1s
appealed to, then it must be something quite different
from what we usually call an effort, for never has an
effort been known to produce the slightest complication
of an organ, and yet an enormous number of complica-
tions, all admirably codrdinated, have been necessary
to pass from the pigment-spot of the Infusorian to the
eye of the vertebrate. But, even if we accept this
notion of the evolutionary process in the case of
animals, how can we apply it to plants? Here,
variations of form do not seem to imply, nor always
to lead to, functional changes ; and even if the cause
of the variation is of a psychological nature, we can
hardly call it an effort, unless we give a very unusual
extension to the meaning of the word. The truth is,
it is necessary to dig beneath the effort itself and look
for a deeper cause.
This is especially necessary, we believe, if we wish to
get at a cause of regular hereditary variations. We are
not going to enter here into the controversies over the
transmissibility of acquired characters ; still less do we
wish to take too definite a side on this question, which 1s
not within our province. But we cannot remain com-
pletely indifferent to it. Nowhere is it clearer that
philosophers cannot to-day content themselves with
vague generalities, but must follow the scientists in
experimental detail and discuss the results with them.
If Spencer had begun by putting to himself the question
: VARIATION AND HEREDITY 83
of the hereditability of acquired characters, his evolu-
tionism would no doubt have taken an altogether
different form. If (as seems probable to us) a habit
contracted by the individual were transmitted to its
descendants only in very exceptional cases, all the
Spencerian psychology would need re-making, and a
large part of Spencer’s philosophy would fall to pieces.
Let us say, then, how the problem seems to us to
present itself, and in what direction an attempt might
be made to solve it.
After having been affirmed as a dogma, the trans-
missibility of acquired characters has been no less
dogmatically denied, for reasons drawn a priori from the
supposed nature of germinal cells. It is well known
how Weismann was led, by his hypothesis of the
continuity of the germ-plasm, to regard the germinal
cells—ova and spermatozoa—as almost independent
of the somatic cells. Starting from this, it has been
claimed, and is still claimed by many, that the heredi-
tary transmission of an acquired character is incon-
ceivable. But if, perchance, experiment should show
that acquired characters are transmissible, it would
prove thereby that the germ-plasm is not so inde-
pendent of the somatic envelope as has been contended,
and the transmissibility of acquired characters would
become ipso facto conceivable ; which amounts to
saying that conceivability and inconceivability have
nothing to do with the case, and that experience alone
must settle the matter. But it is just here that the
difficulty begins. The acquired characters we are speak-
ing of are generally habits or the effects of habit, and at
the root of most habits there is a natural disposition.
So that one can always ask whether it is really the habit
acquired by the soma of the individual that is trans-
84 CREATIVE EVOLUTION CHAP,
mitted, or whether it is not rather a natural aptitude,
which existed prior to the habit. This aptitude would
have remained inherent in the germ-plasm which the
individual bears within him, as it was in the individual
himself and consequently in the germ whence he
sprang. Thus, for instance, there is no proof that
the mole has become blind because it has formed the
habit of living underground ; it is perhaps because
its eyes were becoming atrophied that it condemned
itself to a life underground.’ If this is the case,
the tendency to lose the power of vision has been
transmitted from germ to germ without anything
being acquired or lost by the soma of the mole itself.
From the fact that the son of a fencing-master has
become a good fencer much more quickly than his
father, we cannot infer that the habit of the parent has
been transmitted to the child; for certain natural dis-
positions in course of growth may have passed from the
plasma engendering the father to the plasma engender-
ing the son, may have grown on the way by the effect
of the primitive impetus, and thus assured to the son a
greater suppleness than the father had, without troubling,
so to speak, about what the father did. So of many
examples drawn from the progressive domestication of
animals : it is hard to say whether it 1s the acquired habit
that 1s transmitted or only a certain natural tendency—
that, indeed, which has caused such and such a particular
species or certain of its representatives to be specially
chosen for domestication. The truth is, when every
doubtful case, every fact open to more than one inter-
pretation, has been eliminated, there remains hardly a

1 Cuénot, “La Nouvelle Théorie transformiste” (Revue générale des


sciences, 1894). Cf. Morgan, Evolution and ‘Adaptation, London, 1903,
P- 357-
I VARIATION AND HEREDITY 85

single unquestionable example of acquired and trans-


mitted peculiarities, beyond the famous experiments
of Brown-Séquard, repeated and confirmed by other
physiologists.» By cutting the spinal cord or the
sciatic nerve of guinea-pigs, Brown-Séquard brought
about an epileptic state which was transmitted to the
descendants. Lesions of the same sciatic nerve, of the
restiform body, etc., provoked various troubles in the
guinea-pig which its progeny inherited sometimes in a
quite different form: exophthalmia, loss of toes, etc.
But it is not demonstrated that in these different cases of
hereditary transmission there had been a real influence of
the soma of the animal on its germ-plasm. Weismann
at once objected that the operations of Brown-Séquard
might have introduced certain special microbes into the
body of the guinea-pig, which had found their means
of nutrition in the nervous tissues and transmitted
the malady by penetrating into the sexual elements.’
This objection has been answered by Brown-Séquard
himself ;* but a more plausible one might be raised.
Some experiments of Voisin and Peron have shown
that fits of epilepsy are followed by the elimination
of a toxic body which, when injected into animals,‘ is
capable of producing convulsive symptoms. Perhaps
the trophic disorders following the nerve lesions
made by Brown-Séquard correspond to the formation
1 Brown-Séquard, “ Nouvelles Recherches sur I’épilepsie due 4 certaines
lésions de la moelle épiniére et des nerfs rachidiens ” (Arch. de physiologie, vol.
li., 1866, pp. 211, 422, and 497).
2 Weismann, Aufsdtze iiber Vererbung, Jena, 1892, pp. 376-378, and also
Vortrage iiber Descendenxtheorie, Jena, 1902, vol. ii. p. 76.
3 Brown-Séquard, “Heérédité d’une affection due a une cause acci-
dentelle” (Arch. de physiologie, 1892, pp. 686 ff.).
4 Voisin and Peron, “Recherches sur la toxicité urinaire chez les
épileptiques ” (Arch. de neurologie, vol. xxiv., 1892, and xxv. 1893.
Cf. the work of Voisin, L’Epilepsie, Paris, 1897, Pp- 125-133).
86 CREATIVE EVOLUTION CHAP,

of precisely this convulsion-causing poison. If so, the


toxin passed from the guinea-pig to its spermatozoon
or ovum, and caused in the development of the
embryo a general disturbance, which, however, had
no visible effects except at one point or another of
the organism when developed. In that case, what
occurred would have been somewhat the same as in
the experiments of Charrin, Delamare, and Moussu,
where guinea-pigs in gestation, whose liver or kidney
was injured, transmitted the lesion to their progeny,
simply because the injury to the mother’s organ had
given rise to specific “‘cytotoxins ”’ which acted on the
corresponding organ of the foetus.’ It is true that, in
these experiments, as in a former observation of the
same physiologists,’ it was the already formed foetus
that was influenced by the toxins. But other researches
of Charrin have resulted in showing that the same
effect may be produced, by an analogous process, on
the spermatozoa and the ova.* To conclude, then:
the inheritance of an acquired peculiarity in the ex-
periments of Brown-Séquard can be explained by the
effect of a toxin on the germ. The lesion, however
well localised it seems, is transmitted by the same
process as, for instance, the taint of alcoholism. But
may it not be the same in the case of every acquired
peculiarity that has become hereditary ?
There is, indeed, one point on which both those
who affirm and those who deny the transmissibility of
1 Charrin, Delamare and Moussu, “Transmission expérimentale aux
descendants de lésions développées chez les ascendants” (C.R. de I’Acad. des
Sciences, vol. cxxxv., 1902, p. 191). Cf. Morgan, Evolution and Adaptation,
p- 257, and Delage, L’Hérédité, 2nd edition, p. 388.
2 Charrin and Delamare, “Hérédité cellulaire” (C.R. de l’Acad. des
Sciences, vol. cxxxili., 1901, pp. 69-71).
§ Charrin, “L’Hérédité pathologique” (Revue générale des sciences, 15
janvier 1896).
I VARIATION AND HEREDITY 87
acquired characters are agreed, namely, that certain in-
fluences, such as that of alcohol, can affect at the same
time both the living being and the germ-plasm it con-
tains. In such case, there is inheritance of a defect,
and the result is as if the soma of the parent had acted
on the germ-plasm, although in reality soma and plasma
have simply both suffered the action of the same cause.
Now, suppose that the soma can influence the germ-
plasm, as those believe who hold that acquired characters
are transmissible. Is not the most natural hypothesis
to suppose that things happen in this second case as in
the first, and that the direct effect of the influence of
the soma is a general alteration of the germ-plasm?
If this is the case, it is by exception, and in some sort
by accident, that the modification of the descendant
is the same as that of the parent. It is like the
hereditability of the alcoholic taint: it passes from
father to children, but it may take a different form
in each child, and in none of them be like what
se -was: in. the father. Let the letter’ C. represent
the change in the plasm, C being either positive
or negative, that is to say, showing either the gain
or loss of certain substances. The effect will not
be an exact reproduction of the cause, nor will the
change in the germ-plasm, provoked by a certain
modification of a certain part of the soma, determine
a similar modification of the corresponding part of the
new organism in process of formation, unless all the
other nascent parts of this organism enjoy a kind of
immunity as regards C: the same part will then
undergo alteration in the new organism, because it
happens that the development of this part is alone
subject to the new influence. And, even then, the
part might be altered in an entirely different way
88 CREATIVE EVOLUTION CHAP.
from that in which the corresponding part was altered
in the generating organism.
We should propose, then, to introduce a distinction
between the hereditability of deviation and that of char-
acter. An individual which acquires a new character
thereby deviates from the form it previously had, which
form the germs, or oftener the half-germs, it contains
would have reproduced in their development. If this
modification does not involve the production of sub-
stances capable of changing the germ-plasm, or does not
so affect nutrition as to deprive the germ-plasm of certain
of its elements, it will have no effect on the offspring
of the individual. This is probably the case as a rule.
If, on the contrary, it has some effect, this is likely to
be due to a chemical change which it has induced in
the germ-plasm. This chemical change might, by ex-
ception, bring about the original modification again in the
organism which the germ is about to develop, but there
are as many and more chances that it will do something
else. In this latter case, the generated organism will
perhaps deviate from the normal type as much as the
generating organism, but it will do so differently. It
will have inherited deviation and not character. In
general, therefore, the habits formed by an individual
have probably no echo in its offspring ; and when
they have, the modification in the descendants may have
no visible likeness to the original one. Such, at least,
is the hypothesis which seems to us most likely. In
any case, in default of proof to the contrary, and so
long as the decisive experiments called for by an
eminent biologist’ have not been made, we must keep
to the actual results of observation. Now, even if we
_take the most favourable view of the theory of the trans-
1 Giard, Controverses transformistes, Paris, 1904, p. 147
1 RESULT OF THE DISCUSSION 89
missibility of acquired characters, and assume that the
ostensible acquired character is not, in most cases, the
more or less tardy development of an innate character,
facts show us that hereditary transmission is the excep-
‘tion and not the rule. How, then, shall we expect
it to develop an organ such as the eye? When we
think of the enormous number of variations, all in
the same direction, that we must suppose to be
accumulated before the passage from the pigment-
spot of the Infusorian to the eye of the moliusc and of
the vertebrate is possible, we do not see how heredity,
as we observe it, could ever have determined this
piling-up of differences, even supposing that individual
efforts could have produced each of them singly.
That is to say that neo-Lamarckism is no more able
than any other form of evolutionism to solve the
problem.

In thus submitting the various present forms of


evolutionism to a common test, in showing that they
all strike against the same insurmountable difficulty,
we have in no wise the intention of rejecting them
altogether. On the contrary, each of them, being
supported by a considerable number of facts, must be
true in its way. Each of them must correspond to
a certain aspect of the process of evolution. Perhaps
even it is necessary that a theory should restrict it-
self exclusively to a particular point of view, in order
to remain scientific, Ze. to give a precise direction
to researches into detail. But the reality of which
each of these theories takes a partial view must trans-
cend them all. And this reality is the special object
of philosophy, which is not constrained to scientific pre-
cision because it contemplates no practical application.
Jo CREATIVE EVOLUTION ae,
Let us therefore indicate in a word or two the posi-
tive contribution that each of the three present forms
of evolutionism seems to us to make toward the
solution of the problem, what each of them leaves out,
and on what point this threefold effort should, in our
opinion, converge in order to obtain a more compre-
hensive, although thereby of necessity a less definite,
idea of the evolutionary process.
The neo-Darwinians are probably right, we believe,
when they teach that the essential causes of variation
are the differences inherent in the germ borne by the
individual, and not the experiences or behaviour of
the individual in the course of his career. Where we
fail to follow these biologists, is in regarding the
differences inherent in the germ as purely accidental
and individual. We cannot help believing that these
differences are the development of an impulsion which
passes from germ to germ across the individuals, that
they are therefore not pure accidents, and that they
might well appear at the same time, in the same form,
in all the representatives of the same species, or at least
in a certain number of them. Already, in fact, the
theory of mutations is modifying Darwinism profoundly
on this point. It asserts that at a given moment, after
a long period, the entire species is beset with a tendency
to change. The tendency to change, therefore, is not
accidental. True, the change itself would be accidental,
since the mutation works, according to De Vries, in
different directions in the different representatives of
the species. But, first we must see if the theory is
confirmed by many other vegetable species (De Vries
has verified it only by the Oenothera Lamarckiana),'
1 Some analogous facts, however, have been noted, all in the vegetable
world. See Blaringhem, “La Notion d’espéce et la théorie de la mutation ”
I RESULT OF THE DISCUSSION gI
and then there is the possibility, as we shall explain
further on, that the part played by chance is much
greater in the variation of plants than in that of
animals, because, in the vegetable world, function
does not depend so strictly on form. Be that as it
may, the neo-Darwinians are inclined to admit that the
periods of mutation are determinate. The direction
of the mutation may therefore be so as well, at least in
animals, and to the extent we shall have to indicate.
We thus arrive at a hypothesis like Eimer’s,
according to which the variations of different characters
continue from generation to generation in definite
directions. This hypothesis seems plausible to us,
within the limits in which Eimer himself retains it.
Of course, the evolution of the organic world cannot
be predetermined as a whole. We claim, on the
contrary, that the spontaneity of life is manifested by
a continual creation of new forms succeeding others.
But this indetermination cannot be complete ; it must
leave a certain part to determination. An organ like
the eye, for example, must have been formed by
just a continual changing in a definite direction.
Indeed, we do not see how otherwise to explain the
likeness of structure of the eye in species that have
not the same history. Where we differ from Eimer
is in his claim that combinations of physical and
chemical causes are enough to secure the result. We
have tried to prove, on the contrary, by the example of
the eye, that if there is “ orthogenesis”” here, a psycho-
logical cause intervenes.
Certain neo-Lamarckians do indeed resort to a
cause of a psychological nature. There, to our think-
(Année psychologique, vol. xii.. 1906, pp. 95 ff.), and De Vries, Species and
Varieties, p. 655.
92 CREATIVE EVOLUTION ns
ing, is one of the most solid positions of neo-Lamarck-
ism. But if this cause is nothing but the conscious
effort of the individual, it cannot operate in more than
a restricted number of cases—at most in the animal
world, and not at all in the vegetable kingdom.
Even in animals, it will act only on points which are
under the direct or indirect control of the will. And
even where it does act, it is not clear how it could
compass a change so profound as an increase of com-
plexity: at most this would be conceivable if the
acquired characters were regularly transmitted so as
to be added together ; but this transmission seems to
be the exception rather than the rule. A hereditary
change in a definite direction, which continues to
accumulate and add to itself so as to build up a
more and more complex machine, must certainly be
related to some sort of effort, but to an effort of far
greater depth than the individual effort, far more
independent of circumstances, an effort common to
most representatives of the same species, inherent in
the germs they bear rather than in their substance
alone, an effort thereby assured of being passed on to
their descendants.

So we come back, by a somewhat roundabout way,


to the idea we started from, that of an original impetus
of life, passing from one generation of germs to the
following generation of germs through the developed
organisms which bridge the interval between the genera-
tions. [his impetus, sustained right along the lines
of evolution among which it gets divided, is the
fundamental cause of variations, at least of those that
are regularly passed on, that accumulate and create
new species. In general, when species have begun to
I THe ViraAL- IMPETUS 93
diverge from a common stock, they accentuate their
divergence as they progress in their evolution. Yet, in
certain definite points, they may evolve identically ; in
fact, they must do so if the hypothesis of a common
impetus be accepted. This is just what we shall have
to show now in a more precise way, by the same
example we have chosen, the formation of the eye in
molluscs and vertebrates. The idea of an “original
impetus,’ moreover, will thus be made clearer.
Two points are equally striking in an organ like the
eye: the complexity of its structure and the simplicity
of its function. The eye is composed of distinct parts,
such as the sclerotic, the cornea, the retina, the crystalline
lens, etc. In each of these parts the detail is infinite.
The retina alone comprises three layers of nervous
elements—multipolar cells, bipolar cells, visual cells—
each of which has its individuality and is undoubtedly
a very complicated organism: so complicated, indeed,
is the retinal membrane in its intimate structure, that
no simple description can give an adequate idea of it.
The mechanism of the eye is, in short, composed of
an infinity of mechanisms, all of extreme complexity.
Yet vision is one simple fact. As soon as the eye
opens, the visual act is effected. Just because the act is
simple, the slightest negligence on the part of nature in
the building of the infinitely complex machine would
have made vision impossible. This contrast between
the complexity of the organ and the unity of the
function is what gives us pause.
A mechanistic theory is one which means to show
us the gradual building-up of the machine under the
influence of external circumstances intervening either
directly by action on the tissues or indirectly by the
selection of better-adapted ones. But, whatever form
94 CREATIVE EVOLUTION CHAP.

this theory may take, supposing it avails at all to


explain the detail of the parts, it throws no light on
their correlation. |
Then comes the doctrine of finality, which says that
the parts have been brought together on a preconceived
plan with a view to a certain end. In this it likens the
labour of nature to that of the workman, who also
proceeds by the assemblage of parts with a view to the
realization of an idea or the imitation of a model.
Mechanism, here, reproaches finalism with its anthropo-
morphic character, and rightly. But it fails to see that
itself proceeds according to this method—somewhat
mutilated! True, it has got rid of the end pursued
or the ideal model. But it also holds that nature has
worked like a human being by bringing parts together,
while a mere glance at the development of an embryo
shows that life goes to work in a very different way.
Life does not proceed by the association and addition of
elements, but by dissociation and division.
We must get beyond both points of view, both
mechanism and finalism being, at bottom, only stand-
points to which the human mind has been led by
considering the work of man. But in what direction
can we go beyond them? We have said that in
analysing the structure of an organ, we can go on
decomposing for ever, although the function of the
whole is a simple thing. This contrast between the
infinite complexity of the organ and the extreme
simplicity of the function is what should open our eyes.
In general, when the same object appears in one
aspect as simple and in another as infinitely complex,
the two aspects have by no means the same importance,
or rather the same degree of reality. In such cases, the
simplicity belongs to the object itself, and the infinite
I THE VITAL IMPETUS 95
complexity to the views we take in turning around it,
to the symbols by which our senses or intellect repre-
sent it to us, or, more generally, to elements of a
different order, with which we try to imitate it arti-
ficially, but with which it remains incommensurable,
being of a different nature. An artist of genius has
painted a figure on his canvas. We can imitate his
picture with many-coloured squares of mosaic. And
we shall reproduce the curves and shades of the model
so much the better as our squares are smaller, more
numerous and more varied in tone. But an infinity of
elements infinitely small, presenting an infinity of shades,
would be necessary to obtain the exact equivalent of the
figure that the artist has conceived as a simple thing,
which he has wished to transport as a whole to the
canvas, and which is the more complete the more it
strikes us as the projection of an indivisible intuition.
Now, suppose our eyes so made that they cannot help
seeing in the work of the master a mosaic effect. Or
suppose our intellect so made that it cannot explain the
appearance of the figure on the canvas except as a work
of mosaic. We should then be able to speak simply
of a collection of little squares, and we should be
under the mechanistic hypothesis. We might add
that, beside the materiality of the collection, there must
be a plan on which the artist worked ; and then we
should be expressing ourselves as finalists. But in
neither case should we have got at the real process,
for there are no squares brought together. It is the
picture, i.e. the simple act, projected on the canvas,
which, by the mere fact of entering into our per-
ception, is decomposed before our eyes into thousands
and thousands of little squares which present, as
recomposed, a wonderful arrangement. So the eye,
96 CREATIVE EVOLUTION CHAP,
with its marvellous complexity of structure, may be
only the simple act of vision, divided for us into a
mosaic of cells, whose order seems marvellous to us
because we have conceived the whole as an assemblage.
If I raise my hand from A to B, this movement
appears to me under two aspects at once. Felt from
within, it is a simple, indivisible act. Perceived from
without, it is the course of a certain curve, AB. In
this curve I can distinguish as many positions as I
please, and the line itself might be defined as a certain
mutual codrdination of these positions. But the posi-
tions, infinite in number, and the order in which they
are connected, have sprung automatically from the
indivisible act by which my hand has gone from A to
B. Mechanism, here, would consist in seeing only the
positions. Finalism would take their order into account.
But both mechanism and finalism would leave on one
side the movement, which is reality itself. In one
sense, the movement is more than the positions and
than their order; for it is sufficient to make it in its
indivisible simplicity to secure that the infinity of the
successive positions as also their order be given at once
—with something else which is neither order nor
position but which is essential, the mobility. But,
in another sense, the movement is /ess than the series
of positions and their connecting order ; for, to arrange
points in a certain order, it is necessary first to conceive
the order and then to realize it with points, there must
be the work of assemblage and there must be intelligence,
whereas the simple movement of the hand contains
nothing of either. It is not intelligent, in the human
sense of the word, and it is not an assemblage, for it is
not made up of elements. Just so with the relation of
the eye to vision. There is in vision more than the
I THE VITAL IMPETUS 97
component cells of the eye and their mutual co-
Ordination: in this sense, neither mechanism nor
finalism go far enough. But, in another sense,
mechanism and finalism both go too far, for they
attribute to Nature the most formidable of the labours of
Hercules in holding that she has exalted to the simple
act of vision an infinity of infinitely complex elements,
whereas Nature has had no more trouble in making an
eye than I have in lifting my hand. Nature’s simple
act has divided itself automatically into an infinity of
elements which are then found to be codrdinated to
one idea, just as the movement of my hand has dropped
an infinity of points which are then found to satisfy
one equation.
We find it very hard to see things in that light,
because we cannot help conceiving organization as
manufacturing. But it is one thing to manufacture,
and quite another to organize. Manufacturing is
peculiar to man. It consists in assembling parts of
matter which we have cut out in such manner that we
can fit them together and obtain from them a common
action. The parts are arranged, so to speak, around
the action as an ideal centre. ‘To manufacture, there-
fore, is to work from the periphery to the centre, or,
as the philosophers say, from the many to the one.
Organization, on the contrary, works from the centre
to the periphery. It begins in a point that is almost
a mathematical point, and spreads around this point by
concentric waves which go on enlarging. The work of
manufacturing is the more effective, the greater the
quantity of matter dealt with. It proceeds by concen-
tration and compression. The organizing act, on the
contrary, has something explosive about it: it needs at
the beginning the smallest possible place, a minimum
H
98 CREATIVE EVOLUTION CHAP,
of matter, as if the organizing forces only entered space
reluctantly. The spermatozoon, which sets 1n motion
the evolutionary process of the embryonic life, is one
of the smallest cells of the organism ; and it is only a
small part of the spermatozoon which really takes part
in the operation.
But these are only superficial differences. Digging
beneath them, we think, a deeper difference would be
found.
A manufactured thing delineates exactly the form of
the work of manufacturing it. I mean that the manu-
facturer finds in his product exactly what he has put
into it. If he is going to make a machine, he cuts out
its pieces one by one and then puts them together:
the machine, when made, will show both the pieces and
their assemblage. The whole of the result represents
the whole of the work ; and to each part of the work
corresponds a part of the result.
Now I recognise that positive science can and should
proceed as if organization was like making a machine.
Only so will it have any hold on organized bodies. For
its object is not to show us the essence of things, but
to furnish us with the best means of acting on them.
Physics and chemistry are well advanced sciences,
and living matter lends itself to our action only so far
as we can treat it by the processes of our physics and
chemistry. Organization can therefore only be studied
scientifically if the organized body has first been
likened to a machine. The cells will be the pieces of
the machine, the organism their assemblage, and the
elementary labours which have organized the parts will
be regarded as the real elements of the labour which has
organized the whole. This is the standpoint of science.
Quite different, in our opinion, is that of philosophy.
: THE VITAL IMPETUS 99
For us, the whole of an organized machine may,
strictly speaking, represent the whole of the organizing
work (this is, however, only approximately true), yet
the parts of the machine do not correspond to parts of
the work, because the materiality of this machine does not
represent a sum of means employed, but a sum of obstacles
avoided: it is a negation rather than a positive reality.
So, as we have shown in a former study, vision is a
power which should attain dy right an infinity of things
inaccessible to our eyes. But such a vision would not
be continued into action; it might suit a phantom, but
not a living being. The vision of a living being is an
effective vision, limited to objects on which the being
can act: it is a vision that 1s canalized, and the visual
apparatus simply symbolizes the work of canalizing.
Therefore the creation of the visual apparatus is no
more explained by the assembling of its anatomic
elements than the digging of a canal could be ex-
plained by the heaping-up of the earth which might
have formed its banks. A mechanistic theory would
maintain that the earth had been brought cart-load by
cart-load ; finalism would add that it had not been
dumped down at random, that the carters had followed
a plan. But both theories would be mistaken, for the
canal has been made in another way.
With greater precision, we may compare the process
by which nature constructs an eye to the simple act by
which we raise the hand. But we supposed at first that
the hand met with no resistance. Let us now imagine
that, instead of moving in air, the hand has to pass
through iron filings which are compressed and offer
resistance to it in proportion as it goes forward. At a
certain moment the hand will have exhausted its effort,
and, at this very moment, the filings will be massed and
100 CREATIVE EVOLUTION CHAP,
codrdinated in a certain definite form, to wit, that of the
hand that is stopped and of a part of the arm. Now,
suppose that the hand and arm are invisible. Lookers-
on will seek the reason of the arrangement in the filings
themselves and in forces within the mass. Some will
account for the position of each filing by the action
exerted upon it by the neighbouring filings : these are
the mechanists. Others will prefer to think that a plan
of the whole has presided over the detail of these ele-
mentary actions: they are the finalists. But the truth
is that there has been merely one indivisible act, that of
the hand passing through the filings : the inexhaustible
detail of the movement of the grains, as well as the order
of their final arrangement, expresses negatively, in a way,
this undivided movement, being the unitary form of a
resistance, and not a synthesis of positive elementary
actions. For this reason, if the arrangement of the
grains is termed an “ effect’’ and the movement of the
hand a “‘cause,”’ it may indeed be said that the whole
of the effect is explained by the whole of the cause, but
to parts of the cause parts of the effect will in no wise
correspond. In other words, neither mechanism nor
finalism will here be in place, and we must resort to an
explanation of a different kind. Now, in the hypothesis
we propose, the relation of vision to the visual appar-
atus would be very nearly that of the hand to the iron
filings that follow, canalize and limit its motion.
The greater the effort of the hand, the farther it will
go into the filings. But at whatever point it stops,
instantaneously and automatically the filings codrdinate
and find their equilibrium. So with vision and its
organ. According as the undivided act constituting
vision advances more or less, the materiality of the
organ is made of a more or less considerable number of
1 Vee VI CAL IMP EOS 101

mutually codrdinated elements, but the order is


necessarily complete and perfect. It could not ke
partial, because, once again, the real process which gives
rise to it has no parts. That is what neither mechanism
nor finalism takes into account, and it is what we also
fail to consider when we wonder at the marvellous
structure of an instrument such as the eye. At the
bottom of our wondering is always this idea, that it
would have been possible for @ part only of this co-
ordination to have been realized, that the complete
realization is a kind of special favour. This favour the
finalists consider as dispensed to them all at once, by the
final cause ; the mechanists claim to obtain it little by
little, by the effect of natural selection ; but both see
something positive in this codrdination, and conse-
quently something fractionable in its cause,—something
which admits of every possible degree of achievement. In
reality, the cause, though more or less intense, cannot
produce its effect except in one piece, and completely
finished. According as it goes further and further in
the direction of vision, it gives the simple pigmentary
masses of a lower organism, or the rudimentary eye
of a Serpula, or the slightly differentiated eye of the
Alciope, or the marvellously perfected eye of the bird ;
but all these organs, unequal as is their complexity,
necessarily present an equal codrdination. For this
reason, no matter how distant two animal species may
be from each other, if the progress toward vision has
gone equally far in both, there is the same visual organ
in each case, for the form of the organ only expresses
the degree in which the exercise of the function has
been obtained.
But, in speaking of a progress toward vision, are we
not coming back to the old notion of finality? It
102 CREATIVE EVOLUTION CHAP, 1
would be so, undoubtedly, if this progress required the
conscious or unconscious idea of an end to be attained.
But it is really effected in virtue of the original impetus
of life ; it is implied in this movement itself, and that
is just why it is found in independent lines of evolu-
tion. If now we are asked why and how it is implied
therein, we reply that life is, more than anything
else, a tendency to act on inert matter. The direc-
tion of this action is not predetermined ; hence the
unforeseeable variety of forms which life, in evolving,
sows along its path. But this action always presents,
to some extent, the character of contingency ; it implies
at least a rudiment of choice. Now a choice involves
the anticipatory idea of several possible actions.
Possibilities of action must therefore be marked out
for the living being before the action itself. Visual
perception is nothing else:’ the visible outlines of
bodies are the design of our eventual action on them.
Vision will be found, therefore, in different degrees in
the most diverse animals, and it will appear in the
same complexity of structure wherever it has reached
the same degree of intensity.
We have dwelt on these resemblances of structure
in general, and on the example of the eye in particular,
because we had to define our attitude toward mechanism
on the one hand and finalism on the other. It remains
for us to describe it more precisely in itself. This we
shall now do by showing the divergent results of
evolution not as presenting analogies, but as them-
selves mutually complementary.
& See, on this subject, Matiére et mémotre, chap. i.
CHAPTER i

THE DIVERGENT DIRECTIONS OF THE EVOLUTION OF LIFE.


TORPOR, INTELLIGENCE, INSTINCT

Tue evolution movement would be a simple one, and


we should soon have been able to determine its direc-
tion, if life had described a single course, like that of a
solid ball shot from a cannon. But it proceeds rather
like a shell, which suddenly bursts into fragments,
which fragments, being themselves shells, burst in their
turn into fragments destined to burst again, and so on
for a time incommensurably long. We perceive only
what is nearest to us, namely, the scattered move-
ments of the pulverized explosions. From them we
have to go back, stage by stage, to the original
movement.
When a shell! bursts, the particular way it breaks is
explained both by the explosive force of the powder
it contains and by the resistance of the metal. So of
the way life breaks into individuals and species. It
depends, we think, on two series of causes: the
resistance life meets from inert matter, and the explosive
force—due to an unstable balance of tendencies—
which life bears within itself.
The resistance of inert matter was the obstacle that
had first to be overcome. Life seems to have succeeded
in this by dint of humility, by making itself very small
103
104 CREATIVE EVOLUTION CHAP.

and very insinuating, bending to physical and chemical


forces, consenting even to go a part of the way with
them, like the switch that adopts for a while the direc-
tion of the rail it is endeavouring to leave. Of phe-
nomena in the simplest forms of life, it is hard to say
whether they are still physical and chemical or whether
they are already vital. Life had to enter thus into the
habits of inert matter, in order to draw it little by
little, magnetized, as it were, to another track. The
animate forms that first appeared were therefore of
extreme simplicity. They were probably tiny masses of
scarcely differentiated protoplasm, outwardly resembling
the amoeba observable to-day, but possessed of the
tremendous internal push that was to raise them even
to the highest forms of life. That in virtue of this
push the first organisms sought to grow as much as
possible, seems likely. But organized matter has a
limit of expansion that is very quickly reached ; beyond
a certain point it divides instead of growing. Ages of
effort and prodigies of subtlety were probably necessary
for life to get past this new obstacle. It succeeded in
inducing an increasing number of elements, ready to
divide, to remain united. By the division of labour it
knotted between them an indissoluble bond. The
complex and quasi-discontinuous organism is thus
made to function as would a continuous living mass
which had simply grown bigger.
But the real and profound causes of division were
those which life bore within its bosom. For life is
tendency, and the essence of a tendency is to develop
in the form of a sheaf, creating, by its very growth,
divergent directions among which its impetus is
divided. This we observe in ourselves, in the evolution
of that special tendency which we call our character.
i DIVERGENT TENDENCIES 105

Each of us, glancing back over his history, will find


that his child-personality, though indivisible, united
in itself divers persons, which could remain blended
just because they were in their nascent state: this
indecision, so charged with promise, is one of the
greatest charms of childhood. But these interwoven
personalities become incompatible in course of growth,
and, as each of us can live but one life, a choice must
perforce be made. We choose in reality without
ceasing ; without ceasing, also, we abandon many things.
The route we pursue in time is strewn with the
remains of all that we began to be, of all that we might
have become. But nature, which has at command an
incalculable number of lives, is in no wise bound to
make such sacrifices. She preserves the different
tendencies that have bifurcated in their growth. She
creates with them diverging series of species that will
evolve separately.
These series may, moreover, be of unequal import-
ance. The author who begins a novel puts into his
hero many things which he is obliged to discard as he
goes on. Perhaps he will take them up later in other
books, and make new characters with them, who will
seem like extracts from, or rather like complements of,
the first ; but they will almost always appear somewhat
poor and limited in comparison with the original
character. So with regard to the evolution of life.
The bifurcations on the way have been numerous, but
there have been many blind alleys beside the two or
three highways ; and of these highways themselves,
only one, that which leads through the vertebrates up
__to man, has been wide enough to allow free passage to
the full breath of life. We get this impression when
we compare the societies of bees and ants, for instance,
106 CREATIVE EVOLUTION CHAP.
with human societies. The former are admirably
ordered and united, but stereotyped; the latter are
open to every sort of progress, but divided, and
incessantly at strife with themselves. The ideal would
be a society always in progress and always in equilibrium,
but this ideal is perhaps unrealizable: the two char-
acteristics that would fain complete each other, which
do complete each other in their embryonic state, can
no longer abide together when they: grow stronger.
If one could speak, otherwise than metaphorically, of
an impulse toward social life, it might be said that
the brunt of the impulse was borne along the line of
evolution ending at man, and that the rest of it was
collected on the road leading to the hymenoptera: the
societies of ants and bees would thus present the aspect
complementary to ours. But this would be only a
manner of expression. There has been no particular
impulse towards social life; there is simply the
general movement of life, which on divergent lines is
creating forms ever new. If societies should appear
on two of these lines, they ought to show divergence
of paths at the same time as community of impetus.
They will thus develop two classes of characteristics
which we shall find vaguely complementary of each
other.
So our study of the evolution movement will
have to unravel a certain number of divergent direc-
tions, and to appreciate the importance of what has
happened along each of them—in a word, to determine
the nature of the dissociated tendencies and estimate
their relative proportion. Combining these tendencies, |
then, we shall get an approximation, or rather an
imitation, of the indivisible motor principle whence
their impetus proceeds. Evolution will thus prove to
re ADAPTATION AND PROGRESS 107

be something entirely different from a series of adapta-


tions to circumstances, as mechanism claims ; entirely
different also from the realization of a plan of the
whole, as maintained by the doctrine of finality.

That adaptation to environment is the necessary


condition of evolution we do not question for a
moment. It is quite evident, that a species would
disappear, should it fail to bend to the conditions of
existence which are imposed on it. But it is one thing
to recognise that outer circumstances are forces evolu-
tion must reckon with, another to claim that they are
the directing causes of evolution. This latter theory is
that of mechanism. It excludes absolutely the hypo-
thesis of an original impetus, I mean an internal push
that has carried life, by more and more complex forms,
to higher and higher destinies. Yet this impetus is
evident, and a mere glance at fossil species shows us
that life need not have evolved at all, or might have
evolved only in very restricted limits, if it had chosen
the alternative, much more convenient to itself, of
becoming anchylosed in its primitive forms. Certain
Foraminifera have not varied since the Silurian epoch.
Unmoved witnesses of the innumerable revolutions
that have upheaved our planet, the Lingulae are to-day
what they were at the remotest times of the paleozoic
era.
The truth is that adaptation explains the sinuosities
of the movement of evolution, but not its general
directions, still less the movement itself.’ The road
that leads to the town is obliged to follow the ups and
1 This view of adaptation has been noted by M. F. Marin in a remark-
able article on the origin of species, “L’Origine des espéces” (Revue
scientifique, Nov. 1901, p. 580).
108 CREATIVE EVOLUTION CHAP.

downs of the hills ; it adapts itse/f to the accidents of


the ground ; but the accidents of the ground are not
the cause of the road, nor have they given it its
direction. At every moment they furnish it with
what is indispensable, namely, the soil on which it
lies ; but if we consider the whole of the road, instead
of each of its parts, the accidents of the ground appear
only as impediments or causes of delay, for the road
aims simply at the town and would fain be a straight
line. Just so as regards the evolution of life and
the circumstances through which it passes—with this
difference, that evolution does not mark out a solitary
route, that it takes directions without aiming at
ends, and that it remains inventive even in its
adaptations.
But, if the evolution of life is something other than
a series of adaptations to accidental circumstances, so
also it is not the realization of a plan. A plan is given
in advance. It is represented, or at least representable,
before its realization. The complete execution of it
may be put off to a distant future, or even indefinitely;
but the idea is none the less formulable at the present
time, in terms actually given. If, on the contrary,
evolution is a creation unceasingly renewed, it creates,
as it goes on, not only the forms of life, but the ideas
that will enable the intellect to understand it, the terms
which will serve to express it. That is to say that its
future overflows its present, and cannot be sketched
out therein in an idea.
There is the first error of finalism. It involves
another, yet more serious.
If life realizes a plan, it ought to manifest a greater
harmony the further it advances, just as the house
shows better and better the idea of the architect as
iT ADAPTATION AND PROGRESS 109
stone is set upon stone. If, on the contrary, the unity
of life is to be found solely in the impetus that pushes
it along the road of time, the harmony is not in front,
but behind. The unity is derived from a vis a tergo:
it is given at the start as an impulsion, not placed
at the end as an attraction. In communicating itself,
the impetus splits up more and more. Life, in pro-
portion to its progress, is scattered in manifestations
which undoubtedly owe to their common origin the
fact that they are complementary to each other in
certain aspects, but which are none the less mutually
incompatible and antagonistic. So the discord between
species will go on increasing. Indeed, we have as yet
only indicated the essential cause of it. We have
supposed, for the sake of simplicity, that each species
received the impulsion in order to pass it on to others,
and that, in every direction in which life evolves, the
propagation is in a straight line. But, as a matter of
fact, there are species which are arrested; there are
some that retrogress. Evolution is not only a move-
ment forward ; in many cases we observe a marking
time, and still more often a deviation or turning back.
It must be so, as we shall show further on, and the
same causes that divide the evolution movement often
cause life to be diverted from itself, hypnotised by the
form it has just brought forth. Thence results an
increasing disorder. No doubt there is progress, if
progress mean a continual advance in the general
direction determined by a first impulsion; but this
progress is accomplished only on the two or three
great lines of evolution on which forms ever more
and more complex, ever more and more high, appear ;
between these lines run a crowd of minor paths in
which, on the contrary, deviations, arrests, and set-backs
i@ €e) CREATIVE EVOLUTION CHAP

are multiplied. The philosopher, who begins by laying


down as a principle that each detail is connected with
some general plan of the whole, goes from one dis-
appointment to another as soon as he comes to examine
the facts ; and, as he had put everything in the same
rank, he finds that, as the result of not allowing for
accident, he must regard everything as accidental. For
accident, then, an allowance must first be made, and
a very liberal allowance. We must recognise that all
is not coherent in nature. By so doing, we shall be
led to ascertain the centres around which the in-
coherence crystallizes. This crystallization itself will
clarify the rest: the main directions will appear, in
which life is moving whilst developing the original
impulse. True, we shall not witness the detailed
accomplishment of a plan. Nature is more and better
than a plan in course of realization. A plan is a
term assigned to a labour: it closes the future whose
form it indicates. Before the evolution of life, on
the contrary, the portals of the future remain wide
open. It is a creation that goes on for ever in virtue
of an initial movement. This movement constitutes
the unity of the organized world—a prolific unity, of
an infinite richness, superior to any that the intellect
could dream of, for the intellect is only one of its
aspects or products.
But it is easier to define the method than to apply
it. The complete interpretation of the evolution
movement in the past, as we conceive it, would be
possible only if the history of the development of the
organized world were entirely known. Such is far
from being the case. The genealogies proposed for
the different species are generally questionable. They
vary with their authors, with the theoretic views
" THE PLANT AND THE ANIMAL dri
inspiring them, and raise discussions to which the
present state of science does not admit of a final
settlement. But acomparison of the different solutions
shows that the controversy bears less on the main lines
of the movement than on matters of detail ; and so, by
following the main lines as closely as possible, we shall
be sure of not going astray. Moreover, they alone
are important to us; for we do not aim, like the
naturalist, at finding the order of succession of
different species, but only at defining the principal
directions of their evolution. And not all of these
directions have the same interest for us : what concerns
us particularly is the path that leads to man. We shall
therefore not lose sight of the fact, in following one
direction and another, that our main business is to
determine the relation of man to the animal kingdom,
and the place of the animal kingdom itself in the
organized world as a whole.

To begin with the second point, let us say that no


definite characteristic distinguishes the plant from the
animal. Attempts to define the two kingdoms strictly
have always come to naught. There is not a single
property of vegetable life that is not found, in some
degree, in certain animals ; not a single characteristic
feature of the animal that has not been seen in certain
species or at certain moments in the vegetable world.
Naturally, therefore, biologists enamoured of clean-
cut concepts have regarded the distinction between the
two kingdoms as artificial. ‘They would be right, if
definition in this case must be made, as in the mathe-
matical and physical sciences, according to certain
statical attributes which belong to the object defined
and are not found in any other. Very different, in
Tt CREATIVE EVOLUTION CHAP.

our opinion, is the kind of definition which befits the


sciences of life. There is no manifestation of life
which does not contain, in a rudimentary state—either
latent or potential,—the essential characters of most
other manifestations. The difference is in the pro-
portions. But this very difference of proportion will
suffice to define the group, if we can establish that it
is not accidental, and that the group, as it evolves,
tends more and more to emphasize these particular
characters. Ina word, she group must not be defined by
the possession of certain characters, but by its tendency
to emphasize them. From this point of view, taking
tendencies rather than states into account, we find
that vegetables and animals may be precisely defined
and distinguished, and that they correspond to two
divergent developments of life.
This divergence is shown, first, in the method of
alimentation. We know that the vegetable derives
directly from the air and water and soil the elements
necessary to maintain life, especially carbon and
nitrogen, which it takes in mineral form. The animal,
on the contrary, cannot assimilate these elements
unless they have already been fixed for it in organic
substances by plants, or by animals which directly
or indirectly owe them to plants; so that ultimately
the vegetable nourishes the animal. True, this law
allows of many exceptions among vegetables. We do
not hesitate to class amongst vegetables the Drosera,
the Dionaea, the Pinguicula, which are insectivorous
plants. On the other hand, the fungi, which occupy
so considerablea place in the vegetable world, feed like
animals: whether they are ferments, saprophytes or
parasites, it is to already formed organic substances
that they owe their nourishment. It is therefore
ii TAG PLANT AND PEs ANIMAL: -113

impossible to draw from this difference any static


definition such as would automatically settle in any
particular case the question whether we are deal-
ing with a plant or an animal. But the difference may
provide the beginning of a dynamic definition of the
two kingdoms, in that it marks the two divergent
directions in which vegetables and animals have taken
their course. It is a remarkable fact that the fungi,
which nature has spread all over the earth in such
extraordinary profusion, have not been able to evolve.
Organically they do not rise above tissues which, in
the higher vegetables, are formed in the embryonic
sac of the ovary, and precede the germinative develop-
ment of the new individual.’ They might be called
the abortive children of the vegetable world. Their
different species are like so many blind alleys, as if,
by renouncing the mode of alimentation customary
amongst vegetables, they had been brought to a stand-
still on the highway of vegetable evolution. As to
the Drosera, the Dionaea, and insectivorous plants
in general, they are fed by their roots, like other
plants ; they too fix, by their green parts, the carbon
of the carbonic acid in the atmosphere. Their faculty
of capturing, absorbing and digesting insects must
have arisen late, in quite exceptional cases where the
soil was too poor to furnish sufficient nourishment.
In a general way, then, if we attach less importance to
the presence of special characters than to their tendency
to develop, and if we regard as essential that tendency
along which evolution has been able to continue
indefinitely, we may say that vegetables are dis-
tinguished from animals by their power of creating
organic matter out of mineral elements which they
1 De Saporta and Marion, L’ Evolution des cryptogames, 1881, p. 37.
I
114 CREATIVE EVOLUTION CHAP,

draw directly from the air and earth and water.


But now we come to another difference, deeper than
this, though not unconnected with it.
The animal, being unable to fix directly the carbon
and nitrogen which are everywhere to be found, has to
seek for its nourishment vegetables which have already
fixed these elements, or animals which have taken them
from the vegetable kingdom. So the animal must be
able to move. From the amoeba, which thrusts out
its pseudopodia at random to seize the organic matter
scattered in a drop of water, up to the higher animals
which have sense-organs with which to recognise their
prey, locomotor organs to go and seize it, and a
nervous system to codrdinate their movements with
their sensations, animal life is characterized, in its
general direction, by mobility in space. In its most
rudimentary form, the animal is a tiny mass of
protoplasm enveloped at most in a thin albuminous
pellicle which allows full freedom for change of shape
and movement. ‘The vegetable cell, on the contrary, is
surrounded by a membrane of cellulose, which con-
demns it to immobility. And, from the bottom to the
top of the vegetable kingdom, there are the same habits
growing more and more sedentary, the plant having no
need to move, and finding around it, in the air and
water and soil in which it is placed, the mineral elements
it can appropriate directly. It is true that phenomena
of movement are seen in plants. Darwin has written
a well-known work on the movements of climbing
plants. He studied also the contrivances of certain in-
sectivorous plants, such as the Drosera and the Dionaea,
to seize their prey. The leaf-movements of the acacia,
the sensitive plant, etc., are well known. Moreover,
the circulation of the vegetable protoplasm within its
i" THE PLANT AND THE ANIMAL 115

sheath bears witness to its relationship to the proto-


plasm of animals, whilst in a large number of animal
species (generally parasites) phenomena of fixation,
analogous to those of vegetables, can be observed.’
Here, again, it would be a mistake to claim that fixity
and mobility are the two characters which enable us
to decide, by simple inspection alone, whether we have
before us a plant or an animal. But fixity, in the
animal, generally seems like a. torpor into which the
species has fallen, a refusal to evolve further in a
certain direction ; it 1s closely akin to parasitism and
is accompanied by features that recall those of vegetable
life. On the other hand, the movements of vegetables
have neither the frequency nor the variety of those of
animals. Generally, they involve only part of the
organism and scarcely ever extend to the whole. In
the exceptional cases in which a vague spontaneity
appears in vegetables, it is as if we beheld the accidental
awakening of an activity normally asleep. In short,
although both mobility and fixity exist in the vegetable
as in the animal world, the balance is clearly in
favour of fixity in the one case and of mobility in the
other. These two opposite tendencies are so plainly
directive of the two evolutions that the two kingdoms
might almost be defined by them. But fixity and
mobility, again, are only superficial signs of tendencies
that are still deeper.
Between mobility and consciousness there is an
obvious relationship. No doubt, the consciousness
of the higher organisms seems bound up with certain
cerebral arrangements. The more the nervous system
develops, the more numerous and more precise become
1 On fixation and parasitism in general, see the work of Houssay,
La Forme et la vie, Paris, 1900, pp. 721-807.
116 CREATIVE EVOLUTION CHAP.

the movements among which it can choose; the


clearer, also, is the consciousness that accompanies
them. But neither this mobility nor this choice nor
consequently this consciousness involves as a necessary
condition the presence of a nervous system ; the latter
has only canalized in definite directions, and brought
up to a higher degree of intensity, a rudimentary and
vague activity, diffused throughout the mass of the
organized substance. The lower we descend in the
animal series, the more the nervous centres are simpli-
fied, and the more, too, they separate from each other,
till finally the nervous elements disappear, merged in
the mass of a less differentiated organism. But it is
the same with all the other apparatus, with all the
other anatomical elements; and it would be as absurd
to refuse consciousness to an animal because it has no
brain as to declare it incapable of nourishing itself be-
cause it has no stomach. The truth is that the nervous
system arises, like the other systems, from a division
of labour. It does not create the function, it only
brings it to a higher degree of intensity and precision
by giving it the double form of reflex and voluntary
activity. To accomplish a true reflex movement, a
whole mechanism is necessary, set up in the spinal
cord or the medulla. To choose voluntarily between
several definite courses of action, cerebral centres are
necessary, that is, crossways from which paths start,
leading to motor mechanisms of diverse form but equal
precision. But where nervous elements are not yet
canalized, still less concentrated into a system, there is
something from which, by a kind of splitting, both the
reflex and the voluntary will arise, something which
has neither the mechanical precision of the former
nor the intelligent hesitations of the latter, but which,
i THE PLANT AND THE ANIMAL © irq

partaking of both it may be infinitesimally, is a reaction


simply undecided, and therefore vaguely conscious.
This amounts to saying that the humblest organism
is conscious in proportion to its power to move /reely.
Is consciousness here, in relation to movement, the effect
or the cause? In one sense it is the cause, since it has
to direct locomotion. But in another sense it is the
effect, for it is the motor activity that maintains it,
and, once this activity disappears, consciousness dies
away or rather falls asleep. In crustaceans such as
the rhizocephala, which must formerly have shown a
more differentiated structure, fixity and parasitism
accompany the degeneration and almost complete dis-
appearance of the nervous system. Since, in such a
case, the progress of organization must have localized all
the conscious activity in nervous centres, we may con-
jecture that consciousness is even weaker in animals of
this kind than in organisms much less differentiated,
which have never had nervous centres but have
remained mobile.
How then could the plant, which is fixed in the
earth and finds its food on the spot, have developed in
the direction of conscious activity ? The membrane of
cellulose, in which the protoplasm wraps itself up, not
only prevents the simplest vegetable organism from
moving, but screens it also, in some measure, from
those outer stimuli which act on the sensibility of the
animal as irritants and prevent it from going to sleep.!
_The plant is therefore unconscious. Here again,
however, we must beware of radical distinctions.
“Unconscious” and “conscious” are not two labels
which can be mechanically fastened, the one on every
vegetable cell, the other on all animals. While conscious-
7 1 Cope, op. cit. p. 76. 7
118 CREATIVE EVOLUTION CHAP.

ness sleeps in the animal which has degenerated into a


motionless parasite, it probably awakens in the vegetable
that has regained liberty of movement, and awakens in just
the degree to which the vegetable has reconquered this
liberty. Nevertheless, consciousness and unconscious-
ness mark the directions in which the two kingdoms
have developed, in this sense, that to find the best
specimens of consciousness in the animal we must
ascend to the highest representatives of the series,
whereas, to find probable cases of vegetable conscious-
ness, we must descend as low as possible in the scale of
plants—down to the zoospores of the algae, for instance,
and, more generally, to those unicellular organisms
which may be said to hesitate between the vegetable
form and animality. From this standpoint, and in this
measure, we should define the animal by sensibility and
awakened consciousness, the vegetable by conscious-
ness asleep and by insensibility.
To sum up, the vegetable manufactures organic sub-
stances directly with mineral substances ; as a rule, this
aptitude enables it to dispense with movement and so
with feeling. Animals, which are obliged to go in
search of their food, have evolved in the direction of
locomotor activity, and consequently of a consciousness
more and more distinct, more and more ample.

Now, it seems to us most probable that the animal


cell and the vegetable cell are derived from a common
stock, and that the first living organisms oscillated
between the vegetable and animal form, participating
in both at once. Indeed, we have just seen that the
characteristic tendencies of the evolution of the two
kingdoms, although divergent, coexist even now, both
in the plant and in the animal. The proportion alone
« | THE PLANT AND THE ANIMAL 119
differs. Ordinarily, one of the two tendencies covers
or crushes down the other, but in exceptional circum-
stances the suppressed one starts up and regains the
place it had lost. The mobility and consciousness of
the vegetable cell are not so sound asleep that they can-
not rouse themselves when circumstances permit or
demand it; and, on the other hand, the evolution of
the animal kingdom has always been retarded, or stopped,
or dragged back, by the tendency it has kept toward
the vegetative life. However full, however overflow-
ing the activity of an animal species may appear, torpor
and unconsciousness are always lying in wait forit. It
keeps up its rdle only by effort, at the price of fatigue.
Along the route on which the animal has evolved,
there have been numberless shortcomings and cases of
decay, generally associated with parasitic habits ; they
are so many shuntings on to the vegetative life. Thus,
everything bears out the belief that vegetable and
animal are descended from a common ancestor which
united the tendencies of both in a rudimentary state.
But the two tendencies mutually implied in this
rudimentary form became dissociated as they grew.
Hence the world of plants with its fixity and insensi-
bility, hence the animals with their mobility and con-
sciousness. ‘There is no need, in order to explain this
dividing into two, to bring in any mysterious force. It is
enough to point out that the living being leans naturally
toward what is most convenient to it, and that vegetables
and animals have chosen two different kinds of con-
venience in the way of procuring the carbon and nitrogen
they need. Vegetables continually and mechanically
draw these elements from an environment that continu-
ally provides it. Animals, by action that is discon-
tinuous, concentrated in certain moments, and conscious,
120 CREATIVE EVOLUTION CHAP.
go to find these bodies in organisms that have already
fixed them. They are two different ways of being in-
dustrious, or perhaps we may prefer to say, of being idle.
For this very reason we doubt whether nervous elements,
however rudimentary, will ever be found in the plant.
What corresponds in it to the directing will of the
animal is, we believe, the direction in which it bends the
energy of the solar radiation when it uses it to break the
connection of the carbon with the oxygen in carbonic acid.
What corresponds in it to the sensibility of the animal is
the impressionability, quite of its kind, of its chlorophyl
to light. Now, a nervous system being pre-eminently
a mechanism which serves as intermediary between
sensations and volitions, the true “ nervous system” of
the plant seems to be the mechanism or rather chemicism
sui generis which serves as intermediary between the im-
pressionability of its chlorophyl to light and the produc-
ing of starch: which amounts to saying that the plant can
have no nervous elements, and that the same impetus that
has led the animal to give itself nerves and nerve centres must
have ended, in the plant, in the chlorophylitan function2

This first glance over the organized world will


enable us to ascertain more precisely what unites the
two kingdoms, and also what separates them.
Suppose, as we suggested in the preceding chapter,
that at the root of life there is an effort to engraft on to
1 Just as the plant, in certain cases, recovers the faculty of moving
actively which slumbers in it, so the animal, in exceptional circumstances,
can replace itself in the conditions of the vegetative life and develop in itself
an equivalent of the chlorophyllian function. It appears, indeed, from
recent experiments of Maria von Linden, that the chrysalides and the
caterpillars of certain Lepidoptera, under the influence of light, fix the
carbon of the carbonic acid contained in the atmosphere (M. von Linden,
“L’ Assimilation de l’acide carbonique par les chrysalides de Lépidopteéres,”
C.R. de la Soc. de biologie, 1905, pp. 692 ff.).
MT THE PLANT AND THE ANIMAL #121

the necessityofphysical forces the largest possible amount


of indetermination. ‘This effort cannot result in the
creation of energy, or, if it does, the quantity created
does not belong to the order of magnitude apprehended
by our senses and instruments of measurement, our ex-
perience and science. All that the effort can do, then, is
to make the best of a pre-existing energy which it finds
at its disposal. Now, it finds only one way of succeed-
ing in this, namely, to secure such an accumulation of
potential energy from matter, that it can get, at any
moment, the amount of work it needs for its action,
simply by pulling a trigger. The effort itself possesses
only that power of releasing. But the work of releasing,
although always the same and always smaller than any
given quantity, will be the more effective the heavier
the weight it makes fall and the greater the height—or,
in other words, the greater the sum of potential energy
accumulated and disposable. As a matter of fact, the
principal source of energy usable on the surface of our
planet is the sun. So the problem was this: to obtain
from the sun that it should partially and provisionally
suspend, here and there, on the surface of the earth, its
continual outpour of usable energy, and store a certain
quantity of it, in the form of unused energy, in
appropriate reservoirs, whence it could be drawn at the
desired moment, at the desired spot, in the desired
direction. The substances forming the food of animals
are just such reservoirs. Made of very complex mole-
cules holding a considerable amount of chemical energy
in the potential state, they are like explosives which only
need a spark to set free the energy stored within them.
Now, it is probable that life tended at the beginning to
compass at one and the same time both the manufac-
ture of the explosive and the explosion by which it
122 CREATIVE EVOLUTION CHAP.

is utilized. In this case, the same organism that


had directly stored the energy of the solar radiation
would have expended it in free movements in space.
And for that reason we must presume that the first living
beings sought on the one hand to accumulate, without
ceasing, energy borrowed from the sun, and on the
other hand to expend it, in a discontinuous and ex-
plosive way, in movements of locomotion. Even
to-day, perhaps, a chlorophyl-bearing Infusorian such as
the Euglena may symbolize this primordial tendency of
life, though in a mean form, incapable of evolving. Is
the divergent development of the two kingdoms related
to what one may call the oblivion of each kingdom as
regards one of the two halves of the programme? Or
rather, which is more likely, was the very nature of
the matter, that life found confronting it on our planet,
opposed to the possibility of the two tendencies evolving
very far together in the same organism? What is
certain is that the vegetable has trended principally in
the first direction and the animal in the second. But
if, from the very first, in making the explosive, nature
had for object the explosion, then it is the evolution of
the animal, rather than that of the vegetable, that in-
dicates, on the whole, the fundamental direction of life.
The “harmony” of the two kingdoms, the com-
plementary characters they display, might then be
due to the fact that they develop two tendencies
which at first were fused in one. The more the
single original tendency grows, the harder it finds it to
keep united in the same living being those two elements
which in the rudimentary state implied each other.
Hence a parting in two, hence two divergent evolutions ;
hence also two series of characters opposed in certain
points, complementary in others, but, whether opposed
n THE PLANT AND THE ANIMAL 123
or complementary, always preserving an appearance of
kinship. While the animal evolved, not without
accidents along the way, toward a freer and freer ex-
penditure of discontinuous energy, the plant perfected
rather its system of accumulation without moving.
We shall not dwell on this second point. Suffice it to
say that the plant must have been greatly benefited, in
its turn, by a new division, analogous to that between
plants and animals. While the primitive vegetable
cell had to fix by itself both its carbon and its nitrogen,
it became able almost to give up the second of these
two functions as soon as microscopic vegetables came
forward which leaned in this direction exclusively, and
even specialised diversely in this still complicated busi-
ness. The microbes that fix the nitrogen of the air and
those which convert the ammoniacal compounds into
nitrous ones, and these again into nitrates, have, by the
same splitting up of a tendency primitively one, rendered
to the whole vegetable world the same kind of service as
the vegetables in general have rendered to animals. If
a special kingdom were to be made for these microscopic
vegetables, it might be said that in the microbes of the
soil, the vegetables and the animals, we have before us
the analysis, carried out by the matter that life found at its
disposal on our planet, of all that life contained, at the
outset, in a state of reciprocal implication. Is this,
properly speaking, a “‘division of labour”? These words
do not give the exact idea of evolution, such as we con-
ceive it. Wherever there is division of labour, there is
association and also convergence of effort. Now, the evolu-
tion we are speaking of is never achieved by means of
association, but by dissociation ; it never tends toward
convergence, but toward divergence of efforts. The
harmony between terms that are mutually comple-
124 CREATIVE EVOLUTION CHAP.
mentary in certain points is not, in our opinion,
produced, in course of progress, by a reciprocal adapta-
tion ; on the contrary, it is complete only at the start.
It arises from an original identity, from the fact that
the evolutionary process, splaying out like a sheaf,
sunders, in proportion to their simultaneous growth,
terms which at first completed each other so well that
they coalesced.
Now, the elements into which a tendency splits up
are far from possessing the same importance, or, above
all, the same power to evolve. We have just dis-
tinguished three different kingdoms, if one may so
express it, in the organized world. While the first
comprises only micro-organisms which have remained
in the rudimentary state, animals and vegetables have
taken their flight toward very lofty fortunes. Such,
indeed, is generally the case when a tendency divides.
Among the divergent developments to which it
gives rise, some go on indefinitely, others come more
or less quickly to the end of their tether. These latter
do not issue directly from the primitive tendency, but
from one of the elements into which it has divided;
they are residual developments made and left behind
on the way by some truly elementary tendency which
continues to evolve. Now, these truly elementary
tendencies, we think, bear a mark by which they may
be recognised.
This mark is like a trace, still visible in each, of
what was in the original tendency of which they re-
present the elementary directions. The elements of a
tendency are not like objects set beside each other in
space and mutually exclusive, but rather like psychic
states, each of which, although it be itself to begin
with, yet partakes of others, and so virtually includes
i THE PLANT AND THE ANIMAL 126

in itself the whole personality to which it belongs.


There is no real manifestation of life, we said, that
does not show us, in a rudimentary or latent state, the
characters of other manifestations. Conversely, when
we meet, on one line of evolution, a recollection, so to
speak, of what is developed along other lines, we must
conclude that we have before us dissociated elements of
one and the same original tendency. In this sense,
vegetables and animals represent the two great divergent
developments of life. Though the plant is distinguished
from the animal by fixity and insensibility, movement
and consciousness sleep in it as recollections which may
waken. But, beside these normally sleeping recollections,
there are others awake and active, just those, namely,
whose activity does not obstruct the development of
the elementary tendency itself. We may then formulate
this law: When a tendency splits up in the course of its
development, each of the spectal tendencies which thus arise
tries to preserve and develop everything in the primitive
tendency that is not incompatible with the work for which
it is specialized. ‘This explains precisely the fact we
dwelt on in the preceding chapter, viz., the formation
of identical complex mechanisms on independent lines
of evolution. Certain deep-seated analogies between
the animal and the vegetable have probably no other
cause : sexual generation is perhaps only a luxury for
the plant, but to the animal it was a necessity, and the
plant must have been driven to it by the same impetus
which impelled the animal thereto, a primitive, original
impetus, anterior to the separation of the two king-
doms. The same may be said of the tendency of
the vegetable towards a growing complexity. This
tendency is essential to the animal kingdom, ever
tormented by the need of more and more extended
126 CREATIVE EVOLUTION CHAP.

and effective action. But the vegetable, condemned to


fixity and insensibility, exhibits the same tendency only
because it received at the outset the same impulsion.
Recent experiments show that it varies at random when
the period of “ mutation” arrives ; whereas the animal
must have evolved, we believe, in much more definite
directions. But we will not dwell further on this original
doubling of the modes of life. Let us come to the
evolution of animals, in which we are more particularly
interested.

What constitutes animality, we said, is the faculty


of utilizing a releasing mechanism for the conversion
of as much stored-up potential energy as possible into
“explosive’’ actions. In the beginning the explosion
is haphazard, and does not choose its direction. Thus
the amoeba thrusts out its pseudopodic prolongations
in all directions at once. But, as we rise in the
animal scale, the form of the body itself is observed to
indicate a certain number of very definite directions
along which the energy travels. These directions are
marked by so many chains of nervous elements. Now,
the nervous element has gradually emerged from
the barely differentiated mass of organized tissue.
It may, therefore, be surmised that in the nervous
element, as soon as it appears, and also in its append-
ages, the faculty of suddenly freeing the gradually
stored-up energy is concentrated. No doubt, every
living cell expends energy without ceasing, in order
to maintain its equilibrium. The vegetable cell, torpid
from the start, is entirely absorbed in this work of
maintenance alone, as if it took for end what must at
first have been only a means. But, in the animal, all
points to action, that is, to the utilization of energy for
rt ANIMAL LIFE 127

movements from place to place. True, every animal


celi expends a good deal—often the whole—of the
energy at its disposal in keeping itself alive ; but the
organism as a whole tries to attract as much energy as
possible to those points where the locomotive move-
ments are effected. So that where a nervous system
exists, with its complementary sense-organs and motor
apparatus, everything should happen as if the rest of
the body had, as its essential function, to prepare for
these and pass on to them, at the moment required, that
force which they are to liberate by a sort of explosion.
The part played by food amongst the higher animals
is, indeed, extremely complex. In the first place it serves
to repair tissues, then it provides the animal with the
heat necessary to render it as independent as possible
of changes in external temperature. Thus it pre-
serves, supports, and maintains the organism in which
the nervous system is set and on which the nervous
elements have to live. But these nervous elements
would have no reason for existence if the organism
did not pass to them, and especially to the muscles
they control, a certain energy to expend; and it may
even be conjectured that there, in the main, is the
essential and ultimate destination of food. This does
not mean that the greater part of the food is used in this
work. A state may have to make enormous expendi-
ture to secure the return of taxes, and the sum which
it will have to dispose of, after deducting the cost of
collection, will perhaps be very small: that sum is, none
the less, the reason for the tax and for all that has been
spent to obtain its return. So is it with the energy
which the animal demands of its food.
Many facts seem to indicate that the nervous and
muscular elements stand in this relation towards the
128 CREATIVE EVOLUTION CHAP
rest of the organism. Glance first at the distribution
of alimentary substances among the different elements
of the living body. These substances fall into two
classes, one the quaternary or albuminoid, the other the
ternary, including the carbohydrates and the fats. The
albuminoids are properly plastic, destined to repair the
tissues—although, owing to the carbon they contain,
they are capable of providing energy on occasion. But
the function of supplying energy has devolved more
particularly on the second class of substances : these,
being deposited in the cell rather than forming part of
its substance, convey to it, in the form of chemical
potential, an expansive energy that may be directly con-
verted into either movement or heat. In short, the chief
function of the albuminoids is to repair the machine,
while the function of the other class of substances is to
supply power. It is natural that the albuminoids should
have no specially allotted destination, since every part
of the machine has to be maintained. But not so with
the other substances. The carbohydrates are distributed
very unequally, and this inequality of distribution seems
to us in the highest degree instructive.
Conveyed by the arterial blood in the form of
glucose, these substances are deposited, in the form of
glycogen, in the different cells forming the tissues.
We know that one of the principal functions of the
liver is to maintain at a constant level the quantity of
glucose held by the blood, by means of the reserves
of glycogen secreted by the hepatic cells. Now, in this
circulation of glucose and accumulation of glycogen,
it is easy to see that the effect is as if the whole effort
of the organism were directed towards providing with
potential energy the elements of both the muscular and
the nervous tissues. The organism proceeds differently
I ANIMAL LIFE 129
in the two cases, but it arrives at the same result. In
the first case, it provides the muscle-cell with a large
reserve deposited in advance: the quantity of glycogen
contained in the muscles is, indeed, enormous in
comparison with what is found in the other tissues.
In the nervous tissue, on the contrary, the reserve
is small (the nervous elements, whose function is
merely to liberate the potential energy stored in the
muscle, never have to furnish much work at one time) ;
but the remarkable thing is that this reserve is restored
by the blood at the very moment that it is expended,
so that the nerve is instantly recharged with potential
energy. Muscular tissue and nervous tissue are,
therefore, both privileged, the one in that it is stocked
with a large reserve of energy, the other in that it is
always served at the instant it is in need and to the
exact extent of its requirements.
More particularly, it is from the sensori-motor
system that the call for glycogen, the potential
energy, comes, as if the rest of the organism were
simply there in order to transmit force to the nervous
system and to the muscles which the nerves control.
True, when we think of the part played by the nervous
system (even the sensori-motor system) as regulator
of the organic life, it may well be asked whether, in this
exchange of good offices between it and the rest of the
body, the nervous system is indeed a master that the
body serves. But we shall already incline to this hypo-
thesis when we consider, even in the static state only,
the distribution of potential energy among the tissues ;
and we shall be entirely convinced of it when we reflect
upon the conditions in which the energy is expended
and restored. For suppose the sensori-motor system
is a system like the others, of the same rank as the
K
130 CREATIVE EVOLUTION CHAP,
others. Borne by the whole of the organism, it will
wait until an excess of chemical potential is supplied
to it before it performs any work. In other words,
it is the production of glycogen which will regulate
the consumption by the nerves and muscles. On
the contrary, if the sensori-motor system is the actual
master, the duration and extent of its action will be
independent, to a certain extent at least, of the reserve
of glycogen that it holds, and even of that contained
in the whole of the organism. It will perform work,
and the other tissues will have to arrange as they can
to supply it with potential energy. Now, this is pre-
cisely what does take place, as is shown in particular by
the experiments of Morat and Dufourt.’ While the
glycogenic function of the liver depends on the action
of the excitory nerves which control it, the action of
these nerves is subordinated to the action of those
which stimulate the locomotor muscles—in this sense,
that the muscles begin by expending without calculation,
thus consuming glycogen, impoverishing the blood of
its glucose, and finally causing the liver, which has
had to pour into the impoverished blood some of its
reserve of glycogen, to manufacture a fresh supply.
From the sensori-motor system, then, everything
starts ; on that system everything converges 5 and we
may say, without metaphor, that the rest of the organism
is at its service.
Consider again what happens in a prolonged fast.
It is a remarkable fact that in animals that have died of
hunger the brain is found to be almost unimpaired, while
the other organs have lost more or less of their weight
and their cells have undergone profound changes.? It
1 Archives de physiologie, 1892.
® De Manactine, “ Quelques Observations expérimentales sur l’influence de
i ANIMAL LIFE r31

seems as though the rest of the body had sustained


the nervous system to the last extremity, treating itself
simply as the means of which the nervous system
is the end. .
To sum up: if we agree, in short, to understand by
“the sensori-motor system ” the cerebro-spinal nervous
system together with the sensorial apparatus in which it
is prolonged and the locomotor muscles it controls,
we may say that a higher organism is essentially a
sensori-motor system installed on systems of digestion,
respiration, circulation, secretion, etc., whose function
it is to repair, cleanse and protect it, to create an
unvarying internal environment for it, and above all
to pass it potential energy to convert into locomotive
movement.’ It is true that the more the nervous
function is perfected, the more must the functions
required to maintain it develop, and the more exacting,
consequently, they become for themselves. As the
nervous activity has emerged from the protoplasmic
mass in which it was almost drowned, it has had to
summon around itself activities of all kinds for its
support. These could only be developed on other
linsomnie absolue” (Arch. ital. de biologie, t. xxi., 1894, pp. 322 ff.). Recently,
analogous observations have been made on a man who died of inanition
after a fast of thirty-five days. See, on this subject, in the Année biologique
of 1898, p. 338, the résumé of an article (in Russian) by Tarakevitch and
Stchasny.
1 Cuvier said: “The nervous system is, at bottom, the whole animal ;
the other systems are there only to serve it.” (“Sur un nouveau rapproche-
ment a établir entre les classes qui composent le régne animal,” Arch. du
Muséum @histoire naturelle, Paris, 1812, pp. 73-84). Of course, it would
be necessary to apply a great many restrictions to this formula—for example,
to allow for the cases of degradation and retrogression in which the nervous
system passes into the background. And, moreover, with the nervous
system must be included the sensorial apparatus on the one hand and
the motor on the other, between which it acts as intermediary. Cf.
Foster, art. “Physiology,” in the Excyclopaedia Britannica, Edinburgh, 1885,
D..17.
132 CREATIVE EVOLUTION CHAP.

activities, which again implied others, and so on in-


definitely. Thus it is that the complexity of functioning
of the higher organisms goes on to infinity. The study
of one of these organisms therefore takes us round in
a circle, as if everything was a means to everything
else. But the circle has a centre, none the less, and that
is the system of nervous elements stretching between
the sensory organs and the motor apparatus.
We will not dwell here on a point we have treated
at length in a former work. Let us merely recall that
the progress of the nervous system has been effected
both in the direction of a more precise adaptation of
movements and in that of a greater latitude left to the
living being to choose between them. These two
tendencies may appear antagonistic, and indeed they
are so; but a nervous chain, even in its most rudi-
mentary form, successfully reconciles them. On the
one hand, it marks a well-defined track between one
point of the periphery and another, the one sensory,
the other motor. It has therefore canalized an activity
which was originally diffused in the protoplasmic mass.
But, on the other hand, the elements that compose it
are probably discontinuous ; at any rate, even supposing
they anastomose, they exhibit a functional discontinuity,
for each of them ends in a kind of cross-road where
probably the nervous current may choose its course.
From the humblest Monera to the best endowed insects,
and up to the most intelligent vertebrates, the progress
realized has been above all a progress of the nervous
system, coupled at every stage with all the new con-
structions and complications of mechanism that this
progress required. As we foreshadowed in the be-
ginning of this work, the rdéle of life is to insert
some indetermination into matter. Indeterminate, i.e.
i DEVELOPMENT OF ANIMAL LIFE 133

unforeseeable, are the forms it creates in the course


of its evolution. More and more indeterminate also,
more and more free, is the activity to which these
forms serve as the vehicle. A nervous system, with
neurones placed end to end in such wise that, at
the extremity of each, manifold ways open in which
manifold questions present themselves, is a veritable
reservoir of indetermination. ‘That the main energy of
the vital impulse has been spent in creating apparatus
of this kind is, we believe, what a glance over the
organized world as a whole easily shows. But con-
cerning the vital impulse itself a few explanations are
necessary.

It must not be forgotten that the force which is


evolving throughout the organized world is a limited
force, which is always seeking to transcend itself and
always remains inadequate to the work it would fain
produce. The errors and puerilities of radical finalism
are due to the misapprehension of this point. It has
represented the whole of the living world as a construc-
tion, and a construction analogous to a human work.
All the pieces have been arranged with a view to the
_ best possible functioning of the machine. \ Each species
has its reason for existence, its part to play, its allotted
place ; and all join together, as it were, in a musical
concert, wherein the seeming discords are really meant
to bring out a fundamental harmony. In short, all
goes on in nature as in the works of human genius,
where, though the result may be trifling, there is at
least perfect adequacy between the object made and
the work of making it.
Nothing of the kind in the evolution of life. There,
the disproportion is striking between the work and the
134 CREATIVE BVOLUTION CHAP.
result. From the bottom to the top of the organized
world we do indeed find one great effort ;but most
often this effort turns short, sometimes paralysed by
contrary forces, sometimes diverted from what it should
do by what it does, absorbed by the form it is engaged
in taking, hypnotized by it as by amirror. Even in its
most perfect works, though it seems to have triumphed
over external resistances and also over its own, it is
at the mercy of the materiality which it has had to
assume. It is what each of us may experience in himself.
Our freedom, in the very movements by which
it is affirmed, creates the growing habits that will
stifle it if it fails to renew itself by a constant
effort: it is dogged by automatism. The most living
thought becomes frigid in the formula that expresses it.
The word turns against the idea. The letter kills the
spirit. And our most ardent enthusiasm, as soon as
it is externalized into action, is so naturally con-
gealed into the cold calculation of interest or vanity,
the one takes so easily the shape of the other, that
we might confuse them together, doubt our own
sincerity, deny goodness and love, if we did not
know that the dead retain for a time the features
of the living.
The profound cause of this discordance lies in
an irremediable difference of rhythm. Life in general
is mobility itself; particular manifestations of life
accept this mobility reluctantly, and constantly lag
behind. It is always going ahead; they want to
mark time. Evolution in general would fain go
on in a straight line; each special evolution is a
kind of circle. Like eddies of dust raised by the
wind as it passes, the living turn upon themselves,
borne up by the great blast of life. They are therefore
i DEVELOPMENT OF ANIMAL LIFE 135

relatively stable, and counterfeit immobility so well


that we treat each of them as a ¢hing rather than as a
progress, forgetting that the very permanence of their
form is only the outline of a movement. At times,
however, in a fleeting vision, the invisible breath that
bears them is materialized before our eyes. We have
this sudden illumination before certain forms of maternal
love, so striking and in most animals so touching,
observable even in the solicitude of the plant for its
seed. This love, in which some have seen the great
mystery of life, may possibly deliver us life’s secret. It
shows us each generation leaning over the generation
that shall follow. It allows us a glimpse of the fact
that the living being is above all a thoroughfare, and
that the essence of life is in the movement by which
life is transmitted.
This contrast between life in general, and the forms
in which it is manifested, has everywhere the same
character. It might be said that life tends toward the
utmost possible action, but that each species prefers to
contribute the slightest possible effort. Regarded in what
constitutes its true essence, namely, as a transition from
species to species, life is a continually growing action.
But each of the species, through which life passes, aims
only at its own convenience. It goes for that which
demands the least labour. Absorbed in the form it is
about to take, it falls into a partial sleep, in which it
ignores almost all the rest of life ; it fashions itself so
as to take the greatest possible advantage of its im-
mediate environment with the least possible trouble.
Accordingly, the act by which life goes forward to the
creation of a new form, and the act by which this
form is shaped, are two different and often antagon-
istic movements. The first is continuous with the
136 CREATIVE EVOLUTION CHAP,

second, but cannot continue in it without being drawn


aside from its direction, as would happen to a man
leaping, if, in order to clear the obstacle, he had to
turn his eyes from it and look at himself all the while.
Living forms are, by their very definition, forms
that are able to live. In whatever way the adaptation of
the organism to its circumstances is explained, it has
necessarily been sufficient, since the species has subsisted.
In this sense, each of the successive species that paleon-
tology and zoology describes was a success carried off by
life. But we get a very different impression when we
refer each species to the movement that has left it behind
on its way, instead of to the conditions into which it has
been set. Often this movement has turned aside ; very
often, too, it has stopped short ; what was to have been
a thoroughfare has becomeaterminus’ From this new
point of view, failure seems the rule, success exceptional
and always imperfect. We shall see that, of the four
main directions along which animal life bent its course,
two have led to blind alleys, and, in the other two, the
effort has generally been out of proportion to the result.
Documents are lacking to reconstruct this history in
detail, but we can make out its main lines. We have
already said that animals and vegetables must have
separated soon from their common stock, the vegetable
falling asleep in immobility, the animal, on the con-
trary, becoming more and more awake and marching on
to the conquest of a nervous system. Probably the effort
of the animal kingdom resulted in creating organisms
still very simple, but endowed with a certain freedom
of action, and, above all, with a shape so undecided
that it could lend itself to any future determination.
These animals may have resembled some of our worms,
but with this difference, however, that the worms living
n DEVELOPMENT OF ANIMAL LIFE 137
to-day, to which they could be compared, are but the
empty and fixed examples of infinitely plastic forms,
pregnant with an unlimited future, the common stock
of the echinoderms, molluscs, arthropods, and verte-
brates.
One danger lay in wait for them, one obstacle which
might have stopped the soaring course of animal life.
There is one peculiarity with which we cannot help
being struck when glancing over the fauna of primitive
times, namely, the imprisonment of the animal in a
more or less solid sheath, which must have obstructed
and often even paralysed its movements. The
molluscs of that time had a shell more universally than
those of to-day. The arthropods in general were pro-
vided with a carapace ; most of them were crustaceans.
The more ancient fishes had a bony sheath of extreme
hardness.' The explanation of this general fact should
be sought, we believe, in a tendency of soft organisms
to defend themselves against one another by making
themselves, as far as possible, undevourable. Each
species, in the act by which it comes into being, trends
towards that which is most expedient. Just as among
primitive organisms there were some that turned
towards animal life by refusing to manufacture organic
out of inorganic material and taking organic sub-
stances ready made from organisms that had turned
toward the vegetative life, so, among the animal
species themselves, many contrived to live at the
expense of other animals. \For an organism that is
animal, that is to say mobile, can avail itself of its
mobility to go in search of defenceless animals, and
feed on them quite as well as on vegetables. So, the
1 See, on these different points, the work of Gaudry, Essai de paléon-
tologie philosophique, Paris, 1896, pp. 14-16 and 78-79.
138 CREATIVE EVOLUTION CHAP.

more species became mobile, the more they became


voracious and dangerous to one another. Hence a
sudden arrest of the entire animal world in its pro-
gress towards higher and higher mobility; for the
hard and calcareous skin of the echinoderm, the shell
of the mollusc, the carapace of the crustacean and the
ganoid breast-plate of the ancient fishes probably
all originated in a common effort of the animal species
to protect themselves against hostile species. But this
breast-plate, behind which the animal took shelter,
constrained it in its movements and sometimes fixed
it in one place. If the vegetable renounced con-
sciousness in wrapping itself in a cellulose membrane,
the animal that shut itself up in a citadel or in armour
condemned itself to a partial slumber. In this torpor
the echinoderms and even the molluscs live to-day.
Probably arthropods and vertebrates were threatened
with it too. They escaped, however, and to this
fortunate circumstance is due the expansion of the
highest forms of life.
In two directions, in fact, we see the impulse of life
to movement getting the upper hand again. The
fishes exchanged their ganoid breast-plate for scales.
Long before that, the insects had appeared, also dis-
encumbered of the breast-plate that had protected their
ancestors. Both supplemented the insufficiency of their
protective covering by an agility that enabled them to
escape their enemies, and also to assume the offensive,
to choose the place and the moment of encounter. We
see a progress of the same kind in the evolution of
human armaments. The first impulse is to seek
shelter ; the second, which is the better, is to become as
supple as possible for flight and above all for attack—
attack being the most effective means of defence. So
sn DEVELOPMENT OF ANIMAL LIFE 139
the heavy hoplite was supplanted by the legionary ; the
knight, clad in armour, had to give place to the light
free-moving infantryman ; and ina general way, in the
evolution of life, just as in the evolution of human
societies and of individual destinies, the greatest
successes have been for those that have accepted the
heaviest risks.
Evidently, then, it was to the animal’s interest to
make itself more mobile. As we said when speaking
of adaptation in general, any transformation of a species
can be explained by its own particular interest. This
will give the immediate cause of the variation, but often
only the most superficial cause. The profound cause is
the impulse which thrust life into the world, which
made it divide into vegetables and animals, which
shunted the animal on to suppleness of form, and
which, at a certain moment, in the animal kingdom
threatened with torpor, secured that, on some points at
least, it should rouse itself up and move forward.
On the two paths along which the vertebrates
and arthropods have separately evolved, development
(apart from retrogressions connected with parasitism
or any other cause) has consisted above all in
the progress of the sensori-motor nervous system.
_ Mobility and suppleness were sought for, and also
—through many experimental attempts, and not with-
out a tendency to excess of substance and brute
force at the start—variety of movements. But this
quest itself took place in divergent directions. A
glance at the nervous system of the arthropods and that
of the vertebrates shows us the difference. In the
arthropods, the body is formed of a series more or
less long of rings set together ; motor activity is thus
distributed amongst a varying—sometimes a con-
140 CREATIVE EVOLUTION CHAP.

siderable—number of appendages, each of which has


its special function. In the vertebrates, activity is
concentrated in two pairs of members only, and these
organs perform functions which depend much less
strictly on their form." The independence becomes
complete in man, whose hand is capable of any kind of
work.
That, at least, is what we see. But behind what
is seen there is what may be surmised—two powers,
immanent in life and originally intermingled, which
were bound to part company in course of growth.
To define these powers, we must consider, in the
evolution both of the arthropods and the vertebrates,
the species which mark the culminating point of each.
How is this point to be determined? Here again,
to aim at geometrical precision will lead us astray.
There is no single simple sign by which we can
recognize that one species is more advanced than another
on the same line of evolution. There are manifold
characters, that must be compared and weighed in each
particular case, in order to ascertain to what extent they
are essential or accidental and how far they must be
taken into account.
It is unquestionable, for example, that success is the
most general criterion of superiority, the two terms
being, up to a certain point, synonymous. By success
must be understood, so far as the living being is con-
cerned, an aptitude to develop in the most diverse
environments, through the greatest possible variety of
obstacles, so as to cover the widest possible extent of
ground. A species which claims the entire earth for
its domain is truly a dominating and consequently
1 See, on this subject, Shaler, The Individual, New York, 1900, pp
118-725.
i DEVELOPMENT OF ANIMAL LIFE raz
superior species. Such is the human species, which
represents the culminating point of the evolution of the
vertebrates. But such also are, in the series of the
articulate, the insects and in particular certain Hymen-
optera. It has been said of the ants that, as man is
lord of the soil, they are lords of the sub-soil.
On the other hand, a group of species that has
appeared late may be a group of degenerates ; but, for
that, some special cause of retrogression must have
intervened. By right, this group should be superior
to the group from which it is derived, since it would
correspond to a more advanced stage of evolution.
Now man is probably the latest comer of the verte-
brates ; and in the insect series no species is later than
the Hymenoptera, unless it be the Lepidoptera, which
are probably degenerates, living parasitically on flower-
ing plants.
So, by different ways, we are led to the same con-
clusion. The evolution of the arthropods reaches its
culminating point in the insect, and in particular in
the Hymenoptera, as that of the vertebrates in man.
Now, since instinct is nowhere so developed as in the
insect world, and in no group of insects so marvel-
lously as in the Hymenoptera, it may be said that the
whole evolution of the animal kingdom, apart from
retrogressions towards vegetative life, has taken place
on two divergent paths, one of which led to instinct
and the other to intelligence.
1 This point is disputed by M. René Quinton, who regards the car-
nivorous and ruminant mammals, as well as certain birds, as subsequent
to man (R. Quinton, L’Eau de mer milieu organique, Paris, 1904, p. 435).
We may say here that our general conclusions, although very different from
M. Quinton’s, are not irreconcilable with them ; for if evolution has really
been such as we represent it, the vertebrates must have made an effort
to maintain themselves in the most favourable conditions of activity—
the very conditions, indeed, which life had chosen in the beginning.
142 CREATIVE EVOLUTION char,

Vegetative torpor, instinct, and intelligence—these,


then, are the elements that coincided in the vital im-
pulsion common to plants and animals, and which,
in the course of a development in which they were
made manifest in the most unforeseen forms, have
been dissociated by the very fact of their growth. The
cardinal error which, from Aristotle onwards, has vitiated
most of the philosophies of nature, 1s to see in vegetative,
instinctive and rational life, three successive degrees of the
development of one and the same tendency, whereas they
are three divergent directions of an activity that has spli
up as it grew. ‘Lhe difference between them is not a
difference of intensity, nor, more generally, of degree,
but of kind. \

It is important to investigate this point. We have


seen in the case of vegetable and animal life how they
are at once mutually complementary and mutually
antagonistic. Now we must show that intelligence and
instinct also are opposite and complementary. But
let us first explain why we are generally led to regard
them as activities of which one is superior to the other
and based upon it, whereas in reality they are not things
of the same order: they have not succeeded one
another, nor can we assign to them different grades.
It is because intelligence and instinct, having origin-
ally been interpenetrating, retain something of their
common origin. Neither is ever found ina pure state.
We said that in the plant the consciousness and mobility
of the animal, which lie dormant, can be awakened ; and
that the animal lives under the constant menace of being
drawn aside to the vegetative life. The two tendencies
—that of the plant and that of the animal—were so
thoroughly interpenetrating, to begin with, that there has
nt INTELLIGENCE AND INSTINCT 143
never been a complete severance between them: they
haunt each other continually ;everywhere we find them
mingled ; itis theproportion that differs. So with in-
telligence and instinct. There is no intelligence in which
some traces of instinct are not to be discovered, more
especially no instinct that is not surrounded with a
fringe of intelligence. It is this fringe of intelligence
that has been the cause of so many misunderstandings.
From the fact that instinct is always more or less
intelligent, it has been concluded that instinct and
intelligence are things of the same kind, that there is
only a difference of complexity or perfection between
them, and, above all, that one of the two is expressible
in terms of the other. In reality, they accompany each
other only because they are complementary, and they
are complementary only because they are different,
what is instinctive in instinct being opposite to what
is intelligent in intelligence.
We are bound to dwell on this point. It is one of >
the utmost importance.
Let us say at the outset that the distinctions we
are going to make will be too sharply drawn, just
because we wish to define in instinct what is in-
stinctive, and in intelligence what is intelligent, whereas
all concrete instinct is mingled with intelligence, as all
real intelligence is penetrated by instinct. Moreover,
neither intelligence nor instinct lends itself to rigid
definition: they are tendencies, and not things.
Also, it must not be forgotten that in the present
chapter we are considering intelligence and instinct
as going out of life which deposits them along its
course. Now the life manifested by an organism
is, in our view, a certain effort to obtain certain
things from the material world. No wonder, there-
144 CREATIVE EVOLUTION CHAP.

fore, if it is the diversity of this effort that strikes us in


instinct and intelligence, and if we see in these two
modes of psychical activity, above all else, two different
methods of action on inert matter. This rather narrow
view of them has the advantage of giving us an
objective means of distinguishing them. In return,
however, it gives us, of intelligence in general and of
instinct in general, only the mean position above and
below which both constantly oscillate. For that reason
the reader must expect to see in what follows only a
diagrammatic drawing, in which the respective outlines
of intelligence and instinct are sharper than they
should be, and in which the shading-off which comes
from the indecision of each and from their reciprocal
encroachment on one another is neglected. In a
matter so obscure, we cannot strive too hard for
clearness. It will always be easy afterwards to soften
the outlines and to correct what is too geometrical
in the drawing—in short, to replace the rigidity of a
diagram by the suppleness of life.

To what date is it agreed to ascribe the appearance


of man on the earth? ‘To the period when the first
weapons, the first tools, were made. The memor-
able quarrel over the discovery of Boucher de Perthes
in the quarry of Moulin-Quignon is not forgotten.
The question was whether real hatchets had been
found or merely bits of flint accidentally broken.
But that, supposing they were hatchets, we were indeed
in the presence of intelligence, and more particularly
of human intelligence, no one doubted for an instant.
Now let us open a collection of anecdotes on the in-
telligzence of animals: we shall see that besides many
acts explicable by imitation or by the automatic associa-
ir INTELLIGENCE AND INSTINCT = 145
tion of images, there are some that we do not hesitate
to call intelligent : foremost among them are those that
bear witness to some idea of manufacture, whether the
animal itself succeeds in fashioning a crude instrument
or uses for its profit an object made by man. The
animals that rank immediately after man in the matter
of intelligence, the apes and elephants, are those that
can use an artificial instrument occasionally. Below,
but not very far from them, come those that recognize
a constructed object: for example, the fox, which
knows quite well thatatrapisatrap. No doubt, there is
intelligence wherever there is inference ; but inference,
which consists in an inflection of past experience in the
direction of present experience, is already a beginning
of invention. Invention becomes complete when it is
materialized in a manufactured instrument. Towards
that achievement the intelligence of animals tends as
towards an ideal. And though, ordinarily, it does not
yet succeed in fashioning artificial objects and in
making use of them, it is preparing for this by the very
variations which it performs on the instincts furnished
by nature. As regards human intelligence, it has not
been sufficiently noted that mechanical invention has
been from the first its essential feature, that even to-day
our social life gravitates around the manufacture and
use of artificial instruments, that the inventions which
strew the road of progress have also traced its direction.
This we hardly realize, because it takes us longer to
change ourselves than to change our tools. Our in-
dividual and even social habits survive a good while
the circumstances for which they were made, so that
the ultimate effects of an invention are not observed
until its novelty is already out of sight. A century
has elapsed since the invention of the steam-engine,
E
146 CREATIVE EVOLUTION CHAP,
and we are only just beginning to feel the depths of
the shock it gave us. But the revolution it has
effected in industry has nevertheless upset human
relations altogether. New ideas are arising, new feel-
ings are on the way to flower. In thousands of years,
when, seen from the distance, only the broad lines of
the present age will still be visible, our wars and our
revolutions will count for little, even supposing they
are remembered at all; but the steam-engine, and
the procession of inventions of every kind that accom-
panied it, will perhaps be spoken of as we speak
of the bronze or of the chipped stone of pre-
historic times: it will serve to define an age.’ If
we could rid ourselves of all pride, if, to define
our species, we kept strictly to what the historic
and the prehistoric periods show us to be the constant
characteristic of man and of intelligence, we should say
perhaps not Homo sapiens, but Homo faber. In short,
intelligence, considered in what seems to be its original
feature, is the faculty of manufacturing artificial objects,
especially tools to make tools, and of indefinitely varying
the manufacture.
Now, does an unintelligent animal also possess tools
or machines? Yes, certainly, but here the instrument
forms a part of the body that uses it; and, corre-
sponding to this instrument, there is an instinct that
knows how to use it. True, it cannot be maintained
that a// instincts consist in a natural ability to use an
inborn mechanism. Such a definition would not apply
to the instincts which Romanes called “secondary”;
and more than one “ primary” instinct would not
1M. Paul Lacombe has laid great stress on the important influence
that great inventions have exercised on the evolution of humanity (P.
Lacombe, De Phistotre considérée comme science, Paris, 1894. See, in
particular, pp. 168-247).
it INTE LEIGENCE AND ENSTINCY 147
come under it. But this definition, like that which we
have provisionally given of intelligence, determines at
least the ideal limit toward which the very numerous
forms of instinct are travelling. Indeed, it has often
been pointed out that most instincts are only the con-
tinuance, or rather the consummation, of the work of
organization itself. Where does the activity of instinct
begin? and where does that of nature end? We
cannot tell. In the metamorphoses of the larva into
the nymph and into the perfect insect, metamorphoses
that often require appropriate action and a kind of
initiative on the part of the larva, there is no sharp line
of demarcation between the instinct of the animal and
the organizing work of living matter. We may
say, as we will, either that instinct organizes the
instruments it is about to use, or that the process of
organization is continued in the instinct that has to use
the organ. The most marvellous instincts of the insect
do nothing but develop its special structure into move-
ments: indeed, where social life divides the labour
among different individuals and thus allots them differ-
ent instincts, a corresponding difference of structure is
observed: the polymorphism of ants, bees, wasps and
certain pseudoneuroptera is well known. Thus, if we
consider only those typical cases in which the complete
triumph of intelligence and of instinct is seen, we.
find this essential difference between them: instinct
perfected is a faculty of using and even of constructing
organized instruments ; intelligence perfected 1s the faculty
of making and using unorganized instruments. |
The advantages and drawbacks of these two modes —
of activity are obvious. Instinct finds the appropriate
instrument at hand: this instrument, which makes
and repairs itself, which presents, like all the works of
148 CREATIVE EVOLUTION CHAP.
nature, an infinite complexity of detail combined with a
marvellous simplicity of function, does at once, when
required, what it is called upon to do, without difficulty
and with a perfection that is often wonderful. In
return, it retains an almost invariable structure, since a
modification of it involves a modification of the species.
Instinct is therefore necessarily specialized, being
nothing but the utilization of a specific instrument for
a specific object. The instrument constructed in-
telligently, on the contrary, is an imperfect instrument.
It costs an effort. It is generally troublesome to
handle. But, as it is made of unorganized matter, it
can take any form whatsoever, serve any purpose, free
the living being from every new difficulty that arises and
bestow on it an unlimited number of powers. Whilst
it is inferior to the natural instrument for the satisfac-
tion of immediate wants, its advantage over it is the
greater, the less urgent the need. Above all, it reacts
on the nature of the being that constructs it; for in
calling on him to exercise a new function, it confers on
him, so to speak, a richer organization, being an artificial
organ by which the natural organism is extended.
For every need that it satisfies, it creates a new need ;
and so, instead of closing, like instinct, the round of
action within which the animal tends to move auto-
matically, it lays open to activity an unlimited field
into which it is driven further and further, and made
more and more free. But this advantage of intelli-
gence over instinct only appears at a late stage, when
intelligence, having raised construction to a higher
degree, proceeds to construct constructive machinery.
At the outset, the advantages and drawbacks of
the artificial instrument and of the natural instru-
ment balance so well that it is hard to foretell which
nN INTELLIGENCE AND INSTINCT <149
of the two will secure to the living being the greater
empire over nature.
We may surmise that they began by being implied
in each other, that the original psychical activity
included both at once, and that, if we went far enough
back into the past, we should find instincts more nearly
approaching intelligence than those of our insects, in-
telligence nearer to instinct than that of our vertebrates,
intelligence and instinct being, in this elementary con-
dition, prisoners of a matter which they are not yet able
to control. If the force immanent in life were an un-
limited force, it might perhaps have developed instinct
and intelligence together, and to any extent, in the same
organisms. But everything seems to indicate that this
force is limited, and that it soon exhausts itself in its
very manifestation. It is hard for it to go far in several
directions at once: it must choose. Now, it has the
choice between two modes of acting on the material
world : it can either effect this action directly by creating
an organized instrument to work with; or else it can
effect it indirectly through an organism which, instead of
possessing the required instrument naturally, will itself
construct it by fashioning inorganic matter. Hence in-
telligence and instinct, which diverge more and more as
they develop, but which never entirely separate from each
other. On the one hand, the most perfect instinct of the
insect is accompanied by gleams of intelligence, if only
in the choice of place, time and materials of construction:
the bees, for example, when by exception they build in
the open air, invent new and really intelligent arrange-
ments to adapt themselves to such new conditions.’ But,
an the other hand, intelligence has even more need of
1 Bouvier, “La Nidification des abeilles a lair libre” (C.R. de lAc. des
Sciences, 7 mai 1906),
150 CREATIVE EVOLUTION CHAP,
instinct than instinct has of intelligence ; for the power
to give shape to crude matter involves already a superior
degree of organization, a degree to which the animal
could not have risen, save on the wings of instinct. So,
while nature has frankly evolved in the direction of
instinct in the arthropods, we observe in almost all the
vertebrates the striving after rather than the expansion
of intelligence. It is instinct still which forms the basis
of their psychical activity ; but intelligence is there, and
would fain supersede it. Intelligence does not yet
succeed in inventing instruments ; but at least it tries to,
by performing as many variations as possible on the
instinct which it would like to dispense with. It gains
complete self-possession only in man, and this triumph
is attested by the very insufficiency of the natural means
at man’s disposal for defence against his enemies, against
cold and hunger. ‘This insufficiency, when we strive to
fathom its significance, acquires the value of a pre-
historic document ; it is the final leave-taking between
intelligence and instinct. But it is no less true that
nature must have hesitated between two modes of
psychical activity—one assured of immediate success,
but limited in its effects; the other hazardous, but
whose conquests, if it should reach independence,
might be extended indefinitely. Here again, then, the
greatest success was achieved on the side of the greatest
risk. Instinct and intelligence therefore represent two
divergent solutions, equally fitting, of one and the same
problem.
There ensue, it is true, profound differences of
internal structure between instinct and intelligence.
We shall dwell only on those that concern our present
study. Let us say, then, that instinct and intelligence
imply two radically different kinds of knowledge. But
I INTELLIGENCE AND INSTINCT 151
some explanations are first of all necessary on the
subject of consciousness in general.
It has been asked how far instinct is conscious.
- Our reply is that there are a vast number of differences
and degrees, that instinct is more or less conscious in
certain cases, unconscious in others. The plant, as we
shall see, has instincts; it is not likely that these are
accompanied by feeling. Even in the animal there is
hardly any complex instinct that 1s not unconscious in
some part at least of its exercise. But here we must
point out a difference, not often noticed, between two
kinds of unconsciousness, viz., that in which conscious-
ness is absent, and that in which consciousness is nullified.
Both are equal to zero, but in one case the zero expresses
the fact that there is nothing, in the other that we
have two equal quantities of opposite sign which com-
pensate and neutralize each other. The unconsciousness
of a falling stone is of the former kind: the stone
has no feeling of its fall. Is it the same with the
unconsciousness of instinct, in the extreme cases in
which instinct is unconscious? When we mechanically
perform an habitual action, when the somnambulist
automatically acts his dream, unconsciousness may be
absolute ; but this is merely due to the fact that the
representation of the act is held in check by the per-
formance of the act itself, which resembles the idea so
perfectly, and fits it so exactly, that consciousness is
unable to find room between them. Representation is
stopped up by action. ‘The proof of this is, that if the
accomplishment of the act is arrested or thwarted by an —
obstacle, consciousness may reappear. It was there,
but neutralized by the action which fulfilled and
thereby filled the representation. The obstacle creates
nothing positive ; it simply makes a void, removes a
152 CREATIVE EVOLUTION oe
stopper. This inadequacy of act to representation is
precisely what we here call consciousness.
If we examine this point more closely, we shall find
that consciousness is the light that plays around the
zone of possible actions or potential activity which
surrounds the action really performed by the living
being. It signifies hesitation or choice. Where many
equally possible actions are indicated without there
being any real action (as in a deliberation that has not
come to an end), consciousness is intense. Where the
action performed is the only action possible (as in
activity of the somnambulistic or more generally auto-
matic kind), consciousness is reduced to nothing. Re-
presentation and knowledge exist none the less in the
case if we find a whole series of systematized movements
the last of which is already prefigured in the first, and
if, besides, consciousness can flash out of them at the
shock of an obstacle. From this point of view, she
consciousness of a living being may be defined as an
arithmetical difference between potential and real activity.
It measures the interval between representation and action.
It may be inferred from this that intelligence is
likely to point towards consciousness, and instinct
toward unconsciousness. For, where the implement to
be used is organized by nature, the material furnished
by nature, and the result to be obtained willed by nature,
there is little left to choice : the consciousness inherent
in the representation is therefore counterbalanced, when-
ever it tends to disengage itself, by the performance of
the act, identical with the representation, which forms its
counter-weight. Where consciousness appears, it does
not so much light up the instinct itself as the thwart-
ings to which instinct is subject; it is the deficit of
instinct, the distance between the act and the idea, that
ir INTELLIGENCE AND INSTINCT 153
becomes consciousness, so that consciousness, here,
is only an accident. Essentially, consciousness only
emphasizes the starting-point of instinct, the point at
which the whole series of automatic movements is
released. Deficit, on the contrary, is the normal state
of intelligence. Labouring under difficulties is its very
essence. Its original function being to construct
unorganized instruments, it must, in spite of number-
less difficulties, choose for this work the place and the
time, the form and the matter. And it can never satisfy
itself entirely, because every new satisfaction creates
new needs. In short, while instinct and intelligence
both involve knowledge, this knowledge is rather acted
and unconscious in the case of instinct, thought and
conscious in the case of intelligence. But it is a
difference rather of degree than of kind. So long as
consciousness is all we are concerned with, we close
our eyes to what is, from the psychological point
of view, the cardinal difference between instinct and
intelligence.
In order to get at this essential difference we must,
without stopping at the more or less brilliant light which
illumines these two modes of internal activity, go
straight to the two odjects, profoundly different from
each other, upon which instinct and intelligence are
directed.
When the horse-fly lays its eggs on the legs or
shoulders of the horse, it acts as if it knew that its
larva has to develop in the horse’s stomach and that
the horse, in licking itself, will convey the larva into
its digestive tract. When a paralysing wasp stings its
victim on just those points where the nervous centres
lie, so as to render it motionless without killing it,
it acts like a learned entomologist and a skilful surgeon
154 CREATIVE EVOLUTION CHAP.

rolled into one. But what shall we say of the little


beetle, the Sitaris, whose story is so often quoted?
This insect lays its eggs at the entrance of the under-
ground passages dug by a kind of bee, the Anthophora.
Its larva, after long waiting, springs upon the male
Anthophora as it goes out of the passage, clings to
it, and remains attached until the “nuptial flight,”
when it seizes the opportunity to pass from the male
to the female, and quietly waits until it lays its eggs.
It then leaps on the egg, which serves as a support
for it in the honey, devours the egg in a few days,
and, resting on the shell, undergoes its first meta-
morphosis. Organized now to float on the honey,
it consumes this provision of nourishment, and _ be-
comes a nymph, then a perfect insect. Everything
happens as if the larva of the Sitaris, from the
moment it was hatched, knew that the male Antho-
phora would first emerge from the passage ; that the
nuptial flight would give it the means of conveying
itself to the female, who would take it to a store of
honey sufficient to feed it after its transformation;
that, until this transformation, it could gradually
eat the egg of the Anthophora, in such a way that
it could at the same time feed itself, maintain itself
at the surface of the honey, and also suppress the
rival that otherwise would have come out of the egg.
And equally all this happens as if the Sitaris itself
knew that its larva would know all these things.
The knowledge, if knowledge there be, is only im-
plicit. It is reflected outwardly in exact movements
instead of being reflected inwardly in consciousness.
It is none the less true that the behaviour of the insect
involves, or rather evolves, the idea of definite things
existing or being produced in definite points of space
n INTELLIGENCE AND INSTINCT 165
and time, which the insect knows without having
learned them.
Now, if we look at intelligence from the same point
of view, we find that it also knows certain things with-
out having learned them. But the knowledge in the
two cases is of a very different order. We must be
careful here not to revive again the old philosophical
dispute on the subject of innate ideas. So we will
confine ourselves to the point on which every one is
agreed, to wit, that the young child understands im-
mediately things that the animal will never understand,
and that in this sense intelligence, like instinct, is an
inherited function, therefore an innate one. But this
innate intelligence, although it is a faculty of knowing,
knows no object in particular. When the new-born babe
seeks for the first time its mother’s breast, so showing
that it has knowledge (unconscious, no doubt) of a thing
it has never seen, we say, just because the innate
knowledge is in this case of a definite object, that it
belongs to instinct and not to ineelligence. Intelli-
gence does not then imply the innate knowledge of
any object. And yet, if intelligence knows nothing
by nature, it has nothing innate. What, then, if
it be ignorant of all things, can it know? Besides
things, there are relations. ‘The new-born child, so
far as intelligent, knows neither definite objects nor
a definite property of any object ; but when, a little
later on, he will hear an epithet being applied to a sub-
stantive, he will immediately understand what it means.
The relation of attribute to subject is therefore seized
by him naturally, and the same might be said of the
general relation expressed by the verb, a relation so im-
mediately conceived by the mind that language can leave
it to be understood, as is instanced in rudimentary
156 CREATIVE EVOLUTION CHAP.
languages which have no verb. Intelligence, therefore,
naturally makes use of relations of like with like, of
content to container, of cause to effect, etc., which
are implied in every phrase in which there is a
subject, an attribute and a verb, expressed or under-
stood. May one say that it has innate knowledge
of each of these relations in particular? It is for
logicians to discover whether they are so many
irreducible relations, or whether they can be resolved
into relations still more general. But, in whatever
way we make the analysis of thought, we always end
with one or several general categories, of which the
mind possesses innate knowledge since it makes a
natural use of them. Let us say, therefore, that what-
ever, in instinct and intelligence, is innate knowledge, bears
in the first case on things and in the second on relations.
Philosophers distinguish between the matter of our
knowledge and its form. The matter is what is given
by the perceptive faculties taken in the elementary state.
The form is the totality of the relations set up between
these materials in order to constitute a systematic know-
ledge. Can the form, without matter, be an object of
knowledge ? Yes, without doubt, provided that this
knowledge is not like a thing we possess so much as
like a habit we have contracted,—a direction rather
than a state: it is, if we will, a certain natural bent of
attention. The schoolboy, who knows that the master
is going to dictate a fraction to him, draws a line before
he knows what numerator and what denominator are to
come ; he therefore has present to his mind the general
relation between the two terms although he does not
know either of them ; he knows the form without the
matter. So is it, prior to experience, with the categories
into which our experience comes to be inserted. Let us
i INTELLIGENCE AND INSTINCT — 157

adopt then words sanctioned by usage, and give the


distinction between intelligence and instinct this more
precise formula: Intelligence, in so far as tt 1s innate, 1s the
knowledge of a form ; instinct implies the knowledge of a
matter.
From this second point of view, which is that of
knowledge instead of action, the force immanent in life
in general appears to us again as a limited principle, in
which originally two different and even divergent
modes of knowing coexisted and intermingled. The first
gets at definite objects immediately, in their materiality
itself. It says, “This is what is.” The second gets
at no object in particular; it is only a natural power
of relating an object to an object, or a part to a part, or
an aspect to an aspect—in short, of drawing conclusions
when in possession of the premisses, of proceeding from
what has been learnt to what is still unknown. It
does not say, “This zs’’; it says only that “7f the
conditions are such, such will be the conditioned.”
In short, the first kind of knowledge, the in-
stinctive, would be formulated in what philosophers
call categorical propositions, while the second kind,
the intellectual, would always be expressed hAypothetic-
ally, Of these two faculties, the former seems, at
first, much preferable to the other. And it would be
so, in truth, if it extended to an endless number of
objects. But, in fact, it applies only to one special
object, and indeed only toa restricted part of that object.
Of this, at least, its knowledge is intimate and full;
Ty¥a
ONG
not explicit, but implied in the accomplished action.
aye
The intellectual faculty, on the contrary, possesses
naturally only an external and empty knowledge ; but
it has thereby the advantage of supplying a frame in
which an infinity of objects may find room in turn. It
158 CREATIVE EVOLUTION _ CHAP,
is as if the force evolving in living forms, being a
limited force, had had to choose between two kinds of
limitation in the field of natural or innate knowledge,
one applying to the extension of knowledge, the other to
its intension. In the first case, the knowledge may
be packed and full, but it will then be confined to one
specific object ; in the second, it is no longer limited
by its object, but that is because it contains nothing,
being only a form without matter. The two tend-
encies, at first implied in each other, had to separate
in order to grow. They both went to seek their
fortune in the world, and turned out to be instinct
and intelligence.
Such, then, are the two divergent modes of
knowledge by which intelligence and instinct must be
defined, from the standpoint of knowledge rather than
that of action. But knowledge and action are here
only two aspects of one and the same faculty. It is
easy to see, indeed, that the second definition is only a
new form of the first.
If instinct is, above all, the faculty of using an
organized natural instrument, it must involve innate
knowledge (potential or unconscious, it is true) both of
this instrument and of the object to which it 1s applied.
Instinct is therefore innate knowledge of a thing. But
intelligence is the faculty of constructing unorganized
—that is to say artificial—instruments. If, on its
account, nature gives up endowing the living being
with the instrument that may serve him, it is in order
that the living being may be able to vary his construction
according to circumstances. The essential function of
intelligence is therefore to see ‘the way out of a difficulty
in any circumstances whatever, to find what 1s most suit-
able, what answers best the question asked. Hence it
1 INTELLIGENCE AND INSTINCT 159
bears essentially on the relations between a given
situation and the means of utilizing it. What is innate
in intellect, therefore, is the tendency to establish
relations, and this tendency implies the natural know-
ledge of certain very general relations, a kind of stuff
that the activity of each particular intellect will cut up
into more special relations. Where activity is directed
toward manufacture, therefore, knowledge necessarily
bears on relations. But this entirely forma/ knowledge
of intelligence has an immense advantage over the
material knowledge of instinct. A form, just because
it is empty, may be filled at will with any number of
things in turn, even with those that are of no use. So
that a formal knowledge is not limited to what is
practically useful, although it is in view of practical
utility that it has made its appearance in the world.
An intelligent being bears within himself the means
to transcend his own nature.
He transcends himself, however, less than he wishes,
less also than he imagines himself to do. The purely
formal character of intelligence deprives it of the ballast
necessary to enable it to settle itself on the objects that
are of the most powerful interest to speculation.
Instinct, on the contrary, has the desired materiality,
but it is incapable of going so far in quest of its object;
it does not speculate. Here we reach the point that
most concerns our present inquiry. The difference
that we shall now proceed to denote between instinct
and intelligence is what the whole of this analysis was
meant to bring out. We formulate it thus: There
are things that intelligence alone is able to seek,
but which, by itself, it will never find. These -
things instinct alone could find; but it will never seek
them.
160 CREATIVE EVOLUTION CHAP.
It is necessary here to consider some preliminary
details that concern the mechanism of intelligence. We
have said that the function of intelligence is to
establish relations. Let us determine more precisely
the nature of these relations. On this point we are
bound to be either vague or arbitrary so long as we
see in the intellect a faculty intended for pure
speculation. We are then reduced to taking the
general frames of the understanding for something
absolute, irreducible and inexplicable. The under-
standing must have fallen from heaven with its
form, as each of us is born with his face. This form
may be defined, of course, but that is all; there is no
asking why it is what it is rather than anything else.
Thus, it will be said that the function of the intellect is
essentially unification, that the common object of all its
operations is to introduce a certain unity into the
diversity of phenomena, and so forth. But, in the first
place, “unification” is a vague term, less clear than
“relation” or even “ thought,” and says nothing more.
And, moreover, it might be asked if the function of
intelligence is not to divide even more than to unite.
Finally, if the intellect proceeds as it does because it
wishes to unite, and if it seeks unification simply because
it has need of unifying, the whole of our knowledge
becomes relative to certain requirements of the mind
that probably might have been entirely different from
what they are: for an intellect differently shaped,
knowledge would have been different. Intellect being
no longer dependent on anything, everything becomes
dependent on it ; and so, having placed the understand-
ing too high, we end by putting too low the knowledge
it gives us. Knowledge becomes relative as soon as
the intellect is made a kind of absolute-—We regard the
ns THE FUNCTION OF THE INTELLECT 161
human intellect, on the contrary, as relative to the needs
of action. Postulate action, and the very form of the
intellect can be deduced from it. This form is therefore
neither irreducible nor inexplicable. And, precisely
because it is not independent, knowledge cannot be said
to depend on it: knowledge ceases to be a product of
the intellect and becomes, in a certain sense, part and
parcel of reality.
Philosophers will reply that action takes place in an
ordered world, that this order is itself thought, and
that we beg the question when we explain the intellect
by action, which presupposes it. They would be right
if our point of view in the present chapter was to be
our final one. We should then be dupes of an illusion
like that of Spencer, who believed that the intellect is
sufficiently explained as the impression left on us by
the general characters of matter: as if the order in-
herent in matter were not intelligence itself! But we
reserve for the next chapter the question up to what
point and with what method philosophy can attempt
a real genesis of the intellect at the same time as of
matter. For the moment, the problem that engages
our attention is of a psychological order. We are
asking what is the portion of the material world to
which our intellect is specially adapted. To reply to
this question, there is no need to choose a system of
philosophy : it is enough to take up the point of view
of common sense.
Let us start, then, from action, and lay down that
the intellect aims, first of all, at constructing. This
fabrication is exercised exclusively on inert matter,
in this sense, that even if it makes use of organized
material, it treats it as inert, without troubling about
the life which animated it. And of inert matter
M
162 CREATIVE EVOLUTION CHAP.

itself, fabrication deals only with the solid; the rest


escapes by its very fluidity. If, therefore, the tendency
of the intellect is to fabricate, we may expect to find
that whatever is fluid in the real will escape it in part,
and whatever is life in the living will escape it
altogether. Our intelligence, as it leaves the hands of
nature, has for its chief object the unorganized solid.
When we pass in review the intellectual functions,
we see that the intellect is never quite at its ease,
never entirely at home, except when it is working upon
inert matter, more particularly upon solids. What is
the most general property of the material world? It
is extended : it presents to us objects external to other
objects, and, in these objects, parts external to parts.
No doubt, it is useful to us, in view of our ulterior
manipulation, to regard each object as divisible into
parts arbitrarily cut up, each part being again divisible
as we like, and so on ad infinitum. But it is above all
necessary, for our present manipulation, to regard the
real object in hand, or the real elements into which
we have resolved it, as provisionally final, and to
treat them as so many units. To this possibility of
decomposing matter as much as we please, and in any
way we please, we allude when we speak of the
continuity of material extension ; but this continuity, as
we see it, is nothing else but our ability, an ability that
matter allows to us to choose the mode of discontinuity
we shall find in it. It is always, in fact, the mode of
discontinuity once chosen that appears to us as the
actually real one and that which fixes our attention,
just because it rules our action. Thus discontinuity
is thought for itself; it is thinkable in itself ; we form
an idea of it by a positive act of our mind; while the
intellectual representation of continuity is negative,
n JHE FUNCTION OF THE INTELLECT 163
being, at bottom, only the refusal of our mind, before
any actually given system of decomposition, to regard
it as the only possible one. Of the discontinuous alone
does the intellect form a clear idea.
On the other hand, the objects we act on are cer-
tainly mobile objects, but the important thing for us to
know is whither the mobile object is going and where
it is at any moment of its passage. In other words, our
interest is directed, before all, to its actual or future
positions, and not to the progress by which it passes
from one position to another, progress which 1s the
movement itself. In our actions, which are systematized
movements, what we fix our mind on is the end or
meaning of the movement, its design as a whole—in
a word, the immobile plan of its execution. That
which really moves in action interests us only so far as
the whole can be advanced, retarded, or stopped by
any incident that may happen on the way. From
mobility itself our intellect turns aside, because it has
nothing to gain in dealing with it. If the intellect were
meant for pure theorizing, it would take its place
within movement, for movement is reality itself, and
immobility is always only apparent or relative. But
the intellect is meant for something altogether different.
Unless it does violence to itself, it takes the opposite
course ; it always starts from immobility, as if this
were the ultimate reality: when it tries to form an
idea of movement, it does so by constructing movement
out of immobilities put together. This operation,
whose illegitimacy and danger in the field of specula-
tion we shall show later on (it leads to dead-locks,
and creates artificially insoluble philosophical problems),
is easily justified when we refer it to its proper goal.
Intelligence, in its natural state, aims at a practically
164 CREATIVE EVOLUTION CHAP.

useful end. When it substitutes for movement im-


mobilities put together, it does not pretend to recon-
stitute the movement such as it actually is; it merely
replaces it with a practical equivalent. It is the
philosophers who are mistaken when they import into
the domain of speculation a method of thinking which
is made for action. But of this more anon. Suffice it
now to say that to the stable and unchangeable our
intellect is attached by virtue of its natural disposition.
Of immobility alone does the intellect form a clear idea.
Now, fabricating consists in carving out the form
of an object in matter. What is the most important is
the form to be obtained. As to the matter, we choose
that which is most convenient ; but, in order to choose
it, that is to say, in order to go and seek it among
many others, we must have tried, in imagination at
least, to endow every kind of matter with the form of
the object conceived. In other words, an intelligence
which aims at fabricating is an intelligence which never
stops at the actual form of things nor regards it as final,
but, on the contrary, looks upon all matter as if it were
carvable at will. Plato compares the good dialectician
to the skilful cook who carves the animal without
breaking its bones, by following the articulations marked
out by nature. An intelligence which always proceeded
thus would really be an intelligence turned toward
speculation. But action, and in particular fabrication,
requires the opposite mental tendency: it makes us
consider every actual form of things, even the form of
natural things, as artificial and provisional ; it makes
our thought efface from the object perceived, even
though organized and living, the lines that outwardly
mark its inward structure; in short, it makes us
1 Plato, Phaedrus, 265 E.
n THE FUNCTION OF THE INTELLECT 165
regard its matter as indifferent to its form. The
whole of matter is made to appear to our thought
as an immense piece of cloth in which we can cut
out what we will and sew it together again as we
please. Let us note, in passing, that it is this power
that we affirm when we say that there is a space, that
is to say, a homogeneous and empty medium, infinite
and infinitely divisible, lending itself indifferently to any
mode of decomposition whatsoever. A medium of this
kind is never perceived; it is only conceived. What
is perceived is extension coloured, resistant, divided
according to the lines which mark out the boundaries of
real bodies or of their real elements. But when we think
of our power over this matter, that is to say, of our faculty
of decomposing and recomposing it as we please, we
project the whole of these possible decompositions and
recompositions behind real extension in the form of a
homogeneous space, empty and indifferent, which is
supposed to underlie it. This space is therefore, pre-
eminently, the plan of our possible action on things,
although, indeed, things have a natural tendency, as we
shall explain further on, to enter into a frame of this
kind. It is a view taken by mind. The animal has
probably no idea of it, even when, like us, it perceives ex-
tended things. Itisan idea that symbolizes the tendency
of the human intellect to fabrication. But this point
must not detain us now. Suffice it to say that the intellect
ts characterized by the unlimited power of decomposing
according to any law and of recomposing into any system.
We have now enumerated a few of the essential
features of human intelligence. But we have hitherto
considered the individual in isolation, without taking
account of social life. In reality, man is a being who
lives in society. If it be true that the human intellect
166 CREATIVE EVOLUTION CHAP.

aims at fabrication, we must add that, for that as well


as for other purposes, it is associated with other
intellects. Now, it is difficult to imagine a society
whose members do not communicate by signs. Insect
societies probably have a language, and this language
must be adapted, like that of man, to the necessities of
life in common. By language community of action is
made possible. But the requirements of joint action
are not at all the same in a colony of ants and ina
human society. In insect societies there is generally
polymorphism, the subdivision of labour is natural,
and each individual 1s riveted by its structure to the
function it performs. In any case, these societies are
based on instinct, and consequently on certain actions
or fabrications that are more or less dependent on the
form of the organs. So if the ants, for instance, have
a language, the signs which compose it must be very
limited in number, and each of them, once the species
is formed, must remain invariably attached to a ce: ‘ain
object or a certain operation: the sign is adherent to
the thing signified. In human society, on the con-
trary, fabrication and action are of variable form, and,
moreover, each individual must learn his part, because
he is not preordained to it by his structure. So a
language is required which makes it possible to be
always passing from what is known to what is yet
to be known. There must be a language whose signs
—which cannot be infinite in number—are extensible
to an infinity of things. This tendency of the sign to
transfer itself from one object to another is character-
istic of human language. It is observable in the little
child as soon as he begins to speak. Immediately
and naturally he extends the meaning of the words
he learns, availing himself of the most accidental con-
mn LHE FUNCTION OF THE INTELLECT 167
nection or the most distant analogy to detach and
transfer elsewhere the sign that had been associated in
his hearing with a particular object. ‘ Anything can
designate anything’’: such is the latent principle of
infantine language. This tendency has been wrongly
confused with the faculty of generalizing. The animals
themselves generalize ; and, moreover, a sign—even
an instinctive sign—always to some degree represents
a genus. But what characterizes the signs of human
language is not so much their generality as their
mobility. The instinctive sign is adherent, the intelligent
sign is mobile.
Now, this mobility of words, that makes them able
to pass from one thing to another, has enabled them to
be extended from things to ideas. Certainly, language
would not have given the faculty of reflecting to an
intelligence entirely externalized and incapable of turn-
ing homeward. An intelligence which reflects is one
that originally had a surplus of energy to spend, over
and above practically useful efforts. It is a conscious-
ness that has virtually reconquered itself. But still the
virtual has to become actual. Without language, in-
tellizence would probably have remained riveted to the
material objects which it was interested in considering.
It would have lived in a state of somnambulism, outside
itself, hypnotized on its own work. Language has
greatly contributed to its liberation. The word, made
to pass from one thing to another, is, in fact, by nature
transferable and free. It can therefore be extended, not
only from one perceived thing to another, but even from
a perceived thing to a recollection of that thing, from
the precise recollection to a more fleeting image, and
finally from an image fleeting, though still pictured,
to the picturing of the act by which the image is
168 CREATIVE EVOLUTION CHAP.

pictured, that is to say, to the idea. Thus is revealed


to the intelligence, hitherto always turned outwards, a
whole internal world—the spectacle of its own work-
ings. It required only this opportunity, at length
offered by language. It profits by the fact that the
word is an external thing, which the intelligence can
catch hold of and cling to, and at the same time an
immaterial thing, by means of which the intelligence
can penetrate even to the inwardness of its own work.
Its first business was indeed to make instruments, but
this fabrication is possible only by the employment of
certain means which are not cut to the exact measure
of their object, but go beyond it and thus allow intelli-
gence a supplementary—that is to say disinterested
work. From the moment that the intellect, reflecting
upon its own doings, perceives itself as a creator or
ideas, as a faculty of representation in general, there is
no object of which it may not wish to have the idea,
even though that object be without direct relation to
practical action. That is why we said there are things
that intellect alone can seek. Intellect alone, indeed,
troubles itself about theory ; and its theory would fain
embrace everything—not only inanimate matter, over
which it has a natural hold, but even life and thought.
By what means, what instruments, in short by what
method it will approach these problems, we can easily
guess. Originally, it was fashioned to the form of
matter. Language itself, which has enabled it to
extend its field of operations, is made to designate
things, and naught but things: it is only because the
word is mobile, because it flies from one thing to
another, that the intellect was sure to take it, sooner or
later, on the wing, while it was not settled on anything,
and apply it to an object which is not a thing and
n THE FUNCTION OF THE INTELLECT 169
which, concealed till then, awaited the coming of the
word to pass from darkness to light. But the word, by
covering up this object, again converts it into a thing.
So intelligence, even when it no longer operates upon
its own object, follows habits it has contracted in that
operation: it applies forms that are indeed those of
unorganized matter. It is made for this kind of work.
With this kind of work alone is it fully satisfied. And
that is what intelligence expresses by saying that thus
only it arrives at distinctness and clearness.
It must, therefore, in order to think itself clearly
and distinctly, perceive itself under the form of dis-
continuity. Concepts, in fact, are outside each other,
‘like objects in space ; and they have the same stability
as such objects, on which they have been modelled.
Taken together, they constitute an “ intelligible world,”
that resembles the world of solids in its essential char-
acters, but whose elements are lighter, more diaphanous,
easier for the intellect to deal with than the image of
concrete things: they are not, indeed, the perception
itself of things, but the representation of the act by
which the intellect is fixed on them. They are, there-
fore, not images, but symbols. Our logic is the
complete set of rules that must be followed in using
symbols. As these symbols are derived from the
consideration of solids, as the rules for combining
these symbols hardly do more than express the most
general relations among solids, our logic triumphs in
that science which takes the solidity of bodies for its
object, that is, in geometry. Logic and geometry
engender each other, as we shall see a little further on.
It is from the extension of a certain natural geometry,
suggested by the most general and immediately per-
ceived properties of solids, that natural logic has arisen;
140 CREATIVE EVOLUTION date
then from this natural logic, in its turn, has sprung
scientific geometry, which extends further and further
the knowledge of the external properties of solids.’
Geometry and logic are strictly applicable to matter;
in it they are at home, and in it they can proceed quite
alone. But, outside this domain, pure reasoning
needs to be supervised by common sense, which is an
altogether different thing.
Thus, all the elementary forces of the intellect tend
to transform matter into an instrument of action, that
is, in the etymological sense of the word, into an organ.
Life, not content with producing organisms, would fain
give them as an appendage inorganic matter itself,
converted into an immense organ by the industry of
the living being. Such is the initial task it assigns to
intelligence. That is why the intellect always behaves
as if it were fascinated by the contemplation of inert
matter. It is life looking outward, putting itself out-
side itself, adopting the ways of unorganized nature
in principle, in order to direct them in fact. Hence
its bewilderment when it turns to the living and is
confronted with organization. It does what it can,
it resolves the organized into the unorganized, for
it cannot, without reversing its natural direction and
twisting about on itself, think true continuity, real
mobility, reciprocal penetration,—in a word, that creative
evolution which is life.
Consider continuity. The aspect of life that is
accessible to our intellect—as indeed to our senses,
of which our intellect is the extension—is that which
offers a hold to our action. Now, to modify an
object, we have to perceive it as divisible and dis-
continuous. From the point of view of positive
’ We shall return to these points in the next chapter.
nu THE FUNCTION OF THE INTELLECT 171
science, an incomparable progress was realized when the
organized tissues were resolved into cells. The study
of the cell, in its turn, has shown it to be an organism
whose complexity seems to grow, the more thoroughly
it is examined. The more science advances, the more
it sees the number grow of heterogeneous elements
which are placed together, outside each other, to make
up a living being. Does science thus get any nearer
to life? Does it not, on the contrary, find that what
is really life in the living seems to recede with every
step by which it pushes further the detail of the parts
combined? There is indeed already among scientists
a tendency to regard the substance of the organism
as continuous, and the cell as an artificial entity.’
But, supposing this view were finally to prevail, it
could only lead, on deeper study, to some other
mode of analysing of the living being, and so to a
new discontinuity—although less removed, perhaps,
from the real continuity of life. The truth is that
this continuity cannot be thought by the intellect while
it follows its natural movement. It implies at once the
multiplicity of elements and the interpenetration of
all by all, two conditions that can hardly be reconciled
in the field in which our industry, and consequently
our intellect, is engaged.
Just as we separate in space, we fix in time. The
intellect is not made to think evo/ution, in the proper sense
of the word—that is to say, the continuity of a change
that is pure mobility. We shall not dwell here on this
point, which we propose to study in a special chapter.
Suffice it to say that the intellect represents becoming as
a series of states, each of which is homogeneous with itself
and consequently does not change. Is our attention
1 We shall return to this point in chapter iii. p. 273.
r7e CREATIVE EVOLUTION CHAP.

called to the internal change of one of these states?


At once we decompose it into another series of states
which, reunited, will be supposed to make up this
internal modification. Each of these new states must
be invariable, or else their internal change, if we are
forced to notice it, must be resolved again into a fresh
series of invariable states, and so on to infinity. Here
again, thinking consists in reconstituting, and, natur-
ally, it is with gzvex elements, and consequently with
stable elements, that we reconstitute. So that, though
we may do our best to imitate the mobility of becoming
by an addition that is ever going on, becoming itself
slips through our fingers just when we think we are
holding it tight.
Precisely because it is always trying to reconstitute,
and to reconstitute with what is given, the intellect lets
what is mew in each moment of a history escape. It
does not admit the unforeseeable. It rejects all
creation. That definite antecedents bring forth a
definite consequent, calculable as a function of them,
is what satisfies our intellect. That a definite end
calls forth definite means to attain it, is what we also
understand. In both cases we have to do with the known
which is combined with the known, in short, with the
old which is repeated. Our intellect is there at its ease ;
and, whatever be the object, it will abstract, separate,
eliminate, so as to substitute for the object itself, if
necessary, an approximate equivalent in which things
will happen in this way. But that each instant is a
fresh endowment, that the new is ever upspringing,
that the form just come into existence (although,
when once produced, it may be regarded as an effect
determined by its causes) could never have been
foreseen—because the causes here, unique in their
a THE FUNCTION OF THE INTELLECT 173
kind, are part of the effect, have come into existence
with it, and are determined by it as much as they
determine it,—all this we can feel within ourselves and
also divine, by sympathy, outside ourselves, but we
cannot think it, in the strict sense of the word, nor
express it in terms of pure understanding. No
wonder at that : we must remember what our intellect
is meant for. The causality it seeks and finds every-
where expresses the very mechanism of our industry,
in which we go on recomposing the same whole with
the same parts, repeating the same movements to obtain
the same result. The finality it understands best is
the finality of our industry, in which we work on a
model given in advance, that is to say, old or com-
posed of elements already known. As to invention
properly so called, which is, however, the point of
departure of industry itself, our intellect does not
succeed in grasping it in its upspringing, that is to say,
in its indivisibility, nor in its fervour, that is to say,
in its creativeness. Explaining it always consists in re-
solving it, it the unforeseeable and new, into elements
old or known, arranged in a different order. The
intellect can no more admit complete novelty than real
becoming ; that is to say, here again it lets an essential
aspect of life escape, as if it were not intended to think
such an object.
All our analyses bring us to this conclusion. But it
is hardly necessary to go into such long details con-
cerning the mechanism of intellectual working; it is
enough to consider the results. We see that the
intellect, so skilful in dealing with the inert, is awkward
the moment it touches the living. Whether it wants
to treat the life of the body or the life of the mind, it
proceeds with the rigour, the stiffness and the brutality
174 CREATIVE EVOLUTION CHAP.

of an instrument not designed for such use. The


history of hygiene or of pedagogy teaches us much
in this matter. When we think of the cardinal,
urgent and constant need we have to preserve our
bodies and to raise our souls, of the special facilities
given to each of us, in this field, to experiment
continually on ourselves and on others, of the palpable
injury by which the wrongness of a medical or
pedagogical practice is both made manifest and
punished at once, we are amazed at the stupidity
and especially at the persistence of errors. We
may easily find their origin in the natural obstinacy
with which we treat the living like the lifeless and
think all reality, however fluid, under the form of
the sharply defined solid. We are at ease only
in the discontinuous, in the immobile, in the dead.
The intellect is characterized by a natural inability to
comprehend life.

Instinct, on the contrary, is moulded-on the very


form oflife. While intelligence treats everything
“mechanically, instinct proceeds, so to speak, organi-
cally. If the consciousness that slumbers in it
should awake, if it were wound up into knowledge
instead of being wound off into action, if we could
ask and it could reply, it would give up to us the
most intimate secrets of life. For it only carries out
further the work by which life organizes matter,—
so that we cannot say, as has often been shown,
where organization ends and where instinct begins.
When the little chick is breaking its shell with a peck
of its beak, it is acting by instinct, and yet it does but
carry on the movement which has borne it through
embryonic life. Inversely, in the course of embryonic
il THE NATURE OF INSTINCT 175
life itself (especially when the embryo lives freely in
the form of a larva), many of the acts accomplished
must be referred to instinct. The most essential of
the primary instincts are really, therefore, vital pro-
cesses. The potential consciousness that accompanies
them is generally actualized only at the outset of the
act, and leaves the rest of the process to go on by
itself. It would only have to expand more widely,
and then dive into its own depth completely, to be
one with the generative force of life.
When we see in a living body thousands of cells
working together to a common end, dividing the task
between them, living each for itself at the same time
as for the others, preserving itself, feeding itself,
reproducing itself, responding to the menace of danger
by appropriate defensive reactions, how can we help
thinking of so many instincts? And yet these are the
natural functions of the cell, the constitutive elements
of its vitality. On the other hand, when we see the
bees of a hive forming a system so strictly organized
that no individual can live apart from the others beyond
a certain time, even though furnished with food and
shelter, how can we help recognizing that the hive
is really, and not metaphorically, a single organism,
of which each bee is a cell united to the others by
invisible bonds? The instinct that animates the bee
is indistinguishable, then, from the force that animates
the cell, or is only a prolongation of that force. In
extreme cases like this, instinct coincides with the work
of organization.
Of course there are degrees of perfection in the same
instinct. Between the humble-bee and the honey-bee,
for instance, the distance is great; and we pass from
one to the other through a great number of inter-
176 CREATIVE EVOLUTION CHAP,
mediaries, which correspond to so many complications
of the social life. But the same diversity is found
in the functioning of histological elements belonging
to different tissues more or less akin. In both cases
there are manifold variations on one and the same
theme. The constancy of the theme is manifest,
however, and the variations only fit it to the diversity
of the circumstances.
Now, in both cases, in the instinct of the animal and
in the vital properties of the cell, the same knowledge
and the same ignorance are shown. All goes on as
if the cell knew, of the other cells, what concerns itself ;
as if the animal knew, of the other animals, what it
can utilise—all else remaining in shade. It seems as
if life, as soon as it has become bound up in a
species, is cut off from the rest of its own work,
save at one or two points that are of vital concern
to the species just arisen. Is it not plain that life
goes to work here exactly like consciousness, exactly
like memory? We trail behind us, unawares, the
whole of our past; but our memory pours into the
present only the odd recollection or two that in
some way complete our present situation. Thus the
instinctive knowledge which one species possesses of
another on a certain particular point has its root in the
very unity of life, which is, to use the expression of an
ancient philosopher, a ‘whole sympathetic to itself.”
It is impossible to consider some of the special instincts
of the animal and of the plant, evidently arisen in
extraordinary circumstances, without relating them to
those recollections, seemingly forgotten, which spring
up suddenly under the pressure of an urgent need.
No doubt many secondary instincts, and also many
varieties of primary instinct, admit of a scientific ex-
It THE NATURE OF INSTINCT 77
planation. Yet it is doubtful whether science, with
its present methods of explanation, will ever succeed in
analysing instinct completely. The reason is that
instinct and intelligence are two divergent develop-
ments of one and the same principle, which in the one
case remains within itself, in the other steps out of
itself and becomes absorbed in the utilization of inert
matter. This gradual divergence testifies to a radical
incompatibility, and points to the fact that it is im-
possible for intelligence to reabsorb instinct. That
which is instinctive in instinct cannot be expressed
in terms of intelligence, nor, consequently, can it be
analysed.
A man born blind, who had lived among others
born blind, could not be made to believe in the
possibility of perceiving a distant object without first
perceiving all the objects in between. Yet vision
performs this miracle. In a certain sense the blind
man is right, since vision, having its origin in the
stimulation of the retina by the vibrations of the light,
is nothing else, in fact, but a retinal touch. Such is
indeed the scientific explanation, for the function of
science is just to express all perceptions in terms of
touch. But we have shown elsewhere that the philo-
sophical explanation of perception (if it may still be
called an explanation) must be of another kind.’ Now
instinct also is a knowledge at a distance. It has the
same relation to intelligence that vision has to touch.
Science cannot do otherwise than express it in terms of
intelligence ; but in so doing it constructs an imitation
of instinct rather than penetrates within it.
Any one can convince himself of this by studying
the ingenious theories of evolutionist biology. They
1 Matiére et mémoire, chap. i.
N
178 CREATIVE EVOLUTION CHAP.

may be reduced to two types, which are often inter-


mingled. One type, following the principles of neo-
Darwinism, regards instinct as a sum of accidental
differences preserved by selection: such and such a
useful behaviour, naturally adopted by the individual
in virtue of an accidental predisposition of the germ,
has been transmitted from germ to germ, waiting for
chance to add fresh improvements to it by the same
method. The other type regards instinct as lapsed
intelligence : the action, found useful by the species or
by certain of its representatives, is supposed to have
engendered a habit, which, by hereditary transmission,
has become an instinct. Of these two types of theory,
the first has the advantage of being able to bring in
hereditary transmission without raising grave objection ;
for the accidental modification which it places at the
origin of the instinct is not supposed to have been
acquired by the individual, but to have been inherent
in the germ. But, on the other hand, it is absolutely
incapable of explaining instincts as sagacious as those
of most insects. These instincts surely could not have
attained, all at once, their present degree of complexity ;
they have probably evolved ; but, in a hypothesis like
that of the neo-Darwinians, the evolution of instinct
could have come to pass only by the progressive
addition of new pieces which, in some way, by happy
accidents, came to fit into the old. Now it is evident
that, in most cases, instinct could not have perfected
itself by simple accretion: each new piece really re-
quires, if all is not to be spoiled, a complete recasting
of the whole. How could mere chance work a recast-
ing of the kind? I agree that an accidental modifica-
tion of the germ may be passed on hereditarily, and
may somehow wait for fresh accidental modifications
n THE NATURE OF INSTINCT 179
to come and complicate it. I agree also that natural
selection may eliminate all those of the more compli-
cated forms of instinct that are not fit to survive.
Still, in order that the life of the instinct may evolve,
complications fit to survive have to be produced.
Now they will be produced only if, in certain cases, the
addition of a new element brings about the correlative
change of all the old elements. No one will maintain
that chance could perform such a miracle: in one form
or another we shall appeal to intelligence. We shall
suppose that it is by an effort, more or less conscious,
that the living being develops a higher instinct. But
then we shall have to admit that an acquired habit can
become hereditary, and that it does so regularly enough
to ensure an evolution. The thing is doubtful, to put
it mildly. Even if we could refer the instincts of
animals to habits intelligently acquired and hereditarily
transmitted, it is not clear how this sort of explanation
could be extended to the vegetable world, where effort
is never intelligent, even supposing it is sometimes
conscious. And yet, when we see with what sureness
and precision climbing plants use their tendrils, what
marvellously combined manceuvres the orchids perform
to procure their fertilization by means of insects,) how
can we help thinking that these are so many instincts ?
This is not saying that the theoryof the neo-
Darwinians must be altogether rejected, any more
than that of the neo-Lamarckians. The first are
probably right in holding that evolution takes place
from germ to germ rather than from individual to
individual ; the second are right in saying that at the
origin of instinct there is an effort (although it is
1 See the two works of Darwin, Climbing Plants and The Fertilization of
Orchids by Lnsects.
180 CREATIVE EVOLUTION CHAP.
something quite different, we believe, from an intelligent
effort). But the former are probably wrong when they
make the evolution of instinct an accidental evolution,
and the latter when they regard the effort from which
instinct proceeds as an individual effort. The effort
by which a species modifies its instinct, and modifies
itself as well, must be a much deeper thing, dependent
solely neither on circumstances nor on individuals.
It is not purely accidental, although accident has a
large place in it; and it does not depend solely
on the initiative of individuals, although individuals
collaborate in it.
Compare the different forms of the same instinct
in different species of Hymenoptera. The impression
derived is not always that of an increasing complexity
made of elements that have been added together one
after the other. Nor does it suggest the idea of steps
up a ladder. Rather do we think, in many cases at
least, of the circumference of a circle, from different
points of which these different varieties have started,
all facing the same centre, all making an effort in that
direction, but each approaching it only to the extent of
its means, and to the extent also to which this central
point has been illumined for it. In other words, instinct
is everywhere complete, but it 1s more or less simpli-
fied, and, above all, simplified differently. On the other
hand, in cases where we do get the impression of an
ascending scale, as if one and the same instinct had
gone on complicating itself more and more in one
direction and along a straight line, the species which
are thus arranged by their instincts into a linear series
are by no means always akin. Thus, the comparative
study, in recent years, of the social instinct in the
different apidae proves that the instinct of the meli-
i THE NATURE OF INSTINCT 181
ponines is intermediary in complexity between the
still rudimentary tendency of the humble bees and the
consummate science of the true bees ; yet there can be
no kinship between the bees and the meliponines.?
Most likely, the degree of complexity of these different
societies has nothing to do with any greater or smaller
number of added elements. We seem rather to be
before a musical theme, which had first been transposed,
the theme as a whole, into a certain number of tones,
and on which, still the whole theme, different variations
had been played, some very simple, others very skilful.
As to the original theme, it is everywhere and nowhere.
It is in vain that we try to express it in terms of any
idea: it must have been, originally, fe/t rather than
thought. We get the same impression before the
paralysing instinct of certain wasps. We know that
the different species of Hymenoptera that have this
paralysing instinct lay their eggs in spiders, beetles or
caterpillars, which, having first been subjected by the
wasp to a skilful surgical operation, will go on living
motionless a certain number of days, and thus provide
the larvae with fresh meat. In the sting which they
give to the nerve-centres of their victim, in order to
destroy its power of moving without killing it, these
different species of Hymenoptera take into account, so
to speak, the different species of prey they respectively
attack. The Scolia, which attacks a larva of the rose-
beetle, stings it in one point only, but in this point
the motor ganglia are concentrated, and those ganglia
alone : the stinging of other ganglia might cause death
and putrefaction, which it must avoid.2 The yellow-
1 Buttel-Reepen, “ Die phylogenetische Entstehung des Bienenstaates ™
(Biol. Centralblatt, xxili., 1903, p. 108 in particular).
2 Fabre, Souvenirs entomologiques, 3° série, Paris, 1890, pp. 1-69.
182 CREATIVE EVOLUTION “wae
winged Sphex, which has chosen the cricket for its
victim, knows that the cricket has three nerve-centres
which serve its three pairs of legs—or at least it acts as
if it knew this. It stings the insect first under the
neck, then behind the prothorax, and then where the
thorax joins the abdomen." The Ammophila Hirsuta
gives nine successive strokes of its sting upon nine
nerve-centres of its caterpillar, and then seizes the head
and squeezes it in its mandibles, enough to cause
paralysis without death. The general theme is “the
necessity of paralysing without killing” ; the variations
are subordinated to the structure of the victim on
which they are played. No doubt the operation is not
always perfect. It has recently been shown that the
Ammophila sometimes kills the caterpillar instead of
paralysing it, that sometimes also it paralyses it incom-
pletely. But, because instinct is, like intelligence,
fallible, because it also shows individual deviations, it
does not at all follow that the instinct of the Ammo-
phila has been acquired, as has been claimed, by tenta-
tive intelligent experiments. Even supposing that the
Ammophila has come in course of time to recognize,
one after another, by tentative experiment, the points
of its victim which must be stung to render it motion-
less, and also the special treatment that must be
inflicted on the head to bring about paralysis without
death, how can we imagine that elements so special of
a knowledge so precise have been regularly transmitted,
one by one, by heredity? If, in all our present ex-
perience, there were a single indisputable example of a
transmission of this kind, the inheritance of acquired
1 Fabre, Souvenirs entomologiques, 17 série, 3° édition, Paris, 1894, pp.
93 ff.
@ Fabre, Nouveaux souvenirs entomologicues, Paris, 1882, pp. 14 ff.
8 Peckham, Wasps, Solitary and Social, Westminster, 1905, pp. 28 ff.
u THE NATURE OF INSTINCT 183
characters would be questioned by no one. As a
matter of fact, the hereditary transmission of a con-
tracted habit is effected in an irregular and far from
precise manner, supposing it is ever really effected
at all.
But the whole difficulty comes from our desire to
express the knowledge of the Hymenoptera in terms of
intelligence. It is this that compels us to compare the
Ammophila with the entomologist, who knows the
caterpillar as he knows everything else—from the out-
side, and without having on his part a special or vital
interest. The Ammophila, we imagine, must learn,
one by one, like the entomologist, the positions of
the nerve-centres of the caterpillar—must acquire at
least the practical knowledge of these positions by
trying the effects of its sting. But there is no need
for such a view if we suppose a sympathy (in the
etymological sense of the word) between the Ammo-
phila and its victim, which teaches it from within, so
to say, concerning the vulnerability of the caterpillar.
This feeling of vulnerability might owe nothing to
outward perception, but result from the mere presence
together of the Ammophila and the caterpillar, con-
sidered no longer as two organisms, but as two
activities. It would express, in a concrete form, the
relation of the one to the other. Certainly, a scientific
theory cannot appeal to considerations of this kind.
It must not put action before organization, sympathy
before perception and knowledge. But, once more,
either philosophy has nothing to see here, or its réle
begins where that of science ends.
Whether it makes instinct a “compound reflex,” or
a habit formed intelligently that has become automatism,
or a sum of small accidental advantages accumulated
I 84 CREATIVE EVOLUTION CHAP

and fixed by selection, in every case science claims to


resolve instinct completely either into ze/ligent actions,
or into mechanisms built up piece by piece like those
combined by our intelligence. I agree indeed that
science is here within its function. It gives us, in
default of a real analysis of the object, a translation
of this object in terms of intelligence. But is it not
plain that science itself invites philosophy to consider
things in another way? If our biology was still that
of Aristotle, if it regarded the series of living beings as
unilinear, if it showed us the whole of life evolving
towards intelligence and passing, to that end, through
sensibility and instinct, we should be right, we, the
intelligent beings, in turning back towards the earlier
and consequently inferior manifestations of life and in
claiming to fit them, without deforming them, into the
moulds of our understanding. But one of the clearest
results of biology has been to show that evolution has
taken place along divergent lines. It is at the ex-
tremity of two of these lines—the two principal—that
we find intelligence and instinct in forms almost pure.
Why, then, should instinct be resolvable into intelligent
elements? Why, even, into terms entirely intelligible ?
Is it not obvious that to think here of the intelligent,
or of the absolutely intelligible, is to go back to the
Aristotelian theory of nature? No doubt it is better
to go back to that than to stop short before instinct as
before an unfathomable mystery. But, though instinct
is not within the domain of intelligence, it is not
situated beyond the limits of mind. In the pheno-
mena of feeling, in unreflecting sympathy and anti-
pathy, we experience in ourselves,—though under a
much vaguer form, and one too much penetrated with
intelligence,—something of what must happen in the
it THE NATURE OF INSTINCT 185
consciousness of an insect acting by instinct. Evolu-
tion does but sunder, in order to develop them to the
end, elements which, at their origin, interpenetrated
each other. More precisely, intelligence is, before
anything else, the faculty of relating one point of
space to another, one material object to another; it
applies to all things, but remains outside them ; and
of a deep cause it perceives only the effects spread out
side by side. Whatever be the force that is at work
in the genesis of the nervous system of the caterpillar,
to our eyes and our intelligence it is only a juxta-
position of nerves and nervous centres. It is true that
we thus get the whole outer effect of it. The Ammo-
phila, no doubt, discerns but a very little of that force,
just what concerns itself ; but at least it discerns it from
within, quite otherwise than by a process of knowledge
—by an intuition (/ived rather than represented), which
is probably like what we call divining sympathy.
A very significant fact is the swing to and fro of
scientific theories of instinct, from regarding it as in-
telligent to regarding it as simply intelligible, or, shall
I say, between likening it to an intelligence “lapsed ”
and reducing it to a pure mechanism.’ Each of these
systems of explanation triumphs in its criticism of the
other, the first when it shows us that instinct cannot be
a mere reflex, the other when it declares that instinct is
something different from intelligence, even fallen into
unconsciousness. What can this mean but that they
are two symbolisms, equally acceptable in certain
respects, and, in other respects, equally inadequate to
their object? The concrete explanation, no longer
1 See, in particular, among recent works, Bethe, “ Dirfen wir den
Ameisen und Bienen psychische Qualitdéten zuschreiben ?” (Arch. f. d. ges.
Physiologie, 1898), and Forel, “Un Apergu de psychologie comparée ”
(Année psychologique, 1895).
186 CREATIVE EVOLUTION CHAP,

scientific, but metaphysical, must be sought along quite


another path, not in the direction of intelligence, but in
that of “sympathy.”

Instinct is sympathy. If this sympathy could extend


its object and also reflect upon itself, it would give us
the key to vital operations—just as_ intelligence,
\ developed and disciplined, guides us into matter. For
—we cannot too often repeat it—intelligence and
instinct are turned in opposite directions, the former
towards inert matter, the latter towards life. Intelli-
gence, by means of science, which is its work, will
deliver up to us more and more completely the secret
of physical operations ; of life it brings us, and more-
over only claims to bring us, a translation in terms of
inertia. It goes all round life, taking from outside the
greatest possible number of views of it, drawing it into
itself instead of entering into it.. But it is to the very
inwardness of life that zwtuition leads us,—by intuition
I mean instinct that has become disinterested, self-
conscious, capable of reflecting upon its object and of
enlarging it indefinitely.
That an effort of this kind is not impossible, is
proved by the existence in man of an aesthetic faculty
along with normal perception. Our eye perceives the
features of the living being, merely as assembled, not as
mutually organized. The intention of life, the simple
movement that runs through the lines, that binds them
together and gives them significance, escapes it. This
intention is just what the artist tries to regain, in
placing himself back within the object by a kind of
sympathy, in breaking down, by an effort of intuition,
the barrier that space puts up between him and his
model. It is true that this aesthetic intuition, like
it LIFE AND CONSCIOUSNESS 187
external perception, only attains the individual. But
we can conceive an inquiry turned in the same direc- |
tion as art, which would take life in general for its
_ object, just as physical science, in following to the end
the direction pointed out by external perception, pro-
longs the individual facts into general laws. No doubt
this philosophy will never obtain a knowledge of its
object comparable to that which science has of its own.
Intelligence remains the luminous nucleus around
which instinct, even enlarged and purified into in-
tuition, forms only a vague nebulosity. But, in default
of knowledge properly so called, reserved to pure
intelligence, intuition may enable us to grasp what it is
that intelligence fails to give us, and indicate the means
of supplementing it. On the one hand, it will utilize
the mechanism of intelligence itself to show how in-
tellectual moulds cease to be strictly applicable ; and
on the other hand, by its own work, it will suggest to
us the vague feeling, if nothing more, of what must
take the place of intellectual moulds. Thus, intuition
may bring the intellect to recognize that life does not
quite go into the category of the many nor yet into
that of the one; that neither mechanical causality nor
finality can give a sufficient interpretation of the vital
process. Then, by the sympathetic communication
which it establishes between us and the rest of the
living, by the expansion of our consciousness which it
brings about, it introduces us into life’s own domain,
which is reciprocal interpenetration, endlessly continued
creation. But, though it thereby transcends intelli-
gence, it is from intelligence that has come the push
that has made it rise to the point it has reached.
Without intelligence, it would have remained in the
form of instinct, riveted to the special object of its
188 CREATIVE EVOLUTION CHAP.
practical interest, and turned outward by it into move-
ments of locomotion.
How theory of knowledge must take account of
these two faculties, intellect and intuition, and how
also, for want of establishing a sufficiently clear dis-
tinction between them, it becomes involved in inextric-
able difficulties, creating phantoms of ideas to which
there cling phantoms of problems, we shall endeavour
to show a little further on. We shall see that the
problem of knowledge, from this point of view, is one
with the metaphysical problem, and that both one and
the other depend upon experience. On the one hand,
indeed, if intelligence is charged with matter and
instinct with life, we must squeeze them both in order
to get the double essence from them ; metaphysics is
therefore dependent upon theory of knowledge. But,
on the other hand, if consciousness has thus split up
into intuition and intelligence, it is because of the
need it had to apply itself to matter at the same time
as it had to follow the stream of life. The double
form of consciousness is then due to the double form
of the real, and theory of knowledge must be de-
pendent upon metaphysics. In fact, each of these two
lines of thought leads to the other; they form a circle,
and there can be no other centre to the circle but the
empirical study of evolution.” It is only in seeing
consciousness run through matter, lose itself there and
find itself there again, divide and reconstitute itself,
that we shall form an idea of the mutual opposition of
the two terms, as also, perhaps, of their common origin.
But, on the other hand, by dwelling on this opposition
of the two elements and on this identity of origin,
perhaps we shall bring out more clearly the meaning
of evolution itself.
ee
23

"i LIFE AND CONSCIOUSNESS 189


Such will be the aim of our next chapter. But
the facts that we have just noticed must have already
suggested to us the idea that life is connected either
_ with consciousness or with something that resembles it.
Throughout the whole extent of the animal kingdom,
we have said, consciousness seems proportionate to the
living being’s power of choice. It lights up the zone
of potentialities that surrounds the act. It fills the
interval between what is done and what might be done.
Looked at from without, we may regard it as a simple
aid to action, a light that action kindles, a momentary
spark flying up from the friction of real action against
possible actions. But we must also point out that
things would go on in just the same way if conscious-
ness, instead of being the effect, were the cause. We
might suppose that consciousness, even in the most rudi-
mentary animal, covers by right an enormous field, but
is compressed in fact in a kind of vice: each advance
of the nervous centres, by giving the organism a choice
between a larger number of actions, calls forth the
potentialities that are capable of surrounding the real,
thus opening the vice wider and allowing consciousness
to pass more freely. In this second hypothesis, as in
the first, consciousness is still the instrument of action ;
but it is even more true to say that action is the
instrument of consciousness ; for the complicating of
action with action, and the opposing of action to action,
are for the imprisoned consciousness the only possible
means to set itself free. How, then, shall we choose
between the two hypotheses? If the first is true,
consciousness must express exactly, at each instant, the
state of the brain ; there is strict parallelism (so far as
intelligible) between the psychical and the cerebral
state. On the second hypothesis, on the contrary,
1gO CREATIVE EVOLUTION CHAP.

there is indeed solidarity and interdependence between


the brain and consciousness, but not parallelism: the
more complicated the brain becomes, thus giving the
organism greater choice of possible actions, the more
does consciousness outrun its physical concomitant.
Thus, the recollection of the same spectacle probably
modifies in the same way a dog’s brain and a man’s
brain, if the perception has been the same; yet the
recollection must be very different in the man’s con-
sciousness from what it is in the dog’s. In the dog,
the recollection remains the captive of perception;
it is brought back to consciousness only when an
analogous perception recalls it by reproducing the same
spectacle, and then it is manifested by the recognition,
acted rather than thought, of the present perception
much more than by an actual reappearance of the
recollection itself. Man, on the contrary, is capable
of calling up the recollection at will, at any moment,
independently of the present perception. He is not
limited to playing his past life again ; he represents and
dreams it. The local modification of the brain to
which the recollection is attached being the same in each
case, the psychological difference between the two
recollections cannot have its ground in a particular
difference of detail between the two cerebral mechanisms,
but in the difference between the two brains taken each
as a whole. The more complex of the two, in putting
a greater number of mechanisms in opposition to one
another, has enabled consciousness to disengage itself
from the restraint of one and all and to reach inde-
pendence. That things do happen in this way, that the
second of the two hypotheses is that which must be
chosen, is what we have tried to prove, in a former
work, by the study of facts that best bring into relief
i LIFE AND CONSCIOUSNESS Ig!
the relation of the conscious state to the cerebral state,
the facts of normal and pathological recognition, in
particular the forms of aphasia.’ But it could have
been proved by pure reasoning, before even it was
evidenced by facts. We have shown on what self-
contradictory postulate, on what confusion of two
mutually incompatible symbolisms, the hypothesis of
equivalence between the cerebral state and the psychic
state rests.”
The evolution of life, looked at from this point,
receives a clearer meaning, although it cannot be sub-
sumed under any actual idea. It is as if a broad
current of consciousness had penetrated matter, loaded,
as all consciousness is, with an enormous multiplicity
of interwoven potentialities. It has carried matter
along to organization, but its movement has been at
once infinitely retarded and infinitely divided. On
the one hand, indeed, consciousness has had to fall
asleep, like the chrysalis in the envelope in which it is
preparing for itself wings ; and, on the other hand, the
manifold tendencies it contained have been distributed
among divergent series of organisms which, moreover,
express these tendencies outwardly in movements rather
than internally in representations. In the course of
this evolution, while some beings have fallen more
and more asleep, others have more and more com-
pletely awakened, and the torpor of some has served
the activity of others. But the waking could be
effected in two different ways. Life, that is to say
consciousness launched into matter, fixed its attention
either on its own movement or on the matter it was
1 Maitiére et mémoire, chaps. ii. and iii.
2 “Le Paralogisme psycho-physiologique” (Revue de métaphysique,
Nov. 1904).
192 CREATIVE EVOLUTION CHAP,

passing through ; and it has thus been turned either


in the direction of intuition or in that of intellect.
Intuition, at first sight, seems far preferable to intellect,
since in it life and consciousness remain within them-
selves. Buta glance at the evolution of living beings
shows us that intuition could not go very far. On the
side of intuition, consciousness found itself so restricted
by its envelope that intuition had to shrink into
instinct, that 1s, to embrace only the very small portion
of life that interested it ; and this it embraces only in
the dark, touching it while hardly seeing it. On this
side, the horizon was soon shut out. On the contrary,
consciousness, in shaping itself into intelligence, that is
to say in concentrating itself at first on matter, seems
to externalise itself in relation to itself; but, just
because it adapts itself thereby to objects from without,
it succeeds in moving among them and in evading the
barriers they oppose to it, thus opening to itself an
unlimited field. Once freed, moreover, it can turn
inwards on itself, and awaken the potentialities of in-
tuition which still slumber within it.
From this point of view, not only does consciousness
appear as the motive principle of evolution, but also,
among conscious beings themselves, man comes to
occupy a privileged place. Between him and the
animals the difference is no longer one of degree, but
of kind. We shall show how this conclusion is arrived
at in our next chapter. Let us now show how the
preceding analyses suggest it.
A noteworthy fact is the extraordinary disproportion
between the consequences of an invention and the
invention itself. We have said that intelligence is
modelled on matter and that it aims in the first place
at fabrication. But does it fabricate in order to
I LIFE AND CONSCIOUSNESS 193
fabricate, or does it not pursue involuntarily, and even
unconsciously, something entirely different? Fabri-
cating consists in shaping matter, in making it supple
and in bending it, in converting it into an instrument
in order to become master of it. It is this mastery that
profits humanity, much more even than the material
result of the invention itself. Though we derive an
immediate advantage from the thing made, as an
intelligent animal might do, and though this advantage
be all the inventor sought, it is a slight matter com-
pared with the new ideas and new feelings that the
invention may give rise to in every direction, as if
the essential part of the effect were to raise us above
ourselves and enlarge our horizon. Between the effect
and the cause the disproportion is so great that it is
difficult to regard the cause as producer of its effect. It
releases it, whilst settling, indeed, its direction. Every-
thing happens as though the grip of intelligence on
matter were, in its main intention, to et something pass
that matter is holding back.
The same impression arises when we compare
the brain of man with that of the animals. The
difference at first appears to be only a difference of
size and complexity. But, judging by function, there
must be something else besides. In the animal, the
motor mechanisms that the brain succeeds in setting
up, or, in other words, the habits contracted voluntarily,
have no other object nor effect than the accomplish-
ment of the movements marked out in these habits,
stored in these mechanisms. But, in man, the motor
habit may have a second result, out of proportion to
the first: it can hold other motor habits in check, and
thereby, in overcoming automatism, set consciousness
free. We know what vast regions in the human
O
194 CREATIVE EVOLUTION CHAP

brain language occupies. Thecerebral mechanisms that


correspond to the words have this in particular, that
they can be made to grapple with other mechanisms,
those, for instance, that correspond to the things them-
selves, or even be made to grapple with one another.
Meanwhile consciousness, which would have been
dragged down and drowned in the accomplishment
of the act, is restored and set free.’
The difference must therefore be more radical than
a superficial examination would lead us to suppose.
It is the difference between a mechanism which engages
the attention and a mechanism from which it can
be diverted. The primitive steam-engine, as New-
comen conceived it, required the presence of a
person exclusively employed to turn on and off the
taps, either to let the steam into the cylinder or to
throw the cold spray into it in order to condense the
steam. It is said that a boy employed on this work,
and very tired of having to do it, got the idea of
tying the handles of the taps, with cords, to the
beam of the engine. Then the machine opened and
closed the taps itself; it worked all alone. Now,
if an observer had compared the structure of this
second machine with that of the first without taking
into account the two boys left to watch over them,
he would have found only a slight difference of com-
plexity. That is, indeed, all we can perceive when
we look only at the machines. But if we cast a
glance at the two boys, we shall see that whilst one
is wholly taken up by the watching, the other is free to
1 A geologist whom we have already had occasion to cite, N. S. Shaler,
well says that “ when we come to man, it seems as if we find the ancient
subjection of mind to body abolished, and the intellectual parts develop with
an extraordinary rapidity, the structure of the body remaining identical
in essentials” (Shaler, The Interpretation of Nature, Boston, 1899, p. 187).
i LIFE AND CONSCIOUSNESS 195
go and play as he chooses, and that, from this point of
view, the difference between the two machines is radical,
the first holding the attention captive, the second setting
it at liberty. A difference of the same kind, we think,
would be found between the brain of an animal and the
human brain.
If, now, we should wish to express this in terms of
finality, we should have to say that consciousness, after
having been obliged, in order to set itself free, to divide
organization into two complementary parts, vegetables
on one hand and animals on the other, has sought
an issue in the double direction of instinct and of
intelligence. It has not found it with instinct, and it has
not obtained it on the side of intelligence except by a
sudden leap from the animal to man. So that, in the
last analysis, man might be considered the reason for the
existence of the entire organization of life on our planet.
But this would be only a manner of speaking. There
is, in reality, only a current of existence and the opposing
current ; thence proceeds the whole evolution of life.
We must now grasp more closely the opposition of
these two currents. Perhaps we shall thus discover for
them a common source. By this we shall also, no
doubt, penetrate the most obscure regions of meta-
physics. However, as the two directions we have to
follow are clearly marked, in_ intelligence on the
one hand, in ‘instinct and intuitiom on the other,
we are not afraid of straying. A survey of the
evolution of life suggests to us a certain conception of
knowledge, and also a certain metaphysics, which imply
each other. Once made clear, this metaphysics and
this critique may throw some light, in their turn, on —
evolution as a whole.
CHAPIER OI

ON THE MEANING OF LIFE—THE ORDER OF NATURE


AND THE FORM OF INTELLIGENCE

In the course of our first chapter we traced a line of


demarcation between the inorganic and the organized,
but we pointed out that the division of unorganized
matter into separate bodies is relative to our senses and
to our intellect, and that matter, looked at as an un-
divided whole, must be a flux rather than a thing. In
this we were preparing the way for a reconciliation
between the inert and the living.
On the other side, we have shown in our second
chapter that the same opposition is found again between
instinct and intelligence, the one turned to certain
determinations of life, the other moulded on the
configuration of matter. But instinct and intelligence,
we have also said, stand out from the same > background, -
which, for want of a better name, we may call con-
~ sciousness in general, and which must be coextensive
_with universal life. In this way, we have disclosed the
possibility “of showing the genesis of intelligence in set-
ting out from general consciousness, which embraces it.
We are now, then, to attempt a genesis of intellect
at the same time as a genesis of material bodies—two
enterprises that are evidently correlative, if it be true
that the main lines of our intellect mark out the general
196
cam THE METHOD OF PHILOSOPHY 197
form of our action on matter, and that the detail of
matter is ruled by the requirements of our action.
Intellectuality and materiality have been constituted,_
in detail, by reciprocal adaptation. Both are derived |
from a wider and higher form of existence. It is
there that we must replace them, in order to see them
issue forth.
Such an attempt may appear, at first, more daring
than the boldest speculations of metaphysicians. It
claims to go further than psychology, further than.
cosmology, further than traditional metaphysics ; for
psychology, cosmology and metaphysics take intelli-
gence, in all that is essential to it, as given, instead of,
as we now propose, engendering it in its form and in
its matter. The enterprise is in reality much more
modest, as we are going to show. But let us first say
how it differs from others.
To begin with psychology, we are not to believe
that it engenders intelligence when it follows the pro-
gressive development of it through the animal series.
Comparative psychology teaches us that the more an
animal is intelligent, the more it tends to reflect on the
actions by which it makes use of things, and thus to
approximate to man. But its actions have already by
themselves adopted the principal lines of human action ;
they have made out the same general directions in the
material world as we have; they depend upon the
same objects bound together by the same relations ; so
that animal intelligence, although it does not form
concepts properly so called, already moves in a
conceptual atmosphere. Absorbed at every instant by
the actions it performs and the attitudes it must adopt,
drawn outward by them and so externalized in relation
to itself, it no doubt plays rather than thinks its ideas; .
198 CREATIVE EVOLUTION CHAP.
this play none the less already corresponds, in the main,
to the general plan of human intelligence. To explain
the intelligence of man by that of the animal consists
then simply in following the development of an embryo
of humanity into complete humanity. We show howa
certain direction has been followed further and further
by beings moreand more intelligent. But the moment
we admit the direction, intelligence is given.
In a cosmogony like that of Spencer, intelligence is
taken for granted, as matter also at the same time. We
are shown matter obeying laws, objects connected with
objects and facts with facts by constant relations, con-
sciousness receiving the imprint of these relations and
laws, and thus adopting the general configuration of
nature and shaping itself into intellect. But how can
we fail to see that intelligence is supposed when we
“admit objects and facts? 4 priori and apart from any
hypothesis on the nature of matter, it is evident that the
materiality of a body does not stop at the point at which
we touch it: a body is present wherever its influence is
felt ; its attractive force, to speak only of that, is exerted
on the sun, on the planets, perhaps on the entire
universe. The more physics advances, the more
it effaces the individuality of bodies and even of the
particles into which the scientific imagination began by
decomposing them: bodies and corpuscles tend to
dissolve into a universal interaction. Our percep-
| Aions give us the plan of our eventual action on
’ things much more than that of things themselves.
The outlines we find in objects simply mark what
we can attain and modify inthem. Poa he lines we see
“traced through matter are just the paths on which
1 We have developed this point in Matiére et mémoire, chaps. ii. and iii.,
notably pp. 78-80 and 169-186.
m THE METHOD OF PHILOSOPHY 199
we are called to move. Outlines and paths have
declared themselves in the measure and proportion
that consciousness has prepared for action on un-
organized matter—that is to say, in the measure and
proportion that intelligence has been formed. It is
doubtful whether animals built on a different plan—a
mollusc or an insect, for instance,—cut matter up along
the same articulations. It is not indeed necessary that
they should separate it into bodies at all. In order to
follow the indications of instinct, there is no need to
perceive objects, it is enough to distinguish properties.
Intelligence, on the contrary, even in its humblest form,
already aims at getting matter to act on matter. If on
one side matter lends itself to a division into active
and passive bodies, or more simply into coexistent and
distinct fragments, it is from this side that intelligence
will regard it; and the more it busies itself with dividing,
the more it will spread out in space, in the form of
extension adjoining extension, a matter that undoubtedly
itself has a tendency to spatiality, but whose parts are
yet in a state of reciprocal implication and interpenetra-
tion. Thus the same movement by which the mind is
brought to form itself into intellect, that is to say, into
distinct concepts, brings matter to break itself up into
objects excluding one another. The more consciousness
" So that
is
: zed
al

intellectualized, the more is matier-spatiah


‘ the ~evolutionist-philosophy, when it imagines in space
a matter cut up on the very lines that our action
will follow, has given itself.in_advance,ready made, the
intelligence of which it claims to show the genesis,
Metaphysics~applies~i work of the same
kind, though subtler and more self-conscious, when it
deduces @ priori the categories of thought. It com-
presses intellect, reduces it to its quintessence, holds
200 CREATIVE EVOLUTION CHAP.

it tight in a principle so simple that it can be thought


empty: from this principle we then draw out what »
we have virtually put into it. In this way we may
no doubt show the coherence of intelligence, define
intellect, give its formula, but we do not trace its
genesis. An enterprise like that of Fichte, although
more philosophical than that of Spencer, in that it
pays more respect to the true order of things, hardly
leads us any further. Fichte takes thought in a
concentrated state, and expands it into reality ; Spencer
starts from external reality, and condenses it into
intellect. But, in the one case as in the other, the in-—_
tellect must be taken at the beginning as given,—either
condensed or expanded, grasped
in itself
by a direct
vision or perceived by reflection in nature, as in a mirror.
The agreement of most philosophers on this point
comes from the fact that they are at one in affirming
the unity of nature, and in representing this unity
under an abstract and geometrical form. Between
the organized and the unorganized they do not see and
they will not see the cleft. Some start from the inorganic,
and, by compounding it with itself, claim to form the
living ; others place life first, and proceed towards
matter by a skilfully managed decrescendo ; but, for
both, there are only differences of degree in nature
—degrees of complexity in the first hypothesis, of
intensity in the second. Once this principle is
admitted, intelligence becomes as vast as reality ; for
it is unquestionable that whatever is geometrical in
things is entirely accessible to human intelligence, and
if the continuity between geometry and the rest is
perfect, all the rest must indeed be equally intelligible,
equally intelligent. Such is the postulate of most
systems. Any one can easily be convinced of this by
In Tibi HOD OF -PHEOSOPHY 201
comparing doctrines that seem to have no common
point, no common measure, those of Fichte and Spencer
for instance, two names that we happen to have Just
brought together.

the two convictions correlative and Tanning that —


_nature is one and that the function of intellect is to
embrace it in its entirety. The faculty of knowing
being supposed “coextensive with the whole of experi-
ence, there can no longer be any question of engendering
it. It is already given, and we merely have to use it,
as we use our sight to take in the horizon. It is
true that opinions differ as to the value of the result.
For some, it is reality itself that the intellect embraces ;
for others, it is only a phantom. But, phantom or
reality, what intelligence grasps_is thought to be all
that can be attained. as
~~ Hence the exaggerated confidence of philosophy in
the powers of the individual mind. Whether it is
dogmatic or critical, whether it admits the relativity of
our knowledge or claims to be established within the
absolute, a philosophy 1s_generally | the work of a
philosopher, a_single_ andUnitary vision of the whole.
It is to be taken or left. aaienemmanemeaail
Moré modest, and also alone eer of being
completed and perfected, is the philosophy we advocate.
Human intelligence, as we represent it, is not at all
what Plato taught in the allegory of the cave. Its
function is not to look at passing shadows nor yet to
turn itself round and contemplate the glaring sun.
It has something else to do. Hiarnessed, like yoked
oxen, to a heavy task, we feel the play of our muscles
and joints, the weight of the plough and the re-
sistance of the soil. To act and to know that we are
»
\

)
PAG CREATIVE EVOLUTION CHAP.

acting, to come into touch with reality and even to


live it, but only in the measure in which it concerns
the work that is being accomplished and- the.furrow
that is being ploughed, such is the function.of human
intelligence.
Yet a beneficent fluid bathes us, whence
we draw the very force to labour and to live. From
this ocean of life, in which we are immersed, we are
continually drawing something, and we feel that our
being, or at least the intellect that guides it, has
been formed therein by a kind of local concentration.
Philosophy can only be an effort to dissolve again into
the Whole. Intelligence, reabsorbed into its principle,
may thus live back again its own genesis. But the
enterprise cannot be achieved in one stroke; it 1s
necessarily collective and progressive. It consists in an
interchange of impressions which, correcting and adding
to each other, will end by expanding the humanity in
us and making us even transcend it.
But this method has against it the most inveterate
habits of the mind. It at once suggests the idea of a
vicious circle. In vain, we shall be told, you claim to
go beyond intelligence: how can you do that except
by intelligence ? All that is clear in your conscious-
ness is intelligence. You are inside your own thought;
you cannot get out of it. Say, if you like, that the
intellect is capable of progress, that it will see more
and more clearly into a greater and greater number
of things; but do not speak of engendering it, for
it is with your intellect itself that you would have to
do the work.
The objection presents itself naturally to the mind.
But the same reasoning would prove also the im-
possibility of acquiring any new habit. It is of the
essence of reasoning to shut us up in the circle of
MI THE METHOD ‘OF PHILOSOPHY 203
the given. But action breaks the circle. If we had
never | seen a man swim, we might say thatsswimming ~
is an impossible thing, inasmuch as, to learn to swim,
we must begin by holding ourselves up in the water and,
consequently, already know how to swim. Reasoning, in
fact, always nails us down to the solid ground. But if,
oe

Bote ch I throw myself into the water without


fear, I may keep myself up well enough at first by
merely struggling, and gradually adapt myself to the
new environment: I shall thus have learnt to swim.
So, in theory, there is a kind of absurdity in trying to
know otherwise
than by intelligerce+~—but~if—the- Fisk—
~be frankly” accepted, action will pertaps” cut the kriot
— reasoning has tied and will not unloose.
~--~-Besides, the risk will appear to grow less, the more
our point an view is adopted. We have shown that
intellect has detached itself from a vastly wider reality,
but that there has never been a clean cut between
the two ; all around conceptual thought there remains
an indistinct fringe which recalls its origin. And further
we compared the intellect to a solid nucleus formed by
means of condensation. This nucleus does not differ
radically from the fluid surrounding it. It can only be
reabsorbed in it because it is made of the same
substance. He who throws himself into the water,
having known only the resistance of the solid earth,
will immediately be drowned if he does not struggle
against the fluidity of the new environment: he must
perforce still cling to that solidity, so to speak,
which even water presents. Only on this condition
can he get used to the fluid’s fluidity. So of our
thought, when it has decided to make the leap.
_But leap it must, that is, leave its own environment.
Reason, reasoning -on-its powers, will never succeed in
204 CREATIVE EVOLUTION CHAP.
extending them, though the extension would not appear
at all unreasonable once it were accomplished. Thousands
and thousands of variations on the theme of walking
will never yield a rule for swimming: come, enter the
water, and when you know how to swim, you will
understand how the mechanism of swimming is con-
nected with that of walking. Swimming is an extension
of walking, but walking would never have pushed you
on to swimming. .So you may speculate as intelligently
_as you will on the. mechanism. of intelligence; you wwill|
never, by this method, succeed in “going beyond It.
You may get something more complex, but not some-
thing higher nor even something different. You must-—-——
take things by storm: you must thrust intelligence
outside itself by an act of will,
So the vicious circle is only apparent. It is, on
the contrary, real, we think, in every other method
of philosophy. This we must try to show in a
few words, if only to prove that philosophy cannot” ~
and must not accept the relation established by pure™
intellectualism between the theory of knowledge and
the theory of theaiahstis between metaphysics and _
ance. ent Te ae

At first sight, it may seem prudent to leave the


consideration of facts to positive science, to let physics
and chemistry busy themselves with matter, the bio-
logical and psychological sciences with life. The task
of the philosopher is then clearly defined. He takes
facts and laws from the scientist’s hand ; and whether
he tries to go beyond them in order to reach their
deeper causes, or whether he thinks it impossible to’
go further and even proves it by the analysis of
scientific knowledge,1in both
be cases he has for the facts—
aaa
—— —
ut SCIENCE AND PHILOSOPHY 20%
and relations, handed over by science, the sort of _
respect that-is-due—toa-final.verdiet--~To this Know-
“ledge he adds-a-~eritique-of-the~faculty~of knowing,
and also, if he thinks proper, a metaphysic;—but_th bthe
_matter nfknowledge he regards as the affair of science
__and not of philosophy. Ratias
But how does he fail to see that the real result of
this so-called division of labour is to mix up everything
and confuse everything? The metaphysic or the critique
that the philosopher has reserved for himself he has
to receive, ready-made, from positive science, it being
. already contained in the descriptions and analyses, the
whole care of which he left to the scientists. For
not having wished to intervene, at. the beginning, re
questions oF fact, he finds himself reduced, in questions
of principle, to formulating purely and simply iin more
~ precise terms the unconscious and consequently incon-
“sistent metaphysic and critique which the very attitude of
euvnuewtience to reality marks out. Let us not be deceived by
an apparent analogy between natural things and human
things. Here we are not in the judiciary domain,
where the description of fact and the judgment on
the fact are two distinct things, distinct for the very
simple reason that above the fact, and independent of it,
there is a law promulgated by a legislator. Here the
laws are internal to the facts and relative to the lines
that have been followed in cutting the real into co |
facts. We cannot describe the outward appearance of
the object without prejudging its inner nature and its
organization. Form is no longer entirely isolable from
matter, and he who has begun by reserving to philo-
sophy questions of principle, and who has thereby
tried to put philosophy above the sciences, as a “court
of cassation” is above the courts of assizes and of
206 CREATIVE EVOLUTION CHAP.
appeal, will gradually come to make no more of
philosophy than a registration court, charged at most
with wording more precisely the sentences that are
brought to it, pronounced and irrevocable.
Positive science is, in fact, a work of pure intellect.
Now, whether our conception of the intellect be
accepted or rejected, there is one point on which
everybody will agree with us, and that is that the
intellect is at home in the presence of unorganized
matter. This matter it makes use of more and more
by mechanical inventions, and mechanical inventions
become the easier to it the more it thinks matter as
mechanism. The intellect bears within itself, in the
form of natural logic, a latent geometrism that is set
free in the measure and proportion that the intellect
penetrates into the inner nature of inert matter. In--
telligence is in tune ‘with this matter, and that is why
the physics and metaphysics of inert matter are so near
each other. Now, when the intellect undertakes the
study of life, it necessarily treats the living like the
inert, ‘lene the same forms to this. new. object,
carrying over into this new field the._same.habits. that."
“have succeeded so well in the old; and it is right to_
do so, for only on such terms. Bee diving..offer..to..
our action _ the _samehold as inert matter. . But the 22)
“truth we_ thus
1s
arrive at becomes altogether relative to |
gur_faculty, of action. It is no more than Oe
verity. It cannot have the same valué as the physical—.
ueverity, being only ann extension of
ofphysics |to an
n-object
_which we are 4 prior: agreed too
look at only in its”
, external aspect.
ct. ~The duty-of philosophy should beto
‘intéPvene-here actively, to examine the living without
any reservation as to practical utility, by freeing itself.
from forms and habits that are strictly intellectual.
‘ Se
are
ne
|
ur SCIENCE AND PHILOSOPHY 207
Its own special object is to speculate, that is to say,
to see; its attitude toward the living should not be
that of_science, which aims only at action, and-which,
being able to act only by means_of inert matter, ee
presents to itself the rest of reality in this single ,
respect. _ What must the result be, if it leave biological
and psychological facts to positive science alone, as it
has left, and rightly left, physical facts? It will accept
__@ priori_a mechanistic conception of all nature;-a~con=—~ ~~
_ception_unrefl ever unconscious, the outcome
Oi
of the material
sae ae
heed. It will @ priori accept the ,
doctrine of the simple unity of knowledge and of a
abstract unity of nature.
The moment it does so, its fate is sealed. the
philosopher has no longer any choice save between a
metaphysical dogmatism and a metaphysical scepticism,
both of which rest, at bottom, on the same postulate,
and neither of which adds anything to positive science.
He may hypostasize the unity of nature, or, what
comes to the same thing, the unity of science, in a
being who is nothing since he does nothing, an in-
effectual God who simply sums up in himself all the
given; or in an eternal Matter from whose womb
have been poured out the properties of things and
the laws of nature; or, again, in a pure Form which
endeavours to seize an unseizable multiplicity, and
which is, as we will, the form of nature or the form
of thought. All these philosophies tell us, in their
different languages, that science is nig
jiving as the-inert.and tl or a -
that there 1s no difference
_value, no distinction to be made between the results ern
a

~ which intellectarrives at in applying_its-categories;~


1
whether it rests on inert matter or attacks life. _
In many cases, however, we feel the frame cracking.
208 CREATIVE EVOLUTION cCHAr.

But as we did not begin by distinguishing between the


inert and the living, the one adapted in advance to the
frame in which we insert it, the other incapable of
being held in the frame otherwise than by a con-
vention which eliminates from it all that is essential,
we find ourselves, in the end, reduced to regarding
everything the frame contains with equal suspicion.
To a metaphysical dogmatism, which has erected
into an absolute the factitious unity of science, there
succeeds a scepticism or a relativism that universalizes
and extends to all the results of science the artificial
character of some among them. So philosophy swings
to and fro between the doctrine that regards absolute
reality as unknowable and that which, in the idea it
gives us of this reality, says nothing more than science
_has said. For having wished to prevent all conflict
_ between science and philosophy, we have sacrificed
philosophy without any appreciable gain to science.
And for having tried to avoid the seeming vicious
circle which consists in using the intellect to transcend
the intellect, we find ourselves turning in a real circle,
that which consists in laboriously rediscovering by
metaphysics a unity that we began by positing @ priori,
a unity that we admitted blindly and unconsciously
\ by the very act of abandoning the whole of experience
to science and the whole of reality to the pure
understanding. .
Let us begin, on the contrary, by tracing a line
of
demarcation between the inert and, the living. We
“shall find that the inert enters naturally into the frames
of the intellect, but that the living is adapted to these
frames only artificially, so that we must adopt a special
attitude towards it and examine it with other eyes than
those of positive science. Philosophy, then, invades the
ut SCIENCE AND PFILOSOPHY 209

domain of experience. She busies herself with many


things which hitherto have not concerned her. Science,
theory of knowledge, and metaphysics find themselves
on the same ground. At first there may be a certain
confusion. All three may think they have lost some-
thing. But all three will profit from the meeting.
Positive science, indeed, may pride itself on the
uniform value attributed to its affrmations in the
whole field of experience. But, if they are all placed
on the same footing, they are all tainted with the same
relativity. It is not so, if we begin by making the
distinction which, in our view, is forced upon us. .The.
understanding is at home in the domain of unorganized
matter. — On ‘this matter human action is. _naturally_
_exercised ; and action, as we said above, cannot be set
an. Boda in the cca
al, Thus, of physics,—so long Teed

as we are considering“only its general form and not


the particular cutting out of matter in which it is mani-
fested,—we may say that it touches the absolute. On
the contrary, it 1s by accident—chance or convention,
as you please—that science obtains a hold on the living
analogous to the hold it has on matter. Here the use
of conceptual frames is no longer natural. I do not
wish to say that it is not legitimate, in the scientific
meaning of the term. If science is to extend our
action on things, and if we can act only with inert
matter for instrument, science can and must continue
to treat the living as it has treated the inert... But, in
doing so, it must be understood-that—the. is it
_penetrates the depths ‘of life, the more symbolic,
the __,
more relative to the ‘contingenciés Of action, the know-
ledge itsupplies*to"Us* becomes. On this new ground
“philosophy: “oughtthento follow science, in order to
_superpose
_ onscientific
superpose on tru a knowledge g
scientific truth kind
of another kind,
210 CREATIVE. BVYOLUTION CHAP

which may be called metaphysicaL— trhus combined,


~alrour-knowlédge, both scientific and metaphysical, is
heightened.| In the absolute we live and move and
have our being. The knowledge we possess of it is
incomplete, no doubt, but not external or relative. It
ispreety. itself, in. the. profoundest meaning of the
Re ee,

development of science nd afphilosophy.


.. “Lpus, in renouncing the factitious unity which the
| Beteteadine imposes on nature from outside, we
| shall perhaps find its true, inward and living unity.
For the effort we make to transcend the pure under-
standing introduces us into that more vast something
out of which our understanding is cut, and from
which it has detached itself. And, as matter is
determined by intelligence, as there is between them
an evident agreement, we cannot make the genesis of
the one without making the genesis of the other. An
identical process must have cut out matter and the
intellect, at the same time, from a stuff that contained
both.__ Into. this_reality
we shall_get back more and
more completely, in proportion as we compel ourselves
- to transcend pure intelligence.
Dean

Let us then concentrate attention on that which we


have that is at the same time the most removed from
externality and the least penetrated with intellectuality.
Let us seek, in the depths of our experience, the point
where we feel ourselves most intimately within our
own life. It is into pure duration that we then plunge
back, a duration in which the past, always moving on,
is swelling unceasingly with a present that is absolutely
new. But, at the same time, we feel the spring of our
will strained to its utmost limit. We must, by a
iit IN TELEECT-AND MATERIALITY ‘ort
strong recoil of our personality on itself, gather up our
past which is slipping away, in order to thrust it,
compact and undivided, into a present which it will
create by entering. Rare indeed are the moments
when we are self-possessed to this extent : it is then that 7
our actions are truly free. And even at these moments = —~
we do not completely possess ourselves. Our feeling nos
of duration, I should say the actual coinciding of
ourself with itself, admits of degrees. But the more
the feeling is deep and the coincidence complete, the
more the life in which it replaces us absorbs intel-
lectuality by transcending it. For the natural function
of the intellect is to bind like to like, and it is only
facts that can be repeated that are entirely adaptable
to intellectual conceptions. Now, our intellect does
undoubtedly grasp the real moments of real duration
after they are past; we do so by reconstituting the
new state of consciousness out of a series of views
taken of it from the outside, each of which resembles
as much as possible something already known ; in this
sense we may say that the state of consciousness
contains intellectuality implicitly. Yet the state of
consciousness overflows the intellect; it is indeed
incommensurable with the intellect, being itself in-
divisible and new.
Now let us relax the strain, let us interrupt the
effort to crowd as much as possible of the past into the
present. If the relaxation were complete, there would
no longer be either memory or will,—which amounts to
saying that, in fact, we never do fall into this absolute
passivity, any more than we can_make ourselves absol-_
utely free.—But,inthe—limit,
we get-a glimpse of an-
existence made of a present which recommences | (“UY ron
unceasingly—devoid of real duration, nothing but the (27
o12 CREATIVE EVOLUTION. CHAR.
instantaneous which dies and is born again endlessly.
Is the existence of matter of this nature? Not
altogether, for analysis resolves it into elementary
vibrations, the shortest of which are of very slight
duration, almost vanishing, but not nothing. It may
be presumed, nevertheless, that physical existence
inclines in this second direction, as psychical existence
in the first.
Behind “spirituality”? on the one hand, and
“ materiality’’ with intellectuality on the other, there
are then two processes opposite in their direction, and
we pass from the first to the second by way of
inversion, or perhaps even by simple interruption, if it
is true that inversion and interruption are two terms
which in this case must be held to be synonymous,
as we shall show at more length later on. This pre-
sumption is confirmed when we consider things from
the point of view of extension, and no longer from
that of duration alone.
The more we succeed 1n making ourselves conscious
of our progress in pure duration, the more we feel the
different parts of our being enter into each other, and
our whole personality concentrate itself in a point, or
rather a sharp edge, pressed against the future and
cutting into it unceasingly. It is in this that life and
action are free. But suppose we let ourselves go and,
instead of acting, dream. At once the self is scattered ;
our past, which till then was gathered together into the
indivisible impulsion it communicated to us, is broken
up into a thousand recollections made external to one
another. They give up interpenetrating in the degree
that they become fixed. Our personality thus descends
in the direction of space. It coasts around it continu-
ally in sensation. We will not dwell here on a point
HI INTELLECT AND MATERIALITY 213

we have studied elsewhere. Let us merely recall that


extension admits of degrees, that all sensation is
extensive in a certain measure, and that the idea of
-unextended sensations, artificially localized in space,
is a mere view of the mind, suggested by an uncon-
scious metaphysic much more than by psychological
observation.
No doubt we make only the first steps in the
direction of the extended, even when we let ourselves
go as much as we can. But suppose for a moment
that matter consists in this very movement pushed
further, and that physics is simply psychics inverted.
We shall now understand why the mind feels at its
ease, moves about naturally in space, when matter
suggests the more distinct idea of it. This space it
already possessed as an implicit idea in its own eventual
detension, that is to say, of its own possible exsension.
The mind finds space in things, but could have got
it without them if it had had imagination strong
enough to push the inversion of its own natural
movement to the end. On the other hand, we are
able to explain how matter accentuates still more its
materiality, when viewed by the mind. Matter, at first,
aided mind to run down its own incline; it gave the
impulsion. But, the impulsion once received, mind
continues its course. The idea that it forms of pure
space is only the schema of the limit at which this
movement would end. Once in possession of the
form of space, mind uses it like a net with meshes |
that can be made and unmade at will, which, thrown |
over matter, divides it as the needs of our action |
demand. Thus, the space of our geometry and the
spatiality of things are mutually engendered by the
reciprocal action and reaction of two terms which are
214 CREATIVE EVOLUTION | CHAP.
essentially the same, but which move each in the
direction inverse of the other. Neither is spaceso
foreign to our nature as we imagine,
nor ismatter
as completely extended in space as oursenses
and
intellect represent it. |
- We have treated of the first point elsewhere.
As to the second, we will limit ourselves to pointing
out that perfect spatiality would consist in a perfect
externality of parts in their relation to one another,
that is to say, in a complete reciprocal independence.
Now, there is no material point that does not act on
every other material point. When we observe that a
thing really zs there where it acts, we shall be led to
say (as Faraday * was) that all the atoms interpenetrate
and that each of them fills the world. On such a
hypothesis, the atom or, more generally, the material
point, becomes simply a view of the mind, a view
which we come to take when we continue far enough
the work (wholly relative to our faculty of acting) by
which we subdivide matter into bodies. Yet it is
undeniable that matter lends itself to this subdivision,
and that, in supposing it breakable into parts external
to one another, we are constructing a science sufficiently
representative of the real. It is undeniable that if
there be no entirely isolated system, yet science finds
means of cutting up the universe into systems relatively
independent of each other, and commits no appreciable
error in doing so. What else can this mean but that
matter extends itself in space without being absolutely
extended therein, and that in regarding matter as de-
composable into isolated systems, in attributing to it
quite distinct elements which change in relation to
1 Faraday, “A Speculation concerning Electric Conduction” (Philo
sophical Magazine, 3d. series, vol. xxiv.).
A

i INTELLECT AND MATERIALITY 216

each other without changing in themselves (which are


“ displaced,” shall we say, without being “‘altered’’), in
short, in conferring on matter the properties of pure
space, we are transporting ourselves to the terminal
point of the movement of which matter simply
indicates the direction ?
What the Transcendental Aesthetic of Kant appears
to have established once for all is that extension is
not a material attribute of the same kind as others.
We cannot reason indefinitely on the notions of heat,
colour, or weight: in order to know the modalities
of weight or of heat, we must have recourse to
experience... Not so of the notion of space. Supposing
even that it is given empirically by sight and touch (and
Kant has not questioned the fact) there is this about it
that is remarkable that our mind, speculating on it with
its own powers alone, cuts out in it, a priort, figures
whose properties we determine @ priori: experience,
with which we have not kept in touch, yet follows us
through the infinite complications of our reasonings
and invariably justifies them. That is the fact. Kant
has set it in clear light. But the explanation of the
fact, we believe, must be sought in a different direction
to that which Kant followed.
Intelligence, as Kant represents it to us, is bathed
in an atmosphere of spatiality to which it is as
inseparably united as the living body to the air it
breathes. Our perceptions reach us only after having
passed through this atmosphere. They have been
impregnated in advance by our geometry, so that our
faculty of thinking only finds again in matter the
mathematical properties which our faculty of per-
ceiving has already deposed there. We are assured,
therefore, of seeing matter yield itself with docility
216 CREATIVE EVOLUTION CHAP,
to our reasonings ; but this matter, in all that it has
that is intelligible, is our own work; of the reality
“in itself’? we know nothing and never shall know
anything, since we only get its refraction through the
forms of our faculty of perceiving. So that if we
claim to affirm something of it, at once there rises
the contrary affirmation, equally demonstrable, equally
plausible. The ideality of space is proved directly by
the analysis of knowledge, indirectly by the antinomies
to which the opposite theory leads. Such is the
governing idea of the Kantian criticism. It has
inspired Kant with a peremptory refutation of
“empiricist” theories of knowledge. It is, in our
opinion, definitive in what it denies. But, in what
it afirms, does it give us the solution of the problem ?
With Kant, space is given as a ready-made form of
our perceptive faculty,—a veritable deus ex machina, of
which we see neither how it arises, nor why it 1s
what it is rather than anything else. Things-in-
themselves” are also given, of which he claims that we
can know nothing: by what right, then, can he affirm
their existence, even as “problematic” ? If the un-
knowable reality projects into our perceptive faculty a
“sensuous manifold” capable of fitting into it exactly,
is it not, by that very fact, in part known? And
when we examine this exact fitting, shall we not be
led, in one point at least, to suppose a pre-established
harmony between things and our mind,—an idle
hypothesis, which Kant was right in wishing to avoid f
At bottom, it is for not having distinguished degrees
in spatiality that he has had to take space ready made
as given—whence the question how the “sensuous
manifold” is adapted to it. It is for the same reason
that he has supposed matter wholly developed into
m INTELLECT AND MATERIALITY 217
parts absolutely external to one another ;—whence
antinomies, of which we may plainly see that the thesis
and antithesis suppose the perfect coincidence of matter
with geometrical space, but which vanish the moment
we cease to extend to matter what is true only of pure
space. Whence, finally, the conclusion that there are
three alternatives, and three only, among which to
choose a theory of knowledge: either the mind is
determined by things, or things are determined by the
mind, or between mind and things we must suppose
a mysterious agreement.
But the truth is that there is a fourth, which does
not seem to have occurred to Kant—in the first place
because he did not think that the mind overflowed the
intellect, and in the second place (and this is at bottom
the same thing) because he did not attribute to duration
an absolute existence, having put time, a priori, on the
same plane as space. This alternative consists, first
of all, in regarding the intellect as a special finches
of the mind, essentially turned toward inert matters
then in saying that neither does matter decenaine
the form of the intellect, nor does the intellect impose
its form on matter, nor have matter and intellect been
regulated in regard to one another by we know not
what pre-established harmony, but that intellect and
matter have progressively adapted themselves one to
the other in order to attain at last a common form.
This adaptation has, moreover, been brought about quite
naturally, because it is the same inversion of the same
movement which creates at once the intellectuality of mind
and the materiality of things.
From this point of view, the knowledge of matter
that our perception on one hand and science on the
other give to us appears, no doubt, as approximative,
218 CREATIVE EVOLUTION nae
but not as relative. Our perception, whose rdle it is
to hold up a light to our actions, works a dividing up
of matter that is always too sharply defined, always
subordinated to practical needs, consequently always
requiring revision. Our science, which aspires to the
mathematical form, over-accentuates the spatiality of
matter ; its formulae are, in general, too precise, and
ever need remaking. For a scientific theory to be
final, the mind would have to embrace the totality
of things in block and place each thing in its exact
relation to every other thing; but in reality we are
obliged to consider problems one by one, in terms
which are, for that very reason, provisional, so that
the solution of each problem will have to be corrected
indefinitely by the solution that will be given to the
problems that will follow: thus, science as a whole is
relative to the particular order in which the problems
happen to have been put. It is in this meaning,
and to this degree, that science must be regarded as
conventional. But it is a conventionality of fact,
so to speak, and not of right. In principle, positive
science bears on reality itself, provided it does not
overstep the limits of its own domain, which is inert
matter.
Scientific knowledge, thus regarded, rises to a higher
plane. In return, the theory of knowledge becomes
an infinitely difficult enterprise, and which passes
the powers of the intellect alone. It is not enough
to determine, by careful analysis, the categories of
thought ; we must engender them. As regards space,
we must, by an effort of mind sué generis, follow
the progression or rather the regression of the extra-
spatial degrading itself into spatiality. When we
make ourselves self-conscious in the highest possible
WII THE GEOMETRICAL ORDER 219

degree and then let ourselves fall back little by


little, we get the feeling of extension: we have an
extension of the self into recollections that are fixed
and external to one another, in place of the tension
it possessed as an indivisible active will. But this
is only a beginning. Our consciousness, sketching
the movement, shows us its direction and reveals
to us the possibility of continuing it to the end; but
consciousness itself does not go so far. Now, on the
other hand, if we consider matter, which seems to us
at first coincident with space, we find that the more
our attention is fixed on it, the more the parts which
we said were laid side by side enter into each other,
each of them undergoing the action of the whole,
which is consequently somehow present in it. Thus,
although matter stretches itself out in the direction
of space, it does not completely ‘attain it; whence
we may conclude that it only carries very much
further the movement that consciousness is able to
sketch within us in its nascent state. We hold, there-
fore, the two ends of the chain, though we do not
succeed in seizing the intermediate links. Will
they always escape us? We must remember that
philosophy, as we define it, has not yet become
completely conscious of itself. Physics understands
its rdle when it pushes matter in the direction of
spatiality ; but has metaphysics understood its réle
when it has simply trodden in the steps of physics,
in the chimerical hope of going further in the same
direction? Should not its own task be, on the con-
trary, to remount the incline that physics descends,
to bring back matter to its origins, and to build up
progressively a cosmology which would be, so to
speak, a reversed psychology? All that which seems
220 CREATIVE EVOLUTION CHAP.
positive to the physicist and to the geometrician
would become, from this new point of view, an inter-
ruption or inversion of the true positivity, which
would have to be defined in psychological terms.

When we consider the admirable order of mathe-


matics, the perfect agreement of the objects it deals
with, the immanent logic in numbers and figures,
our certainty of always getting the same conclusion,
however diverse and complex our reasonings on
the same subject, we hesitate to see in properties
apparently so positive a system of negations, the
absence rather than the presence of a true reality.
But we must not forget that our intellect, which
finds this order and wonders at it, is directed in
the same line of movement that leads to the
materiality and spatiality of its object. The more
complexity the intellect puts into its object by analys-
ing it, the more complex is the order it finds there.
And this order and this complexity necessarily appear
to the intellect as a positive reality, since reality and
intellectuality are turned in the same direction.
When a poet reads me his verses,I can interest
myself enough in him to enter into his thought, put
myself into his feelings, live over again the simple
state he has broken into phrases and words. I
sympathize then with his inspiration, I follow it
with a continuous movement which is, like the
inspiration itself, an undivided act. Now, I need
only relax my attention, let go the tension that there
is in me, for the sounds, hitherto swallowed up in
the sense, to appear to me distinctly, one by one, in
their materiality. For this I have not to do any-
thing ; it is enough to withdraw something. In
tI THE GEOMETRICAL ORDER 221

proportion as I let myself go, the successive sounds


will become the more individualized ; as the phrases
were broken into words, so the words will scan in
syllables which I shall perceive one after another. Let
me go further still in the direction of dream: the
letters themselves will become loose and will be seen
to dance along, hand in hand, on some fantastic sheet
of paper. I shall then admire the precision of the
interweavings, the marvellous order of the procession,
the exact insertion of the letters into the syllables, of
the syllables into the words and of the words into the
sentences. The further I pursue this quite negative
direction of relaxation, the more extension and com-
plexity I shall create ; and the more the complexity in
its turn increases, the more admirable will seem to be
the order which continues to reign, undisturbed, among
the elements. Yet this complexity and extension repre-
sent nothing positive; they express a deficiency of
will, And, on the other hand, the order must grow
with the complexity, since it is only an aspect of
it. The more we perceive, symbolically, parts in an
indivisible whole, the more the number of the relations
that the parts have between themselves necessarily
increases, since the same undividedness of the real whole
continues to hover over the growing multiplicity of the
symbolic elements into which the scattering of the
attention has decomposed it. A comparison of this kind
will enable us to understand, in some measure, how the
same suppression of positive reality, the same inversion
of a certain original movement, can create at once exten-
sion in space and the admirable order which mathematics
finds there. There is, of course, this difference between
the two cases, that words and letters have been invented
by a positive effort of humanity, while space arises
222 CREATIVE EVOLUTION ie
automatically, as the remainder of a subtraction arises
once the two numbers are posited.’ But, in the one
case as in the other, the infinite complexity of the parts
and their perfect codrdination among themselves are
created at one and the same time by an inversion
which is, at bottom, an interruption, that is to say, a
diminution of positive reality.

All the operations of our intellect tend to geometry,


as to the goal where they find their perfect fulfilment.
But, as geometry is necessarily prior to them (since
these operations have not as their end to construct
space and cannot do otherwise than take it as given),
it 1s evident that it is a latent geometry, immanent
in our idea of space, which is the mainspring of our
intellect and the cause of its working. We shall be
convinced of this if we consider the two essential
functions of intellect, the faculty of deduction and that
of induction.
Let us begin with deduction. The same move-
1 Our comparison does no more than develop the content of the term
Abyos, as Plotinus understands it. For while the Adyos of this philosopher
is a yenerating and informing power, an aspect or a fragment of the pux%,
on the other hand Plotinus sometimes speaks of it as of a discourse. More
generally, the relation that we establish in the present chapter between
“extension” and “detension” resembles in some aspects that which
Plotinus supposes (some developments of which must have inspired M.
Ravaisson) wnen he makes extension not indeed an inversion of original
Being, but an enfeeblement of its essence, one of the last stages of the
procession (see in particular, Ean. IV. iii. g-11, and III. vi. 17-18). Yet
ancient philosophy did not see what consequences would result from this
for mathematics, for Plotinus, like Plato, erected mathematical essences
into absolute realities. Above all, it suffered itself to be deceived by the
purely superficial analogy of duration with extension. It treated the one
as it treated the other, regarding change as a degradation of immutability,
the sensible as a fall from the intelligible. Whence, as we shall show in
the next chapter, a philosophy which fails to recognise the real function
and scope of the intellect.
in GEOMETRY AND DEDUCTION 223
ment by which I trace a figure in space engenders its
properties : they are visible and tangible in the move-
ment itself; I feel, I see in space the relation of the
definition to its consequences, of the premisses to the
conclusion. All the other concepts of which experience
suggests the idea to me are only in part constructible
a priori ; the definition of them is therefore imperfect,
and the deductions into which these concepts enter,
however closely the conclusion is linked to the pre-
misses, participate in this imperfection. But when I
trace roughly in the sand the base of a triangle, as I
begin to form the two angles at the base, I know
positively, and understand absolutely, that if these
two angles are equal the sides will be equal also, the
figure being then able to be turned over on itself
without there being any change whatever. I know
it before I have learnt geometry. Thus, prior to the
science of geometry, there is a natural geometry whose
clearness and evidence surpass the clearness and evidence
of other deductions. Now, these other deductions bear
on qualities, and not on magnitudes purely. They are,
then, likely to have been formed on the model of the first,
and to borrow their force from the fact that, behind
quality, we see magnitude vaguely showing through.
We may notice, as a fact, that questions of situation and
of magnitude are the first that present themselves to our
activity, those which intelligence externalized in action
resolves even before reflective intelligence has appeared.
The savage understands better than the civilized
man how to judge distances, to determine a direction,
to retrace by memory the often complicated plan.
of the road he has travelled, and so to return in a
straight line to his starting-point! If the animal
1 Bastian, The Brain as an Organ of the Mind, pp. 214-16.
224 CREATIVE EVOLUTION | ae
does not deduce explicitly, if he does not form
explicit concepts, neither does he form the idea of a
homogeneous space. You cannot present this space to
yourself without introducing, in the same act, a virtual
geometry which will, of itself, degrade itself into logic.
All the repugnance that philosophers manifest towards
this manner of regarding things comes from this, that
the logical work of the intellect represents to their eyes
a positive spiritual effort. But, if we understand by
spirituality a progress to ever new creations, to con-
clusions incommensurable with the premisses and inde-
terminable by relation to them, we must say of an idea
that moves among relations of necessary determination,
through premisses which contain their conclusion in
advance, that it follows the inverse direction, that of
materiality. What appears, from the point of view of
the intellect, as an effort, is in itself a letting go. And
while, from the point of view of the intellect, there is a
pelitio principii in making geometry arise automatically
from space, and logic from geometry,—on the contrary,
if space is the ultimate goal of the mind’s movement of
detension, space cannot be given without positing also
logic and geometry, which are along the course of the
movement of which pure spatial intuition is the goal.
It has not been enough noticed how feeble is the
reach of deduction in the psychological and moral
sciences. From a proposition verified by facts, verifiable
consequences can here be drawn only up to a certain
point, only in a certain measure. Very soon appeal has
to be made to common sense, that is to say, to the
continuous experience of the real, in order to inflect the
consequences deduced and bend them along the sinu-
osities of life. Deduction succeeds in things moral only
metaphorically, so to speak, and just in the measure
M11 GEOMETRY AND INDUCTION 225
in which the moral is transposable into the physical,
I should say translatable into spatial symbols. The
metaphor never goes very far, any more than a curve
can long be confused with its tangent. Must we not
be struck by this feebleness of deduction as something
very strange and even paradoxical? Here is a pure
operation of the mind, accomplished solely by the
power of the mind. It seems that, if anywhere it
should feel at home and evolve at ease, it would be
among the things of the mind, in the domain of the
mind. Not at all; it is there that it is immediately
at the end of its tether. On the contrary, in geo-
metry, in astronomy, in physics, where we have to do
with things external to us, deduction is all-powerful!
Observation and experience are undoubtedly necessary
in these sciences to arrive at the principle, that is, to
discover the aspect under which things must be re-
garded ; but, strictly speaking, we might, by good
luck, have hit upon it at once; and, as soon as we
possess this principle, we may draw from it, at any
length, consequences which experience will always verify.
Must we not conclude, therefore, that deduction is an
operation governed by the properties of matter, moulded
on the mobile articulations of matter, implicitly given,
in fact, with the space that underlies matter? As long
as it turns upon space or spatialized time, it has only to
let itself go. It is duration that puts spokes in its wheels.

Deduction, then, does not work unless there be


spatial intuition behind it. But we may say the same
of induction. It is not necessary indeed to think
geometrically, nor even to think at all, in order to
expect from the same conditions a repetition of the
same fact. The consciousness of the animal already
Q
226 CREATIVE EVOLUTION CHAP,

does this work, and indeed, independently of all con-


sciousness, the living body itself is so constructed that
it can extract from the successive situations in which
it finds itself the similarities which interest it, and so
respond to the stimuli by appropriate reactions. But
it is a far cry from a mechanical expectation and reaction
of the body, to induction properly so called, which is
an intellectual operation. Induction rests on the belief
that there are causes and effects, and that the same
effects follow the same causes. Now, if we examine
this double belief, this is what we find. It implies, in
the first place, that reality is decomposable into groups,
which can be practically regarded as isolated and in-
dependent. If I boil water in a kettle on a stove, the
operation and the objects that support it are, in reality,
bound up with a multitude of other objects and a
multitude of other operations; in the end, I should
find that our entire solar system is concerned in what
is being done at this particular point of space. But,
in a certain measure, and for the special end I am
pursuing, I may admit that things happen as if the
group water-kettle-stove were an independent microcosm.
That is my first affirmation. Now, when I say that
this microcosm will always behave in the same way,
that the heat will necessarily, at the end of a certain
time, cause the boiling of the water, I admit that it is
sufficient that a certain number of elements of the
system be given in order that the system should be
complete ; it completes itself automatically, I am not free
to complete it in thought as I please. The stove, the
kettle and the water being given, with a certain interval
of duration, it seems to me that the boiling, which
experience showed me yesterday to be the only thing
wanting to complete the system, will complete it
nT GEOMETRY AND INDUCTION 227
to-morrow, no matter when to-morrow may be. What
is there at the base of this belief? Notice that the belief
is more or less assured, according as the case may be, but
that it is forced upon the mind as an absolute necessity
when the microcosm considered contains only magni-
tudes. If two numbers be given, I am not free to
choose their difference. If two sides of a triangle and
the contained angle are given, the third side arises of
itself and the triangle completes itself automatically.
I can, it matters not where and it matters not when,
trace the same two sides containing the same angle: it
is evident that the new triangles so formed can be
superposed on the first, and that consequently the same
third side will come to complete the system. Now, if
my certitude is perfect in the case in which I reason on
pure space determinations, must I not suppose that, in
the other cases, the certitude is greater the nearer it
approaches this extreme case? Indeed, may it not be
the limiting case which 1s seen through all the others
and which colours them, accordingly as they are more or
less transparent, with a more or less pronounced tinge
of geometrical necessity ?* In fact, when I say that
the water on the fire will boil to-day as it did yesterday,
and that this is an absolute necessity, I feel vaguely
that my imagination is placing the stove of yesterday
on that of to-day, kettle on kettle, water on water,
duration on duration, and it seems then that the rest
must coincide also, for the same reason that, when two
triangles are superposed and two of their sides coincide,
their third sides coincide also. But my imagination
acts thus only because it shuts its eyes to two essential
points. For the system of to-day actually to be
1 We have dwelt on this point in a former work. See the Essai sur les
données immédiates de la conscience, Paris, 1889, pp. 155-160.
228 CREATIVE EVOLUTION CHAP.

superimposed on that of yesterday, the latter must have


waited for the former, time must have halted, and
everything become simultaneous: that happens in
geometry, but in geometry alone. Induction therefore
implies first that, in the world of the physicist as in
that of the geometrician, time does not count. But it
implies also that qualities can be superposed on each
other like magnitudes. If, in imagination, I place the
stove and fire of to-day on that of yesterday, I find
indeed that the form has remained the same ; it suffices,
for that, that the surfaces and edges coincide; but
what is the coincidence of two qualities, and how can
they be superposed one on another in order to ensure
that they are identical? Yet I extend to the second
order of reality all that applies to the first. The
physicist legitimates this operation later on by reducing,
as far as possible, differences of quality to differences
of magnitude ; but, prior to all science, I incline to
liken qualities to quantities, as if I perceived behind
the qualities, as through a transparency, a geometrical
mechanism.’ The more complete this transparency,
the more it seems to me that in the same conditions
there must be a repetition of the same fact. Our
inductions are certain, to our eyes, in the exact degree
in which we make the qualitative differences melt into
the homogeneity of the space which subtends them,
so that geometry is the ideal limit of our inductions
as well as of our deductions. The movement at the
end of which is spatiality lays down along its course
the faculty of induction as well as that of deduction,
in fact, intellectuality entire.

It creates them in the mind. But it creates also, in


1 Op. cit. chaps. i. and il. passim.
nt PHYSICAL LAWS 229

things, the “order” ’


which our induction, aided by
deduction, finds there. This order, on which our
action leans and in which our intellect recognizes itself,
‘seems to us marvellous. Not only do the same general
causes always produce the same general effects, but
beneath the visible causes and effects our science dis-
covers an infinity of infinitesimal changes which work
more and more exactly into one another, the further we
push the analysis: so much so that, at the end of this
analysis, matter becomes, it seems to us, geometry itself.
Certainly, the intellect is right in admiring here the
growing order in the growing complexity ; both the
one and the other must have a positive reality for it,
since it looks upon itself as positive. But things change
their aspect when we consider the whole of reality as
an undivided advance forward to successive creations.
It seems to us, then, that the complexity of the material
elements and the mathematical order that binds them
together must arise automatically when within the whole
a partial interruption or inversion is produced. More-
over, as the intellect itself is cut out of mind by a
process of the same kind, it is attuned to this order
and complexity, and admires them because it recog-
nizes itself in them. But what is admirable in itself,
what really deserves to provoke wonder, is the ever-
renewed creation which reality, whole and undivided,
accomplishes in advancing ; for no complication of the
mathematical order with itself, however elaborate we may
suppose it, can introduce an atom of novelty into the
world, whereas this power of creation once given (and
it exists, for we are conscious of it in ourselves, at least
when we act freely) has only to be diverted from itself
to relax its tension, only to relax its tension to extend,
only to extend for the mathematical order of the
230 CREATIVE EVOLUTION CHAP.

elements so distinguished and the inflexible deter-


minism connecting them to manifest the interruption
of the creative act : in fact, inflexible determinism and
mathematical order are one with this very interruption.
It is this merely negative tendency that the particular
laws of the physical world express. None of them,
taken separately, has objective reality; each is the
work of an investigator who has regarded things from
a certain bias, isolated certain variables, applied certain
conventional units of measurement. And yet there is
an order approximately mathematical immanent in
matter, an objective order, which our science approaches
in proportion to its progress. For if matter is a
relaxation of the inextensive into the extensive and,
thereby, of liberty into necessity, it does not indeed
wholly coincide with pure homogeneous space, yet it is
constituted by the movement which leads to space, and
is therefore on the way to geometry. It is true that
laws of mathematical form will never apply to it com-
pletely. For that, it would have to be pure space and
step out of duration.
We cannot insist too strongly that there is something
artificial in the mathematical form of a physical law,
and consequently in our scientific knowledge of things.!
Our standards of measurement are conventional, and,
so to say, foreign to the intentions of nature: can we
suppose that nature has related all the modalities of heat
to the expansion of the same mass of mercury, or to the
change of pressure of the same mass of air kept at a
constant volume? But we may go further. Ina general
way, measuring is a wholly human operation, which
implies that we really or ideally superpose two objects
1 Cf. especially the protound studies of M. Ed. Le Roy in the Revue
de métaph. et de morale.
It PHYSICAL LAWS _ DeEi

one on another a certain number of times. Nature did


not dream of this superposition. It does not measure,
nor does it count. Yet physics counts, measures,
relates “quantitative” variations to one another to
obtain laws, and it succeeds. Its success would be
inexplicable, if the movement which constitutes materi-
ality were not the same movement which, prolonged
by us to its end, that is to say, to homogeneous space,
results in making us count, measure, follow in their
respective variations terms that are functions one of
another. To effect this prolongation of the movement,
our intellect has only to let itself go, for it runs
naturally to space and mathematics, intellectuality and
materiality being of the same nature and having been
produced in the same way.
If the mathematical order were a positive thing, if
there were, immanent in matter, laws comparable to
those of our codes, the success of our science would
have in it something of the miraculous. What chances
should we have indeed of finding the standard of nature
and of isolating exactly, in order to determine their
reciprocal relations, the very variables which nature has
chosen? But the success of a science of mathematical
form would be no less incomprehensible, if matter did
not already possess everything necessary to adapt itself
to our formulae. One hypothesis only, therefore,
remains plausible, namely, that the mathematical order
is nothing positive, that it is the form toward which
a certain interruption tends of itself, and that materiality
consists precisely in an interruption of this kind. We
shall understand then why our science is contingent,
relative to the variables it has chosen, relative to the
order in which it has successively put the problems,
and why nevertheless it succeeds. It might have been,
232 CREATIVE EVOLUTION CHAP,
as a whole, altogether different, and yet have succeeded.
This is so, just because there is no definite system of
mathematical laws at the base of nature, and because
mathematics in general represents simply the side to
which matter inclines. Put one of those little cork dolls
with leaden feet in any posture, lay it on its back, turn
it up on its head, throw it into the air: it will always
stand itself up again, automatically. So likewise with
matter: we can take it by any end and handle it in
any way, it will always fall back into some one of our
mathematical formulae, because it is weighted with
geometry.

But the philosopher will perhaps refuse to found a


theory of knowledge on such considerations. They will
be repugnant to him, because the mathematical order,
being order, will appear to him to contain something
positive. It is in vain that we assert that this order
produces itself automatically by the interruption of the
inverse order, that it is this very interruption. The
idea persists, none the less, that there might be no order
at all, and that the mathematical order of things, being
a conquest over disorder, possesses a positive reality.
In examining this point, we shall see what a prominent
part the idea of disorder plays in problems relative
to the theory of knowledge. It does not appear
explicitly, and that is why it escapes our attention. It
is, however, with the criticism of this idea that a theory
of knowledge ought to begin, for if the great problem
is to know why and how reality submits itself to an
order, it is because the absence of every kind of order
appears possible or conceivable. It is this absence of
order that realists and idealists alike believe they
are thinking of,—the realist when he speaks of the
lit THE IDEA OF DISORDER 233

regularity that “ objective” laws actually impose on a


virtual disorder of nature, the idealist when he supposes
a “sensuous manifold” which is codrdinated (and con-
sequently itself without order) under the organizing
influence of our understanding. The idea of disorder,
in the sense of absence of order, is then what must be
analysed first. Philosophy borrows it from daily life.
And it is unquestionable that, when ordinarily we
speak of disorder, we are thinking of something. But
of what?
It will be seen in the next chapter how hard it is to
determine the content of a negative idea, and what
illusions one is liable to, what hopeless difficulties
philosophy falls into, for not having undertaken this
task. Difficulties and illusions are generally due to
this, that we accept as final a manner of expression
essentially provisional. They are due to our bringing
into the domain of speculation a procedure made
for practice. If I choose a volume in my library
at random, I may put it back on the shelf after
glancing at it and say, “ This is not verse.” Is this
what I have really seen in turning over the leaves
of the book? Obviously not. I have not seen, I
never shall see, an absence of verse. I have seen
prose. But as it is poetry I want, I express what I
find as a function of what I am looking for, and instead
of saying, ‘“ This is prose,” I say, “ This is not verse.”
In the same way, if the fancy takes me to read prose,
and I happen on a volume of verse, I shall say, “ This
is not prose,” thus expressing the data of my perception,
which shows me verse, in the language of my expectation
and attention, which are fixed on the idea of prose and
will hear of nothing else. Now, if Mons. Jourdain
heard me, he would infer, no doubt, from my two
234 CREATIVE EVOLUTION CHAP,

exclamations that prose and poetry are two forms of


language reserved for books, and that these learned
forms have come and overlaid a language which was
neither prose nor verse. Speaking of this thing which
is neither verse nor prose, he would suppose, moreover,
that he was thinking of it: it would be only a pseudo-
idea, however. Let us go further still: the pseudo-
idea would create a pseudo-problem, if M. Jourdain
were to ask his professor of philosophy how the prose
form and the poetry form have been superadded to
that which possessed neither the one nor the other,
and if he wished the professor to construct a theory of
the imposition of these two forms upon this formless
matter. His question would be absurd, and the
absurdity would lie in this, that he was hypostasizing
as the substratum of prose and poetry the simultaneous
negation of both, forgetting that the negation of the
one consists in the affirmation of the other.
Now, suppose that there are two species of order, and
that these two orders are two contraries within one and
the same genus. Suppose also that the idea of disorder
arises in our mind whenever, seeking one of the two
kinds of order, we find the other. The idea of disorder
would then havea clear meaning in the current practice
of life: it would objectify, for the convenience of
language, the disappointment of a mind that finds
before it an order different from what it wants, an
order with which it is not concerned at the moment,
and which, in this sense, does not exist for it. But the
idea would not admit a theoretical use. So if we claim,
notwithstanding, to introduce it into philosophy, we
shall inevitably lose sight of its true meaning. It
denotes the absence of a certain order, but 4 the profit
of another (with which we are not concerned) ; only, as
UI THE IDEA OF DISORDER re a

it applies to each of the two in turn, and as it even


goes and comes continually between the two, we take
it on the way, or rather on the wing, like a shuttlecock
between two battledores, and treat it as if it represented,
not the absence of the one or other order as the case
may be, but the absence of both together—a thing that
is neither perceived nor conceived, a simple verbal
entity. So there arises the problem how order is
imposed on disorder, form on matter. In analysing
the idea of disorder thus subtilized, we shall see that
it represents nothing at all, and at the same time the
problems that have been raised around it will vanish.
It is true that we must begin by distinguishing,
and even by opposing one to the other, two kinds of
order which we generally confuse. As this confusion
has created the principal difficulties of the problem of
knowledge, it will not be useless to dwell once more
on the marks by which the two orders are distinguished.
In a general way, reality is ordered exactly to the
degree in which it satisfies our thought. Order is
therefore a certain agreement between subject and object.
It is the mind finding itself again in things. But the
mind, we said, can go in two opposite ways. Sometimes
it follows its natural direction : there is then progress in
the form of tension, continuous creation, free activity.
Sometimes it inverts it, and this inversion, pushed to
the end, leads to extension, to the necessary reciprocal
determination of elements externalised each by relation
to the others, in short, to geometrical mechanism.
Now, whether experience seems to us to adopt the
first direction or whether it is drawn in the direction
of the second, in both cases we say there is order,
for in the two processes the mind finds itself again.
The confusion between them is therefore natural. To
236 CREATIVE EVOLUTION cae
escape it, different names would have to be given to
the two kinds of order, and that is not easy, because of
the variety and variability of the forms they take. The
order of the second kind may be defined as geometry,
which is its extreme limit ; more generally, it is that
kind of order that is concerned whenever a relation of
necessary determination is found between causes and
effects. It evokes ideas of inertia, of passivity, of
automatism. As to the first kind of order, it oscillates
no doubt around finality ; and yet we cannot define it
as finality, for it is sometimes above, sometimes below.
In its highest forms, it is more than finality, for of
a free action or a work of art we may say that they
show a perfect order, and yet they can only be expressed
in terms of ideas approximately, and after the event.
Life in its entirety, regarded as a creative evolution, is
something analogous; it transcends finality, if we
understand by finality the realization of an idea con-
ceived or conceivable in advance. The category of
finality is therefore too narrow for life in its entirety.
It is, on the other hand, often too wide for a particular
manifestation of life taken separately. Be that as it
may, it is with the vita/ that we have here to do, and the
whole present study strives to prove that the vital is
in the direction of the voluntary. We may say then
that this first kind of order is that of the vital or of
the willed, in opposition to the second, which is that of
the inert and the automatic. Common sense instinctively
distinguishes between the two kinds of order, at least
in the extreme cases ; instinctively, also, it brings them
together. We say of astronomical phenomena that
they manifest an admirable order, meaning by this
that they can be foreseen mathematically. And we
find an order no less admirable in a symphony of
in LAWS AND GENERA 237
Beethoven, which is genius, originality, and therefore
unforeseeability itself.
But it is exceptional for order of the first kind to
take so distinct a form. Ordinarily, it presents features
that we have every interest in confusing with those of
the opposite order. It is quite certain, for instance,
that if we could view the evolution of life in its entirety,
the spontaneity of its movement and the unforesee-
ability of its procedures would thrust themselves on
our attention. But what we meet in our daily experi-
ence is a certain determinate living being, certain special
manifestations of life, which repeat, a/most, forms and
facts already known ; indeed, the similarity of structure
that we find everywhere between what generates and
what is generated—a similarity that enables us to
include any number of living individuals in the same
group—is to our eyes the very type of the generic:
the inorganic genera seem to us to take living genera
as models. Thus the vital order, such as it is offered to
us piecemeal in experience, presents the same character
and performs the same function as the physical order :
both cause experience to repeat itse/f, both enable our
mind to generalize. In reality, this character has
entirely different origins in the two cases, and even
opposite meanings. In the second case, the type of
this character, its ideal limit, as also its foundation, is
the geometrical necessity in virtue of which the same
components give the same resultant. In the first case,
this character involves, on the contrary, the interven-
tion of something which manages to obtain the same
total effect although the infinitely complex elementary
causes may be quite different. We insisted on this
last point in our first chapter, when we showed how
identical structures are to be met with on independent
238 CREATIVE EVOLUTION CHAP,

lines of evolution. But, without looking so far, we


may presume that the reproduction only of the type of
the ancestor by his descendants is an entirely different
thing from the repetition of the same composition of
forces which yields an identical resultant. When we
think of the infinity of infinitesimal elements and of
infinitesimal causes that concur in the genesis of a
living being, when we reflect that the absence or the
deviation of one of them would spoil everything, the
first impulse of the mind is to consider this army of
little workers as watched over bya skilled foreman, the
“vital principle,’’ which is ever repairing faults, cor-
recting effects of neglect or absent-mindedness, putting
things back in place: this is how we try to express the
difference between the physical and the vital order, the
former making the same combination of causes give
the same combined effect, the latter securing the
constancy of the effect even when there is some wavering
in the causes. But that is only a comparison ; on
reflection, we find that there can be no foreman, for
the very simple reason that there are no workers.
The causes and elements that physico-chemical analysis
discovers are real causes and elements, no doubt, as
far as the facts of organic destruction are concerned;
they are then limited in number. But vital phenomena,
properly so called, or facts of organic creation open up
to us, when we analyse them, the perspective of an
analysis passing away to infinity: whence it may be
inferred that the manifold causes and elements are here
only views of the mind, attempting an ever closer and
closer imitation of theoperation of nature, while the opera-
tion imitated is an indivisible act. The likeness between
individuals of the same species has thus an entirely
different meaning, an entirely different origin, to that
It LAWS AND GENERA 239

of the likeness between complex effects obtained by the


same composition of the same causes. But in the one
case as in the other, there is /keness, and consequently
possible generalization. And as that is all that interests
us in practice, since our daily life is and must be an
expectation of the same things and the same situations,
it is natural that this common character, essential from
the point of view of our action, should bring the two
orders together, in spite of a merely internal diversity
between them which interests speculation only. Hence
the idea of a general order of nature, everywhere the
same, hovering over life and over matter alike. Hence
our habit of designating by the same word and represent-
ing in the same way the existence of Jaws in the domain
of inert matter and that of gezera in the domain of life.
Now, it will be found that this confusion is the
origin of most of the difficulties raised by the problem
of knowledge, among the ancients as well as among the
moderns. ‘The generality of laws and that of genera
having been designated by the same word and subsumed
under the same idea, the geometrical order and the
vital order are accordingly confused together. Ac-
cording to the point of view, the generality of laws is
explained by that of genera, or that of genera by that
of laws. The first view is characteristic of ancient
thought ; the second belongs to modern philosophy.
But in both ancient and modern philosophy the idea of
“ generality ”’ is an equivocal idea, uniting in its denota-
tion and in its connotation incompatible objects and
elements. In both there are grouped under the same
concept two kinds of order which are alike only in the
facility they give to our action on things. We bring
together the two terms in virtue of a quite external
likeness, which justifies no doubt their designation by
240 CREATIVE EVOLUTION CHAP.

the same word for practice, but which does not authorize
us at all, in the speculative domain, to confuse them in
the same definition.
The ancients, indeed, did not ask why nature
submits to laws, but why it is ordered according to
genera. The idea of genus corresponds more especially
to an objective reality in the domain of life, where it
expresses an unquestionable fact, heredity. Indeed,
there can only be genera where there are individual
objects ; now, while the organized being is cut out from
the general mass of matter by his very organization,
that is to say naturally, it is our perception which cuts
inert matter into distinct bodies. It is guided in this
by the interests of action, by the nascent reactions that
our body indicates—that is, as we have shown else-
where,’ by the potential genera that are trying to gain
existence. In this, then, genera and _ individuals
determine one another by a semi-artificial operation
entirely relative to our future action on things. Never-
theless the ancients did not hesitate to put all genera
in the same rank, to attribute the same absolute
existence to all of them. Reality thus being a system
of genera, it is to the generality of the genera (that is,
in effect, to the generality expressive of the vital order)
that the generality of laws itself had to be brought. It
is interesting, in this respect, to compare the Aristotelian
theory of the fall of bodies with the explanation
furnished by Galileo. Aristotle is concerned solely
with the concepts “ high” and “low,” ‘ own proper
place” as distinguished from “place occupied,” “natural
movement’ and “ forced movement” ;? the physical

1 Matiere et mémoire, chapters iii. and iv.


2 See in particular Phys. iv. 215 a2; v. 230 b 123; vill. 255 a2; and
De caelo, iv. 1-5 ; ii. 296 b 27; Iv. 308 a 34.
t LAWS AND GENERA 241

law in virtue of which the stone falls expresses for


him that the stone regains the “ natural place” of
all stones, to wit, the earth. The stone, in his view,
is not quite stone so long as it is not in its normal
place; in falling back into this place it aims at complet-
ing itself, like a living being that grows, thus realizing
fully the essence of the genus stone.’ If this concep-
tion of the physical law were exact, the law would no
longer be a mere relation established by the mind ; the
subdivision of matter into bodies would no longer be
relative to our faculty of perceiving ; all bodies would
have the same individuality as living bodies, and the
laws of the physical universe would express relations
of real kinship between real genera. We know what
kind of physics grew out of this, and how, for having
believed in a science unique and final, embracing the
totality of the real and at one with the absolute, the
ancients were confined, in fact, to a more or less clumsy
interpretation of the physical in terms of the vital.
But there is the same confusion in the moderns,
with this difference, however, that the relation between
the two terms is inverted : laws are no longer reduced
to genera, but genera to laws ; and science, still supposed
to be uniquely one, becomes altogether relative, instead
of being, as the ancients wished, altogether at one with
the absolute. A noteworthy fact is the eclipse of the
problem of genera in modern philosophy. Our theory
of knowledge turns almost entirely on the question of
laws: genera are left to make shift with laws as best
they can. The reason is, that modern philosophy has
its point of departure in the great astronomical and
physical discoveries of modern times. The laws of
1 De caelo, iv. 310 a 34 7d 8 els roy abrod rhwov pépecOa Ekacrov rd
els rd avrod eldds éore pépec Bau.
R
242 CREATIVE EVOLUTION CHAP.

Kepler and of Galileo have remained for it the ideal and


unique type of all knowledge. Now, a law isa relation
between things or between facts. More precisely, a
law of mathematical form expresses the fact that a
certain magnitude is a function of one or several other
variables appropriately chosen. Now, the choice of the
variable magnitudes, the distribution of nature into
objects and into facts, has already something of the
contingent and the conventional. But, admitting that
the choice is hinted at, if not prescribed, by experience,
the law remains none the less a relation, and a relation
is essentially a comparison ; it has objective reality only
for an intelligence that represents to itself several terms
at the same time. This intelligence may be neither
mine nor yours: a science which bears on laws may
therefore be an objective science, which experience
contains in advance and which we simply make it
disgorge ; but it is none the less true that a comparison
of some kind must be effected here, impersonally if not
by any one in particular, and that an experience made
of laws, that is, of terms re/ated to other terms, is an
experience made of comparisons, which, before we
receive it, has already had to pass through an atmo-
sphere of intellectuality. The idea of a science and of
an experience entirely relative to the human under-
standing was therefore implicitly contained in the
conception of a science one and integral, composed
of laws: Kant only brought it to light. But this
conception is the result of an arbitrary confusion
between the generality of laws and that of genera.
Though an intelligence be necessary to condition terms
by relation to each other, we may conceive that in
certain cases the terms themselves may exist inde-
pendently. And if, beside relations of term to term,
iI LAWS AND GENERA 243

experience also presents to us independent terms, the


living genera being something quite different from
systems of laws, one half, at least, of our knowledge
bears on the “ thing-in-itself,” the very reality. This
knowledge may be very difficult, just because it no
longer builds up its own object and is obliged, on the
contrary, to submit to it; but, however little it cuts
into its object, it is into the absolute itself that it bites.
We may go further : the other half of knowledge is no
longer so radically, so definitely relative as certain
philosophers say, if we can establish that it bears on
a reality of inverse order, a reality which we always
express in mathematical laws, that is to say in relations
that imply comparisons, but which lends itself to this
work only because it is weighted with spatiality and
consequently with geometry. Be that as it may, it is
the confusion of two kinds of order that lies behind
the relativism of the moderns, as it lay behind the
dogmatism of the ancients.
We have said enough to mark the origin of this
confusion. It is due to the fact that the “vital” order,
which is essentially creation, is manifested to us less in
its essence than in some of its accidents, those which
imitate the physical and geometrical order ; like it, they
present to us repetitions that make. generalization
possible, and in that we have all that interests us.
There is no doubt that life as a whole is an evolution,
that is, an unceasing transformation. But life can
progress only by means of the living, which are its
depositaries. Innumerable living beings, almost alike,
have to repeat each other in space and in time for the
novelty they are working out to grow and mature.
It is like a book that advances towards a new
edition by going through thousands of reprints with
24.4 CREATIVE EVOLUTION uae
thousands of copies. There is, however, this difference
between the two cases, that the successive impressions
are identical, as well as the simultaneous copies of the
same impression, whereas representatives of one and
the same species are never entirely the same, either in
different points of space or at different moments of
time. Heredity does not only transmit characters ; it
transmits also the impetus in virtue of which the
characters are modified, and this impetus is vitality
itself. That is why we say that the repetition which
serves as the base of our generalizations is essential in
the physical order, accidental in the vital order. The
physical order is “automatic”’ ; the vital order is, I will
not say voluntary, but analogous to the order “ willed.”
Now, as soon as we have clearly distinguished
between the order that is “ willed” and the order that
is “automatic,” the ambiguity that underlies the idea
of disorder is dissipated, and, with it, one of the principal
difficulties of the problem of knowledge.
The main problem of the theory of knowledge is
to know how science is possible, that is to say, in effect,
why there is order and not disorder in things. That
order exists is a fact. But, on the other hand, disorder,
which appears to us to be less than order, is, it seems, of
right. The existence of order is then a mystery to be
cleared up, at any rate a problem to be solved. More
simply, when we undertake to found order, we regard
it as contingent, if not in things, at least as viewed
by the mind: of a thing that we do not judge to
be contingent we do not require an explanation. If
order did not appear to us as a conquest over some-
thing, or as an addition to something (which some-
thing is thought to be the “ absence of order ’”’), ancient
realism would not have spoken of a “matter” to
III THE TWO KINDS OF ORDER 245
which the Idea superadded itself, nor would modern
idealism have supposed a “sensuous manifold” that
the understanding organizes into nature. Now, it
is unquestionable that all order is contingent, and
conceived as such. But contingent in relation to what ?
The reply, to our thinking, is not doubtful. An
order is contingent, and seems so, in relation to the
inverse order, as verse is contingent in relation to prose
and prose in relation to verse. But, just as all speech
which is not prose is verse and necessarily conceived
as verse, just as all speech which is not verse is prose
and necessarily conceived as prose, so any state of
things that is not one of the two orders is the other and
is necessarily conceived as the other. But it may happen
that we do not realize what we are actually thinking
of, and perceive the idea really present to our mind
only through a mist of affective states. Any one can
be convinced of this by considering the use we make of
the idea of disorder in daily life. When I enter a room
and pronounce it to be “in disorder,”’ what do I mean?
The position of each object is explained by the
automatic movements of the person who has slept in the
room, or by the efficient causes, whatever they may be,
that have caused each article of furniture, clothing, etc.,
to be where it is: the order, in the second sense of the
word, is perfect. But it is order of the first kind that
I am expecting, the order that a methodical person
consciously puts into his life, the willed order and not
the automatic: so I call the absence of this order
“disorder.” At bottom, all there is that is real,
perceived and even conceived, in this absence of one of
the two kinds of order, is the presence of the other.
But the second is indifferent to me, [ am interested only
in the first, and I express the presence of the second
246 CREATIVE EVOLUTION CHAP.

as a function of the first, instead of expressing it, so to


speak, as a function of itself, by saying it is disorder.
Inversely, when we affirm that we are imagining a
chaos, that is to say a state of things in which the
physical world no longer obeys laws, what are we
thinking of ? We imagine facts that appear and
disappear capriciously. First we think of the physical
universe as we know it, with effects and causes well
proportioned to each other; then, by a series of
arbitrary decrees, we augment, diminish, suppress, so
as to obtain what we call disorder. In reality we have
substituted wi// for the mechanism of nature ; we have
replaced the “automatic order’’ by a multitude of
elementary wills, just to the extent that we imagine
the apparition or vanishing of phenomena. No doubt,
for all these little wills to constitute a “ willed order,”
they must have accepted the direction of a higher will.
But, on looking closely at them, we see that that is
just what they do: our own will is there, which
objectifies itself in each of these capricious wills in
turn, and takes good care not to connect the same with
the same, nor to permit the effect to be proportional
to the cause—in fact makes one simple intention hover
over the whole of the elementary volitions. Thus,
here again, the absence of one of the two orders
consists in the presence of the other. In analysing the
idea of chance, which is closely akin to the idea of
disorder, we find the same elements. When the
wholly mechanical play of the causes which stop the
wheel on a number makes me win, and consequently
acts like a good genius, careful of my interests, or
when the wholly mechanical force of the wind tears a
tile off the roof and throws it on to my head, that is
to say acts like a bad genius, conspiring against my
im THE TWO KINDS OF ORDER 247
person: in both cases I find a mechanism where I
should have looked for, where, indeed, it seems as if
I ought to have found, an intention. That is what I
express in speaking of chance. And of an anarchi-
cal world, in which phenomena succeed each other
capriciously, I should say again that it is a realm of
chance, meaning that I find before me wills, or rather
decrees, when what I am expecting is mechanism.
Thus is explained the singular vacillation of the mind
when it tries to define chance. Neither efficient cause
nor final cause can furnish the definition sought. The
mind swings to and fro, unable to rest, between the
idea of an absence of final cause and that of an absence
of efficient cause, each of these definitions sending it
back to the other. The problem remains insoluble, in
fact, so long as the idea of chance is regarded as a
pure idea, without mixture of feeling. But, in reality,
chance merely objectifies the state of mind of one who,
expecting one of the two kinds of order, finds himself
confronted with the other. Chance and disorder are
therefore necessarily conceived as relative. So if we
wish to represent them to ourselves as absolute, we
perceive that we are going to and fro like a shuttle
between the two kinds of order, passing into the one just
at the moment at which we might catch ourselves in the
other, and that the supposed absence of all order is really
the presence of both, with, besides, the swaying of a
mind that cannot rest finally in either. Neither in things
nor in our idea of things can there be any question of
presenting this disorder as the substratum of order,
since it implies the two kinds of order and is made of
their combination.
But our intelligence is not stopped by this. Bya
simple sic jubeo it posits a disorder which is an “ absence
248 CREATIVE EVOLUTION CHAP.
of order.” In so doing it thinks a word or a set of
words, nothing more. If it seeks to attach an idea to
the word, it finds that disorder may indeed be the
negation of order, but that this negation is then the
implicit affirmation of the presence of the opposite
order, which we shut our eyes to because it does not
interest us, or which we evade by denying the second
order in its turn—that is, at bottom, by re-establishing
the first. How can we speak, then, of an incoherent
diversity which an understanding organizes? It is no
use for us to say that no one supposes this incoherence
to be realized or realizable: when we speak of it, we
believe we are thinking of it ; now, in analysing the idea
actually present, we find, as we said before, only the dis-
appointment of the mind confronted with an order that
does not interest it, or a swaying of the mind between
two kinds of order, or, finally, the idea pure and simple
of the empty word that we have created by joining a
negative prefix to a word which itself signifies some-
thing. But it is this analysis that we neglect to make.
We omit it, precisely because it does not occur to us
to distinguish two kinds of order that are irreducible
to one another.
We said, indeed, that all order necessarily appears
as contingent. If there are two kinds of order, this
contingency of order is explained: one of the forms
is contingent in relation to the other. Where I find
the geometrical order, the vital was possible ; where
the order is vital, it might have been geometrical.
But suppose that the order is everywhere of the same
kind, and simply admits of degrees which go from the
geometrical to the vital: if a determinate order still
appears to me to be contingent, and can no longer
be so by relation to an order of another kind, I shall
it IDEAL GENESIS OF MATTER 249
necessarily believe that the order is contingent by
relation to an absence of itself, that is to say by relation
to a state of things “in which there is no order at all.”
And this state of things I shall believe that I am
thinking of, because it is implied, it seems, in the very
contingency of order, which is an unquestionable fact.
I shall therefore place at the summit of the hierarchy
the vital order; then, as a diminution or lower
complication of it, the geometrical order ; and finally,
at the bottom of all, an absence of order, incoherence
itself, on which order is superposed. This is why
incoherence has the effect on me of a word behind which
there must be something real, if not in things, at least in
thought. But if I observe that the state of things implied
by the contingency of a determinate order is simply
the presence of the contrary order, and if by this very
fact I posit two kinds of order, each the inverse of the
other, I perceive that no intermediate degrees can be
imagined between the two orders, and that there is no
going down from the two orders to the “ incoherent.”
Either the incoherent is only a word, devoid of meaning,
or, if I give it a meaning, it is on condition of putting
incoherence midway between the two orders, and not
below both of them. There is not first the in-
coherent, then the geometrical, then the vital ; there is
only the geometrical and the vital, and then, by a
swaying of the mind between them, the idea of the
incoherent. To speak of an uncodrdinated diversity
to which order is superadded is therefore to commit a
veritable petitio principii ; for in imagining the unco-
ordinated we really posit an order, or rather two.

This long analysis was necessary to show how the


real can pass from tension to extension and from
250 CREATIVE EVOLUTION CHAP.

freedom to mechanical necessity by way of inversion.


It was not enough to prove that this relation between
the two terms is suggested to us, at once, by con-
sciousness and by sensible experience. It was necessary
to prove that the geometrical order has no need of
explanation, being purely and simply the suppression
of the inverse order. And, for that, it was indispensable
to prove that suppression is always a substitution
and is even necessarily conceived as such: it is the
requirements of practical life alone that suggest to us
here a way of speaking that deceives us both as to
what happens in things and as to what is present to
our thought. We must now examine more closely the
inversion whose consequences we have just described.
What, then, is the principle that has only to let go its
tension,—may we say to defend,—in order to extend, the
interruption of the cause here being equivalent to a
reversal of the effect ?
For want of a better word we have called it
consciousness. But we do not mean the narrowed
consciousness that functions in each of us. Our own
consciousness is the consciousness of a certain living
being, placed in a certain point of space ; and though it
does indeed move in the same direction as its principle,
it is continually drawn the opposite way, obliged,
though it goes forward, to look behind. This retro-
spective vision is, as we have shown, the natural
function of the intellect, and consequently of distinct
consciousness. In order that our consciousness shall
coincide with something of its principle, it must detach
itself from the a/ready-made and attach itself to the
being-made. It needs that, turning back on itself
and twisting on itself, the faculty of seeing should be
made to be one with the act of wi//ing,—a painful
iu IDEAL GENESIS OF MATTER 201
effort which we can make suddenly, doing violence
to our nature, but cannot sustain more than a few
moments. In free action, when we contract our whole
being in order to thrust it forward, we have the more
or less clear consciousness of motives and of impelling
forces, and even, at rare moments, of the becoming by
which they are organized into an act: but the pure
willing, the current that runs through this matter,
communicating life to it, is a thing which we hardly
feel, which at most we brush lightly as it passes. Let
us try, however, to install ourselves within it, if only fora
moment ; even then it is an individual and fragmentary
will that we grasp. To get to the principle of all life,
as also of all materiality, we must go further still. Is
it impossible? No, by no means; the history of
philosophy is there to bear witness. There is no
durable system that is not, at least in some of its parts,
vivified by intuition. Dialectic is necessary to put
intuition to the proof, necessary also in order that
intuition should break itself up into concepts and
so be propagated to other men ; but all it does, often
enough, is to develop the result of that intuition which
transcends it. The truth is, the two procedures are of
opposite direction : the same effort, by which ideas are
connected with ideas, causes the intuition which the
ideas were storing up to vanish. The philosopher is
obliged to abandon intuition, once he has received from
it the impetus, and to rely on himself to carry on the
movement by pushing the concepts one after another. .
But he soon feels he has lost foothold ; he must come
into touch with intuition again ; he must undo most of
what he has done. In short, dialectic is what ensures
the agreement of our thought with itself. But by
dialectic—which is only a relaxation of intuition—many
252 CREATIVE EVOLUTION CHAP.

different agreements are possible, while there is only


one truth. Intuition, if it could be prolonged beyond
a few instants, would not only make the philosopher
agree with his own thought, but also all philosophers
with each other. Such as it is, fugitive and incomplete,
it is, in each system, what is worth more than the system
and survives it. The object of philosophy would be
reached if this intuition could be sustained, generalized
and, above all, assured of external points of reference in
order not to goastray. To that end a continual coming
and going is necessary between nature and mind.
When we put back our being into our will, and
our will itself into the impulsion it prolongs, we
understand, we feel, that reality is a perpetual growth,
a creation pursued without end. Our will already
performs this miracle. Every human work in which
there is invention, every voluntary act in which
there is freedom, every movement of an organism that
manifests spontaneity, brings something new into the
world. True, these are only creations of form. How
could they be anything else? We are not the vital
current itself ; we are this current already loaded with
matter, that is, with congealed parts of its own
substance which it carries along its course. In the
composition of a work of genius, as in a simple free
decision, we do, indeed, stretch the spring of our
activity to the utmost and thus create what no mere
assemblage of materials could have given (what
assemblage of curves already known can ever be
equivalent to the pencil-stroke of a great artist ?), but
there are, none the less, elements here that pre-exist
and survive their organization. But if a simple arrest
of the action that generates form could constitute
matter (are not the original lines drawn by the artist
ut IDEAL GENESIS OF MATTER 253
themselves already the fixation and, as it were,
congealment of a movement ?), a creation of matter
would be neither incomprehensible nor inadmissible.
For we seize from within, we live at every instant, a
creation of form, and it is just in those cases in which
the form is pure, and in which the creative current is
momentarily interrupted, that there is a creation of
matter. Consider the letters of the alphabet that enter
into the composition of everything that has ever been
written : we do not conceive that new letters spring
up and come to join themselves to the others in order
to make a new poem. But that the poet creates the
poem and that human thought is thereby made richer,
we understand very well: this creation is a simple act
of the mind, and action has only to make a pause,
instead of continuing into a new creation, in order that,
of itself, it may break up into words which dissociate
themselves into letters which are added to all the letters
there are already in the world. Thus, that the number
of atoms composing the material universe at a given
moment should increase, runs counter to our habits of
mind, contradicts the whole of our experience; but
that a reality of quite another order, which con-
trasts with the atom as the thought of the poet with
the letters of the alphabet, should increase by sudden
additions, is not inadmissible ; and the reverse of each
addition might indeed be a world, which we then
represent to ourselves, symbolically, as an assemblage
of atoms.
The mystery that spreads over the existence of the
universe comes in great part from this, that we want the
genesis of it to have been accomplished at one stroke or
the whole of matter to be eternal. Whether we speak of
creation or posit an uncreated matter, it is the totality
254 CREATIVE EVOLUTION CHAP,

of the universe that we are considering at once. At the


root of this habit of mind lies the prejudice which we
will analyse in our next chapter, the idea, common to
materialists and to their opponents, that there is no
really acting duration, and that the absolute—matter or
mind—can have no place in concrete time, in the time
which we feel to be the very stuff of our life. From
which it follows that everything is given once for all,
and that it is necessary to posit from all eternity either
material multiplicity itself, or the act creating this
multiplicity, given in block in the divine essence.
Once this prejudice is eradicated, the idea of creation
becomes more clear, for it is merged in that of growth.
But it is no longer then of the universe in its totality
that we must speak.
Why should we speak of it? The universe is an
assemblage of solar systems which we have every
reason to believe analogous to our own. No doubt
they are not absolutely independent of one another.
Our sun radiates heat and light beyond the farthest
planet, and, on the other hand, our entire solar system
is moving in a definite direction as if it were drawn.
There is, then, a bond between the worlds. But this
bond may be regarded as infinitely loose in comparison
with the mutual dependence which unites the parts of
the same world among themselves; so that it is not
artificially, for reasons of mere convenience, that we
isolate our solar system: nature itself invites us to
isolate it. As living beings, we depend on the planet
on which we are, and on the sun that provides for it,
but on nothing else. As thinking beings, we may
apply the laws of our physics to our own world, and
extend them to each of the worlds taken separately;
but nothing tells us that they apply to the entire
it IDEAL GENESIS OF MATTER avs
universe, nor even that such an affirmation has any
meaning ; for the universe is not made, but is being
made continually. It is growing, perhaps indefinitely,
by the addition of new worlds.
Let us extend, then, to the whole of our solar
system the two most general laws of our science,
the principle of conservation of energy and that of its
degradation,—limiting them, however, to this relatively
closed system and to other systems relatively closed.
Let us see what will follow. We must remark, first
of all, that these two principles have not the same
metaphysical scope. The first is a quantitative law,
and consequently relative, in part, to our methods of
measurement. It says that, in a system presumed to
be closed, the total energy, that is to say the sum of its
kinetic and potential energy, remains constant. Now, if
there were only kinetic energy in the world, or even if
there were, besides kinetic energy, only one single kind
of potential energy, but no more, the artifice of measure-
ment would not make the law artificial. The law of
the conservation of energy would express indeed that
something 1s preserved in constant quantity. But there
are, in fact, energies of various kinds,’ and the measure-
ment of each of them has evidently been so chosen as
to justify the principle of conservation of energy. Con-
vention, therefore, plays a large part in this principle,
although there is undoubtedly, between the variations
of the different energies composing one and the same
system, a mutual dependence which is just what has
made the extension of the principle possible by measure-
ments suitably chosen. If, therefore, the philosopher
applies this principle to the solar system complete, he
1 On these differences of quality see the work of Duhem, L’ Evolution de
la mécanique, Paris, 1905, pp. 197 ff.
25 6 CREATIVE EVOLUTION CHAP,

must at least soften its outlines. The law of the con-


servation of energy cannot here express the objective
permanence of a certain quantity of a certain thing,
but rather the necessity for every change that is brought
about to be counterbalanced in some way by a change
in an opposite direction. That is to say, even if it
governs the whole of our solar system, the law of the
conservation of energy is concerned with the relation-
ship of a fragment of this world to another fragment
rather than with the nature of the whole.
It is otherwise with the second principle of thermo-
dynamics. The law of the degradation of energy
does not bear essentially on magnitudes. No doubt
the first idea of it arose, in the thought of Carnot,
out of certain quantitative considerations on the yield
of thermic machines. Unquestionably, too, the terms
in which Clausius generalized it were mathematical,
and a calculable magnitude, “entropy,’’ was, in fact,
the final conception to which he was led. Such pre-
cision is necessary for practical applications. But the
law might have been vaguely conceived, and, if
absolutely necessary, it might have been roughly
formulated, even though no one had ever thought
of measuring the different energies of the physical
world, even though the concept of energy had not
been created. Essentially, it expresses the fact that
all physical changes have a tendency to be degraded
into heat, and that heat tends to be distributed among
bodies in a uniform manner. In this less precise
form, it becomes independent of any convention; it
is the most metaphysical of the laws of physics,
since it points out without interposed symbols, without
artificial devices of measurement, the direction in
which the world is going. It tells us that changes that
i IDEAL GENESIS OF MATTER 257
are visible and heterogeneous will be more and more
diluted into changes that are invisible and homogeneous,
and that the instability to which we owe the richness
and variety of the changes taking place in our solar
system will gradually give way to the relative stability
of elementary vibrations continually and perpetually
repeated. Just so with a man who keeps up his
strength as he grows old, but spends it less and less
in actions, and comes, in the end, to employ it entirely
in making his lungs breathe and his heart beat.
From this point of view, a world like our solar
system is seen to be ever exhausting something of the
mutability it contains. In the beginning, it had the
maximum of possible utilization of energy: this
mutability has gone on diminishing unceasingly.
Whence does it come? We might at first suppose
that it has come from some other point of space, but
the difficulty is only set back, and for this external
source of mutability the same question springs up.
True, it might be added that the number of worlds
capable of passing mutability to each other is unlimited,
that the sum of mutability contained in the universe is
infinite, and that there is therefore no ground on which
to seek its origin or to foresee its end. A hypothesis
of this kind is as irrefutable as it is indemonstrable;
but to speak of an infinite universe is to admit a
perfect coincidence of matter with abstract space, and
consequently an absolute externality of all the parts of
matter in relation to one another. We have seen above
what we must think of this theory, and how difficult
it is to reconcile with the idea of a reciprocal influence
of all the parts of matter on one another, an influence
to which indeed it itself makes appeal. Again it might
be supposed that the general instability has arisen
S

ees.
258 CREATIVE EVOLUTION CHAP.

from a general state of stability ; that the period in


which we now are, and in which the utilizable energy is
diminishing, has been preceded by a period in which
the mutability was increasing, and that the alternations
of increase and diminution succeed each other for ever.
This hypothesis is theoretically conceivable, as has
been demonstrated quite recently ; but, according to
the calculations of Boltzmann, the mathematical im-
probability of it passes all imagination and practically
amounts to absolute impossibility. In reality, the
problem remains insoluble as long as we keep on the
ground of physics, for the physicist is obliged to attach
energy to extended particles, and, even if he regards the
particles only as reservoirs of energy, he remains in
space: he would belie his réle if he sought the origin
of these energies in an extra-spatial process. It is
there, however, in our opinion, that it must be sought.
Is it extension in general that we are considering iz
abstracto? Extension, we said, appears only as a sension
which is interrupted. Or, are we considering the con-
crete reality that fills this extension? The order which
reigns there, and which is manifested by the laws of
nature, is an order which must be born of itself when
the inverse order is suppressed ; a detension of the will
would produce precisely this suppression. Lastly, we
find that the direction, which this reality takes, suggests
to us the idea of a thing unmaking itself ; such, no doubt,
is one of the essential characters of materiality. What
conclusion are we to draw from all this, if not that the
process by which this thing makes itse/f is directed in a
contrary way to that of physical processes, and that it
is therefore, by its very definition, immaterial? The
vision we have of the material world is that of a weight
4 Boltzmann, Vorlesungen aber Gastheorie, Leipzig, 1898, pp. 253 ff.
tT IDEAL GENESIS OF MATTER 259
which falls: no image drawn from matter, properly
so called, will ever give us the idea of the weight
rising. But this conclusion will come home to us with
still greater force if we press nearer to the concrete
reality, and if we consider, no longer only matter in
general, but, within this matter, living bodies.
All our analyses show us, in life, an effort to remount
the incline that matter descends. In that, they reveal
to us the possibility, the necessity even of a process
the inverse of materiality, creative of matter by its in-
terruption alone. The life that evolves on the surface
of our planet is indeed attached to matter. If it were
pure consciousness, @ fortiori if it were supraconscious-
ness, it would be pure creative activity. In fact, it is
riveted to an organism that subjects it to the general
laws of inert matter. But everything happens as if it
were doing its utmost to set itself free from these laws.
It has not the power to reverse the direction of physical
changes, such as the principle of Carnot determines it.
It does, however, behave absolutely as a force would
behave which, left to itself, would work in the inverse
direction. Incapable of stopping the course of material
changes downwards, it succeeds in retarding it. The
evolution of life really continues, as we have shown,
an initial impulsion: this impulsion, which has deter-
mined the development of the chlorophyllian function
in the plant and of the sensori-motor system in the
animal, brings life to more and more efficient acts by
the fabrication and use of more and more powerful
explosives. Now, what do these explosives represent
if not a storing-up of the solar energy, the degradation
of which energy is thus provisionally suspended on
some of the points where it was being poured forth?
The usable energy which the explosive conceals will be
260 CREATIVE EVOLUTION CHAP,

expended, of course, at the moment of the explosion ;


but it would have been expended sooner if an organism
had not happened to be there to arrest its dissipation,
in order to retain it and save it up. As we see it to-day,
at the point to which it was brought by a scission of
the mutually complementary tendencies which it con-
tained within itself, life is entirely dependent on the
chlorophyllian function of the plant. This means that,
looked at in its initial impulsion, before any scission,
life was a tendency to accumulate in a reservoir, as do
especially the green parts of vegetables, with a view
to an instantaneous effective discharge, like that which
an animal brings about, something that would have
otherwise flowed away. It is like an effort to raise the
weight which falls. True, it succeeds only in retarding
the fall. But at least it can give us an idea of what the
raising of the weight was."
Let us imagine a vessel full of steam at a high
pressure, and here and there in its sides a crack
through which the steam is escaping in a jet. The
steam thrown into the air is nearly all condensed into
little drops which fall back, and this condensation and
this fall represent simply the loss of something, an
interruption, a deficit. Buta small part of the jet of
1 In a book rich in facts and in ideas (La Dissolution opposée a [’évolution,
Paris, 1899), M. André Lalande shows us everything going towards death,
in spite of the momentary resistance which organisms seem to oppose.—But,
even from the side of unorganized matter, have we the right to extend to
the entire universe considerations drawn from the present state of our solar
system ? Beside the worlds which are dying, there are without doubt worlds
that are being born. On the other hand, in the organized world, the death
of individuals does not seem at all like a diminution of “life in general,”
or like a necessity which life submits to reluctantly. As has been more than
once remarked, life has never made an effort to prolong indefinitely the
existence of the individual, although on so many other points it has made
so many successful efforts. Everything is as if this death had been willed,
or at least accepted, for the greater progress of life in general
i IDEAL GENESIS OF MATTER 261
steam subsists, uncondensed, for some seconds; it is
making an effort to raise the drops which are falling ;
it succeeds at most in retarding their fall. So, from an >
immense reservoir of life, jets mustbe gushing out
unceasingly, of which each, falling back, is a world.
The evolution of living species within this world repre-
sents what subsists of the primitive direction of the
original jet, and of an impulsion which continues itself
in a direction the inverse of materiality. But let us
not carry too far this comparison. It gives us but a
feeble and even deceptive image of reality, for the crack,
the jet of steam, the forming of the drops, are deter-
mined necessarily, whereas the creation of a world is
a free act, and the life within the material world
participates in this liberty. Let us think rather of an
action like that of raising the arm ; then let us suppose
that the arm, left to itself, falls back, and yet that
there subsists in it, striving to raise it up again, some-
thing of the will that animates it. In this image of |
a creative action which unmakes ttself we have already a
\
\

more exact representation of matter. In vital activity


we see, then, that which subsists of the direct movement
in the inverted movement, a reality which is making
itself in a reality which is unmaking ttself.
Everything is obscure in the idea of creation if we
think of things which are created and a ¢hing which
creates, as we habitually do, as the understanding cannot
help doing. We shall show the origin of this illusion
in our next chapter. Itis natural to our intellect, whose
function is essentially practical, made to present to us
things and states rather than changes and acts. But
things and states are only views, taken by our mind,
of becoming. There are no things, there are only
actions. More particularly, if I consider the world in
262 CREATIVE EVOLUTION CHAP.

which we live, I find that the automatic and strictly


determined evolution of this well-knit whole is action
which is unmaking itself, and that the unforeseen forms
which life cuts out in it, forms capable of being them-
selves prolonged into unforeseen movements, represent
the action that is making itself. Now, I have every
reason to believe that the other worlds are analogous to
ours, that things happen there in the same way. And
I know they were not all constructed at the same time,
since observation shows me, even to-day, nebulae in
course of concentration. Now, if the same kind of
action is going on everywhere, whether it is that which
is unmaking itself or whether it is that which is striving
to remake itself, I simply express this probable simili-
tude when I speak of a centre from which worlds shoot
out like rockets in a fire-works display—provided,
however, that I do not present this centre as a shing,
but as a continuity of shooting out. God, thus defined,
has nothing of the already made; He is unceasing
life, action, freedom. Creation, so conceived, is not a
mystery ; we experience it in ourselves when we act
freely. That new things can join things already existing
is absurd, no doubt, since the ¢hivg results from a solidi-
fication performed by our understanding, and there are
never any things other than those that the understand-
ing has thus constituted. To speak of things creating
themselves would therefore amount to saying that the
understanding presents to itself more than it presents to
itself—a self-contradictory affirmation, an empty and
vain idea. But that action increases as it goes on, that
it creates in the measure of its advance, is what each of
us finds when he watches himself act. Things are
constituted by the instantaneous cut which the under-
standing practises, at a given moment, on a flux of this
111 IDEAL GENESIS OF MATTER 263

kind, and what is mysterious when we compare the cuts


together becomes clear when we relate them to the flux.
Indeed, the modalities of creative action, in so far as it
is still going on in the organization of living forms,
are much simplified when they are taken in this way.
Before the complexity of an organism and the practically
infinite multitude of interwoven analyses and syntheses
it presupposes, our understanding recoils disconcerted.
That the simple play of physical and chemical forces,
left to themselves, should have worked this marvel,
we find hard to believe. And if it is a profound
science which is at work, how are we to understand
the influence exercised on this matter without form
by this form without matter? But the difficulty arises
from this, that we represent statically ready - made
material particles juxtaposed to one another, and, also
statically, an external cause which plasters upon them
a skilfully contrived organization. In reality, life is a
movement, materiality 1S the inverse movement, and
each of these two movements is simple, the matter
which forms a world being an undivided flux, and
undivided also the life that runs through it, cutting out
in it living beings all along its track. Of these two
currents the second runs counter to the first, but the
first obtains, all the same, something from the second.
There results between them a modus vivendi, which is
organization. This organization takes, for our senses
and for our intellect, the form of parts entirely external
to other parts in space and in time. Not only do we
shut our eyes to the unity of the impulse which, passing
through generations, links individuals with individuals,
species with species, and makes of the whole series of
the living one single immense wave flowing over matter,
but each individual itself seems to us as an aggregate,

Ree
264 CREATIVE EVOLUTION CHAP,
aggregate of molecules and aggregate of facts. The
reason of this lies in the structure of our intellect, which
is formed to act on matter from without, and which
succeeds by making, in the flux of the real, instantaneous
cuts, each of which becomes, in its fixity, endlessly
decomposable. Perceiving, in an organism, only parts
external to parts, the understanding has the choice
between two systems of explanation only: either to
regard the infinitely complex (and thereby infinitely
well-contrived) organization as a fortuitous concatena-
tion of atoms, or to relate it to the incomprehensible
influence of an external force that has grouped its
elements together. But this complexity is the work of
the understanding ; this incomprehensibility is also its
work. Let us try to see, no longer with the eyes of
the intellect alone, which grasps only the already made
and which looks from the outside, but with the spirit,
I mean with that faculty of seeing which is immanent
in the faculty of acting and which springs up, somehow,
by the twisting of the will on itself, when action is turned
into knowledge, like heat, so to say, into light. To
movement, then, everything will be restored, and into
movement everything will be resolved. Where the
understanding, working on the image supposed to be
fixed of the progressing action, shows us parts infinitely
manifold and an order infinitely well contrived, we catch
a glimpse of a simple process, an action which is making
itself across an action of the same kind which is
unmaking itself, like the fiery path torn by the last
rocket of a fireworks display through the black cinders
of the spent rockets that are falling dead.

From this point of view, the general considerations


we have presented concerning the evolution of life will
iI THE MEANING OF EVOLUTION 265
be cleared up and completed. We will distinguish |
more sharply what is accidental from what is essential |
in this evolution. a
The impetus of life, of which we are speaking,
consists in a need of creation. It cannot create
absolutely, because it is confronted with matter, that is
to say with the movement that is the inverse of its
own. But it seizes upon this matter, which is necessity
itself, and strives to introduce into it the largest possible
amount of indetermination and liberty. How does it
go to work?
An animal high in the scale may be represented in
a general way, we said, as a sensori-motor nervous
system imposed on digestive, respiratory, circulatory
systems, etc. The function of these latter is to cleanse,
repair and protect the nervous system, to make it as
independent as possible of external circumstances, but,
above all, to furnish it with energy to be expended in
movements. The increasing complexity of the organism
is therefore due theoretically (in spite of innumerable
exceptions due to accidents of evolution) to the
necessity of complexity in the nervous system. No
doubt, each complication of any part of the organism
involves many others in addition, because this part
itself must live, and every change in one point of
the body reverberates, as it were, throughout. The
complication may therefore go on to infinity in all
directions ; but it is the complication of the nervous
system which conditions the others in right, if not
always in fact. Now, in what does the progress of the
nervous system itself consist? In a simultaneous
development of automatic activity and of voluntary
activity, the first furnishing the second with an appro-
priate instrument. Thus, in an organism such as ours,
266 CREATIVE EVOLUTION CHAP.
a considerable number of motor mechanisms are set
up in the medulla and in the spinal cord, awaiting only
a signal to release the corresponding act: the will is
employed, in some cases, in setting up the mechanism
itself, and in the others in choosing the mechanisms
to be released, the manner of combining them and
the moment of releasing them. The will of an animal
is the more effective and the more intense, the greater
the number of the mechanisms it can choose from, the
more complicated the switchboard on which all the
motor paths cross, or, in other words, the more developed
its brain. Thus, the progress of the nervous system
assures to the act increasing precision, increasing variety,
increasing efficiency and independence. The organism
behaves more and more like a machine for action, which
reconstructs itself entirely for every new act, as if it
were made of india-rubber and could, at any moment,
change the shape of all its parts. But, prior to the
nervous system, prior even to the organism properly
so called, already in the undifferentiated mass of the
amoeba, this essential property of animal life is found.
The amoeba deforms itself in varying directions; its
entire mass does what the differentiation of parts will
localize in a sensori-motor system in the developed
animal. Doing it only in a rudimentary manner, it is
dispensed from the complexity of the higher organisms;
there is no need here of the auxiliary elements that pass
on to motor elements the energy to expend ; the animal
moves as a whole, and, as a whole also, procures energy
by means of the organic substances it assimilates. Thus,
whether low or high in the animal scale, we always find
that animal life consists (1) in procuring a provision ot
energy ; (2) in expending it, by means of a matter as
supple as possible, in directions variable and unforeseen,
Mr THE MEANING OF EVOLUTION — 267
Now, whence comes the energy ? From the ingested
food, for food is a kind of explosive, which needs only
the spark to discharge the energy it stores. Who has
made this explosive? The food may be the flesh of
an animal nourished on animals and so on; but, in
the end it is to the vegetable we always come back.
Vegetables alone gather in the solar energy, and the
animals do but borrow it from them, either directly or
by some passing it on to others. How then has the plant
stored up this energy? Chiefly by the chlorophyllian
function, a chemicism sui generis of which we do not
possess the key, and which is probably unlike that of
our laboratories. The process consists in using solar
energy to fix the carbon of carbonic acid, and thereby
to store this energy as we should store that of a water-
carrier by employing him to fill an elevated reservoir :
the water, once brought up, can set in motion a mill or
a turbine, as we will and when we will. Each atom of
carbon fixed represents something like the elevation
of the weight of water, or like the stretching of an
elastic thread uniting the carbon to the oxygen in the
carbonic acid. The elastic is relaxed, the weight falls
back again, in short the energy held in reserve is
restored, when, by a simple release, the carbon is per-
mitted to rejoin its oxygen.
So that all life, animal and vegetable, seems in its
essence like an effort to accumulate energy and then to
let it flow into flexible channels, changeable in shape, at
the end of which it will accomplish infinitely varied
kinds of work. That is what the vital impetus,
passing through matter, would fain do all at once.
It would succeed, no doubt, if its power were un-
limited, or if some reinforcement could come to it from
without. But the impetus is finite, and it has been
268 CREATIVE EVOLUTION CHAP.
given once for all. It cannot overcome all obstacles.
The movement it starts is sometimes turned aside,
sometimes divided, always opposed ; and the evolution
of the organized world is the unrolling of this con-
flict. The first great scission that had to be effected
was that of the two kingdoms, vegetable and animal,
which thus happen to be mutually complementary,
without, however, any agreement having been made
between them. It is not for the animal that the plant
accumulates energy, it is for its own consumption;
but its expenditure on itself is less discontinuous, and
less concentrated, and therefore less efficacious, than
was required by the initial impetus of life, essentially
directed toward free actions: the same organism could
not with equal force sustain the two functions at once,
of gradual storage and sudden use. Of themselves,
therefore, and without any external intervention, simply
by the effect of the duality of the tendency involved
in the original impetus and of the resistance opposed
by matter to this impetus, the organisms leaned
some in the first direction, others in the second. To
this scission there succeeded many others. Hence
the diverging lines of evolution, at least what is
essential in them. But we must take into account
retrogressions, arrests, accidents of every kind. And
we must remember, above all, that each species behaves
as if the general movement of life stopped at it
instead of passing through it. It thinks only of itself,
it lives only for itself. Hence the numberless struggles
that we behold in nature. Hence a discord, striking
and terrible, but for which the original principle of life
must not be held responsible.
The part played by contingency in evolution is
therefore great. Contingent, generally, are the forms
it THE MEANING OF EVOLUTION 269
adopted, or rather invented. Contingent, relative to
the obstacles encountered in a given place and at a
given moment, is the dissociation of the primordial
tendency into such and such complementary tendencies
which create divergent lines of evolution. Con-
tingent the arrests and set-backs ; contingent, in large
measure, the adaptations. Two things only are
necessary : (1) a gradual accumulation of energy ; (2)
an elastic canalization of this energy in variable and in- |
determinable directions, at the end of which are free acts.
This twofold result has been obtained in a particular
way on our planet. But it might have been obtained
by entirely different means. It was not necessary that
life should fix its choice mainly upon the carbon of
carbonic acid. What was essential for it was to store
solar energy ; but, instead of asking the sun to separate,
for instance, atoms of oxygen and carbon, it might
(theoretically at least, and, apart from practical diffi-
culties possibly insurmountable) have put forth other
chemical elements, which would then have had to be
associated or dissociated by entirely different physical
means. And if the element characteristic of the sub-
stances that supply energy to the organism had been
other than carbon, the element characteristic of the
plastic substances would probably have been other than
nitrogen, and the chemistry of living bodies would then
have been radically different from what it is. The
result would have been living forms without any analogy
to those we know, whose anatomy would have been
different, whose physiology also would have been differ-
ent. Alone, the sensori-motor function would have been
preserved, if not in its mechanism, at least in its effects.
It is therefore probable that life goes on in other planets,
in other solar systems also, under forms of which we have

eer
270 CREATIVE EVOLUTION CHAP.

no idea, in physical conditions to which it seems to


us, from the point of view of our physiology, to be
absolutely opposed. If its essential aim is to catch up
usable energy in order to expend it in explosive actions,
it probably chooses, in each solar system and on each
planet, as it does on the earth, the fittest means to get
this result in the circumstances with which it is con-
fronted. That is at least what reasoning by analogy leads
to, and we use analogy the wrong way when we declare
life to be impossible wherever the circumstances with
which it is confronted are other than those on the
earth. The truth is that life is possible wherever
energy descends the incline indicated by Carnot’s law
and where a cause of inverse direction can retard the
descent—that is to say, probably, in all the worlds
suspended from all the stars. We go further: it is
not even necessary that life should be concentrated
and determined in organisms properly so called, that
is, in definite bodies presenting to the flow of energy
ready-made though elastic canals. It can be conceived
(although it can hardly be imagined) that energy might
be saved up, and then expended on varying lines
running across a matter not yet solidified. Every
essential of life would still be there, since there would
still be slow accumulation of energy and sudden release.
There would hardly be more difference between this
vitality, vague and formless, and the definite vitality
we know, than there is, in our psychical life, between
the state of dream and the state of waking. Such
may have been the condition of life in our nebula
before the condensation of matter was complete, if it
be true that life springs forward at the very moment
when, as the effect of an inverse movement, the
nebular matter appears.
1 THE MEANING OF EVOLUTION 271
It is therefore conceivable that life might have
assumed a totally different outward appearance
and designed forms very different from those we
know. With another chemical substratum, in other
physical conditions, the impulsion would have re-
mained the same, but it would have split up very
differently in course of progress ; and the whole would
have travelled another road,—whether shorter or longer
who can tell? In any case, in the entire series of
living beings no term would have been what it now is.
Now, was it necessary that there should be a series, or
terms? Why should not the unique impetus have
been impressed on a unique body, which might have
gone on evolving?
This question arises, no doubt, from the comparison
of life to an impetus. And it must be compared to an
impetus, because no image borrowed from the physical
world can give more nearly the idea of it. But it is
only an image. In reality, life is of the psychological
order, and it is of the essence of the psychical to
enfold a confused plurality of interpenetrating terms.
In space, and in space only, is distinct multiplicity
possible: a point is absolutely external to another
point. But pure and empty unity, also, is met with
only in space; it is that of a mathematical point.
Abstract unity and abstract multiplicity are deter-
minations of space or categories of the understanding,
whichever we will, spatiality and intellectuality being
moulded on each other. But what is of psychical
nature cannot entirely correspond with space, nor enter
perfectly into the categories of the understanding. Is
my own person, at a given moment, one or manifold?
If I declare it one, inner voices arise and protest—those
of the sensations, feelings, ideas, among which my

aweee
Taer=T
erye<
22 CREATIVE EVOLUTION CHAP,
individuality is distributed. But, if | make it distinctly
manifold, my consciousness rebels quite as strongly; it
affirms that my sensations, my feelings, my thoughts
are abstractions which I effect on myself, and that each
of my states implies all the others. I am then (we
must adopt the language of the understanding, since
only the understanding has a language) a unity that is
multiple and a multiplicity that is one ;* but unity
and multiplicity are only views of my personality taken
by an understanding that directs its categories at me ;
I enter neither into one nor into the other nor into
both at once, although both, united, may give a fair
imitation of the mutual interpenetration and con-
tinuity that I find at the base of my own self. Such
is my inner life, and such also is life in general.
While, in its contact with matter, life is comparable
to an impulsion or an impetus, regarded in itself it
is an immensity of potentiality, a mutual encroach-
ment of thousands and thousands of tendencies which
nevertheless are “thousands and thousands” only
when once regarded as outside of each other, that is,
when spatialized. Contact with matter is what de-
termines this dissociation. Matter divides actually
what was but potentially manifold; and, in this
sense, individuation is in part the work of matter,
in part the result of life's own inclination. Thus, a
poetic sentiment, which bursts into distinct verses,
lines and words, may be said to have already con-
tained this multiplicity of individuated elements, and
yet, in fact, it is the materiality of language that
creates it.
But through the words, lines and verses runs the
1 We have dwelt on this point in an article entitled ‘Introduction a la
métaphysique ” (Revue de métaphysique et de morale, January 1903, pp. 1-25).
ut THE MEANING OF EVOLUTION 273
simple inspiration which is the whole poem. So, among
the dissociated individuals, one life goes on moving :
everywhere the tendency to individualize is opposed
and at the same time completed by an antagonistic and
complementary tendency to associate, as if the manifold
unity of life, drawn in the direction of multiplicity,
made so much the more effort to withdraw itself on to
itself. A part is no sooner detached than it tends to
reunite itself, if not to all the rest, at least to what is
nearest to it. Hence, throughout the whole realm of
life, a balancing between individuation and association.
Individuals join together into a society; but the
society, as soon as formed, tends to melt the associated
individuals into a new organism, so as to become itself
an individual, able in its turn to be part and parcel
of a new association. At the lowest degree of the
scale of organisms we already find veritable associa-
tions, microbial colonies, and in these associations,
according to a recent work, a tendency to individuate
by the constitution of a nucleus.’ The same tendency
is met with again at a higher stage, in the protophytes,
which, once having quitted the parent cell by way of
division, remain united to each other by the gelatinous
substance that surrounds them,—also in those protozoa
which begin by mingling their pseudopodia and end by
welding themselves together. The “colonial” theory
of the genesis of higher organisms is well known.
The protozoa, consisting of one single cell, are supposed
to have formed, by assemblage, aggregates which,
relating themselves together in their turn, have given
rise to aggregates of aggregates ; so organisms more and
more complicated, and also more and more differentiated,
1 Cf. a paper written (in Russian) by Serkovski, and reviewed in the
Année biologique, 1898, p. 317.
x

Se
See
er
e
274 CREATIVE EVOLUTION CHAP

are born of the association of organisms barely differ-


entiated and elementary.’ In this extreme form, the
theory is open to grave objections : more and more the
idea seems to be gaining ground, that polyzoism is an
exceptional and abnormal fact.?_ But it is none the less
true that things happen as if every higher organism
was born of an association of cells that have subdivided
the work between them. Very probably it is not the
cells that have made the individual by means of
association ; it is rather the individual that has made
the cells by means of dissociation. But this itself
reveals to us, in the genesis of the individual, a haunting
of the social form, as if the individual could only
develop on the condition that its substance should be
split up into elements having themselves an appearance
of individuality and united among themselves by an
appearance of sociality. There are numerous cases in
which Nature seems to hesitate between the two forms,
and to ask herself if she shall make a society or an
individual. The slightest push is enough, then, to make
the balance weigh on one side or the other. If we take
an infusorian sufficiently large, such as the Stentor, and
cut it into two halves each containing a part of the
nucleus, each of the two halves will generate an inde-
pendent Stentor ; but if we divide it incompletely, so
that a protoplasmic communication is left between the
two halves, we shall see them execute, each from its
side, corresponding movements: so that in this case it
1 Ed. Perrier, Les Colonies animales, Paris, 1897 (2nd edition)
2 Delage, L’ Hérédité, 2nd edition, Paris, 1903, p. 97. Cf. by the same
author, “ La Conception polyzoique des étres”” (Revue sctentifique, 1896, pp.
641-653).
8 This is the theory maintained by Kunstler, Delage, Sedgwick, Labbé,
etc. Its development, with bibliographical references, will be found ix
the work of Busquet, Les Etres vivants, Paris, 1899.
II THE MEANING OF EVOLUTION 275
is enough that a thread should be maintained or cut in
order that life should affect the social or the individual
form. Thus, in rudimentary organisms consisting of a
single cell, we already find that the apparent individuality
of the whole is the composition of an undefined number
of potential individualities potentially associated. But,
from top to bottom of the series of living beings, the
same law is manifested. And it is this that we express
when we say that unity and multiplicity are categories
of inert matter, that the vital impetus is neither pure
unity nor pure multiplicity, and that if the matter to
which it communicates itself compels it to choose one
of the two, its choice will never be definitive: it will
leap from one to the other indefinitely. The evolution °
of life in the double direction of individuality and
association has therefore nothing accidental about it : it
is due to the very nature of life. :
Essential also is the progress to reflexion. If our
analysis is correct, it 1s consciousness, or rather supra-
consciousness, that is at the origin of life. Conscious-
ness, or supra-consciousness, is the name for the rocket
whose extinguished fragments fall back as matter ; con-
sciousness, again, is the name for that which subsists of the
rocket itself, passing through the fragments and lighting
them up into organisms. But this consciousness, which
is a need of creation, is made manifest to itself only where
creation is possible. It lies dormant when life is con-
demned to automatism; it wakens as soon as the possi-
bility of a choice is restored. That is why, i in organisms
unprovided with a: nervous system, it varies according
to the power of locomotion and of deformation of which
the organism disposes. And in animals with a nervous
system, it is proportional to the complexity of the
switchboard on which the paths called sensory and the
276 CREATIVE EVOLUTION CHAP.

paths called motor intersect—that is, of the brain. How


must this solidarity between the organism and con-
sciousness be understood ?
We will not dwell here on a point that we have
dealt with in former works. Let us merely recall that
a theory such as that according to which consciousness
is attached to certain neurons, and is thrown off from
their work like a phosphorescence, may be accepted
by the scientist for the detail of analysis ; it is a con-
venient mode of expression. But it is nothing else.
In reality, a living being is a centre of action. It
represents a certain sum of contingency entering into
the world, that is to say, a certain quantity of
possible action—a quantity variable with individuals
and especially with species. The nervous system of
an animal marks out the flexible lines on which its
action will run (although the potential energy is
accumulated in the muscles rather than in the nervous
system itself); its nervous centres indicate, by their
development and their configuration, the more or
less extended choice it will have among more or less
numerous and complicated actions. Now, since the
awakening of consciousness in a living creature is the
more complete, the greater the latitude of choice allowed
to it and the larger the amount of action bestowed upon
it, it is clear that the development of consciousness will
appear to be dependent on that of the nervous centres.
On the other hand, every state of consciousness being,
in one aspect of it, a question put to the motor activity
and even the beginning of a reply, there is no psychical
event that does not imply the entry into play of the
cortical mechanisms. Everything seems, therefore, to
happen as if consciousness sprang from the brain, and
as if the detail of conscious activity were modelled on
nm THE MEANING OF EVOLUTION 277
that of the cerebral activity. In reality, consciousness
does not spring from the brain; but brain and con-
sciousness correspond because equally they measure, the
one by the complexity of its structure and the other by
the intensity of its awareness, the quantity of choice that
the living being has at its disposal.
It is precisely because a cerebral state expresses simply
what there is of nascent action in the corresponding
psychical state, that the psychical state tells us more
than the cerebral state. The consciousness of a living
being, as we have tried to prove elsewhere, is inseparable
from its brain in the sense in which a sharp knife is
inseparable from its edge: the brain is the sharp edge
by which consciousness cuts into the compact tissue of
events, but the brain is no more coextensive with con-
sciousness than the edge is with the knife. Thus, from
the fact that two brains, like that of the ape and that
of the man, are very much alike, we cannot conclude
that the corresponding consciousnesses are comparable
or commensurable.
But the two brains may perhaps be less alike than
we suppose. How can we help being struck by the
fact that, while man is capable of learning any sort of
exercise, of constructing any sort of object, in short of
acquiring any kind of motor habit whatsoever, the faculty
of combining new movements is strictly limited in the
best-endowed animal, even in the ape? The cerebral
characteristic of man is there. The human brain is
made, like every brain, to set up motor mechanisms
and to enable us to choose among them, at any instant,
the one we shall put in motion by the pull of a trigger.
But it differs from other brains in this, that the number
of mechanisms it can set up, and consequently the choice
that it gives as to which among them shall be released,

a
maa
oe

iy
SES
BR
—rE
ae
278 CREATIVE EVOLUTION CHAP.
is unlimited. Now, from the limited to the unlimited
there is all the distance between the closed and the open.
It is not a difference of degree, but of kind.
Radical therefore, also, is the difference between
animal consciousness, even the most intelligent, and
human consciousness. For consciousness corresponds
exactly to the living being’s power of choice; it is
co-extensive with the fringe of possible action that
surrounds the real action: consciousness 1s synonymous
with invention and with freedom. Now, in the animal,
invention is never anything but a variation on the theme
of routine. Shut up in the habits of the species, it
succeeds, no doubt, in enlarging them by its individual
initiative ; but it escapes automatism only for an instant,
for just the time to create a new automatism. The
gates of its prison close as soon as they are opened;
by pulling at its chain it succeeds only in stretching
it. With man, consciousness breaks the chain. In
man, and in man alone, it sets itself free. The whole
history of life until man has been that of the effort of
consciousness to raise matter, and of the more or less com-
plete overwhelming of consciousness by the matter which
has fallen back on it. The enterprise was paradoxical,
if,indeed, we may speak here otherwise than by metaphor
of enterprise and of effort. It was to create with matter,
which is necessity itself, an instrument of freedom, to
make a machine which should triumph over mechanism,
and to use the determinism of nature to pass through
the meshes of the net which this very determinism had
spread. But, everywhere except in man, consciousness
has let itself be caught in the net whose meshes it
tried to pass through: it has remained the captive of
the mechanisms it has set up. Automatism, which it
tries to draw in the direction of freedom, winds about
Ww THE MEANING OF EVOLUTION = 279
it and drags it down. It has not the power to escape,
because the energy it has provided for acts is almost
all employed in maintaining the infinitely subtle and
essentially unstable equilibrium into which it has
brought matter. But man not only maintains his
machine, he succeeds in using it as he pleases.
Doubtless he owes this to the superiority of his brain,
which enables him to build an unlimited number
of motor mechanisms, to oppose new habits to the old
ones unceasingly, and, by dividing automatism against
itself, to rule it. He owes it to his language, which
furnishes consciousness with an immaterial body in
which to incarnate itself and thus exempts it from
dwelling exclusively on material bodies, whose flux
would soon drag it along and finally swallow it up.
He owes it to social life, which stores and preserves
efforts as language stores thought, fixes thereby a
mean level to which individuals must raise them-
selves at the outset, and by this initial stimulation
prevents the average man from slumbering and drives
the superior man to mount still higher. But our
brain, our society, and our language are only the
external and various signs of one and the same internal
superiority. They tell, each after its manner, the
unique, exceptional success which life has won at a
given moment of its evolution. They express the
difference of kind, and not only of degree, which
separates man from the rest of the animal world.
They let us guess that, while at the end of the vast
spring-board from which life has taken its leap, all
the others have stepped down, finding the cord stretched
too high, man alone has cleared the obstacle.
It is in this quite special sense that man is the
“term” and the “end” of evolution. Life, we have
280 CREATIVE EVOLUTION CHAP

said, transcends finality as it transcends the other


categories. It is essentially a current sent through
matter, drawing from it what it can. There has not,
therefore, properly speaking, been any project or plan.
On the other hand, it is abundantly evident that the
rest of nature is not for the sake of man: we struggle
like the other species, we have struggled against other
species. Moreover, if the evolution of life had
encountered other accidents in its course, if, thereby,
the current of life had been otherwise divided, we
should have been, physically and morally, far different
from what we are. For these various reasons it would
be wrong to regard humanity, such as we have it before
our eyes, as prefigured in the evolutionary movement.
It cannot even be said to be the outcome of the whole
of evolution, for evolution has been accomplished on
several divergent lines, and while the human species
is at the end of one of them, other lines have been
followed with other species at their end. It is in a
quite different sense that we hold humanity to be the
ground of evolution.
From our point of view, life appears in its entirety
as an immense wave which, starting from a centre,
spreads outwards, and which on almost the whole of its
circumference is stopped and converted into oscillation :
at one single point the obstacle has been forced, the
impulsion has passed freely. It is this freedom that
the human form registers. Everywhere but in man,
consciousness has had to come to a stand; in man
alone it has kept on its way. Man, then, continues the
vital movement indefinitely, although he does not draw
along with him all that life carries in itself. On other
lines of evolution there have travelled other tendencies
which life implied, and of which, since everything inter-
is

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cone
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tes

nt THE MEANING OF EVOLUTION © 281


penetrates, man has, doubtless, kept something, but
of which he has kept only very little. Jt is as if a
vague and formless being, whom we may call, as we will,
man or superman, had sought to realize himself, and had
succeeded only by abandoning a part of himself on the way.
The losses are represented by the rest of the animal
world, and even by the vegetable world, at least in
what these have that is positive and above the accidents
of evolution.
From this point of view, the discordances of which
nature offers us the spectacle are singularly weakened.
The organized world as a whole becomes as the soil
on which was to grow either man himself or a
being who morally must resemble him. The animals,
however distant they may be from our species, how-
ever hostile to it, have none the less been useful
travelling companions, on whom consciousness has un-
loaded whatever encumbrances it was dragging along,
and who have enabled it to rise, in man, to heights
from which it sees an unlimited horizon open again
before it.
It is true that it has not only abandoned cumber-
some baggage on the way ; it has also had to give up
valuable goods. Consciousness, in man, 1s pre-eminently
intellect. It might have been, it ought, so it seems,
to have been also intuition. Intuition and intellect
represent two opposite directions of the work of con-
sciousness: intuition goes in the very direction of
life, intellect goes in the inverse direction, and thus
finds itself naturally in accordance with the movement
of matter. A complete and perfect humanity would be
that in which these two forms of conscious activity
should attain their full development. And, between
this humanity and ours, we may conceive any number
282 CREATIVE EVOLUTION CHAP.

of possible stages, corresponding to all the degrees


imaginable of intelligence and of intuition. In this
lies the part of contingency in the mental structure
of our species. A different evolution might have led
to a humanity either more intellectual still or more
intuitive. In the humanity of which we are a part,
intuition is, in fact, almost completely sacrificed to
intellect. It seems that to conquer matter, and to
reconquer its own self, consciousness has had to
exhaust the best part of its power. This conquest,
in the particular conditions in which it has been accom-
plished, has required that consciousness should adapt
itself to the habits of matter and concentrate all its
attention on them, in fact determine itself more
especially as intellect. Intuition is there, however,
but vague and above all discontinuous. It is a lamp
almost extinguished, which only glimmers now and
then, for a few moments at most. But it glimmers
wherever a vital interest is at stake. On our personality,
on our liberty, on the place we occupy in the whole of
nature, on our origin and perhaps also on our destiny,
it throws a light feeble and vacillating, but which none
the less pierces the darkness of the night in which the
intellect leaves us.
These fleeting intuitions, which light up their
object only at distant intervals, philosophy ought to
seize, first to sustain them, then to expand them and
so unite them together. The more it advances in this
work, the more will it perceive that intuition is mind
itself, and, in a certain sense, life itself: the intellect
has been cut out of it by a process resembling that
which has generated matter. Thus is revealed the
unity of the spiritual life. We recognize it only when
we place ourselves in intuition in order to go from
uv =6hTHE MEANING OF EVOLUTION 283
4

intuition to the intellect, for from the intellect we shall


never pass to intuition.
Philosophy introduces us thus into the spiritual
life. And it shows us at the same time therelation of
the life of the spirit to that of the body. The great
error of the doctrines on the spirit has been the idea
that by isolating the spiritual life from all the rest, by
suspending it in space as high as possible above the
earth, they were placing it beyond attack, as if they
were not thereby simply exposing it to be taken as an
effect of mirage! Certainly they are right to listen to
conscience when conscience affirms human freedom ;
but the intellect is there, which says that the cause
determines its effect, that like conditions like, that all
is repeated and that all is given. They are right to
believe in the absolute reality of the person and in
his independence toward matter ; but science is there,
which shows the interdependence of conscious life and
cerebral activity. They are right to attribute to man
a privileged place in nature, to hold that the distance
is infinite between the animal and man ; but the history
of life is there, which makes us witness the genesis of
species by gradual transformation, and seems thus to
reintegrate man in animality. When a strong instinct
assures the probability of personal survival, they are
right not to close their ears to its voice ; but if there
exist “souls” capable of an independent life, whence
do they come? When, how and why do they enter
into this body which we see arise, quite naturally,
from a mixed cell derived from the bodies of its
two parents? All these questions will remain un-
answered, a philosophy of intuition will be a negation
of science, will be sooner or later swept away by
science, if it does not resolve to see the life of the
284 CREATIVE EVOLUTION CHAP,

body just where it really is, on the road that leads to the
life of the spirit. But it will then no longer have to
do with definite living beings. Life as a whole, from
the initial impulsion that thrust it into the world, will
appear as a wave which rises, and which is opposed by
the descending movement of matter. On the greater
part of its surface, at different heights, the current is
converted by matter into a vortex. At one point alone
it passes freely, dragging with it the obstacle which will
weigh on its progress but will not stop it. At this
point is humanity ; it is our privileged situation. On
the other hand, this rising wave is consciousness,
and, like all consciousness, it includes potentialities
without number which interpenetrate and to which
consequently neither the category of unity nor that of
multiplicity is appropriate, made as they both are for
inert matter. The matter that it bears along with it,
and in the interstices of which it inserts itself, alone can
divide it into distinct individualities. On flows the
current, running through human generations, sub-
dividing itself into individuals. This subdivision was
vaguely indicated in it, but could not have been made
clear without matter. Thus souls are continually being
created, which, nevertheless, in a certain sense pre-
existed. They are nothing else than the little rills into
which the great river of life divides itself, flowing
through the body of humanity. The movement of
the stream is distinct from the river bed, although it
must adopt its winding course. Consciousness is
distinct from the organism it animates, although it
must undergo its vicissitudes. As the possible actions
which a state of consciousness indicates are at every
instant beginning to be carried out in the nervous
centres, the brain underlines at every instant the motor
8 THE MEANING OF EVOLUTION 285
indications of the state of consciousness ; but the inter-
dependence of consciousness and brain is limited to
this; the destiny of consciousness is not bound up
on that account with the destiny of cerebral matter.
Finally, consciousness is essentially free ; it is freedom
itself ; but it cannot pass through matter without
settling on it, without adapting itself to it: this
adaptation is what we call intellectuality ; and the
intellect, turning itself back toward active, that is to
say free, consciousness, naturally makes it enter into
the conceptual forms into which it is accustomed to
see matter fit. It will therefore always perceive free-
dom in the form of necessity ; it will always neglect
the part of novelty or of creation inherent in the free
act; it will always substitute for action itself an imita-
tion artificial, approximative, obtained by compounding
the old with the old and the same with the same.
Thus, to the eyes of a philosophy that attempts to re-
absorb intellect in intuition, many difficulties vanish
or become light. But such a doctrine does not only
facilitate speculation ; it gives us also more power to
act and to live. For, with it, we feel ourselves no
longer isolated in humanity, humanity no longer seems
isolated in the nature that it dominates. As the smallest
grain of dust is bound up with our entire solar system,
drawn along with it in that undivided movement of
descent which is materiality itself, so all organized
beings, from the humblest to the highest, from the
first origins of life to the time in which we are, and
in all places as in all times, do but evidence a single
impulsion, the inverse of the movement of matter, and
in itself indivisible. All the living hold together, and
all yield to the same tremendous push. The animal
takes its stand on the plant, man bestrides animality,

pe
cane
a
me
286 CREATIVE EVOLUTION CHAP, III

and the whole of humanity, in space and in time, is one


immense army galloping beside and before and behind
each of us in an overwhelming charge able to beat down
every resistance and clear the most formidable obstacles,
perhaps even death.
CHAPTER IV

THE CINEMATOGRAPHICAL MECHANISM OF THOUGHT AND


THE MECHANISTIC ILLUSION-——A GLANCE AT THE
HISTORY OF SYSTEMS 1___REAL BECOMING AND FALSE
EVOLUTIONISM

Ir remains for us to examine in themselves two


theoretical illusions which we have frequently met with
before, but whose consequences rather than principle
have hitherto concerned us. Such is the object of
the present chapter. It will afford us the opportunity
of removing certain objections, of clearing up certain
misunderstandings, and, above all, of defining more
precisely, by contrasting it with others, a philosophy
which sees in duration the very stuff of reality.
Matter or mind, reality has appeared to us as a
perpetual becoming. It makes itself or it unmakes
itself, but it is never something made. Such is
the intuition that we have of mind when we draw
aside the veil which is interposed between our con-
sciousness and ourselves. ‘This, also, is what our
1 The part of this chapter which treats of the history of systems, par-
ticularly of the Greek philosophy, is only the very succinct résumé of
views that we developed at length, from 1900 to 1904, in our lectures
at the Collége de France, especially in a course on the History of the Idea of
Time (1902-1903). We then compared the mechanism of conceptual
thought to that of the cinematograph. We believe the comparison will
be useful here.
287
288 CREATIVE EVOLUTION CHAP,

intellect and senses themselves would show us of


matter, if they could obtain a direct and disinterested
idea of it. But, preoccupied before everything with
the necessities of action, the intellect, like the senses,
is limited to taking, at intervals, views that are instan-
taneous and by that very fact immobile of the becoming
of matter. Consciousness, being in its turn formed on
the intellect, sees deat of the inner life what is
already made, and only feels confusedly the making.
Thus, we pluck out of duration those moments
that interest us, and that we have gathered along its
course. These alone we retain. And we are right in
so doing, while action only is in question. But when,
in speculating on the nature of the real, we go on regard-
ing it as our practical interest requires us to regard it,
we become unable to perceive the true evolution, the
radical becoming. Of becoming we perceive only states,
of duration only instants, and even when we speak of
duration and of becoming, it is of another thing that
we are thinking. Such is the most striking of the
two illusions we wish to examine. | It consists in
supposing that we can think the unstable by means of
the stable, the moving by means of the immobile.
The other illusion is near akin to the first. It
has the same origin, being also due to the fact that
we import into speculation a procedure made for
practice. All action aims at getting something that
we feel the want of, or at creating something that does
not yet exist. In this very special sense, it fills a void,
and goes from the empty to the full, from an absence
to a presence, from the unreal to the real. Now the
unreality which is here in question is purely relative
to the direction in which our attention is engaged, for
we are immersed in realities and cannot pass out of
Iv THE IDEA OF ‘NOTHING’ 289
them; only, if the present reality is not the one we
are seeking, we speak of the absence of this sought-for
reality wherever we find the presence of another. We
thus express what we have as a function of what we want.
This is quite legitimate in the sphere of action. But,
whether we will or no, we keep to this way of speaking,
and also of thinking, when we speculate on the nature
of things independently of the interest they have for
us. ‘Thus arises the second of the two illusions. We
propose to examine this first. It is due, like the other,
to the static habits that our intellect contracts when it
prepares our action on things. Just as we pass through
the immobile to go to the moving, so we make use of
the void in order to think the full.
We have met with this illusion already in dealing
with the fundamental problem of knowledge. The
question, we then said, is to know why there is order,
and not disorder, in things. But the question has
meaning only if we suppose that disorder, understood
as an absence of order, is possible, or imaginable, or
conceivable. Now, it is only order that is real; but,
as order can take two forms, and as the presence of the
one may be said to consist in the absence of the other,
we speak of disorder whenever we have before us that
one of the two orders for which we are not looking.
The idea of disorder is then entirely practical. It
corresponds to the disappointment of a certain expecta-
tion, and it does not denote the absence of all order,
but only the presence of that order which does not offer
us actual interest. So that whenever we try to deny
order completely, absolutely, we find that we are leap-
ing from one kind of order to the other indefinitely,
and that the supposed suppression of the one and the
other implies the presence of the two. Indeed, if we
U
299 CREATIVE EVOLUTION CHAP.

go on, and persist in shutting our eyes to this move-


ment of the mind and all it involves, we are no
longer dealing with an idea; all that is left of disorder
isa word. Thus the problem of knowledge is com-
plicated, and possibly made insoluble, by the idea that
order fills a void and that its actual presence is super-
posed on its virtual absence. We go from absence to
presence, from the void to the full, in virtue of the
fundamental illusion of our understanding. That is
the error of which we noticed one consequence in our
last chapter. As we then anticipated, we must come
to close quarters with this error, and finally grapple
with it. We must face it in itself, in the radically
false conception which it implies of negation, of the
void and of the nought.’
Philosophers have paid little attention to the idea
of the nought. And yet it is often the hidden spring,
the invisible mover of philosophical thinking. From
the first awakening of reflexion, it is this that pushes
to the fore, right under the eyes of consciousness, the
torturing problems, the questions that we cannot gaze
at without feeling giddy and bewildered. I have no
sooner commenced to philosophize than I ask myself
why I exist ; and when I take account of the intimate
connection in which I stand to the rest of the
universe, the difficulty is only pushed back, for ]
want to know why the universe exists ; and if I refer
the universe to a Principle immanent or transcendent
that supports it or creates it, my thought rests on
this principle only a few moments, for the same
problem recurs, this time in its full breadth and
generality: Whence comes it, and how can it be
1 The analysis of the idea of the nought which we give here (pp. 2go-
314) has appeared before in the Revue philosophique (November 1906).
Iv THE IDEA OF ‘NOTHING’ 291

understood, that anything exists? Even here, in the


present work, when matter has been defined as a
kind of descent, this descent as the interruption of a
rise, this rise itself as a growth, when finally a Principle
of creation has been put at the base of things, the
same question springs up: How,—why does this
principle exist rather than nothing ?
Now, if I push these questions aside and go straight
to what hides behind them, this is what I find :—Exist-
ence appears to me like a conquest over nought. |
say to myself that there might be, that indeed there
ought to be, nothing, and I then wonder that there is
something. Or I represent all reality extended on
nothing as on a carpet : at first was nothing, and being
has come by superaddition to it. Or, yet again, if
something has always existed, nothing must always
have served as its substratum or receptacle, and is
therefore eternally prior. A glass may have always
been full, but the liquid it contains nevertheless fills a
void. In the same way, being may have always been
there, but the nought which is filled and, as it were,
stopped up by it, pre-exists for it none the less, if not
in fact at least in right. In short, I cannot get rid of
the idea that the full is an embroidery on the canvas
of the void, that being is superimposed on nothing,
and that in the idea of “nothing” there is /ess than in
that of “something.” Hence all the mystery.
It is necessary that this mystery should be cleared
up. It is more especially necessary, if we put duration
and free choice at the base of things. For the disdain
of metaphysics for all reality that endures comes pre-
cisely from this, that it reaches being only by passing
through “not-being,” and that an existence which
endures seems to it not strong enough to conquer
292 CREATIVE EVOLUTION CHAP
non-existence and itself posit itself. It is for this
reason especially that it is inclined to endow true being
with a /ogica/, and not a psychological nor a physical
existence. For the nature of a purely logical existence
is such that it seems to be self-sufficient and to posit
itself by the effect alone of the. force immanent in
truth. If I ask myself why bodies or minds exist
rather than nothing, I find no answer; but that a
logical principle, such as A= A, should have the power
of creating itself, triumphing over the nought through-
out eternity, seems to me natural. A circle drawn
with chalk on a blackboard is a thing which needs
explanation : this entirely physical existence has not by
itself wherewith to vanquish non-existence. But the
“logical essence’”’ of the circle, that is to say, the
possibility of drawing it according to a certain law—
in short, its definition—is a thing which appears to me
eternal : it has neither place nor date ; for nowhere, at
no moment, has the drawing of a circle begun to be
possible. Suppose, then, that the principle on which
all things rest, and which all things manifest possesses
an existence of the same nature as that of the definition
of the circle, or as that of the axiom A=A: the mystery
of existence vanishes, for the being that is at the
base of everything posits itself then in eternity, as
logic itself does. True, it will cost us rather a heavy
sacrifice : if the principle of all things exists after the
manner of a logical axiom or of a mathematical defini-
tion, the things themselves must go forth from this
principle like the applications of an axiom or the con-
sequences of a definition, and there will no longer be
place, either in the things or in their principle, for
efficient causality understood in the sense of a free
choice. Such are precisely the conclusions of a doctrine
iv THE IDEA OF ‘NOTHING’ 293
like that of Spinoza, or even that of Leibniz, and such
indeed has been their genesis.
Now, if we could prove that the idea of the nought,
in the sense in which we take it when we oppose it to
that of existence, is a pseudo-idea, the problems that are
raised around it would become pseudo-problems. The
hypothesis of an absolute that acts freely, that in an
eminent sense endures, would no longer raise up
intellectual prejudices. The road would be cleared
for a philosophy more nearly approaching intuition,
and which would no longer ask the same sacrifices of
common sense.

Let us then see what we are thinking about when


we speak of “ Nothing.” To represent “ Nothing,” we
must either imagine it or conceive it. Let us examine
what this image or this idea may be. First, the image.
I am going to close my eyes, stop my ears, extinguish
one by one the sensations that come to me from the
outer world. Now it is done; all my perceptions
vanish, the material universe sinks into silence and the
night.—I subsist, however, and cannot help myself
subsisting. I am still there, with the organic sensa-
tions which come to me from the surface and from the
interior of my body, with the recollections which my
past perceptions have left behind them—nay, with the
impression, most positive and full, of the void I have
just made about me. How can I suppress all this?
How eliminate myself? I can even, it may be, blot
out and forget my recollections up to my immediate
past ; but at least I keep the consciousness of my present
reduced to its extremest poverty, that is to say, of the
actual state of my body. I will try, however, to do
away even with this consciousness itself. 1 will reduce
294 CREATIVE EVOLUTION CHAP,
more and more the sensations my body sends in to
me: now they are almost gone ; now they are gone,
they have disappeared in the night where all things
else have already died away. But no! At the very
instant that my consciousness is extinguished, another
consciousness lights up—or rather, it was already alight:
it had arisen the instant before, in order to witness the
extinction of the first; for the first could disappear
only for another and in the presence of another. I see
myself annihilated only if I have already resuscitated
myself by an act which is positive, however involuntary
and unconscious. So, do what I will, 1 am always
perceiving something, either from without or from
within. When I no longer know anything of external
objects, it is because I have taken refuge in the con-
sciousness that I have of myself. If I abolish this
inner self, its very abolition becomes an object for an
imaginary self which now perceives as an external
object the self that is dying away. Be it external or
internal, some object there always is that my imagina-
tion is representing. My imagination, it is true, can
go from one to the other, I can by turns imagine a
nought of external perception or a nought of internal
perception, but not both at once, for the absence of
one consists, at bottom, in the exclusive presence of the
other. But, from the fact that two relative noughts are
imaginable in turn, we wrongly conclude that they are
imaginable together: a conclusion the absurdity of
which must be obvious, for we cannot imagine a nought
without perceiving, at least confusedly, that we are
imagining it, consequently that we are acting, that we
are thinking, and therefore that something still subsists.
The image, then, properly so called, of a suppression
of everything is never formed by thought. The
. THE IDEA OF ‘NOTHING’ 295
effort by which we strive to create this image simply
ends in making us swing to and fro between the
vision of an outer and that of an inner reality. In this
coming and going of our mind between the without
and the within, there is a point, at equal distance from
both, in which it seems to us that we no longer perceive
the one, and that we do not yet perceive the other : it
is there that the image of “ Nothing” is formed. In
reality, we then perceive both, having reached the point
where the two terms come together, and the image of
Nothing, so defined, is an image full of things, an image
that includes at once that of the subject and that of
the object and, besides, a perpetual leaping from one
to the other and the refusal ever to come to rest finally
on either. Evidently this is not the nothing that we
can oppose to being, and put before or beneath being,
for it already includes existence in general.
But we shall be told that, if the representation of
Nothing, visible or latent, enters into the reasonings
of philosophers, it is not as an image, but as an idea.
It may be agreed that we do not imagine the annthila-
tion of everything, but it will be claimed that we can
conceive it. We conceive a polygon with a thousand
sides, said Descartes, although we do not see it in
imagination : it is enough that we can clearly represent
the possibility of constructing it. So with the idea of
the annihilation of everything. Nothing simpler, it
will be said, than the procedure by which we construct
the idea of it. There is, in fact, not a single object of
our experience that we cannot suppose annihilated.
Extend this annihilation of a first object to a second,
then to a third, and so on as long as you please:
the nought is the limit toward which the operation
tends.. And the ‘nought. so defined is the annihilation
are nansi
296 CREATIVE EVOLUTION CHAP.

of everything. That is the theory. We need only


consider it in this form to see the absurdity it involves.
An idea constructed by the mind is an idea only if
its pieces are capable of coexisting ; it is reduced to a
mere word if the elements that we bring together to
compose it are driven away as fast as we assemble them.
When I have defined the circle, I easily represent a
black or a white circle, a circle in cardboard, iron, or
brass, a transparent or an opaque circle—but not a
square circle, because the law of the generation of the
circle excludes the possibility of defining this figure with
straight lines. So my mind can represent any existing
thing whatever as annihilated ;—but if the annihilation
of anything by the mind is an operation whose
mechanism implies that it works on a part of the
whole, and not on the whole itself, then the extension
of such an operation to the totality of things becomes
self-contradictory and absurd, and the idea of an anni-
hilation of everything presents the same character as
that of a square circle: it is not an idea, it is only a
word. So let us examine more closely the mechanism
of the operation.
In fact, the object suppressed is either external or
internal : it is a thing or it is a state of consciousness.
Let us consider the first case. I annihilate in thought
an external object: in the place where it was, there
is no longer anything.—No longer anything of that
object, of course, but another object has taken its place :
there is no absolute void in nature. But admit that
an absolute void is possible : it is not of that void that
I am thinking when I say that the object, once anni-
hilated, leaves its place unoccupied ; for by the hypo-
thesis it is a place, that is a void limited by precise
outlines, or, in other words, a kind of thing. The void
tv _ THE IDEA OF ‘NOTHING’ 297
of which I speak, therefore, is, at bottom, only the
absence of some definite object, which was here at first,
is now elsewhere and, in so far as it is no longer in its
former place, leaves behind it, so to speak, the void of
itself. A being unendowed with memory or prevision
would not use the words “void” or “nought” ; he
would express only what is and what is perceived;
now, what is, and what is perceived, is the presence of
one thing or of another, never the ahsence of anything.
There is absence only for a being capable of remember-
ing and expecting. He remembered an object, and
perhaps expected to encounter it again; he finds
another, and he expresses the disappointment of his
expectation (an expectation sprung from recollection)
by saying that he no longer finds anything, that he
encounters “nothing.” Even if he did not expect to
encounter the object, it is a possible expectation of it,
it is still the falsification of his eventual expectation,
that he expresses by saying that the object is no longer
where it was. What he perceives in reality, what he
will succeed in effectively thinking of, is the presence
of the old object in a new place or that of a new object
in the old place ; the rest, all that is expressed negatively
by such words as “nought” or the “void,” is not so
much thought as feeling, or, to speak more exactly, it
is the tinge that feeling gives to thought. The idea
of annihilation or of partial nothingness is therefore
formed here in the course of the substitution of one
thing for another, whenever this substitution is thought
by a mind that would prefer to keep the old thing in
the place of the new, or at least conceives this pre-
ference as possible. ‘The idea implies on the subjective
side a preference, on the objective side a substitution,
and is nothing else but a combination of, or rather an
298 CREATIVE EVOLUTION cHar,
interference between, this feeling of preference and this
idea of substitution.
Such is the mechanism of the operation by which
our mind annihilates an object and succeeds in repre-
senting in the external world a partial nought. Let
us now see how it represents it within itself. We
find in ourselves phenomena that are produced, and
not phenomena that are not produced. I experience
a sensation or an emotion, I conceive an idea, I
form a resolution: my consciousness perceives these
facts, which are so many presences, and there is no
moment in which facts of this kind are not present to
me. I can, no doubt, interrupt by thought the course
of my inner life; I may suppose that I sleep with-
out dreaming or that I have ceased to exist ; but at the
very instant when I make this supposition, I conceive
myself, I imagine myself watching over my slumber or
surviving my annihilation, and I give up perceiving
myself from within only by taking refuge in the
perception of myself from without. That is to say that
here again the full always succeeds the full, and that an
intelligence that was only intelligence, that had neither
regret nor desire, whose movement was governed by
the movement of its object, could not even conceive
an absence or a void. The conception of a void arises_
here when consciousness, lagging behind itself, remains
attached to the recollection of an old state when another.
state is already present. It is only a comparison
between what 1s and what could or ought to be,
between the full and the full. Ina word, whether it
be a void of matter or a void of consciousness, the repre-
sentation of the void ts always a representation which is
full and which resolves itself on analysis into two positive
elements: the idea, distinct or confused, of a substitution,
Iv THE IDEA OF ‘NOTHING’ 299
and the feeling, experienced or imagined, of a desire or a
regret.
It follows from this double analysis that the idea of
the absolute nought, in the sense of the annihilation of
everything, is a self-destructive idea, a pseudo-idea, a
mere word. If suppressing a thing consists in replacing
it by another, if thinking the absence of one thing is
only possible by the more or less explicit representation
of the presence of some other thing, if, in short, anni-
hilation signifies before anything else substitution, the
idea of an “annihilation of everything” is as absurd as
that of a square circle. The absurdity is not obvious,
because there exists no particular object that cannot be
supposed annihilated ; then, from the fact that there is
nothing to prevent each thing in turn being suppressed
in thought, we conclude that it is possible to suppose
them suppressed altogether. We do not see that
suppressing each thing in turn consists precisely in
replacing it in proportion and degree by another, and
therefore that the suppression of absolutely everything
implies a downright contradiction in terms, since the
operation consists in destroying the very condition
that makes the operation possible.
But the illusion is tenacious. Though suppressing
one thing consists iz fact in substituting another for it,
we do not conclude, we are unwilling to conclude, that
the annihilation of a thing iz thought implies the sub-
stitution in thought of a new thing for the old. We
agree that a thing is always replaced by another thing,
and even that our mind cannot think the disappearance
of an object, external or internal, without thinking—
under an indeterminate and confused form, it is true—
that another object is substituted for it. But we add
that the representation of a disappearance is that of a
300 CREATIVE EVOLUTION CHAP

phenomenon that is produced in space or at least in


time, that consequently it still implies the calling up of
an image, and that it is precisely here that we have to
free ourselves from the imagination in order to appeal
to the pure understanding. “Let us therefore no longer
speak,” it will be said, ‘ of disappearance or annihilation ;
these are physical operations. Let us no longer repre-
sent the object A as annihilated or absent. Let us say
simply that we think it ‘non-existent.’ To annihilate
it is to act on it in time and perhaps also in space 3 it.
is to accept, consequently, the conditions of spatial and
temporal existence, to accept the universal connexion
that binds an object to all others, and prevents it from
disappearing without being at the same time replaced.
But we can free ourselves from these conditions; all
that is necessary is that by an effort of abstraction we
should call up the idea of the object A by itself,
that we should agree first to consider it as existing,
and then, by a stroke of the intellectual pen, blot out
the clause. The object will then be, by our decree,
non-existent.”
Very well; let us strike out the clause. We must
not suppose that our pen-stroke is self-sufficient—that
it can be isolated from the rest of things. We shall
see that it carries with it, whether we will or no, all
that we tried to abstract from. Let us compare to-
gether the two ideas—the object A supposed to exist,
and the same object supposed “ non-existent.”
The idea of the object A, supposed existent, is the
representation pure and simple of the object A, for we
cannot represent an object without attributing to it,
by the very fact of representing it, a certain reality.
Between thinking an object and thinking it existent,
there is absolutely no difference. Kant has put this
vo THE IDEA OF ‘NOTHING’ 301
point in clear light in his criticism of the ontological
argument. ‘Then, what is it to think the object A
non-existent? To represent it non-existent cannot
consist in withdrawing from the idea of the object
A the idea of the attribute “‘ existence,” since, I repeat,
the representation of the existence of the object is
inseparable from the representation of the object,
and indeed is one with it. To represent the object
A non-existent can only consist, therefore, in adding
something to the idea of this object: we add to it, in
fact, the idea of an exclusion of this particular object by
actual reality in general. To think the object A as
non-existent is first to think the object and con-
sequently to think it existent ; it is then to think that
another reality, with which it is incompatible, supplants
it. Only, it is useless to represent this latter reality
explicitly ; we are not concerned with what it is; it is
enough for us to know that it drives out the object A,
which alone is of interest to us. That is why we think
of the expulsion rather than of the cause which expels.
But this cause is none the less present to the mind ; it
is there in the implicit state, that which expels being
inseparable from the expulsion as the hand which drives
the pen is inseparable from the pen-stroke. The act by
which we declare an object unreal therefore posits the
existence of the real in general. In other words, to
represent an object as unreal cannot consist in depriving
it of every kind of existence, since the representation of
an object is necessarily that of the object existing. Such
an act consists simply in declaring that the existence
attached by our mind to the object, and inseparable from
its representation, is an existence wholly ideal—that of
a mere possible. But the “ideality” of an object, and
the “simple possibility” of an object, have meaning
302 CREATIVE EVOLUTION CHAP.
only in relation to a reality that drives into the region
of the ideal, or of the merely possible, the object which
is incompatible with it. Suppose the stronger and more
substantial existence annihilated: it is the attenuated
and weaker existence of the merely possible that
becomes the reality itself, and you will no longer be
representing the object, then, as non-existent. In other
words, and however strange our assertion may seem,
there is more, and not less, in the idea of an object con-
ceived as ‘“‘not existing’ than in the idea of this same
object conceived as “existing”’ ; for the idea of the object
“< not existing” 1s necessarily the idea of the object “ exist-
ing” with, in addition, the representation of an exclusion
of this object by the actual reality taken 1n block.
But it will be claimed that our idea of the non-
existent is not yet sufficiently cut loose from every
imaginative element, that it 1s not negative enough.
“No matter,” we shall be told, “though the unreality
of a thing consist in its exclusion by other things ; we
want to know nothing about that. Are we not free to
direct our attention where we please and how we
please? Well then, after having called up the idea of
an object, and thereby, if you will have it so, supposed
it existent, we shall merely couple to our affirmation a
‘not,’ and that will be enough to make us think it
non-existent. This is an operation entirely intellectual,
independent of what happens outside the mind. So let
us think of anything or let us think of the totality of
things, and then write in the margin of our thought
the ‘not’ which prescribes the rejection of what it
contains : we annihilate everything mentally by the
mere fact of decreeing its annihilation.”—Here we
have it! The very root of all the difficulties and
errors with which we are confronted is to be found in
17 THE IDEA OF “NOTHING” 303
the power ascribed here to negation. We represent
negation as exactly symmetrical with affirmation. We
imagine that negation, like affirmation, is self-sufficient.
So that negation, like affirmation, would have the
power of creating ideas, with this sole difference that
they would be negative ideas. By affirming one thing,
and then another, and so on ad infinitum, | form the
idea of “All”; so, by denying one thing and then
other things, finally by denying All, I arrive at the
idea of Nothing.—But it is just this assimilation which
is arbitrary. We fail to see that while affirmation is a
complete act of the mind, which can succeed in building
up an idea, negation is but the half of an intel-
lectual act, of which the other half is understood, or
rather put off to an indefinite future. We fail to see
that while affirmation is a purely intellectual act, there
enters into negation an element which is not intel-
Jectual, and that it is precisely to the intrusion of this
foreign element that negation owes its specific character.
To begin with the second point, let us note that to
deny always consists in setting aside a possible affrma-
tion.’ Negation is only an attitude taken by the mind
toward an eventual affirmation. When I say, “This
table is black,” I am speaking of the table; I have
seen it black, and my judgment expresses what I have
seen. But if I say, “This table is not white,” I surely
do not express something I have perceived, for I
have seen black, and not an absence of white. It is
therefore, at bottom, not on the table itself that I
bring this judgment to bear, but rather on the judgment
that would declare the table white. I judge a judgment
1 Kant, Critique of Pure Reason, 2nd edition, p. 737: “From the point
of view of our knowledge in general . . . the peculiar function of negative
propositions is simply to prevent error.” Cf. Sigwart, Logik, 2nd edition,
vol. i. pp. 150 ff.
304 CREATIVE EVOLUTION CHAP,
and not the table. The proposition, ‘“ This table is not
white,” implies that you might believe it white, that
you did believe it such, or that I was going to believe
it such. I warn you or myself that this judgment is
to be replaced by another (which, it is true, I leave
undetermined). Thus, while affirmation bears directly
on the thing, negation aims at the thing only in-
directly, through an interposed affirmation. An affir-
mative proposition expresses a judgment on an object ;
a negative proposition expresses a judgment on a judg-
ment. Negation, therefore, differs from affirmation
properly so called in that it is an affirmation of the
second degree: it affirms something of an affirmation which
ttself affirms something of an object.
But it follows at once from this that negation is not
the work of pure mind, I should say of a mind placed
before objects and concerned with them alone. When
we deny, we give a lesson to others, or it may be to
ourselves. We take to task an interlocutor, real or
possible, whom we find mistaken and whom we put on
his guard. He was affirming something: we tell him
he ought to affirm something else (though without
specifying the affirmation which must be substituted).
There is no longer then, simply, a person and an object ;
there is, in face of the object, a person speaking to a
person, opposing him and aiding him at the same time ;
there is a beginning of society. Negation aims at
some one, and not only, like a purely intellectual
operation, at some thing. It is of a pedagogical and
social nature. It sets straight or rather warns, the
person warned and set straight being possibly, by a
kind of doubling, the very person that speaks.
So much for the second point ; now for the first. We
said that negation is but the half of an intellectual

ae

Iv TA. IDEA OF *NOTHING’ 305


ee

act, of which the other half is left indeterminate. If I


pronounce the negative proposition, “ This table is not
white,’ I mean that you ought to substitute for your
judgment, “ The table is white,” another judgment. I
give you an admonition, and the admonition refers to
the necessity of a substitution. As to what you ought
to substitute for your affirmation, I tell you nothing, it
is true. This may be because I do not know the colour
of the table; but it is also, it is indeed even more,
because the white colour is that alone that interests us
for the moment, so that I only need to tell you that
some other colour will have to be substituted for
white, without having to say which. A negative judg-
ment is therefore really one which indicates a need
of substituting for an affirmative judgment another
affirmative judgment, the nature of which, however, is
not specified, sometimes because it is not known, more
often because it fails to offer any actual interest, the
attention bearing only on the substance of the first.
Thus, whenever I add a “not” to an affirmation,
whenever I deny, I perform two very definite acts:
(1) I interest myself in what one of my fellow-men
affirms, or in what he was going to say, or in what
might have been said by another Me, whom I
anticipate ; (2) I announce that some other affirmation,
whose content I do not specify, will have to be
substituted for the one I find before me. Now, in
neither of these two acts is there anything but affirma-
tion. The sui generis character of negation is due to
superimposing the first of these acts upon the second.
It is in vain, then, that we attribute to negation the
power of creating ideas sui generis, symmetrical with
those that affirmation creates, and directed in a contrary
sense. No idea will come forth from negation, for it
x
306 CREATIVE EVOLUTION CHAP,

has no other content than that of the affirmative


judgment which it judges.
To be more precise, let us consider an existential,
instead of an attributive, judgment. If I say, “The
object A does not exist,” I mean by that, first, that we
might believe that the object A exists : how, indeed, can
we think of the object A without thinking it existing,
and, once again, what difference can there be between the
idea of the object A existing and the idea pure and simple
of the object A? Therefore, merely by saying “The
object A,” I attribute to it some kind of existence, though
it be that of a mere posszb/e, that is to say, of a pure
idea. And consequently, in the judgment “ The object
A is not,” there is at first an affirmation such as “ The
object A has been,” or “The object A will be,” or,
more generally, “The object A exists at least as a
mere possible.” Now, when I add the two words “is
not,” I can only mean that if we go further, if we
erect the possible object into a real object, we shall be
mistaken, and that the possible of which I am speaking
is excluded from the actual reality as incompatible with
it. Judgments that posit the non-existence of a thing
are therefore judgments that formulate a contrast between
the possible and the actual (that is, between two kinds
of existence, one thought and the other found), where
a person, real or imaginary, wrongly believes that a
certain possible is realized. Instead of this possible,
there is a reality that differs from it and rejects it: the
negative judgment expresses this contrast, but it
expresses the contrast in an intentionally incomplete
form, because it is addressed to a person who 1s sup-
posed to be interested exclusively in the possible that is
indicated, and is not concerned to know by what kind
of reality the possible is replaced. The expression of
Iv THE IDEA OF ‘NOTHING’ 307
the substitution is therefore bound to be cut short.
Instead of affirming that a second term is substituted
for the first, the attention which was originally directed
to the first term will be kept fixed upon it, and upon it
alone. And, without going beyond the first, we shall
implicitly affirm that a second term replaces it in
saying that the first “is not.” We shall thus judge
a judgment instead of judging a thing. We shall
warn others or warn ourselves of a possible error instead
of supplying positive information. Suppress every
intention of this kind, give knowledge back its ex-
clusively scientific or philosophical character, suppose
in other words that reality comes itself to inscribe itself
ona mind that cares only for things and is not interested
in persons : we shall affirm that such or such a thing
is, we shall never affirm that a thing is not.
How comes it, then, that affirmation and negation
are so persistently put on the same level and endowed
with an equal objectivity ? How comes it that we have
so much difficulty in recognizing that negation is sub-
jective, artificially cut short, relative to the human mind
and still more to the social life? (The reason is, no
doubt, that oth negation and affirmation are expressed
in propositions, and that any proposition, being formed
of words, which symbolize concepis, is something relative
to social life and to the human intellect. Whether
I say “The ground is damp” or “ The ground is
not damp,” in both cases the terms “ground” and
“damp’”’ are concepts more or less artificially created
by the mind of man,—extracted, by his free initiative,
from the continuity of experience. In both cases the
concepts are represented by the same conventional
words. In both cases we can say indeed that the pro-
position aims at a social and pedagogical end, since the
308 CREATIVE EVOLUTION CHAP,

first would propagate a truth as the second would


prevent an error. From this point of view, which is
that of formal logic, to affirm and to deny are indeed
two mutually symmetrical acts, of which the first estab-
lishes a relation of agreement and the second a relation
of disagreement between a subject and an attribute.
But how do we fail to see that the symmetry is
altogether external and the likeness superficial?
Suppose language fallen into disuse, society dissolved,
every intellectual initiative, every faculty of self-reflec-
tion and of self-judgment atrophied in man : the damp-
ness of the ground will subsist none the less, capable
of inscribing itself automatically in sensation and of
sending a vague idea to the deadened intellect. The
intellect will still affirm, in implicit terms. And
consequently, neither distinct concepts, nor words, nor
the desire of spreading the truth, nor that of bettering
oneself, are of the very essence of the affirmation.
But this passive intelligence, mechanically keeping step
with experience, neither anticipating nor following the
course of the real, would have no wish to deny. It
could not receive an imprint of negation; for, once
again, that which exists may come to be recorded, but
the non-existence of the non-existing cannot. For such
an intellect to reach the point of denying, it must
awake from its torpor, formulate the disappointment
of a real or possible expectation, correct an actual or
possible error—in short, propose to teach others or to
teach itself.
It is rather difficult to perceive this in the example
we have chosen, but the example is indeed the more
instructive and the argument the more cogent on that
account. If dampness is able automatically to come and
record itself, it is the same, it will be said, with non-
iv THE IDEA OF ‘NOTHING’ 309
dampness ; for the dry as well as the damp can give
ee
ee
ee
a
OE

impressions to sense, which will transmit them, as more


or less distinct ideas, to the intelligence. In this sense
the negation of dampness is as objective a thing, as
purely intellectual, as remote from every pedagogical
intention, as affirmation.—But let us look at it more
closely : we shall see that the negative proposition,
“The ground is not damp,” and the affirmative
proposition, “The ground is dry,” have entirely
different contents. The second implies that we
know the dry, that we have experienced the specific
sensations, tactile or visual for example, that are at
the base of this idea. The first requires nothing of
the sort ; it could equally well have been formulated
by an intelligent fish, who had never perceived anything
but the wet. It would be necessary, it is true, that this
fish should have risen to the distinction between the
real and the possible, and that he should care to anticipate
the error of his fellow-fishes, who doubtless consider as
alone possible the condition of wetness in which they
actually live. Keep strictly to the terms of the pro-
position, “‘ The ground is not damp,” and you will find
that it means two things: (1) that one might believe
that the ground is damp, (2) that the dampness is re-
placed in fact by a certain quality x. This quality is
left indeterminate, either because we have no positive
knowledge of it, or because it has no actual interest
for the person to whom the negation is addressed.
To deny, therefore, always consists in presenting in
an abridged form a system of two affirmations: the
one determinate, which applies to a certain possible;
the other indeterminate, referring to the unknown or
indifferent reality that supplants this possibility. The
second affirmation is virtually contained in the judgment
310 CREATIVE EVOLUTION CHAP.

we apply to the first, a judgment which is negation


itself. And what gives negation its subjective character
is precisely this, that in the discovery of a replacement
it takes account only of the replaced, and is not con-
cerned with what replaces. The replaced exists only
as a conception of the mind. It is necessary, in order
to continue to see it, and consequently in order to
speak of it, to turn our back on the reality, which flows
from the past to the present, advancing from behind.
It is this that we do when we deny. We discover the
change, or more generally the substitution, as a traveller
would see the course of his carriage if he looked
out behind, and only knew at each moment the point at
which he had ceased to be; he could never determine his
actual position except by relation to that which he had just
quitted, instead of grasping it in itself.
To sum up, for a mind which should follow purely
and simply the thread of experience, there would be no
void, no nought, even relative or partial, no possible
negation. Such a mind would see facts succeed facts,
states succeed states, things succeed things. What it
would note at each moment would be things exist-
ing, states appearing, events happening. It would live
in the actual, and, if it were capable of judging, it would
never afhrm anything except the existence of the present.
Endow this mind with memory, and especially with
the desire to dwell on the past ; give it the faculty of
dissociating and of distinguishing: it will no longer
only note the present state of the passing reality; it
will represent the passing as a change, and therefore
as a contrast between what has been and what is. And
as there is no essential difference between a past that we
remember and a past that we imagine, it will quickly
rise to the idea of the “ possible” in general.
Iv THE IDEA OF ‘NOTHING’ 311
It will thus be shunted on to the siding of negation.
And especially it will be at the point of representing
a disappearance. But it will not yet have reached it.
To represent that a thing has disappeared, it is not
enough to perceive a contrast between the past and the
present ; it is necessary besides to turn our back on
the present, to dwell on the past, and to think the
contrast of the past with the present in terms of the
past only, without letting the present appear in it.
The idea of annihilation is therefore not a pure idea ;
it implies that we regret the past or that we conceive
it as regrettable, that we have some reason to linger
over it. The idea arises when the phenomenon of sub-
stitution is cut in two by a mind which considers only
the first half, because that alone interests it. Suppress
all interest, all feeling, and there is nothing left but the
reality that flows, together with the knowledge ever
renewed that it impresses on us of its present state.
From annihilation to negation, which is a more
general operation, there is now only a step. All that
is necessary is to represent the contrast of what is, not
only with what has been, but also with all that might
have been. And we must express this contrast as
a function of what might have been, and not of what
is; we must affirm the existence of the actual while
looking only at the possible. The formula we thus
obtain no longer expresses merely a disappointment
of the individual; it is made to correct or guard
against an error, which is rather supposed to be the
error of another. In this sense, negation has a peda-
gogical and social character.
Now, once negation is formulated, it presents an
aspect symmetrical with that of affirmation ; if affirma-
tion affirms an objective reality, it seems that negation

ee
ee
a
ee
312 CREATIVE EVOLUTION CHAP,

must affirm a non-reality equally objective, and, so to


say, equally real. In which we are both right and
wrong : wrong, because negation cannot be objectified
in so far as it is negative ; right, however, in that the
negation of a thing implies the latent affirmation of its
replacement by something else, which we systematically
leave on one side. But the negative form of negation
benefits by the affirmation at the bottom of it. Be-
striding the positive solid reality to which it is attached,
this phantom objectifies itself. Thus is formed the idea
of the void or of a partial nought, a thing being supposed
to be replaced, not by another thing, but by a void
which it leaves, that is, by the negation of itself. Now,
as this operation works on anything whatever, we
suppose it performed on each thing in turn, and
finally on all things in block. We thus obtain the
idea of absolute Nothing. If now we analyse this idea
of Nothing, we find that it is, at bottom, the idea of
Everything, together with a movement of the mind
that keeps jumping from one thing to another, refuses
to stand still, and concentrates all its attention on this
refusal by never determining its actual position except
by relation to that which it has just left. It is there-
fore an idea eminently comprehensive and full, as full
and comprehensive as the idea of //, to which it is
very closely akin.
How then can the idea of Nought be opposed to.
that of All? Is it not plain that this is to oppose the
full to the full, and that the question, “ Why does
something exist ?”’ is consequently without meaning,
a pseudo-problem raised about a pseudo--idea ? Tet
we must say once more why this phantom of a problem
haunts the mind with such obstinacy. In vain do we
show that in the idea of an “annihilation of the real”
IV THE IDEA OF ‘NOTHING’ 25%
there is only the image of all realities expelling one
another endlessly, in a circle ; in vain do we add that
the idea of non-existence is only that of the expulsion
of an imponderable existence, or a “ merely possible” ex-
istence, by a more substantial existence which would then
be the true reality ; in vain do we find in the sui generis
form of negation an element which is not intellectual,
—negation being the judgment of a judgment, an
admonition given to some one else or to oneself, so
that it is absurd to attribute to negation the power of
creating ideas of a new kind, viz. ideas without content ;
—in spite of all, the conviction persists that before
things, or at least under things, there is “ Nothing.”
If we seek the reason of this fact, we shall find it
precisely in the feeling, in the social and, so to speak,
practical element, that gives its specific form to negation.
The greatest philosophic difficulties arise, as we have
said, from the fact that the forms of human action
venture outside of their proper sphere. We are made
in order to act as much as, and more than, in order
to think—or rather, when we follow the bent of our
nature, it is in order to act that we think. It is there-
fore no, wonder that the habits of action give their tone
to those of thought, and that our mind always perceives
things in the same order in which we are accustomed
to picture them when we propose to act on them.
Now,it isunquestionable, as we remarked above, that
everyy | human action _ has_its starting-point in a dis-
satisfaction, and thereby ina. feeling of absence. We
should not act if we did not set before ourselves an
end, and we seek a thing only because we feel the
lack of it. Our action proceeds thus from “ nothing ”
to “something,” and its very essence is to embroider
“something ” on the canvas of “nothing.” The truth
314 CREATIVE EVOLUTION cuar.
is that the “ nothing ”’ concerned here is the absence not
so much of a thing as of a utility. If I bring a visitor
into a room that I have not yet furnished, I say to
him that “there is nothing in it.” Yet I know the
room is full of air; but, as we do not sit on air, the |
room truly contains nothing that at this moment, for
the visitor and for myself, counts for anything. In
a general way, human work consists in creating utility ;
and, as long as the work is not done, there is “ nothing ”’
—-nothing that we want. Our life is thus spent in
filling voids, which our intellect conceives under the
influence, by no means intellectual, of desire and of
regret, under the pressure of vital necessities ; and if
we mean by void an absence of utility and not of
things, we may say, in this quite relative sense, that
we are constantly going from the void to the full: such
is the direction which our action takes. Our specula-
tion cannot help doing the same; and, naturally,
it passes from the relative sense to the absolute
sense, since it 1s exercised on things themselves and
not on the utility they have for us. Thus is implanted
in us the idea that reality fills a void, and that Nothing,
conceived as an absence of everything, pre-exists before
all things in right, if notin fact. It is this illusion that
we have tried to remove by showing that the idea of
Nothing, if we try to see in it that of an annihilation
of all things, is self-destructive and reduced to a
mere word; and that if, on the contrary, it is truly
an idea, then we find in it as much matter as in the
idea of All.

This long analysis has been necessary to show that


a self-sufficient reality 1s not necessarily a reality foreign
to duration. If we pass (consciously or unconsciously)
Iv FORM AND BECOMING gre
through the idea of the nought in order to reach that
of being, the being to which we come is a logical or
mathematical essence, therefore non-temporal. And,
consequently, a static conception of the real is forced on
us: everything appears given once for all, in eternity.
But we must accustom ourselves to think being directly,~
without making a detour, without first appealing to
the phantom of the nought which interposes itself
between it and us. We must strive to see in order to
see, and no longer to see in order to act. Then the
Absolute is revealed very near us and, in a certain
measure, in us. It is of psychological and not
of mathematical nor logical essence. It lives with us.
Like us, but in certain aspects infinitely more concen-
trated and more gathered up in itself, it endures.
But do we ever think true duration? Here again
a direct taking possession is necessary. It is no use
trying to approach duration : we must install ourselves
within it straight away. This is what the intellect
generally refuses to do, accustomed as it is to think the
moving by means of the unmovable.
The function of the intellect is to preside over
actions. Now, in action, it is the result that interests
us; the means matter little provided the end is
attained. Thence it comes that we are altogether
bent on the end to be realized, generally trusting
ourselves to it in order that the idea may become an
act ; and thence it comes also that only the goal where
our activity will rest is pictured explicitly to our mind :
the movements constituting the action itself either elude
our consciousness or reach it only confusedly. Let us
consider a very simple act, like that of lifting the arm.
Where should we be if we had to imagine beforehand
all the elementary contractions and tensions this act
316 CREATIVE EVOLUTION CHAP.

involves, or even to perceive them, one by one, as


they are accomplished? But the mind is carried
immediately to the end, that is to say, to the schematic
and simplified vision of the act supposed accomplished.
Then, if no antagonistic idea neutralizes the effect of
the first idea, the appropriate movements come of
themselves to fill out the plan, drawn in some way
by the void of its gaps. The intellect, then, only
represents to the activity ends to attain, that is to
say, points of rest. And, from one end attained to
another end attained, from one rest to another rest,
our activity is carried by a series of leaps, during
which our consciousness is turned away as much as
possible from the movement going on, to regard only
the anticipated image of the movement accomplished.
Now, in order that it may represent as unmovable
the result of the act which is being accomplished, the
intellect must perceive, as also unmovable, the surround-
ings in which this result is being framed. Our activity
is fitted into the material world. If matter appeared
to us as a perpetual flowing, we should assign no
termination to any of our actions. We should feel
\ each of them dissolve as fast as it was accomplished,
_and we should not anticipate an ever-fleeting future.
\tn order that our activity may leap from an act to an
act, it is necessary that matter should pass from a state
to a state, for it is only into a state of the material
world that action can fit a result, so as to be accom-
plished. But is it thus that matter presents itself ?
A priori we may presume that our perception
manages to apprehend matter with this bias. Sensory
organs and motor organs are in fact codrdinated with
each other. Now, the first symbolize our faculty of
perceiving, as the second our faculty of acting. The
Iv FORM AND BECOMING 317
organism thus evidences, in a visible and tangible
form, the perfect accord of perception and action.
So if our activity always aims at a resu/t into which
it is momentarily fitted, our perception must retain
of the material world, at every moment, only a s/ate
in which it is provisionally placed. This is the most
, natural hypothesis. And it is easy to see that ex-
perience confirms it.
From our first glance at the world, before we even
make out Jodies in it, we distinguish qualities. Colour
succeeds to colour, sound to sound, resistance to resist-
ance, etc. Each of these qualities, taken separately, is a
state that seems to persist as such, immovable until
another replaces it. Yet each of these qualities resolves
itself, on analysis, into an enormous number of ele-
mentary movements. Whether we see in it vibrations
or whether we represent it in any other way, one fact
is certain, it is that every quality is change. In vain,
moreover, shall we seek beneath the change the thing
which changes : it 1s always provisionally, and in order
to satisfy our imagination, that we attach the movement
toamobile. The mobile flies for ever before the pursuit
of science, which is concerned with mobility alone.
In the smallest discernible fraction of a second, in the
almost instantaneous perception of a sensible quality,
there may be trillions of oscillations which repeat
themselves. The permanence of a sensible quality
consists in this repetition of movements, as the per-
sistence of life consists in a series of palpitations. The
primal function of perception is precisely to grasp a series
of elementary changes under the form of a quality or
of a simple state, by a work of condensation. The
greater the power of acting bestowed upon an animal
species, the more numerous, probably, are the ele-
318 CREATIVE EVOLUTION CHAP

mentary changes that its faculty of perceiving con-


centrates into one of its instants. And the progress
must be continuous, in nature, from the beings that
vibrate almost in unison with the oscillations of the ether,
up to those that embrace trillions of these oscillations
in the shortest of their simple perceptions. The first
feel hardly anything but movements ; the others per-
ceive quality. The first are almost caught up in the
running-gear of things; the others react, and the
tension of their faculty of acting is probably proportional
to the concentration of their faculty of perceiving. The
progress goes on even in humanity itself. A man is so
much the more a “man of action” as he can embrace
in a glance a greater number of events: he who per-
ceives successive events one by one will allow himself
to be led by them; he who grasps them as a whole
will dominate them. In short, the qualities of matter
are so many stable views that we take of its instability.
Now, in the continuity of sensible qualities we
mark off the boundaries of bodies. Each of these
bodies really changes at every moment. In the first
place, it resolves itself into a group of qualities, and
every quality, as we said, consists of a succession of
elementary movements. But, even if we regard the
quality as a stable state, the body is still unstable in
that it changes qualities without ceasing. The body
pre-eminently—that which we are most justified in
isolating within the continuity of matter, because it
constitutes a relatively closed system,—is the living
body ; it is, moreover, for it that we cut out the others
within the whole. Now, life is an evolution. We
concentrate a period of this evolution in a stable view
which we call a form, and, when the change _has.
become considerable enough to overcome the fortunate
Iv FORM AND BECOMING 319

inertia of our perception, | we say that the body has


changed its form. But in reality the body iischanging —"“ Seen

form at every moment mi rather, there 1s


i no form,
since | form_is
1Simmobile and the ‘reality is
i movement.

is ‘only a _ snapshot view Of aa- transition. “Therefore, |


here again, our perception manages to solidify into
discontinuous images the fluid continuity of the real.
When the successive images do not differ from each
other too much, we consider them all as the waxing and
waning of a single mean image, or as the deformation
of this image in different directions. And to this
mean we really allude when we speak of the essence of
a thing, or of the thing itself.
Finally things, once constituted, show on the
surface, by their changes of situation, the profound
changes that are being accomplished within the Whole.
We say then that they act on one another. This action
appears to us, no doubt, in the form of movement.
But from the mobility of the movement we turn away
as much as we can; what interests us is, as we said
above, the unmovable plan of the movement rather
than the movement itself. Is it a simple movement?
We ask ourselves where it is going. It is by its
direction, that is to say, by the position of its provisional
end, that we represent it at every moment. Is it a
complex movement? We would know above ll
what is going on, what the movement is doing — in
other words, the resu/t obtained or the presiding
intention. Examine closely what is in your mind
when you speak of an action in course of accom-
plishment. The idea of change is there, I am willing
to grant, but it is hidden in the penumbra. In the
full light is the motionless plan of the act supposed
320 CREATIVE EVOLUTION CHAP.
accomplished. It is by this, and by this only, that
the complex act is distinguished and defined. We
should be very much embarrassed if we had to
imagine the movements inherent in the actions of
eating, drinking, fighting, etc. It is enough for us
to know, in a general and indefinite way, that all these
acts are movements. Once that side of the matter
has been settled, we simply seek to represent the
general plan of each of these complex movements,
that is to say the motionless design that underlies them.
Here again knowledge bears on a state rather than on
a change. It is therefore the same with this third
case as with the others. Whether the movement be
qualitative or evolutionary or extensive, the mind
manages to take stable views of the instability. And
thence the mind derives, as we have just shown, three
kinds of representations: (1) qualities, (2) forms or
essences, (3) acts.
To these three ways of seeing correspond three
categories of words: adjectives, substantives and verbs,
which are the primordial elements of language. Adjec-
tives and substantives therefore symbolize states. But
the verb itself, if we keep to the clear part of the idea
it calls up, hardly expresses anything else.

Now, if we try to characterize more precisely our


natural attitude towards Becoming, this is what we
find. Becoming is infinitely varied. That which goes
from yellow to green is not like that which goes from
green to blue: they are different gua/itative movements.
That which goes from flower to fruit is not like that
which goes from larva to nymph and from nymph to
perfect insect: they are different evo/usonary movements.
The action of eating or of drinking is not like the
Iv FORM AND BECOMING 21

action of fighting: they are different extensive move-


ments. And these three kinds of movement them-
selves — qualitative, evolutionary, extensive — differ
profoundly. The trick of our perception, like that of
our intelligence, like that of our language, consists in
extracting from these profoundly different becomings
the single representation of becoming iz general, un-
defined becoming, a mere abstraction which by itself
says nothing and of which, indeed, it is very rarely
that we think. To this idea, always the same, and
always obscure or unconscious, we then join, in each
particular case, one or several clear images that repre-
sent s/ates and which serve to distinguish all becomings
from each other. It is this composition of a specified
and definite state with change general and unde-
fined that we substitute for the specific change. An
infinite multiplicity of becomings variously coloured,
so to speak, passes before our eyes : we manage so that
we see only differences of colour, that is to say, differ-
ences of state, beneath which there is supposed to flow,
hidden from our view, a becoming always and every-
where the same, invariably colourless.
Suppose we wish to portray on a screen a living
picture, such as the marching past of a regiment.
There is one way in which it might first occur to us
to do it. That would be to cut out jointed figures
representing the soldiers, to give to each of them the
movement of marching, a movement varying from
individual to individual although common to the
human species, and to throw the whole on the screen.
We should need to spend on this little game an
enormous amount of work, and even then we should
obtain but a very poor result : how could it, at its best,
reproduce the suppleness and variety of life? Now,
Y
720 CREATIVE EVOLUTION CHAP,

there is another way of proceeding, more easy and at


the same time more effective. It is to take a series
of snapshots of the passing regiment and to throw
these instantaneous views on the screen, so that they
replace each other very rapidly. This is what the
cinematograph does. With photographs, each of which
represents the regiment in a fixed attitude, it recon-
stitutes the mobility of the regiment marching. It is
true that if we had to do with photographs alone,
however much we might look at them, we should
never see them animated : with immobility set beside
immobility, even endlessly, we could never make move-
ment. In order that the pictures may be animated,
there must be movement somewhere. The movement
does indeed exist here; it is in the apparatus. It
is because the film of the cinematograph unrolls,
bringing in turn the different photographs of the scene
to continue each other, that each actor of the scene
recovers his mobility; he strings all his successive
attitudes on the invisible movement of the film. The
process then consists in extracting from all the move-
ments peculiar to all the figures an impersonal movement
abstract and simple, movement in general, so to speak:
we put this into the apparatus, and we reconstitute the
individuality of each particular movement by combining
this nameless movement with the personal attitudes.
Such is the contrivance of the cinematograph. And
such is also that of our knowledge. Instead of attach-
ing ourselves to the inner becoming of things, we place
ourselves outside them in order to recompose their
becoming artificially. We take snapshots, as it were,
of the passing reality, and, as these are characteristic of
the reality, we have only to string them on a becoming,
abstract, uniform and invisible, situated at the back of
Iv FORM AND BECOMING 323
the apparatus of knowledge, in order to imitate what
there is that 1s characteristic in this becoming itself.
Perception, intellection, language so proceed in general.
‘Whether we would think becoming, or express it, or
even perceive it, we hardly do anything else than set
going a kind of cinematograph inside us. We may
therefore sum up what we have been saying in the
conclusion that the mechanism of our ordinary knowledge
is of a cinematographical kind.
Of the altogether practical character of this operation
there is no possible doubt. Each of our acts aims at a
certain insertion of our will into the reality. There is,
between our body and other bodies, an arrangement
like that of the pieces of glass that compose a kaleido-
scopic picture. Our activity goes from an arrange-
ment to a rearrangement, each time no doubt giving
the kaleidoscope a new shake, but not interesting
itself in the shake, and seeing only the new
picture. Our knowledge of the operation of nature
must be exactly symmetrical, therefore, with the interest
we take in our own operation. In this sense we may
say, if we are not abusing this kind of illustration,
that the cinematographical character of our knowledge of
things is due to the kaleidoscopic character of our adaptation
to them.
The cinematographical method is therefore the only
practical method, since it_consists in making the general
character of knowledge form itself on that of action,
while expecting that the detail of each act hoe
depend in its turn on that of knowledge. In order
that action may always be enlightened, intelligence
must always be present in it; but intelligence, in order
thus to accompany the progress of activity and ensure its
direction, must begin by adopting its rhythm. Action
324 CREATIVE EVOLUTION CHAP.

is discontinuous, like every pulsation of life; discon-


tinuous, therefore, is knowledge. The mechanism of
the faculty of knowing has been constructed on this
plan. Essentially practical, can it be of use, such as it
is, for speculation? Let us try with it to follow
reality in its windings, and see what will happen.
I take of the continuity of a particular becoming a
series of views, which I connect together by “ becoming
in general.” But of course I cannot stop there. What
is not determinable is not representable : of “ becoming
in general” I have only a verbal knowledge. As the
letter « designates a certain unknown quantity, what-
ever it may be, so my “becoming in general,” always
the same, symbolizes here a certain transition of which
I have taken some snapshots ; of the transition itself
it teaches me nothing. Let me then concentrate myself
wholly on the transition, and, between any two snap-
shots, endeavour to realize what is going on. As I
apply the same method, I obtain the same result ; a
third view merely slips in between the two others. I
may begin again as often as I will, I may set views
alongside of views for ever, I shall obtain nothing else.
The application of the cinematographical method there-
fore leads to a perpetual recommencement, during
which the mind, never able to satisfy itself and never
finding where to rest, persuades itself, no doubt, that
it imitates by its instability the very movement of
the real. But though, by straining itself to the point
of giddiness, it may end by giving itself the illusion of
mobility, its operation has not advanced it a step, since
it remains as far as ever from its goal. In order to
advance with the moving reality, you must replace your-
self within it. Install yourself within change, and you
will grasp at once both change itself and the successive
Iv FORM AND BECOMING 325
states in which it might at any instant be immobilized.
But with these successive states, perceived from without
as real and no longer as potential immobilities, you
will never reconstitute movement. Call them qualities,
forms, positions, or intentions, as the case may be, multiply
the number of them as you will, let the interval between
two consecutive states be infinitely small: before the
intervening movement you will always experience
the disappointment of the child who tries by clapping
his hands together to crush the smoke. The move-
ment slips through the interval, because every
attempt to reconstitute change out of states implies
the absurd proposition, that movement is made of
immobilities.
Philosophy perceived this as soon as it opened its
eyes. The arguments of Zeno of Elea, although
formulated with a very different intention, have no
other meaning.
Take the flying arrow. At every moment, says
Zeno, it is motionless, for it cannot have time to move,
that is, to occupy at least two successive positions,
unless at least two moments are allowed it. At a given
moment, therefore, it is at rest at a given point.
Motionless in each point of its course, it is motion-
Jess during all the time that it is moving.
Yes, if we suppose that the arrow can ever de in a
point of its course. Yes again, if the arrow, which is
moving, ever coincides with a position, which is motion-
less. But the arrow never is in any point of its course.
The most we can say is that it might be there, in this
sense, that it passes there and might stop there. It is
true that if it did stop there, it would be at rest there,
and at this point it is no longer movement that we
should have to do with. The truth is that if the
326 CREATIVE EVOLUTION CHAP,

arrow leaves the point A to fall down at the point B,


its movement AB is as simple, as indecomposable, in
so far as it is movement, as the tension of the bow that
shoots it. As the shrapnel, bursting before it falls to
the ground, covers the explosive zone with an indivisible
danger, so the arrow which goes from A to B displays
with a single stroke, although over a certain extent of
duration, its indivisible mobility. Suppose an elastic
stretched from A to B, could you divide its extension ?
The course of the arrow is this very extension; it is
equally simple and equally undivided. It is a single
and unique bound. You fix a point C in the interval
passed, and say that at a certain moment the arrow
was in C. If it had been there, it would have been
stopped there, and you would no longer have had a
flight from A to B, but ¢wo flights, one from A to C
and the other from C to B, with an interval of rest.
A single movement is entirely, by the hypothesis, a
movement between two stops; if there are intermediate
stops, it is no longer a single movement. At bottom,
the illusion arises from this, that the movement, once
effected, has laid along its course a motionless trajectory
on which we can count as many immobilities as we will.
From this we conclude that the movement, whz/st being
effected, lays at each instant beneath it a position with
which it coincides. We do not see that the trajectory
is created in one stroke, although a certain time is
required for it ; and that though we can divide at will
the trajectory once created, we cannot divide its
creation, which is an act in progress and not a thing.
To suppose that the moving body /s at a point of its
course is to cut the course in two by a snip of the
scissors at this point, and to substitute two trajectories
for the single trajectory which we were first considering.
Iv FORM AND BECOMING g29
It is to distinguish two successive acts where, by the
hypothesis, there is only one. In short, it is to attribute
to the course itself of the arrow everything that can be
said of the interval that the arrow has traversed, that is
to say, to admit 4 priori the absurdity that movement
coincides with immobility.
We shall not dwell here on the three other argu-
ments of Zeno. We have examined them elsewhere.
It is enough to point out that they all consist in
applying the movement to the line traversed, and
supposing that what is true of the line is true of the
movement. The line, for example, may be divided
“into as many parts as we wish, of any length that we
wish, and it is always the same line. From this we
conclude that we have the right to suppose the move-
ment articulated as we wish, and that it is always the
same movement. We thus obtaina series of absurdities
that all express the same fundamental absurdity. But
the possibility of applying the movement ¢o the line
traversed exists only for an observer who, keeping
outside the movement and seeing at every instant the
possibility of a stop, tries to reconstruct the real move-
ment with these possible immobilities. The absurdity
vanishes as soon as we adopt by thought the continuity
of the real movement, a continuity of which every one
of us is conscious whenever he lifts an arm or advances
a step. We feel then indeed that the line passed over
between two stops is described with a single indivisible
stroke, and that we seek in vain to practise on the
movement, which traces the line, divisions correspond-
ing, each to each, with the divisions arbitrarily chosen
of the line once it has been traced. The line traversed
by the moving body lends itself to any kind of
division, because it has no internal organization. But
328 CREATIVE EVOLUTION CHAP,

all movement is articulated inwardly. It is either an


indivisible bound (which may occupy, nevertheless, a
very long duration) or a series of indivisible bounds.
Take the articulations of this movement into account,
or give up speculating on its nature.
_ When Achilles pursues the tortoise, each of his steps
must be treated as indivisible, and so must each step of
the tortoise. After a certain number of steps, Achilles
will have overtaken the tortoise. There is nothing
more simple. If you insist on dividing the two motions
further, distinguish both on the one side and on the
other, in the course of Achilles and in that of the
tortoise, the sub-multiples of the steps of each of them ;
but respect the natural articulations of the two courses.
As long as you respect them, no difficulty will arise,
because you will follow the indications of experience.
But Zeno’s device is to reconstruct the movement of
Achilles according to a law arbitrarily chosen. Achilles
with a first step is supposed to arrive at the point where
the tortoise was, with a second step at the point which
it has moved to while he was making the first, and so
on. In this case, Achilles would always have a new
step to take. But obviously, to overtake the tortoise,
he goes about it in quite another way. The move-
ment considered by Zeno would only be the equivalent
of the movement of Achilles if we could treat the
movement as we treat the interval passed through,
decomposable and recomposable at will. Once you sub-
scribe to this first absurdity, all the others follow.’
1 That is, we do not consider the sophism of Zeno refuted by the fact
; : Pore. ; "
that the geometrical progression a(1 siete Spake 5.00 Ts etc.)—in whicha
designates the initial distance between Achilles and the tortoise, and
the relation of their respective velocities—has a finite sum if # is greater
than 1. On this point we may refer to the arguments of F. Evellin, which
rv FORM AND BECOMING 329
Nothing would be easier, now, than to extend
Zeno’s argument to qualitative becoming and to
evolutionary becoming. We should find the same con-
tradictions in these. ‘That the child can become a youth,
ripen to maturity and decline to old age, we understand
when we consider that vital evolution is here the reality
itself. Infancy, adolescence, maturity, old age, are mere
views of the mind, possib/e stops imagined by us, from
without, along the continuity of a progress. On the
contrary, let childhood, adolescence, maturity and old
age be given as integral parts of the evolution, they
become real stops, and we can no longer conceive how
evolution is possible, for rests placed beside rests will
never be equivalent to a movement. How, with what
is made, can we reconstitute what is being made?
How, for instance, from childhood once posited as a
thing, shall we pass to adolescence, when, by the hypo-
thesis, childhood only is given? If we look at it
closely, we shall see that our habitual manner of
speaking, which is fashioned after our habitual manner
of thinking, leads us to actual logical deadlocks,—
deadlocks to which we allow ourselves to be led without
anxiety, because we feel confusedly that we can always
get out of them if we like: all that we have to do, in
fact, is to give up the cinematographical habits of our
intellect. When we say “The child becomes a man,”
let us take care not to fathom too deeply the literal
we regard as conclusive (see Evellin, Infint et quantité, Paris, 1880, pp.
63-97; cf. Revue philosophique, vol. xi., 1881, pp. 564-568). The truth is
that mathematics, as we have tried to show in a former work, deals
and can deal only with lengths. It has therefore had to seek devices,
first, to transfer to the movement, which is not a length, the divisibility
of the line passed over, and then to reconcile with experience the idea
(contrary to experience and full of absurdities) of a movement that is a
length, that is, of a movement placed upon its trajectory and arbitrarily
decomposable like it.
330 CREATIVE EVOLUTION ss cuar.
meaning of the expression, or we shall find that, when
we posit the subject “child,” the attribute ‘“ man”
does not yet apply to it, and that, when we express
the attribute “ man,” it applies no more to the subject
“child.” The reality, which is the ¢ransition from
childhood to manhood, has slipped between our fingers.
We have only the imaginary stops “ child” and “ man,”
and we are very near to saying that one of these stops
is the other, just as the arrow of Zeno 7s, according
to that philosopher, at all the points of the course.
The truth is that if language here were moulded on
reality, we should not say “ The child becomes the
man,” but “There is becoming from the child to the
man.” In the first proposition, “ becomes ”’ is a verb
of indeterminate meaning, intended to mask the
absurdity into which we fall when we attribute the
state “man” to the subject “child.” It behaves in
much the same way as the movement, always the same,
of the cinematographical film, a movement hidden in the
apparatus and whose function it is to superpose the
successive pictures on one another in order to imitate
the movement of the real object. In the second pro-
position, “ becoming” is a subject. It comes to the
front. It is the reality itself ;childhood and manhood
are then only possible stops, mere views of the mind;
we now have to do with the objective movement itself,
and no longer with its cinematographical imitation.
But the first manner of expression is alone conformable
to our habits of language. We must, in order to
adopt the second, escape from the cinematographical
mechanism of thought.
We must make complete abstraction of this mechan-
ism, if we wish to get rid at one stroke of the theoretical
absurdities that the question of movement raises. All

a
Iv PLATO AND ARISTOTLE 331
is obscure, all is contradictory when we try, with states,
to build up a transition. The obscurity is cleared up,
the contradiction vanishes, as soon as we place ourselves
along the transition, in order to distinguish states in it
by making cross cuts therein in thought. The reason
is that there is more in the transition than the series of
states, that is to say, the possible cuts,—more in the
movement than the series of positions, that is to say,
the possible stops. Only, the first way of looking at
things is conformable to the processes of the human
mind ; the second requires, on the contrary, that we
reverse the bent of our intellectual habits. No wonder,
then, if philosophy at first recoiled before such an
effort. The Greeks trusted to nature, trusted the
natural propensity of the mind, trusted language above
all, in so far as it naturally externalizes thought.
Rather than lay blame on the attitude of thought
and language toward the course of things, they pre-
ferred to pronounce the course of things itself to be
wrong.
Such, indeed, was the sentence passed by the philo-
sophers of the Eleatic school. And they passed it with-
out any reservation whatever. As becoming shocks |
the habits of thought and fits ill into the moulds of |
language, they declared it unreal. In spatial movement |
and in change in general they saw only pure illusion.
This conclusion could be softened down without chang-
ing the premisses, by saying that the reality changes,
but that it ought not to change. ' Experience confronts
us with becoming: that is sensible reality. But the
intelligible reality, that which ought to be, is more real
still, and that reality does not change. Beneath the
qualitative becoming, beneath the evolutionary becom-
ing, beneath the extensive becoming, the mind must
332 CREATIVE EVOLUTION CHAR.
seek that which defies change, the definable quality, the
form or essence, the end. Such was the fundamental
principle of the philosophy which developed throughout
the classic age, the philosophy of Forms, or, to use a
term more akin to the Greek, the philosophy of Ideas.
The word eiSos, which we translate here by “ Idea,”
has, in fact, this threefold meaning. It denotes (1) the
quality, (2) the form or essence, (3) the end or design
(in the sense of intention) of the act being performed,
that is to say, at bottom, the design (in the sense of
drawing) of the act supposed accomplished. These
three aspects are those of the adjective, substantive and
verb, and correspond to the three essential categories of
language. After the explanations we have given
above, we might, and perhaps we ought to, translate
eldos by “view” or rather by “ moment.” For ei8os
is the stable view taken of the instability of things:
the guality, which is a moment of becoming ; the form,
which is a moment of evolution ; the essence, which is
the mean form above and below which the other forms
are arranged as alterations of the mean; finally, the
intention or mental design which presides over the
action being accomplished, and which is nothing else,
we said, than the material design, traced out and con-
templated beforehand, of the action accomplished. To
reduce things to Ideas is therefore to resolve becoming
into its principal moments, each of these being, more-
~~ over, by the hypothesis, screened from the laws of
t}

j
“time and, as it were, plucked out of eternity. That
"4 | is to say that we end in the philosophy of Ideas
_ when we apply the cinematographical mechanism of
_the intellect to the analysis of the real.
}
é
{
\

But, when we put immutable Ideas at the base of


the moving reality, a whole physics, a whole cosmology,
Iv PLATO AND ARISTOTLE SKK:

a whole theology follows necessarily. We must insist


on the point. Not that we mean to summarize in
a few pages a philosophy so complex and so com-
prehensive as that of the Greeks. But, since we
have described the cinematographical mechanism of
the intellect, it is important that we should show to
what idea of reality the play of this mechanism leads.
It is the very idea, we believe, that we find in the
ancient philosophy. The main lines of the doctrine
that was developed from Plato to Plotinus, passing
through Aristotle (and even, in a certain measure,
through the Stoics), have nothing accidental, nothing
contingent, nothing that must be regarded as a philo-
sopher’s fancy. They indicate the vision that a
systematic intellect obtains of the universal becoming
when regarding it by means of snapshots, taken at
intervals, of its flowing. So that, even to-day, we
shall philosophize in the manner of the Greeks, we
shall rediscover, without needing to know them, such
and such of their general conclusions, in the exact
proportion that we trust in the cinematographical
instinct of our thought.

We said there is more in a movement than in the


successive positions attributed to the moving object, ©
more in a becoming than in the forms passed through
in turn, more in the evolution of form than the forms
assumed one after another. Philosophy can therefore
derive terms of the second kind from those of the
first, but not the first from the second: from the first
terms speculation must take its start. But the intellect
reverses the order of the two groups; and, on this
point, ancient philosophy proceeds as the intellect does.
It installs itself in the immutable, it posits only Ideas.
334 CREATIVE EVOLUTION aa
Yet becoming exists: it is a fact. How, then, having
posited immutability alone, shall we make change come
forth from it? Not by the addition of anything, for,
by the hypothesis, there exists nothing positive outside
Ideas. It must therefore be by a diminution. So at
seep — ee es

the base of ancient philosophy lies necessarily 1


this postu-
late: that there is more in the motionless than in the
moving, and that we pass from immutability to becom-
ing by way of diminution or attenuation.
It is therefore something negative, or zero at most,
that must be added to Ideas to obtain change. In that
consists the Platonic “non-being,” the Aristotelian
“matter ’’—a metaphysical zero which, joined to the
Idea, like the arithmetical zero to unity, multiplies
it in space and time. By it the motionless and
simple Idea is refracted into a movement spread out
indefinitely. In right, there ought to be nothing but
immutable Ideas, immutably fitted to each other. In
fact, matter comes to add to them its void, and thereby
lets loose the universal becoming. It is an elusive
nothing, that creeps between the Ideas and creates
endless agitation, eternal disquiet, like a suspicion
insinuated between two loving hearts. Degrade the
immutable Ideas: you obtain, by that alone, the per-
petual flux of things. The Ideas or Forms are the
whole of intelligible reality, that is to say, of truth,
in that they represent, all together, the theoretical equi-
librium of Being. As to sensible reality, it is a perpetual
oscillation from one side to the other of this point of
equilibrium.
Hence, throughout the whole philosophy of Ideas
there is a certain conception of duration, as also of the
relation of time to eternity. He who installs himself
- PLATO AND ARISTOTLE —_-335
the fundamental reality. The Forms, which the mind
isolates and stores up in concepts, are then only snap-
shots of the changing reality. They are moments
gathered along the course of time ; and, just because
we have cut the thread that binds them to time, they
no longer endure. They tend to withdraw into their
own definition, that is to say, into the artificial
reconstruction and symbolical expression which is their
intellectual equivalent. They enter into eternity, if
you will ; but what is eternal in them is just what is
unreal. On the contrary, if we treat becoming by the
cinematographical method, the Forms are no longer
snapshots taken of the change, they are its constitutive
elements, they represent all that is positive in Becom-
ing. Eternity no longer hovers over time, as an
abstraction ; it underlies time, as a reality. Such is
exactly, on this point, the attitude of the philosophy
of Forms or Ideas. It establishes between eternity
and time the same relation as between a piece of
gold and the small change—change so small that pay-
ment goes on for ever without the debt being paid
off. The debt could be paid at once with the piece
of gold. It is this that Plato expresses in his mag-
nificent language when he says that God, unable to
make the world eternal, gave it Time, “a moving
image of eternity.” ?
Hence also arises a certain conception of extension,
which is at the base of the philosophy of Ideas, although
it has not been so explicitly brought out. Let us
imagine a mind placed alongside becoming, and adopt-
ing its movement. Each successive state, each quality,
each form, in short, will be seen by it asa mere cut
made by thought in the universal becoming. It will be
1 Plato, Timaeus, 37 D.
3 36 CREATIVE EVOLUTION CHAP,

found that form is essentially extended, inseparable as


it is from the extensity of the becoming which has
materialized it in the course of its flow. Every form
thus occupies space, as it occupies time. But the philo-
sophy of Ideas follows the inverse direction. It starts
from the Form; it sees in the Form the very essence of
reality. It does not take Form as a snapshot of becom-
ing ; it posits Forms in the eternal ; of this motionless
eternity, then, duration and becoming are supposed to be
only the degradation. Form thus posited, independent
of time, is then no longer what is found in a percep-
tion ; it is a concept. And, asa reality of the conceptual
order occupies no more of extension than it does of dura-
tion, the Forms must be stationed outside space as well
as above time. Space and time have therefore necessarily,
in ancient philosophy, the same origin and the same
value. The same diminution of being is expressed both
by extension in space and detension in time. Both of
these are but the distance between what is and what
ought to be. From the standpoint of ancient philo-
sophy, space and time can be nothing but the field
that an incomplete reality, or rather a reality that
has gone astray from itself, needs in order to run
in quest of itself. Only it must be admitted that
the field is created as the hunting progresses, and
that the hunting in some way deposits the field
beneath it. Move an imaginary pendulum, a mere
mathematical point, from its position of equilibrium:
a perpetual oscillation is started, along which points are
placed next to points, and moments succeed moments.
The space and time which thus arise have no more
“ positivity’ than the movement itself. They repre-
sent the remoteness of the position artificially given to
the pendulum from its normal position, what it lacks
Iv PLATO AND ARISTOTLE 337
in order to regain its natural stability. Bring it
back to its normal position: space, time and motion
shrink to a mathematical point. Just so, human
reasonings are drawn out into an endless chain,
but are at once swallowed up in the truth seized
by intuition, for their extension in space and time
is only the distance, so to speak, between thought
and truth.’ So of extension and duration in relation
to pure Forms or Ideas. The sensible forms are
before us, ever about to recover their ideality, ever
prevented by the matter they bear in them, that is to
say, by their inner void, by the interval between what
they are and what they ought to be. They are for
ever on the point of recovering themselves, for ever
occupied in losing themselves. An inflexible law
condemns them, like the rock of Sisyphus, to fall
back when they are almost touching the summit, and
this law, which has projected them into space and time,
is nothing other than the very constancy of their
original insufficiency. The alternations of generation
and decay, the evolutions ever beginning over and
over again, the infinite repetition of the cycles of
celestial spheres—this all represents merely a certain
fundamental deficit, in which materiality consists. Frill
up this deficit: at once you suppress space and time,
that is to say, the endlessly renewed oscillations around
a stable equilibrium always aimed at, never reached.
Things re-enter into each other. What was extended
in space is contracted into pure Form. And past,
present, and future shrink into a single moment,
which is eternity.
1 We have tried to bring out what is true and what false in this idea,
so far as spatiality is concerned (see Chapter III.). It seems to us radically
false as regards duration
Zz
34 8 CREATIVE EVOLUTION CHAP.

This amounts to saying that physics is but logic


spoiled. In this proposition the whole philosophy
of Ideas is summarized. And in it also is the
hidden principle of the philosophy that is innate in our
understanding. If immutability is more than _be-
coming, form is more than change, and it is by a
veritable fall that the logical system of Ideas, rationally
subordinated and codrdinated among themselves, is
scattered into a physical series of objects and events
accidentally placed one after another. The generative
idea of apoem is developed in thousands of imaginations
which are materialized in phrases that spread themselves
out in words. And the more we descend from the
motionless idea, wound on itself, to the words that
unwind it, the more room is left for contingency
and choice. Other metaphors, expressed by other
words, might have arisen; an image is called up
by an image, a word by a word. All these words
run now one after another, seeking in vain, by them-
selves, to give back the simplicity of the generative
idea. Our ear only hears the words; it therefore
perceives only accidents. But our mind, by successive
bounds, leaps from the words to the images, from the
images to the original idea, and so gets back, from the
perception of words—accidents called up by accidents
—to the conception of the Idea that posits its own
being. So the philosopher proceeds, confronted with
the universe. Experience makes to pass before his
eyes phenomena which run, they also, one behind
another in an accidental order determined by circum-
stances of time and place. This physical order—a
degeneration of the logical order—is nothing else but
the fall of the logical into space and time. But the
philosopher, ascending again from the percept to the
Iv PLATO AND ARISTOTLE 339
concept, sees condensed into the logical all the positive
reality that the physical possesses. His intellect, doing
away with the materiality that lessens being, grasps
being itself in the immutable system of Ideas. Thus
Science is obtained, which appears to us, complete and
ready-made, as soon as we put back our intellect into
its true place, correcting the deviation that separated
it from the intelligible. Science is not, then, a human
construction. It is prior to our intellect, independent
of it, veritably the generator of Things.
And indeed, if we hold the Forms to be simply
snapshots taken by the mind of the continuity of
becoming, they must be relative to the mind that
thinks them, they can have no independent existence.
At most we might say that each of these Ideas is an
ideal. But it is in the opposite hypothesis that we
are placing ourselves. Ideas must then exist by
themselves. Ancient philosophy could not escape this
conclusion. Plato formulated it, and in vain did
Aristotle strive to avoid it. Since movement arises
from the degradation of the immutable, there could
be no movement, consequently no sensible world, if
there were not, somewhere, immutability realized.
So, having begun by refusing to Ideas an independent
existence, and finding himself nevertheless unable to
deprive them of it, Aristotle pressed them into each
other, rolled them up into a ball, and set above the
physical world a Form that was thus found to be
the Form of Forms, the Idea of Ideas, or, to use his
own words, the Thought of Thought. Such is the
God of Aristotle—necessarily | immutable and apart from
what 15happening in1 the world, since he is only the
synthesis of all concepts in asingle concept. ‘It is true
that no one of the manifold concepts could exist apart,
340 CREATIVE EVOLUTION cuap.
such as it is in the divine unity: in vain should
we look for the Ideas of Plato within the God
of Aristotle. But if only we imagine the God of
Aristotle in a sort of refraction of himself, or simply
inclining toward the world, at once the Platonic Ideas
are seen to pour themselves out of him, as if they
were involved in the unity of his essence: so rays
stream out from the sun, which nevertheless did not
contain them. It is probably this possibility of an
outpouring of Platonic Ideas from the Aristotelian
God that is meant, in the philosophy of Aristotle,
by the active intellect, the vods that has been called
moumtixos—that is, by what is essential and yet un-
conscious in human intelligence. The vods countexds is
Science entire, posited all at once, which the conscious,
discursive intellect 1s condemned to reconstruct with
difficulty, bit by bit. There is then within us, or
rather behind us, a possible vision of God, as the
Alexandrians said, a vision always virtual, never actually
realized by the conscious intellect. In this intuition
we should see God expand in Ideas. This it is
that “does everything,”’* playing in relation to the
discursive intellect, which moves in time, the same rdéle
as the motionless Mover himself plays in relation to the
movement of the heavens and the course of things.
There is, then, immanent in the philosophy of
Ideas, a particular conception of causality, which it is
important to bring into full light, because it is that
which each of us will reach when, in order to ascend
to the origin of things, he follows to the end the
natural movement of the intellect. True, the ancient
1 Aristotle, De anima, 430 a 14 kal orw 6 wey Towodros vots Tw wdvTa
ylvecOar, 6 5¢ 7G wdvta rovetv, ws es Tis, olov 7d Pas> tpbwov ydp Twa Kal
rd pds wove? TA Suvdue bvTa xpwuata évepyela Xpwpara,
Iv PLATO AND ARISTOTLE 341

philosophers never formulated it explicitly. They


confined themselves to drawing the consequences of it,
and, in general, they have marked but points of view
of it rather than presented it itself. Sometimes, indeed,
they speak of an aétraction, sometimes of an impulsion
exercised by the prime mover on the whole of the
world. Both views are found in Aristotle, who shows
us in the movement of the universe an aspiration of
things toward the divine perfection, and consequently
an ascent toward God, while he describes it elsewhere
as the effect of a contact of God with the first
sphere and as descending, consequently, from God to
things. The Alexandrians, we think, do no more
than follow this double indication when they speak
of procession and conversion. Everything is derived
from the first principle, and everything aspires to
return to it. But these two conceptions of the divine
causality can only be identified together if we bring
them, both the one and the other, back to a third, which
we hold to be fundamental, and which alone will enable
us to understand, not only why, in what sense, things
move in space and time, but also why there is space and
time, why there is movement, why there are things.
This conception, which more and more shows
through the reasonings of the Greek philosophers as we
go from Plato to Plotinus, we may formulate thus:
The affirmation of a reality implies the simultaneous
affirmation of all the degrees of reality intermediate between
it and nothing. ‘The principle is evident in the case of
number: we cannot affirm the number 10 without
thereby affirming the existence of the numbers 9, 8, 7,
. . ., etc.—in short, of the whole interval between 10
and zero. But here our mind passes naturally from the
sphere of quantity to that of quality. It seems to us —
342 CREATIVE EVOLUTION CHAP,

that, a certain perfection being given, the whole


continuity of degradations is given also between this
perfection, on the one hand, and the nought, on the
other hand, that we think we conceive. Let us
then posit the God of Aristotle, thought of thought
—that is, thought making a circle, transforming itself
from subject to object and from object to subject by an
instantaneous, or rather an eternal, circular process: as,
on the other hand, the nought appears to posit itself,
and as, the two extremities being given, the interval
between them is equally given, it follows that all the
descending degrees of being, from the divine perfection
down to the “absolute nothing,” are realized automa-
tically, so to speak, when we have posited God.
Let us then run through this interval from top to
bottom. First of all, the slightest diminution of the
first principle will be enough to precipitate Being into
space and time; but duration and extension, which
represent this first diminution, will be as near as possible
to the divine inextension and eternity. We must there-
fore picture to ourselves this first degradation of the
divine principle as a sphere turning on itself, imitating,
by the perpetuity of its circular movement, the eternity
of the circle of the divine thought; creating, moreover,
its own place, and thereby place in general,’ since it
includes without being included and moves without
stirring from the spot ; creating also its own duration,
and thereby duration in general, since its movement is
the measure of all motion.” Then, by degrees, we shall
1 De caelo, ii. 287 a 12 Ths éoxdrns wepipopas otre xevdv eorw EEwher
otre réros. Phys. iv. 212 a 34 70 6¢ way For ev ws Kwyjoerat Erte dws od,
ws wey yap 8rov, dua rdv Tdmov od pmeraBdrrer KUKAW Oe Kiv}oETAL, TOY poplwy
yap odros 6 ré7os.
2 De caelo, i. 279 a 12 ovd xpbvos early ew rod odpavod. Phys. viii.
251 b 27 6 xpbvos mdos TL Kwjoews.
Iv PLATO AND ARISTOTLE 343

see the perfection decrease, more and more, down to our


sublunary world, in which the cycle of birth, growth
and decay imitates and mars the original circle for the
last time. So understood, the causal relation between
God and the world is seen as an attraction when regarded
from below, as an impulsion or a contact when
regarded from above, since the first heaven, with its
circular movement, is an imitation of God _and-all
imitation is the reception of a form. Therefore, we
perceive God as efficient cause or as final cause,
according to the point of view. And yet neither of
these two relations is the ultimate causal relation.
The true relation is that which is found between the
two members of an equation, when the first member is
a single term and the second a sum of an endless
number of terms. It is, we may say, the relation of
the gold-piece to the small change, if we suppose the
change to offer itself automatically as soon as the gold-
piece is presented. Only thus can we understand why
Aristotle has demonstrated the necessity of a first
motionless mover, not by founding it on the assertion
that the movement of things must have had a beginning,
but, on the contrary, by affirming that this movement
could not have begun and can never come to an end.
If movement exists, or, in other words, if the small
change is being counted, the gold-piece is to be found
somewhcre. And if the counting goes on for ever,
having never begun, the single term that is eminently
equivalent to it must be eternal. A_ perpetuity
of
mobility.is-possible only if it is backed by an eternity
of immutability, which it unwinds in a chain without
beginning or end...
Such is the last word of the Greek philosophy. We
have not attempted to reconstruct it a priori. It has
344 CREATIVE EVOLUTION CHAP,

manifold origins. It is connected by many invisible


threads to the soul of ancient Greece. Vain, therefore,
the effort to deduce it from a simple principle.’ But if
everything that has come from poetry, religion, social
life and a still rudimentary physics and biology be
removed from it, if we take away all the light material
that may have been used in the construction of the
stately building, a solid framework remains, and this
framework marks out the main lines of a metaphysic
which is, we believe, the natural metaphysic of the
human intellect. We come to a philosophy of this
kind, indeed, whenever we follow to the end, the cine-
matographical tendency of perception and thought.
Our perception and thought begin by substituting for
the continuity of evolutionary change a series of un-
changeable forms which are, turn by turn, caught “on
the wing,” like the rings at a merry-go-round, which
the children unhook with their little stick as they are
passing. Now, how can the forms be passing, and on
what “stick’’ are they strung? As the stable forms
have been obtained by extracting from change everything
that is definite, there is nothing left, to characterize the
instability on which the forms are laid, but a negative
_ attribute, which must be indetermination itself. Such
is the first proceeding of our thought: it dissociates each
\ change into two elements—the one stable, definable for
each particular case, to wit, the Form ; the other indefin-
able and always the same, Change in general. And such,
also, is the essential operation of language. Forms are
all that it is capable of expressing. It is reduced to
taking as understood or is limited to suggesting a
1 Especially have we left almost entirely on one side those admirable
but somewhat fugitive intuitions that Plotinus was later to seize, to study
and to fix.
Iv PLATO AND ARISTOTLE 345

mobility which, just because it is always unexpressed,


is thought to remain in all cases the same.—Then
comes in a philosophy that holds the dissociation thus
effected by thought and language to be legitimate.
What can it do, except objectify the distinction with
more force, push it to its extreme consequences, reduce
it into a system? It will therefore construct the real,
on the one hand, with definite Forms or immutable
elements, and, on the other, with a principle of mobility
which, being the negation of the form, will, by the
hypothesis, escape all definition and be the purely in-
determinate. The more it directs its attention to the
forms delineated by thought and expressed by language,
the more it will see them rise above the sensible and
become subtilised into pure concepts, capable of entering
one within the other, and even of being at last massed
together into a single concept, the synthesis of all reality,
the achievement of all perfection. The more, on the
contrary, it descends toward the invisible source of the
universal mobility, the more it will feel this mobility
sink beneath it and at the same time become void,
vanish into what it will call the “non-being.” Finally,
it will have on the one hand the system of ideas, logically
codrdinated together or concentrated into one only, on
the other a quasi-nought, the Platonic “‘ non-being ” or
the Aristotelian “ matter.”—But, having cut your cloth,
you must sew it. With supra-sensible Ideas and an
infra-sensible non-being, you now have to reconstruct
the sensible world. You can do so only if you postulate
a kind of metaphysical necessity in virtue of which the
confronting of this All with this Zero is equivalent to
the affirmation of all the degrees of reality that measure
the interval between them,—just as an undivided
number, when regarded as a difference between itself
Fi
34.6 CREATIVE EVOLUTION ~— CHAP,
and zero, is revealed as a certain sum of units, and
with its own affirmation affirms all the lower numbers.
That is the natural postulate. It is that also that we
perceive as the base of the Greek philosophy. In order
then to explain the specific characters of each of these
degrees of intermediate reality, nothing more is necessary
than to measure the distance that separates it from the
integral reality. Each lower degree consists in a diminu-
tion of the higher, and the sensible newness that we
perceive in it is resolved, from the point of view of
the intelligible, into a new quantity of negation which
is superadded to it. The smallest possible quantity of
negation, that which is found already in the highest
forms of sensible reality, and consequently @ fortiori in
the lower forms, is that which is expressed by the most
general attributes of sensible reality, extension and
duration. By increasing degradations we will obtain attri-
butes more and more special. Here the philosopher’s
fancy will have free scope, for it is by an arbitrary decree,
or at least a debatable one, that a particular aspect of the
sensible world will be equated with a particular diminu-
tion of being. We shall not necessarily end, as Aristotle
did, in a world consisting of concentric spheres turning
on themselves. But we shall be led to an analogous
cosmology—I mean, to a construction whose pieces,
though all different, will have none the less the same
relations between them. And this gosmology will
be ruled by the same principle. The physical will
be defined by the logical. Beneath the changing
phenomena will appear to us, by transparence, a closed
system of concepts subordinated to and coérdinated with
each other. Science, understood as the system of con-
cepts, will be more real than the sensible reality. It will
be prior to human knowledge, which is only able to spell
tv MODERN SCIENCE 347
it letter by letter ; prior also to things, which awkwardly
try to imitate it. It would only have to be diverted an
instant from itself in order to step out of its eternity
and thereby coincide with all this knowledge and all
these things. Its immutability is therefore, indeed, the
cause of the universal becoming.
Such was the point of view of ancient philosophy
in regard to change and duration. ‘That modern philo-
sophy has repeatedly, but especially in its beginnings,
had the wish to depart from it, seems to us unquestion-
able. But an irresistible attraction brings the intellect
back to its natural movement, and the metaphysic of
the moderns to the general conclusions of the Greek
metaphysic. We must try to make this point clear,
in order to show by what invisible threads our
mechanistic philosophy remains bound to the ancient
philosophy of Ideas, and how also it responds to the
requirements, above all practical, of our understanding.

Modern, like ancient, science proceeds according to


the cinematographical method. It cannot do otherwise ;
all science is subject to this law. For it is of the
essence of science to handle sigus, . which it substi-
“tutés for the objects themselves, These signs un-
~doubtedly differ from those of language by their
greater precision and their higher efficacy ; they are none
the less tied down to the general condition of the sign,
‘which iis to denote a fixed aspect of the reality under an”~
_arrested_form.” “In orderto think movement; a con- “YE
~stantly renewed €ffort of the mind is necessary, _,Signs da \
“are made-to-dispense-us-with this effort_by substituting,
for the moving continuity of things, an artificial recon-
__Struction-whichis-its equivalent in pr:
mene and has the
advantage-of—being
easily handled. But let us leave
348 CREATIVE EVOLUTION CHAP.

aside the means and consider only the end. What is


the essential_object-of-sciencet._It_is to. enlarge_our ——
nce over things. Science may be speculative in
its form, disinterested in its immediate ends; in other
words we may give it as long a credit as it wants.
But, however long the day of reckoning may be put
off, some time or other the payment must be made.
It is always then, in short, practical utility that science
has in view. Even when it launches into theory,
it is boundto adapt its behaviour to the general
form of practice. However high it may rise, it must
be ready to fall back into the field of action, and at
once to get on its feet. This would not be possible
for it, if its rhythm differed absolutely from that of
action itself. Now action, we have said, proceeds by
leaps. To act is to re-adapt oneself. To know, that
is to say, to foresee in order to act, is then to go from
situation to situation, from arrangement to rearrange-
ment. Science may tone rearrangements that come
closer and closer-to each other; it may thus increase
the number of mnoments_that 1t- ‘Teolates; but it always —
jsolates moments... As to what happens in the interval
“between the m6ments, science is no more concerned
with that than are our common intelligence, our senses
and our language: it does not bear on theinterval, but
only on_the extremities....So_the cinemintoorephical a

method forces itself upon our science, as it did already


‘on that of the ancients.
~ Wherein, then, is the difference between the two
sciences ? We indicated it when we said that the ancients
reduced the physical order to the vital order, that is to
say, laws to genera, while the moderns try to resolve
genera into laws. But we have to look at it in another
aspect, which, moreover, is only a transposition of the
Iv MODERN SCIENCE 349

first. Wherein consists the difference of attitude of


the two sciences toward change? We may formu- \
late it by saying that ancient science thinks it knows its
object sufficiently when tt has noted of it some privileged
moments, whereas modern science considers the object at
any moment whatever.
The forms or ideas of Plato or of Aristotle corre-
spond to privileged or salient moments in the history
of things—those, in general, that have been fixed by
language. They are supposed, like the childhood or
the old age of a living being, to characterize a period
of which they express the quintessence, all the rest
of this period being filled by the passage, of no interest
in itself, from one form to another form. Take, for
instance, a falling body. It was thought that we got
near enough to the fact when we characterized it as a
whole: it was a movement downward; it was the
tendency toward a centre ; it was the natural movement
of a body which, separated from the earth to which it
belonged, was now going to find its place again._
They noted, then, the final term or culminating point J
(rédos, axun) and set it up as the essential moment:
this moment, that language has retained in order
to express the whole of the fact, sufficed also for
science to characterize it. In the physics of Aristotle,
it is by the concepts “high” and “low,”’ spontaneous
displacement and forced displacement, own place and
strange place, that the movement of a body shot into
space or falling freely is defined. But Galileo thought
there was no essential moment, no privileged instant.
To study the falling body is to consider it at it matters
not what moment in its course. The true science of
gravity is that which will determine, for any moment
of time whatever, the position of the body in space.

en
et
350 CREATIVE EVOLUTION CHAP.
For this, indeed, signs far more precise than those
of language are required.
We may say, then, that our physics differs from
that of the ancients chiefly in the indefinite breaking up
of time. For the ancients, time comprises as many
undivided periods as our natural perception and our
language cut out in it successive facts, each presenting
a kind of individuality. For that reason, each of
these facts admits, in their view, of only a fsotal
definition or description. If, in describing it, we are
led to distinguish phases in it, we have several facts
instead of a single one, several undivided periods
instead of a single period ; but time is always supposed
to be divided into determinate periods, and the mode
of division to be forced on the mind by apparent
crises of the real, comparable to that of puberty, by
the apparent release of a new form.—For a Kepler or
a Galileo, on the contrary, time is not divided objec-
tively in one way or another by the matter that fills it.
It has no natural articulations. We can, we ought to,
divide it as we please. All moments count. None
of them has the right to set itself up as a moment
that represents or dominates the others. And, conse-
quently, we know a change only when we are able
to determine what it is about at anyone of its
moments.—— nei a
The difference is profound. In fact, in a certain —
aspect it is radical. But, from the point of view from
which we are regarding it, it is a difference of degree
rather_than_of kind. The human mind has passed~
~ from the first kind of knowledge to the second through ———
~ gradual perfecting, simply by See
There is the same relation between these two sciences
as between the noting of the phases of a movement by
tv MODERN SCIENCE 351
the eye and the much more complete recording of
these phases by instantaneous photography. It is the
same cinematographical mechanism in both cases, Dit
reaches a precision in the second that itcannot~havesie=—~
“the first. Of thé gallop of a horse our eye perceives
‘chiefly a characteristic, essential or rather schematic
attitude, a form that appears to radiate over a whole
period and so time-of paltop.— It is this attitude —
that sculpture has fixed on the frieze of the Parthenon.
~But instantaneous photography isolates any moment;
it puts them all in the same rank, and thus theegallop
of a horse spreads out for it into as many successive
attitudes as it wishes, instead of massing itself into a
single attitude, which 1s_supposed—te—flash—eut—ina___
privileged moment and to illuminate a whole period,
~—~From—thts~original—differénce flow all the others.
A science that considers, one after the other, undivided
periods of duration, sees nothing but phases succeeding
phases, forms replacing forms; it is content with a
qualitative description of objects, which it likens to
organized beings. But when we seek to know what
happens within one of these periods, at any moment of
time, we are aiming at something entirely different.
The changes which are produced from one moment to
another are no longer, by the hypothesis, changes of
quality ; they are quantitative variations, it may be of the
phenomenon itself, it may be of its elementary parts. We
were right then to say that modern science is distinguish-
able from the ancient.in that itapplies to magnitudes
__and proposes first and foremosttomeasure them. ~The
ancients did indeed-try-experiments;-amd on the other
hand Kepler tried no experiment, in the proper sense
of the word, in order to discover a law which is the
very type of scientific knowledge as we understand it.
352 CREATIVE EVOLUTION CHAP.
What distinguishes modern science is not that it is
experimental, but that it experiments and, more
generally, works only with a view to measure.
For that reason it 1s right, again, to say that ancient
science applied to concepts, while modern science seeks
laws,—constant relations between variable magnitudes.
The concept of circularity was sufficient to Aristotle
to define the movement of the heavenly bodies. But,
€ven with the more accurate concept of elliptical
form, Kepler did not think he had accounted for
the movement of planets. He had to get a law, that
is to say, a constant relation between the quantitative
variations of two or several elements of the planetary
movement.
/ Yet these are only consequences,—differences that
{follow-from the fundamental difference. It did happen
to the ancients accidentally to experiment with a view
to measuring, as also to discover a law expressing a
constant relation between magnitudes. The principle
of Archimedes is a true experimental law. It takes
into account three variable magnitudes: the volume
of a body, the density of the liquid in which the body
is immersed, the vertical pressure that is being exerted.
And it states indeed that one of these three terms is a
function of the other two.
The essential, original difference must therefore be
sought elsewhere. It is the same that we noticed first.
The_ science
—_—
of the.ancients—is—static. Either it
considers in block the change that it studies, or, if
it divides the change into periods, it makes of each of
these periods a block in its turn: which amounts to
saying that it takes no account of time. But modern
science has been built up around the discoveries of
Galileo and of Kepler, which immediately furnished it
Iv MODERN SCIENCE EK
with a model. Now, what do the laws of Kepler say ?
They lay down a relation between the areas described
by the heliocentric radius-vector of a planet and the
time employed in describing them, a relation between
the longer axis of the orbit and the “me taken up by
the course. And what was the principle discovered by
Galileo? A law which connected the space traversed
by a falling body with the time occupied by the fall.
Furthermore, in what did the first of the great
transformations of geometry in modern times consist,
if not in introducing—in a veiled form, it is true—time
and movement even in the consideration of figures?
For the ancients, geometry was a purely static science.
Figures were given to it at once, completely finished,
like the Platonic Ideas. But the essence of the
Cartesian geometry (although Descartes did not give
it this form) was to regard every plane curve as de-
scribed by the movement of a point on a movable
straight line which is displaced, parallel to itself, along
the axis of the abscissae,—the displacement of the
movable straight line being supposed to be uniform and
the abscissa thus becoming representative of the time.
The curve is then defined if we can state the relation
connecting the space traversed on the movable straight
line to the time employed in traversing it, that is, if
we are able to indicate the position of the movable
point, on the straight line which it traverses, at any
moment whatever of its course. This relation is just
what we call the equation of the curve. To substitute :
an equation for a figure consists, therefore, in seeing es
the actual position of the moving points in “the,tracing
of the _curveeat “any-moment whatever, instead of re-
Sat ‘ding this,tracing all atorAce; Satheredupin theunique:
f momentiewen the curve has reached its finished state.
so 28M 7% waka
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eee RE TEAS SAE oA MORSE My
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ype eT
354 CREATIVE EVOLUTION CHAP.

Such, then, was the directing idea of the reform


by which both the science of nature and mathematics,
which serves as its instrument, were renewed. Modern
science is the daughter of astronomy ; it has come
down from heaven to earth along the inclined plane of
Galileo, for it is through Galileo that Newton and his
successors are connected with Kepler. Now, how did
the astronomical problem present itself to Kepler?
The question was, knowing the respective positions
of the planets at a given moment, how to calculate
their positions at any other moment. So the same
question presented itself, henceforth, for every material
system. Each material point became a rudimentary
planet, and the main question, the ideal problem whose
solution would yield the key to all the others was, the _
a a eee

‘given, howtodeteermine their relative positions at any


—Fioment. No doubt the problem cannot be put in these
precise terms except in very simple cases, for a schema-
-

tized reality ; for we never know the respective positions


of the real elements of matter, supposing there are
real elements ; and, even if we knew them at a given
moment, the calculation of their positions at another
moment would generally require a mathematical effort
surpassing human powers. But it is enough for us to
know that these elements might be known, that their
present positions might be noted, and that a superhuman
intellect might, by submitting these data to mathematical
operations, determine the positions of the elements at
any other moment of time. This conviction is at the
bottom of the questions we put to ourselves on the
subject of nature, and of the methods we employ to
solve them. _That is why every law in static form
_seems to us asa oasiond lie eee a
eee
tv MODERN SCIENCE 355
view _of dynamic
a law _which—alone—would-—-sive—us——
whole and definitive knowledge.
Let us conclude, then, iat our science is not only
distinguished from ancient science in this, that it seeks
laws, nor even in this, that its laws set forth relations
between magnitudes : we must add that the magnitude
to which we wish to be able to relate all others is time,
and that modern science must be defined pre-eminently by
its aspiration to take time as an independent variable.
But with what time has it to do?
We have said before, and we cannot repeat too often,
that the science of matter proceeds like ordinary know-
ledge. It perfects this knowledge, increases its precision
and its scope, but it works in the same direction and
puts the same mechanism into play. If, therefore,
ordinary knowledge, by reason of the cinematographical
i|
EE
mechanism to which it 1s subjected, forbears to.follow.. hia ang Paani

becoming 1in so far as becoming is moving, the science of


> ea atta
“”

matter renounces it equally. _No doubt, it distinguishes


as “great a
a number of moments as we wish in the interval
of time it considers. However small the intervals may
be at which it stops, it authorizes us to divide them again
if necessary. In contrast with ancient _science,, which
stopped at certain so-called essential moments, it. is
occupied. indifferently. with.any-moment whatever. “But
it always considers. moments, always.virtual--stopping~.
ane places, always, in. short, immobilities._ Which amounts :
~.to_saying that real time, regarded as a flux, or, in other
words, as thé -very~mobility of being, escapes ‘the hold -
~-of “scientific knowledge. We have already tried to
establish-thts-peint-im-a former work. We alluded to
it again in the first chapter of this book. But it is
necessary to revert to it once more, in order to clear
up misunderstandings.
356 CREATIVE EVOLUTION CHAP

When positive science speaks of time, what it refers


to is the movement of a certain mobile T on its tra-
jectory. This movement has been chosen by it as
representative of time, and it is, by definition, uniform.
Let us call T,, T,, T,, . . . etc., points which divide
the trajectory of the mobile into equal parts from its
origin Ty. We shall say that 1, 2, 3, ... units of
time have flowed past, when the mobile is at the points
Ay Au Ly» + « OF the line itstraverses, Accordingiy,
to consider the state of the universe at the end of a
certain time /, is to examine where it will be when T
is at the point T;, of its course. But of the flux itself
of time, still less of its effect on
COnstiOUusHESS, There 1s peel

here no question ;for there enter into the catculation—-


only the points I, T., T,,..°:.:.-taken On; tne che:
never the flux itself. We may narrow the time con-
sidered as much as we will, that is, break up at will the
interval between two consecutive divisions T, and
Try; but it is always with points, and with points
only, that we are dealing. What we retain of the
movement of the mobile T are positions taken on its
trajectory. What we retain of all the other points of
the universe are their positions on their respective
trajectories. To each virtual stop of the moving body
T at the points of division T,, T,, T,,.. . we make
correspond a virtual stop of all the other mobiles at the
points where they are passing. And when we say that
a movement or any other change has occupied a time
t, we mean by it that we have noted a number ¢ of
correspondences of this kind. We have therefore
counted simultaneities ; we have not concerned our-
selves with the flux that goes from one to another.
The proof of this is that I can, at discretion, vary the
rapidity of the flux of the universe in regard to a
rv MODERN SCIENCE
consciousness that is independent of it and that would
perceive the variation by the quite qualitative feeling
that it would have of it: whatever the variation had
been, since the movement of T would participate in
this variation, I should have nothing to change in my
equations nor in the numbers that figure in them.
Let us go further. Suppose that the rapidity of the
flux becomes infinite. Imagine, as we said in the first
pages of this book, that the trajectory of the mobile
T is given at once, and that the whole history, past,
present and future, of the material universe is spread
out instantaneously in space. The same mathematical
correspondences will subsist between the moments of
the history of the world unfolded like a fan, so to
speake and’ ‘the divisions “I, T “Ly . 9. of tHe
line which will be called, by definition, “the course
of time.” In the eyes of science nothing will have
changed... But if, time thus spreading itself out in space
and succession becoming” juxtaposition,” science. has...
nothing to.change.in what.1t.tells us, we must conclude
that, in what ittells us, it takes account neither of SUCCES
sion in what ofiit is specific nor of time in what there iis
.init_that isfluent. It has no sign to express what
_-strikes our “consciotsnessi ccession and duration.
It no more applies ato
moving, than the bridges thrown here and _ there
across the stream follow the water that flows under
their arches.
Yet succession exists ; I am conscious of it; it isa
fact. When a physical process is going on before my
eyes, my perception and my inclination have nothing
to do with accelerating or retarding it. What is
important to the physicist is the xumber of units of
duration the process fills ; he does not concern himself
358 CREATIVE EVOLUTION CHAP,
about the units themselves, and that is why the suc-
cessive states of the world might be spread out all at
once in space without his having to change anything
in his science or to cease talking about time. But for
us, conscious beings, it is the units that matter, for we
_do not count extremities of intervals, we feel and live
_ the ‘intervals themselves. _ Now, we are conscious of
these intervals as of definite intervals. Let me come
back again to the sugar in my glass of water :’ why
must I wait for it to melt ? While the duration of
the phenomenon is re/ative for the physicist, since it is
reduced to a certain number of units of time and the
units themselves are indifferent, this duration is an _
absolute for my consciousness, for it coincides witha
_ certain degree of impatience which is rigorously deter-.
mined. ~ “beable comes this determination ? “What iis
it that obliges me to wait, and to wait for a certain
length of psychical duration which is forced upon me,
over which I have no power? If succession, in so far
as distinct from mere juxtaposition, has no real efficacy,
if time is not a kind of force, why does the universe
unfold its successive states with a velocity which, in
regard to my consciousness, is a veritable absolute?
Why with this particular velocity rather than any
other? Why not with an infinite velocity? Why,
in other words, is not everything given at once, as on
the film of the cinematograph? The more I consider
this point, the more it seems to me that, if the future is
bound to succeed the present instead of being given
alongside of it, it is because the future is not altogether
determined at the present moment, and that if the
time taken up by this succession is something other
than a number, if it has for the consciousness that is
1 See-page 10.
Iv MODERN SCIENCE 359
<nstalled in it absolute value and realit is. because~—.
_there_ids3_unceasingly being oie nde in
any such artificially isolated system as a glass of sugared
water, but in the concrete whole of which every such
system forms part, something unforeseeable and. new.—
This duration may not be the fact of matter itself, but
that of the life which reascends the course of matter ; the
two movements are none the less mutually dependent
upon each other. The duration. of -the-universe-must
therefore be one with- the--latitude of creation-whith™can™
| findplace in it.
<= When a child plays at reconstructing a picture by
putting together the separate pieces in a puzzle game,
the more he practises, the more and more quickly he
succeeds. The reconstruction was, moreover, instan-
taneous, the child found it ready-made, when he opened
the box on leaving the shop. The operation, therefore,
does not require a definite time, and indeed, theoretically,
it does not require any time. That is because the result
is given. It is because the picture is already created, and
because to obtain it requires only a work of recom-
posing and rearranging—a work that can be supposed
going faster and faster, and even infinitely fast, up to
the point of being instantaneous. But, to the artist
who creates a picture by drawing it from the depths
of his soul, time is no longer an accessory; it is not
an interval that may be lengthened or shortened with-
out the content being altered. The duration of his |
“ celofwork.
his To contract or to
dilate it would be to modify both the psychical evolution
that fills it and the invention which is its goal. The _
_ time taken up by the invention is one with the in-
_vention itseli i * ~ sof aeee ee
rane ne reninee
sae
360 CREATIVE EVOLUTION CHAP,
form. It isa vital process, 7 siihecdat 5like ae ripening
of an idea.
‘The iste) is before his canvas, the colours are on
the palette, the model is sitting—all this we see, and
also we know the painter’s style: do we foresee what
' will appear on the canvas? We possess the elements
of the problem ; we know, in an abstract way, how it
will be solved, for the portrait will surely resemble the
model and will surely resemble also the artist ; but the
concrete solution brings with it that unforeseeable~
nothing which is everything in a work of art.
And it
_is this nothing that takes time. Nought as5
matter, it
creates itself as form. The sprouting and flowering
of this form are stretched out on an _ unshrinkable
duration which is one with their essence. So of the
works of nature. Their novelty arises from an internal
impetus which is progress or succession, which confers
on succession a peculiar virtue or which owes to succes-
sion the whole of its virtue,—which, at any rate, makes
succession, or continuity of interpenetration in time, irre-
ducible to a mere instantaneous juxtaposition in space.
This is why the idea of reading in a present state of the
material universe the future of living forms, and of
unfolding now their history yet to come, involves a
veritable absurdity. But this absurdity is difficult to
bring out, because our memory is accustomed to place
alongside of each other, in an ideal space, the terms it
perceives in turn, because it always represents past suc-
cession in the form of juxtaposition. It is able to do so,
oe

indeed, just because the past belongs to that which is


already invented, to the dead, and no longer to creation
and to life. Then, as the succession to come will end by
being a succession past, we persuade ourselves that the
duration to come admits of the same treatment as past
!
v MODERN SCIENCE 361
duration, that it is, even now, unrollable, that the
future is there, rolled up, already painted on the
canvas. An illusion, no doubt, but an illusion that
is natural, ineradicable, and that will last as long as the
human mind !
Time is invention or tt is nothing at all. But of time-_
invention physics can take no account, restricted as
it 1s to the _cinematographical method.7 It is limited
“to counting simultaneities—betweenthe events that
make up this time and the positions of the mobile
T on its trajectory. It detaches these events from.
the whole, which at every moment puts on a new
form and which communicates to them something of
its novelty. It considers them in the abstract, such as
_they would be outside of the living whole, that’is-to*~
-say, inatime unrolled.
in space, Itretains only the events
or systems of events that can be thus isolated without
being made to undergo too profound a deformation,
because only these lend themselves to the application
of its method. Our physics dates from the day when
it was known how to isolate such systems. To sum
up, while modern physics is distinguished. from ancient
iti

__physics by the fact that it considers any moment of time


whatever, itrests altogether ona substitution. ofsimnenlengih ——
__for ‘time-invention
It seems then that, parallel to this physics, a second (
kind of knowledge oy to have grown up, which
could have retained what physics allowed to escape.
On the flux itself of duration science neither would™
“nor could OR bound’ as“it™was~to~thé"cinemato-"
graphical-method-~-TThis second kind of knowledge aR.
“would have set the ‘cinematographical method aside, It
would have called upon the mind to renounce its most
cherished habits. It is within becoming that it would
36 2 CREATIVE EVOLUTION CHAP,

have transported us by an effort of sympathy. We


should no longer be asking where a moving body will
be, what shape a system will take, through what state a
change will pass at a given moment: the moments
of time, which are only arrests of our attention, would
no longer exist; it is the flow of time, it is the very
flux of the eal" that we should be trying ~to~followan.
~—-The_first kindof knowledee~has-theé advantage of en-
abling us to foresee the aoe and ofmaking usin some.
_measure Masters of e1
events ; in return, it retains of the.
“moving reality only sventnal immobilities, that is to
say, views taken of it by our mind. - It symbolizes the
real and transposes it into the human rather~ than
_ expresses it. The other knowledge, if it is possible,
is practically useless, it will not extend-our-empire— —~
over nature, it will even go against certain natural
aspirations of the intellect; but, if it succeeds, it is
reality itself that it will hold in a firm aie
embrace. Not only may we thus complete the intellect©
and its knowledge of matter by accustoming it to
install itself within the moving, but by developing
also another faculty, complementary to the intellect,
we may open a perspective on the other half of the
real. For, as soon as we are confronted with true
duration, we see that it means creation, and that if
that which is being unmade endures, it can only be
because it is inseparably _ bound. to_what_is_ _making—
itself.. Thus will appear the necessity of a continual
‘growth of the universe, I should say of a Uife of the
real. And thus will be seen in a new light the life
which we find on the surface of our planet, a life
directed the same way as that of the universe, and
inverse of materiality. To intellect, in short, there
will be added intuition. eA SOAIIOR
Iv MODERN SCIENCE 363

The more we reflect on it, the more we shall find


that thisS_conception « of metaphysics is that which
modern science suggests. Se
onemnnte

~-For_theancients,—indeed;~time is sheer catty


Teale Rees the duration of a thing only
manifests the degradation of its essence: it is with
this motionless essence that science has to deal.
Change being only the effort of a form toward its own
realization, the realization is all that it concerns us to
know. No doubt the realization is never complete :
it is this that ancient philosophy expresses by saying
that we do not perceive form without matter. But if
we consider the changing object at a certain essential
moment, at its apogee, we may say that there it just
touches its intelligible form. This intelligible form,
this ideal and, so to speak, limiting form, our science
seizes upon. And possessing | in this the gold-piece,
it holds eminently the small money which we call
becoming or change. This change is less than being.
The knowledge that would take it for object, sup-
posing such knowledge were possible, would be less
than science.
But, for a science that places all the moments of
time in the same rank, that admits no essential moment,
no culminating point, no apogee, ‘change is no longer , /
a diminution of essence, duration is not a dilution Ui
of time_is the reality itself, and.
of ¢eternity. The flux of
_the things which we study are the things.. ak ot pie
It is true that of this flowing reality.we. are limited to
taking instantaneous views. But, just because of this,”
scientific”“knowledge must ‘appeal to another know-
ledge to completé it. “While the-ancient-conception- of"
setentific-knowledge“énded in making time a degrada-
tion, and change the diminution of a form given from
364 CREATIVE EVOLUTION CHAP.

all eternity,—on the contrary, by following the new


conception to the end, we .should come to see in
time a progressive growth of the absolute; and in the
~ evolution of ‘things a continual | invention of forms as
_ever_ new.
It is true that it would be to break with the meta-
physics of the ancients. _They saw only one way of
_ knowing definitely. Their science consisted ina
scattered and | fragmentary metaphysics, their meta-~~
_ physics i ina concentrated andsystematic science. “Their
we science and “metaphysics. were, at.most, two species. ot.
_- one and the same_genus. In our hypothesis, on the
‘contrary, science and metaphysics are two opposed
sat ‘although complementary ways of knowing, the first
taining only moments, that is to say, that which does
not endure, the second bearing on duration itself. Now,
..» tit was natural to hesitate between so novel a conception
~. of metaphysics and the traditional conception. The
temptation must have been strong to repeat with the
new science what had been tried on the old, to suppose
our scientific knowledge of nature completed at once, =
to unify 1it entirely, and to give to this unification, ‘as
the Greeks had already done, the name of metaphysics.
“So, beside the new way that philosophy might have
prepared, the old remained open, that indeed which
physics trod. And, as physics retained of time only
what could as well be spread out all at once in space, —
the metaphysics that chose the same direction had
necessarily to proceed as if time created and annihilated
ing, as if duration had no efficacy. Bound, like ©
the physics of the moderns and the metaphysics of
the ancients, to the cinematographical method, it
ended with the conclusion, implicitly admitted at
start and immanent inthe method itself iceis given
e
Iv DESCARTES 36 §

That metaphysics hesitated at first between the two


paths seems to us unquestionable. The indecision
is visible in Cartesianism. On the one hand, Descartes
affirms universal mechanism: from this point of view
movement would be relative,’ and, as time has just
as much reality as movement, it would follow that past,
present and future are given from all eternity. But, on
the other hand (and that is why the philosopher has
not gone to these extreme consequences), Descartes
believes in the free will of man. He superposes on
the determinism of physical phenomena the indeter-
minism of human actions, and, consequently, on time-
length a time in which there is invention, creation,
true succession. This duration he supports on a
God who is unceasingly renewing the creative act,
and who, being thus tangent to time and becoming,
sustains them, communicates to them necessarily some-
thing of his absolute reality. When he places himself
at this second point of view, Descartes speaks of
movement, even spatial, as of an absolute.”
He therefore entered both roads one after the
other, having resolved to follow neither of them to
the end. The first would have led him to the denial
of free will in man and of real will in God. It was
the suppression of all efficient duration, the likening
of the universe to a thing given, which a super-
human intelligence would embrace at once in a
moment or in eternity. In following the second, on
the contrary, he would have been led to all the
consequences which the intuition of true duration
implies. Creation would have appeared not simply
as continued, but also as continuous. The universe,
regarded as a whole, would really evolve. The future
1 Descartes, Principes, ii. § 29. 2 [bid. ii. §§ 36 fF.
366 CREATIVE EVOLUTION CHAP,

would no longer be determinable by the present; at


most we might say that, once realized, it can be
found again in its antecedents, as the sounds of a new
language can be expressed with the letters of an old
alphabet if we agree to enlarge the value of the letters
and to attribute to them, retro-actively, sounds which
no combination of the old sounds could have pro-
duced beforehand. Finally, the mechanistic explana-
tion might have remained universal in this, that it
can indeed be extended to as many systems as we
choose to cut out in the continuity of the universe;
but mechanism would then have become a method
rather than a doctrine. It would have expressed
the fact that science must proceed after the cine-
matographical manner, that the function of science
is to scan the rhythm of the flow of things and
not to fit itself into that flow.—Such were the two
opposite conceptions of metaphysics which were offered
to philosophy.
It chose the first. The reason of this choice is
undoubtedly the mind’s tendency to follow the cine-
matographical method, a method so natural to our
intellect, and so well adjusted also to the require-
ments of our science, that we must feel doubly sure
of its speculative impotence to renounce it in meta-
physics. But ancient philosophy also influenced the
choice. Artists for ever admirable, the Greeks created
a type of suprasensible truth, as of sensible beauty,
whose attraction is hard to resist. As soon
as we
incline to make metaphysics a systematization of
science, we glide in the direction of Plato and of
Aristotle. And, once in the zone of attraction in
which the Greek philosophers moved, we are drawn
along in their orbit.
: SPINOZA AND LEIBNIZ 367
Such was the case with Leibniz, as also with Spinoza.
We are not blind to the treasures of originality their
doctrines contain. Spinoza and Leibniz have poured
into them the whole content of their souls, rich with
the inventions of their genius and the acquisitions of
modern thought. And there are in each of them, es-
pecially in Spinoza, flashes of intuition that break through
the system. But if we leave out of the two doctrines
what breathes life into them, if we retain the skeleton
only, we have before us the very picture of Platonism
and Aristotelianism seen through Cartesian mechanism.
They present to us a systematization of the new |
physics, constructed on the model of the ancient |
metaphysics. |
What, indeed, could the unification of physics be?
The inspiring idea of that science was to isolate, within
the universe, systems of material points such that, the
position of each of these points being known at a given
moment, we could then calculate it for any moment
whatever. As, moreover, the systems thus defined were
the only ones on which the new science had hold, and
as it could not be known beforehand whether a system
satisfied or did not satisfy the desired condition, it was
useful to proceed always and everywhere as if the
condition was realized. There was in this a methodo-
logical rule, a very natural rule,—so natural, indeed,
that it was not even necessary to formulate it. For
simple common sense tells us that when we are
possessed of an effective instrument of research, and
are ignorant of the limits of its applicability, we should
act as if its applicability were unlimited; there will
always be time to abate it. But the temptation must
have been great for the philosopher to hypostasize this
hope, or rather this impetus, of the new science, and to
368 CREATIVE EVOLUTION CHAP
convert a general rule of method into a fundamental
law of things. So he transported himself at once to
the limit; he supposed physics to have become com-
plete and to embrace the whole of the sensible world.
The universe became a system of points, the position
of which was rigorously determined at each instant by
relation to the preceding instant and theoretically
calculable for any moment whatever. The result, in
short, was universal mechanism. But it was not enough
to formulate this mechanism: what was required
was to found it, to give the reason for it and prove
its necessity. And the essential affirmation of mechan-
ism being that of a reciprocal mathematical dependence
of all the points of the universe, as also of all the
moments of the universe, the reason of mechanism had
to be discovered in the unity of a principle into which
could be contracted all that is juxtaposed in space and
successive in time. Hence, the whole of the real was
supposed to be given at once. The reciprocal deter-
mination of the juxtaposed appearances in space was
explained by the indivisibility of true being, and the
inflexible determinism of successive phenomena in time
simply expressed that the whole of being is given in
the eternal.
The new philosophy was going, then, to be a
recommencement, or rather a transposition, of the old.
The ancient philosophy had taken each of the concepts
into which a becoming is concentrated or which mark its
apogee : 1t supposed them all known, and gathered them
up into a single concept, form of forms, idea of ideas,
like the God of Aristotle. The new philosophy was
going to take each of the Jews which condition a becom-
ing in relation to others and which are as the per-
manent substratum of phenomena: it would suppose
Iv SPINOZA AND LEIBNIZ 369
them all known, and would gather them up into a
unity which also would express them eminently, but
which, like the God of Aristotle and for the same
reasons, must remain immutably shut up in itself.
True, this return to the ancient philosophy was
not without great difficulties. When a Plato, an
Aristotle, or a Plotinus melt all the concepts of their
science into a single one, in so doing they embrace the
whole of the real, for concepts are supposed to represent
the things themselves, and to possess at least as much
positive content. But a law, in general, expresses
only a relation, and physical laws in particular express
only quantitative relations between concrete things.
So that if a modern philosopher works with the laws of
the new science as the Greek philosopher did with the
concepts of the ancient science, if he makes all the
conclusions of a physics supposed omniscient converge
on a single point, he neglects what is concrete in the
phenomena—the qualities perceived, the perceptions
themselves. His synthesis comprises, it seems, only a
fraction of reality. In fact, the first result of the new
science was to cut the real into two halves, quantity
and quality, the former being credited to the account
of dodies and the latter to the account of sou/s. The
ancients had raised no such barriers either between
quality and quantity or between soul and body. For
them, the mathematical concepts were concepts like the
others, related to the others and fitting quite naturally
into the hierarchy of the Ideas. Neither was the body
then defined by geometrical extension, nor the soul by
consciousness. If the wuy7 of Aristotle, the entelechy
of a living body, is less spiritual than our “soul,” it
is because his c@pa, already impregnated with the Idea,
is less corporeal than our “ body.”” The scission was
2B
370 CREATIVE EVOLUTION CHAP,
not yet irremediable between the two terms. It has
become so, and thence a metaphysic that aims at an
abstract unity must resign itself either to comprehend
in its synthesis only one half of the real, or to take
advantage of the absolute heterogeneity of the two
halves in order to consider one as a translation of the
other. Different phrases will express different things
if they belong to the same language, that is to say, if
there is a certain relationship of sound between them.
But if they belong to two different languages, they
might, just because of their radical diversity of sound,
express the same thing. So of quality and quantity, of
soul and body. It is for having cut all connection
between the two terms that philosophers have been led
to establish between them a rigorous parallelism, of
which the ancients had not dreamed, to regard them as
translations and not as inversions of each other; in
short, to posit a fundamental identity as a substratum
to their duality. The synthesis to which they rose
thus became capable of embracing everything. A
divine mechanism made the phenomena of thought to
correspond to those of extension, each to each, qualities
to quantities, souls to bodies.
It is this parallelism that we find both in Leibniz
and in Spinoza—in different forms, it is true, because
of the unequal importance which they attach to exten-
sion. With Spinoza, the two terms Thought and Exten-
sion are placed, in principle at least, in the same rank.
They are, therefore, two translations of one and the
same original, or, as Spinoza says, two attributes of one
and the same substance, which we must call God. And
these two translations, as also an infinity of others into
languages which we know not, are called up and even
forced into existence by the original, just as the essence
Iv SPINOZA AND LEIBNIZ 371

of the circle is translated automatically, so to speak,


both by a figure and by an equation. For Leibniz, on
the contrary, extension is indeed still a translation, but
itis thought that is the original, and thought might
dispense with translation, the translation being made
only for us. In positing God, we necessarily posit also
all the possible views of God, that is to say, the monads,
But we can always imagine that a view has been taken
from a point of view, and it is natural for an imperfect
mind like ours to class views, qualitatively different,
according to the order and position of points of view,
qualitatively identical, from which the views might
have been taken. In reality the points of view do not
exist, for there are only views, each given in an indi-
visible block and representing in its own way the
whole of reality, which is God. But we need to
express the plurality of the views, that are unlike each
other, by the multiplicity of the points of view that are
exterior to each other ; and we also need to symbolize
the more or less close relationship between the views
by the relative situation of the points of view to one
another, their nearness or their distance, that is to say,
by a magnitude. That is what Leibniz means when
he says that space is the order of coexistents, that the
perception of extension is a confused perception (that
is to say, a perception relative to an imperfect mind),
and that nothing exists but monads, expressing thereby
that the real Whole has no parts, but is repeated to
infinity, each time integrally (though diversely) within
itself, and that all these repetitions are complementary
to each other. In just the same way, the visible relief
of an object is equivalent to the whole set of stereo-
scopic views taken of it from all points, so that, instead
of seeing in the relief a juxtaposition of solid parts,
372 CREATIVE EVOLUTION ae
we might quite as well look upon it as made of the
reciprocal complementarity of these whole views, each
given in block, each indivisible, each different from all
the others and yet representative of the same thing.
The Whole, that is to say, God, is this very relief for
Leibniz, and the monads are these complementary
plane views ; for that reason he defines God as “the
substance that has no point of view,” or, again, as “the
universal harmony,” that is to say, the reciprocal com-
plementarity of monads. In short, Leibniz differs
from Spinoza in this, that he looks upon the universal
mechanism as an aspect which reality takes for us,
whereas Spinoza makes of it an aspect which reality
takes for itself.
It is true that, after having concentrated in God the
whole of the real, it became difficult for them to pass
from God to things, from eternity to time. The diffi-
culty was even greater for these philosophers than for
an Aristotle or a Plotinus. The God of Aristotle,
indeed, had been obtained by the compression and
reciprocal compenetration of the Ideas that represent, in
their finished state or in their culminating point, the
changing things of the world. He was, therefore,
transcendent to the world, and the duration of things
was juxtaposed to His eternity, of which it was only
a weakening. But in the principle to which we are led
by the consideration of universal mechanism, and which
must serve as its substratum, it 1s not concepts or shings,
but laws or re/ations that are condensed. Now, a rela-
tion does not exist separately. A law connects changing
terms and is immanent in what it governs. The prin-
ciple in which all these relations are ultimately summed
up, and which is the basis of the unity of nature, can-
not, therefore, be transcendent to sensible reality ; it is
Iv SPINOZA AND LEIBNIZ 373

immanent in it, and we must suppose that it is at once


both in and out of time, gathered up in the unity of its —
substance and yet condemned to wind it off in an end-
less chain. Rather than formulate so appalling a contra-
diction, the philosophers were necessarily led to sacrifice
the weaker of the two terms, and to regard the temporal
aspect of things as a mere illusion. Leibniz says so in
explicit terms, for he makes of time, as of space, a con-
fused perception. While the multiplicity of his monads
expresses only the diversity of views taken of the whole,
the history of an isolated monad seems to be hardly
anything else than the manifold views that it can take
of its own substance : so that time would consist in all
the points of view that each monad can assume towards
itself, as space consists in all the points of view that all
monads can assume towards God. But the thought of
Spinoza is much less clear, and this philosopher seems to
have sought to establish, between eternity and that which
has duration, the same difference as Aristotle made
between essence and accidents : a most difficult under-
taking, for the A» of Aristotle was no longer there to
measure the distance and explain the passage from the
essential to the accidental, Descartes having eliminated
it for ever. However that may be, the deeper we go
into the Spinozistic conception of the “ inadequate,” as
related to the “adequate,” the more we feel ourselves
moving in the direction of Aristotelianism,—just as the
Leibnizian monads, in proportion as they mark them-
selves out the more clearly, tend to approximate to the
Intelligibles of Plotinus... The natural trend of these
1 In a course of lectures on Plotinus, given at the Collége de France in
1897-1898, we tried to bring out these resemblances. They are numerous
and impressive. The analogy is continued even in the formulae employed
on each side.
374 CREATIVE EVOLUTION CHAR,
two philosophies brings them back to the conclusions
of the ancient philosophy.
To sum up, the resemblances of this new metaphysic
to that of the ancients arise from the fact that both
suppose ready-made—the former above the sensible,
the latter within the sensible—a science one and com-
plete, with which any reality that the sensible may
contain is believed to coincide. For both, reality as
well as truth are integrally given in eternity. Both
are opposed to the idea of a reality that creates itself
gradually, that is, at bottom, to an absolute duration.

Now, it might easily be shown that the conclusions of


this metaphysic, springing from science, have rebounded
upon science itself, as it were, by ricochet. They
penetrate the whole of our so-called empiricism.
Physics and chemistry study only inert matter ; bio-
logy, when it treats the living being physically and
chemically, considers only the inert side of the living :
hence the mechanistic explanations, in spite of their
development, include only a small part of the real. To
suppose a priori that the whole of the real is resolvable
into elements of this kind, or at least that mechanism
can give a complete translation of what happens in
the world, is to pronounce for a certain metaphysic,—
the very metaphysic of which Spinoza and Leibniz
have laid down the principles and drawn the conse-
quences. Certainly, the psycho-physiologist who affirms
the exact equivalence of the cerebral and the psychical
state, who imagines the possibility, for some super-
human intellect, of reading in the brain what is going
on in consciousness, believes himself very far from the
metaphysicians of the seventeenth century, and very
near to experience. Yet experience pure and simple
Se

Iv PARALLELISM AND MONISM 375


tells us nothing of the kind. It shows us the inter-
dependence of the mental and the physical, the necessity
of acertain cerebral substratum for the psychical state,—
nothing more. From the fact that two things are mutu-
ally dependent, it does not follow that they are equiva-
lent. Because a certain screw is necessary to a certain
machine, because the machine works when the screw is
there and stops when the screw is taken away, we do not
say that the screw is the equivalent of the machine. For
correspondence to be equivalence, it would be necessary
that to any part of the machine a definite part of the
screw should correspond—as in a literal translation in
which each chapter renders a chapter, each sentence a
sentence, each word a word. Now, the relation of the
brain to consciousness seems to be entirely different.
Not only does the hypothesis of an equivalence between
the psychical state and the cerebral state imply a down-
right absurdity, as we have tried to prove in a former
essay, but the facts, examined without prejudice, cer-
tainly seem to indicate that the relation of the psychical
to the physical is just that of the machine to the screw.
To speak of an equivalence between the two is simply
to curtail, and make almost unintelligible, the Spinozis-
tic or Leibnizian metaphysic. It1is to accept this philo-
sophy, such as it is, on the side of Extension, but to
mutilate it on the side of Thought. With Spinoza,
with Leibniz, we suppose the unifying synthesis of the
phenomena of matter achieved, and everything in matter
explained mechanically. But, for the conscious facts,
we no longer push the synthesis to the end. We stop
half-way. We suppose consciousness to be coextensive
1 “Le Paralogisme psycho-physiologique ” (Revue de métaphysique et de
morale, Nov. 1904, pp. 895-908). Cf. Matiére et mémoire, Paris, 1896,
chap. 1.
376 CREATIVE EVOLUTION CHAP.
with a certain part of nature and not with all of it.
Weare thus led, sometimes to an “epiphenomenalism”
that associates consciousness with certain particular
vibrations and puts it here and there in the world ina
sporadic state, and sometimes to a “monism” that
scatters consciousness into as many tiny grains as there
are atoms ; but, in either case, it is to an incomplete
Spinozism or to an incomplete Leibnizianism that we
come back. Between this conception of nature and
Cartesianism we find, moreover, intermediate historical
stages. The medical philosophers of the eighteenth
century, with their cramped Cartesianism, have had a
great part in the genesis of the “ epiphenomenalism ”
and “monism”’ of the present day.

These doctrines are thus found to fall short of the


Kantian criticism. Certainly, the philosophy of Kant
is also imbued with the belief in a science single and
complete, embracing the whole of the real. Indeed,
looked at from one aspect, it is only a continuation of
the metaphysics of the moderns and a transposition of
the ancient metaphysics. Spinoza and Leibniz had,
following Aristotle, hypostasized in God the unity of
knowledge. The Kantian criticism, on one side at
least, consists in asking whether the whole of this
hypothesis is necessary to modern science as it was to
ancient science, or if part of the hypothesis is not
sufficient. For the ancients, science applied to concepts,
that is to say, to kinds of things. In compressing all
concepts into one, they therefore necessarily arrived at
a being, which we may call Thought, but which was
rather thought-object than thought-subject. When
Aristotle defined God the vorjoews vonaus, it is probably
On vojncews, and not on venous that he put the emphasis.
Iv THE KANTIAN CRITICISM 377
God was the synthesis of all concepts, the idea of
ideas. But modern science turns on laws, that is, on
relations. Now, a relation is a bond established by a
mind between two or more terms. AQ relation is
nothing outside of the intellect that relates. The
universe, therefore, can only be a system of laws if
phenomena have passed beforehand through the filter
of an intellect. Of course, this intellect might be that
of a being infinitely superior to man, who would found
the materiality of things at the same time that he
bound them together: such was the hypothesis of
Leibniz and of Spinoza. But it is not necessary to go
so far, and, for the effect we have here to obtain, the
human intellect is enough : such is precisely the Kantian
solution. Between the dogmatism of a Spinoza or a
Leibniz and the criticism of Kant there is just the same
distance as between “it may be maintained that —”
and “it suffices that —.” Kant stops this dogmatism
on the incline that was making it slip too far toward the
Greek metaphysics ; he reduces to the strict minimum
the hypothesis which is necessary in order to suppose
the physics of Galileo indefinitely extensible. True,
when he speaks of the human intellect, he means
neither yours nor mine: the unity of nature comes
indeed from the human understanding that unifies,
but the unifying function that operates here is im-
personal. It imparts itself to our individual con-
sciousnesses, but it transcends them. It is much less
than a substantial God; it is, however, a little more
than the isolated work of a man or even than the
collective work of humanity. It does not exactly lie
within man; rather, man lies within it, as in an
atmosphere of intellectuality which his consciousness
breathes. It is, if we will, a formal God, something
378 CREATIVE EVOLUTION CHAP.

that in Kant is not yet divine, but which tends to


become so. It became so, indeed, with Fichte. With
Kant, however, its principal réle was to give to the whole
of our science a relative and human character, although
of a humanity already somewhat deified. From this
point of view, the criticism of Kant consisted chiefly in
limiting the dogmatism of his predecessors, accepting
their conception of science and reducing to a minimum
the metaphysic it implied.
But it is otherwise with the Kantian distinction
between the matter of knowledge and its form. By
regarding intelligence as pre-eminently a faculty of estab-
lishing relations, Kant attributed an extra-intellectual
origin to the terms between which the relations are
established. He affirmed, against his immediate pre-
decessors, that knowledge is not entirely resolvable into
terms of intelligence. He brought back into philo-
sophy—while modifying it and carrying it on to
another plane—that essential element of the philo-
sophy of Descartes which had been abandoned by the
Cartesians.
Thereby he prepared the way for a new philosophy,
which might have established itself in the extra-
intellectual matter of knowledge by a higher effort of
intuition. Coinciding with this matter, adopting the
same rhythm and the same movement, might not con-
sciousness, by two efforts of opposite direction, raising
itself and lowering itself by turns, become able to grasp
from within, and no longer perceive only from without,
the two forms of reality, body and mind? Would not
this twofold effort make us, as far as that is possible,
re-live the absolute? Moreover, as, in the course of
this operation, we should see intellect spring up of itself,
cut itself out in the whole of mind, intellectual know-
Iv THE KANTIAN CRITICISM 379
ledge would then appear as it is, limited, but not
relative.
Such was the direction that Kantianism might have
pointed out to a revivified Cartesianism. But in this
direction Kant himself did not go.
He would not, because, while assigning to knowledge
an extra-intellectual matter, he believed this matter to
be either co-extensive with intellect or less extensive
than intellect. Therefore he could not dream of cutting
out intellect in it, nor, consequently, of tracing the
genesis of the understanding and its categories. The
moulds of the understanding and the understanding itself
had to be accepted as they are, already made. Between
the matter presented to our intellect and this intellect
itself there was no relationship. The agreement between
the two was due to the fact that intellect imposed its
form on matter. So that not only was it necessary
to posit the intellectual form of knowledge as a kind
of absolute and give up the quest of its genesis, but
the very matter of this knowledge seemed too ground
down by the intellect for us to be able to hope to get it
back in its original purity. It was not the “ thing-in-
itself,” it was only the refraction of it through our
atmosphere.
If now we inquire why Kant did not believe that
the matter of our knowledge extends beyond its form,
this is what we find. The criticism of our knowledge
of nature that was instituted by Kant consisted in
ascertaining what our mind must be and what Nature
must be if the claims of our science are justified ; but
of these claims themselves Kant has not made the
criticism. I mean that he took for granted the idea of
a science that is one, capable of binding with the same
force all the parts of what is given, and of codrdinating
380 CREATIVE EVOLUTION CHAP.
them into a system presenting on all sides an equal
solidity. He did not consider, in his Critique of Pure
Reason, that science became less and less objective,
more and more symbolical, to the extent that it went
from the physical to the vital, from the vital to the
psychical. Experience does not move, to his view, in
two different and perhaps opposite ways, the one con-
formable to the direction of the intellect, the other con-
trary to it. There is, for him, only one experience, and
the intellect covers its whole ground. This is what Kant
expresses by saying that all our intuitions are sensuous,
or, in other words, infra-intellectual. And this would
have to be admitted, indeed, if our science presented in
all its parts an equal objectivity. But suppose, on the
contrary, that science is less and less objective, more
and more symbolical, as it goes from the physical to the
psychical, passing through the vital: then, as it is indeed
necessary to perceive a thing somehow in order to sym-
bolize it, there would be an intuition of the psychical,
and more generally of the vital, which the intellect
would transpose and translate, no doubt, but which
would none the less transcend the intellect. There
would be, in other words, a supra-intellectual intuition.
If this intuition exist, a taking possession of the spirit
by itself is possible, and no longer only a knowledge
that is external and phenomenal. What is more, if
we have an intuition of this kind (I mean an ultra-
intellectual intuition), then sensuous intuition is likely to
be in continuity with it through certain intermediaries,
as the infra-red is continuous with the ultra-violet.
Sensuous intuition itself, therefore, is promoted. It
will no longer attain only the phantom of an unattain-
able thing-in-itself. It is (provided we bring to it
certain indispensable corrections) into the absolute
Iv THE KANETUAN CRITICISM 381
itself that it will introduce us. So long as it was
regarded as the only material of our science, it reflected
back on all science something of the relativity which
strikes a scientific knowledge of spirit ; and thus the
perception of bodies, which is the beginning of the
science of bodies, seemed itself to be relative. Relative,
therefore, seemed to be sensuous intuition. But this is
not the case if distinctions are made between the different
sciences, and if the scientific knowledge of the spiritual
(and also, consequently, of the vital) be regarded as the
more or less artificial extension of a certain manner of
knowing which, applied to bodies, is not at all symbolical.
Let us go further : if there are thus two intuitions of
different order (the second being obtained by a reversal
of the direction of the first), and if it is toward the
second that the intellect naturally inclines, there is no
essential difference between the intellect and this in-
tuition itself. The barriers between the matter of
sensible knowledge and its form are lowered, as also
between the “ pure forms ” of sensibility and the cate-
gories of the understanding. The matter and form of
intellectual knowledge (restricted to its own object) are
seen to be engendering each other by a reciprocal
adaptation, intellect modelling itself on corporeity, and
corporeity on intellect.
But this duality of intuition Kant neither would nor
could admit. It would have been necessary, in order
to admit it, to regard duration as the very stuff of
reality, and consequently to distinguish between the
substantial duration of things and time spread out in
space. It would have been necessary to regard space
itself, and the geometry which is immanent in space, as
an ideal limit in the direction of which material things
develop, but which they do not actually attain. Nothing
382 CREATIVE EVOLUTION CHAP.

could be more contrary to the letter, and perhaps also


to the spirit, of the Critique of Pure Reason. No doubt,
knowledge is presented to us in it as an ever-open roll,
experience as a push of facts that is for ever going on.
But, according to Kant, these facts are spread out on
one plane as fast as they arise; they are external to
each other and external to the mind. Of a knowledge
from within, that could grasp them in their springing
forth instead of taking them already sprung, that would
dig beneath space and spatialized time, there is never
any question. Yet it is indeed beneath this plane that
our consciousness places us ; there flows true duration.
In this respect, also, Kant is very near his pre-
decessors. Between the non-temporal, and the time that
is spread out in distinct moments, he admits no mean.
And as there is indeed no intuition that carries us
into the non-temporal, all intuition is thus found to
be sensuous, by definition. But between physical
existence, which is spread out in space, and non-
temporal existence, which can only be a conceptual and
logical existence like that of which metaphysical dog-
matism speaks, is there not room for consciousness and
for life? There is, unquestionably. We perceive it
when we place ourselves in duration in order to go
from that duration to moments, instead of starting
from moments in order to bind them again and to
construct duration.
Yet it was to a non-temporal intuition that the
immediate successors of Kant turned, in order to
escape from the Kantian relativism. Certainly, the
ideas of becoming, of progress, of evolution, seem to
occupy a large place in their philosophy. But does
duration really play a part in it? Real duration is that
in which each form flows out of previous forms, while
Iv THE KANTIAN CRITICISM 383
adding to them something new, and is explained by
them as much as it explains them ; but to deduce this
form directly from one complete Being which it is
supposed to manifest, is to return to Spinozism. It
is, like Leibniz and Spinoza, to deny to duration all
efficient action. The post-Kantian philosophy, severe
as it may have been on the mechanistic theories, accepts
from mechanism the idea of a science that is one and
the same for all kinds of reality. And it is nearer to
mechanism than it imagines; for though, in the con-
sideration of matter, of life and of thought, it replaces
the successive degrees of complexity that mechanism
supposed by degrees of the realization of an Idea or by
degrees of the objectification of a Will, it still speaks of
degrees, and these degrees are those of a scale which
Being traverses in a single direction. In short, it
makes out the same articulations in nature that
mechanism does. Of mechanism it retains the whole
design ; it merely gives it a different colouring. But
it is the design itself, or at least one half of the design,
that needs to be re-made.
If we are to do that, we must give up the method
of construction, which was that of Kant’s successors.
We must appeal to experience—an experience purified,
or, in other words, released, where necessary, from the
moulds that our intellect has formed in the degree and
proportion of the progress of our action on things.
An experience of this kind is not a non-temporal
experience. It only seeks, beyond the spatialized time
in which we believe we see continual rearrangements
between the parts, that concrete duration in which a
radical recasting of the whole is always going on. It
follows the real in all its sinuosities. It does not lead
us, like the method of construction, to higher and
384 CREATIVE EVOLUTION pean
higher generalities,—piled-up storeys of a magnifi-
cent building. But then it leaves no play between the
explanations it suggests and the objects it has to
explain. It is the detail of the real, and no longer
only the whole in a lump, that it claims to illumine.

That the thought of the nineteenth century called


for a philosophy of this kind, rescued from the arbitrary,
capable of coming down to the detail of particular facts,
is unquestionable. Unquestionably, also, it felt that
this philosophy ought to establish itself in what we call
concrete duration. The advent of the moral sciences,
the progress of psychology, the growing importance of
embryology among the biological sciences—all this was
bound to suggest the idea of a reality which endures
inwardly, which is duration itself. So, when a phil-
osopher arose who announced a doctrine of evolution,
in which the progress of matter toward perceptibility
would be traced together with the advance of the mind
toward rationality, in which the complication of corre-
spondences between the external and the internal would
be followed step by step, in which change would become
the very substance of things—to him all eyes were
turned. The powerful attraction that Spencerian evolu-
tionism has exercised on contemporary thought is due
to that very cause. However far Spencer may seem to
be from Kant, however ignorant, indeed, he may have
been of Kantianism, he felt, nevertheless, at his first
contact with the biological sciences, the direction in
which philosophy could continue to advance without
laying itself open to the Kantian criticism.
But he had no sooner started to follow the path
than he turned off short. He had promised to retrace
a genesis, and, lo! he was doing something entirely
w THE EVOLUTIONISM OF SPENCER 385
different. His doctrine bore indeed the name of
evolutionism ; it claimed to remount and redescend
the course of the universal becoming; but, in fact, it
dealt neither with becoming nor with evolution.
We need not enter here into a profound examina-
tion of this philosophy. Let us say merely that she
usual device of the Spencerian method consists in recon-
structing evolution with fragments of the evolved. If |
paste a picture on a card and then cut up the card into
bits, I can reproduce the picture by rightly grouping
again the small pieces. And a child who working
thus with the pieces of a puzzle-picture, and putting
together unformed fragments of the picture, finally
obtains a pretty coloured design, no doubt imagines
that he has produced design and colour. Yet the act
of drawing and painting has nothing to do with that
of putting together the fragments of a picture already
drawn and already painted. So, by combining together
the most simple results of evolution, you may imitate
well or ill the most complex effects; but of neither
the simple nor the complex will you have retraced
the genesis, and the addition of evolved to evolved
will bear no resemblance whatever to the movement
of evolution.
Such, however, is Spencer’s illusion. He takes
reality in its present form; he breaks it to pieces,
he scatters it in fragments which he throws to the
winds; then he “integrates” these fragments and
“dissipates their movement.” Having imitated the
Whole by a work of mosaic, he imagines he has
retraced the design of it, and made the genesis.
Is it matter that is in question? The diffused
elements which he integrates into visible and tangible
bodies have all the air of being the very particles of the
oe
386 CREATIVE EVOLUTION CHAP,

simple bodies, which he first supposes disseminated


throughout space. They are, at any rate, “ material
points,” and consequently unvarying points, veritable
little solids: as if solidity, being what is nearest and
handiest to us, could be found at the very origin of
materiality! The more physics progresses, the more
it shows the impossibility of representing the properties
of ether or of electricity,—the probable base of all
bodies,—on the model of the properties of the matter
which we perceive. But philosophy goes back further
even than the ether, a mere schematic figure of the
relations between phenomena apprehended by our
senses. It knows indeed that what is visible and
tangible in things represents our possible action on
them. It is not by dividing the evolved that we
shall reach the principle of that which evolves. It
is not by recomposing the evolved with itself that we
shall reproduce the evolution of which it is the term.
Is it the question of mind? By compounding the
reflex with the reflex, Spencer thinks he generates
instinct and rational volition one after the other.
He fails to see that the specialized reflex, being
a terminal point of evolution just as much as
perfect will, cannot be supposed at the start. That
the first of the two terms should have reached its
final form before the other is probable enough;
but both the one and the other are deposits of the
evolution movement, and the evolution movement
itself can no more be expressed as a function solely
of the first than solely of the second. We must
begin by mixing the reflex and the voluntary. We
must then go in quest of the fluid reality which has
been precipitated in this twofold form, and which
probably shares in both without being either. At
wv THE EVOLUTIONISM OF SPENCER 387
the lowest degree of the animal scale, in living beings
that are but an undifferentiated protoplasmic mass,
the reaction to stimulus does not yet call into play
one definite mechanism, as in the reflex; it has not
yet choice among several definite mechanisms, as in
the voluntary act ; it is, then, neither voluntary nor
reflex, though it heralds both. We experience in
ourselves something of this true original activity
when we perform semi-voluntary and semi-automatic
movements to escape a pressing danger. And yet
this is but a very imperfect imitation of the primitive
character, for we are concerned here with a mixture
of two activities already formed, already localized in
a brain and in a spinal cord, whereas the original
activity was a simple thing, which became diversified
through the very construction of mechanisms like
those of the spinal cord and brain. But to all this
Spencer shuts his eyes, because it is of the essence of
his method to recompose the consolidated with the
consolidated, instead of going back to the gradual
process of consolidation, which is evolution itself.
Is it, finally, the question of the correspondence
between mind and matter? Spencer is right in defining
the intellect by this correspondence. He 1s right in
regarding it as the end of an evolution. But when
he comes to retrace this evolution, again he integrates
the evolved with the evolved,—failing to see that he
is thus taking useless trouble, and that in positing the
slightest fragment of the actually evolved he posits
the whole,—so that it is vain for him, then, to pretend
to make the genesis of it.
For, according to him, the phenomena that suche
each other in nature project into the human mind
images which represent them. To the relations between
388 CREATIVE BVOLUTION CHAP.

phenomena, therefore, correspond symmetrically rela-


tions between the ideas. And the most general laws
of nature, in which the relations between phenomena
are condensed, are thus found to have engendered the
directing principles of thought, into which the relations
between ideas have been integrated. Nature, therefore,
is reflected in mind. The intimate structure of our
thought corresponds, piece by piece, to the very
skeleton of things.—I admit it willingly; but, in
order that the bias mind may be able to represent
relations between phenomena, there must first be
phenomena, that is to say, distinct facts, cut out in
the continuity of becoming. And once we posit this
particular mode of cutting up such as we perceive it
to-day, we posit also the intellect such as it is to-day,
for it is by relation to it, and to it alone, that reality is
cut up in this manner. Is it probable that mammals
and insects notice the same aspects of nature, trace in
it the same divisions, articulate the whole in the same
way? And yet the insect, so far as intelligent, has
already something of our intellect. Each being cuts
up the material world according to the lines that its
action must follow: it is these lines of possible
action that, by intercrossing, mark out the net of
experience of which each mesh is a fact. No doubt,
a town is composed exclusively of houses, and the
streets of the town are only the intervals between
the houses : so, we may say that nature contains only
facts, and that, the facts once posited, the relations are
simply the lines running between the facts. But, ina
town, it is the gradual portioning of the ground into
lots that has determined at once the place of the houses,
their general shape, and the direction of the streets : to
this portioning we must go back if we wish to understand
w THE EVOLUTIONISM OF SPENCER 389
the particular mode of subdivision that causes each
house to be where it is, each street to run as it does.
Now, the cardinal error of Spencer is to take experience
already allotted as given, whereas the true problem is
to know how the allotment was worked. I agree that
the laws of thought are only the integration of relations
between facts. But, when I posit the facts with the
shape they have for me to-day, I suppose my faculties
of perception and intellection such as they are in me
to-day; for it is they that portion the real into lots, they
that cut the facts out in the whole of reality. There-
fore, instead of saying that the relations between facts
have generated the laws of thought, I can as well claim
that it is the form of thought that has determined the
shape of the facts perceived, and consequently their
relations among themselves : the two ways of expressing
oneself are equivalent ; they say at bottom the same
thing. With the second, it is true, we give up
speaking of evolution. But, with the first, we only
speak of it, we do not think of it any the more. For
a true evolutionism would propose to discover by
what modus vivendt, gradually obtained, the intellect has
adopted its plan of structure, and matter its mode of
subdivision. This structure and this subdivision work
into each other ; they are mutually complementary;
they must have progressed one with the other. And,
whether we posit the present structure of mind or the
present subdivision of matter, in either case we remain
in the evolved : we are told nothing of what evolves,
nothing of evolution.
And yet it is this evolution that we must discover.
Already, in the field of physics itself, the scientists who
are pushing the study of their science furthest incline
to believe that we cannot reason about the parts as we
390 CREATIVE EVOLUTION CHAP.
reason about the whole; that the same principles are
not applicable to the origin and to the end of a pro-
gress ; that neither creation nor annihilation, for instance,
is inadmissible when we are concerned with the con-
stituent corpuscles of the atom. Thereby they tend
to place themselves in the concrete duration, in which
alone there is true generation and not only a composi-
tion of parts. It is true that the creation and annihila-
tion of which they speak concern the movement or the
energy, and not the imponderable medium through
which the energy and the movement are supposed to
circulate. But what can remain of matter when you
take away everything that determines it, that is to say,
just energy and movement themselves? The philosopher
must go further than the scientist. Making a clean
sweep of everything that is only an imaginative symbol,
he will see the material world melt back into a simple
flux, a continuity of flowing, a becoming. And he will
thus be prepared to discover real duration there where
it is still more useful to find it, in the realm of life
and of consciousness. For, so far as inert matter is
concerned, we may neglect the flowing without com-
mitting a serious error: matter, we have said, is
weighted with geometry; and matter, the reality
which descends, endures only by its connection with
that which ascends. But life and consciousness are this
very ascension. When once we have grasped them in
their essence by adopting their movement, we under-
stand how the rest of reality is derived from them.
Evolution appears and, within this evolution, the pro-
gressive determination of materiality and intellectuality
by the gradual consolidation of the one and of the
other. But, then, it is within the evolutionary move-
ment that we place ourselves, in order to follow it to
w THE EVOLUTIONISM OF SPENCER 391
its present results, instead of recomposing these results
artificially with fragments of themselves. Such seems
to us to be the true function of philosophy. So under-
stood, philosophy is not only the turning of the mind
homeward, the coincidence of human consciousness with
the living principle whence it emanates, a contact with
the creative effort: it is the study of becoming in
general, it is true evolutionism and consequently the
true continuation of science—provided that we under-
stand by this word a set of truths either experienced
or demonstrated, and not a certain new scholasticism
that has grown up during the latter half of the nine-
teenth century around the physics of Galileo, as the
old scholasticism grew up around Aristotle.
INDEX

(CoMPILED BY THE TRANSLATOR)

Abolition of everything a self-contra- as function of nervous system, 276,


diction, 295, 299, 312, 314 277
idea: Of, 294, 295, 290, 311,333. indivisibility of, 99, 100, 325-6
See Nought and inert matter, 102, 143, 149, 164,
Absence of order, 244, 247, 289. See 197, 209, 238-9, 387
Disorder instinct and, 143, 149
Absolute and freedom, 293 instrument of, consciousness, 190
reality, 210, 241, 242, 283, 379, 381 instrument of, life, 171
reality of the person, 283 instrument of, matter, 170, 209-10
time and the, 253, 254, 315, 3595 364 as instrument of consciousness, 190
Absoluteness of duration, 217 and intellect. See Intellect and action
of understanding, xi, 50, 160, 201, intensity of consciousness varies with
208, 210 ratio of possible, to real, 152
Abstract becoming, 321-4 meaning of, 318-19
multiplicity, 271-3 moves from want to fulness, 313, 314
time, 9, 18, 21-3, 39, 41, 48, 49, 54, organism a machine for, 266, 268,
172, 335-6, 354-5, 372-3 316-17
Accident and essence in Aristotle’s and perception, 5, 12, 13, 99, 198, 199,
philosophy, 373-4 218, 239-42, 316-17, 323-4, 389
in evolution, g1-2, I10, 121, 133, possible, 12,.°14,. 102, FSI, 152, 154,
179, 180, 265, 268, 269, 280, 281, 167, 174, 189-91, 199, 278
344-5 and science, 98, 206-7, 209-10, 347-8
Accidental variations, 58, 67, 72, 73, and space, 214
78, 90-91, 178 sphere of the intellect, 164
Accumulation of energy, function of tension in a free, 210-11, 219, 250,
vegetable organisms, 267, 269 252, 317-18
Achilles and tortoise, in Zeno, 327-8, Activity, dissatisfaction the starting-point
349°3° of, 313
Acquired characters, inheritance of, of instinct, continuous with vital pro-
80-3, 88-9, 92-3, 178, 179, 182-3, cess, 146, 147
243 life as, 135-6, 259
Act, consciousness as inadequacy of, to mutually inverse factors in vital, 261,
representation, 151 and nervous system, 115, 136-7, 139,
form (or essence), quality, three 141-2, 190, 266, 275-7
classes of representation, 319-20 organism as, 183-4
Action, creativeness of free, 203, 261 potential. See Action, possible
and concepts, 169, 313 tension of free, 210-11, 213, 219,
and consciousness, xiii, 5, 151, 152, 235-6, 250, 252, 317-18
189-90, 219, 275 and torpor in evolution, 115, 117,
discontinuity of, 162, 323-4 119, 120 note, 126-7, 135-6, 142-3,
freedom of, in animals, 136-7 191, 308
393
394 CREATIVE EVOLUTION
vital, has evolved divergently, 141. Aristotle, 141-2, 183-5, 239-40, 332-3,
See Divergent lines of evolution 339, 341, 342, 346-52, 367, 369,
Adaptation, 54, 58, 60-61, 63, 74, 107, 374, 377, 389, 391
135-6, 138, 203, 269, 285, 322-3 Arrow of Zeno, 325-9
and causation, 107, 108 ascent toward God, in Aristotle, 341
mutual, between materiality and in- Astronomy, ancient and modern,
tellectuality, 197, 218
and progress, 107 attraction and impulsion in, 341-2
Adequate and inadequate in Spinoza, becoming in, 330-31, 334
39° bow and indivisibility of motion, 325-6
Adjectives, substantives and verbs, 319- Caelo (De), of Aristotle, 340 note, 342
20, 331-2 note
Aesthetics and philosophy, 186-7 and Cartesian geometry, 352-3
Affection, Role of, in the idea of causality in, 341, 343-4
chance, 247 change in, 330-31, 334, 346-7, 362-4
in the idea of nought, 297-9, 305, 309, cinematographical nature of, 332-3
_ BIT, 313, 314 circularity of God’s thought, 341-2
In negation, 302-3, concentric spheres, 346-7
Affirmation and negation, 301-2, 309 concepts, 344-5, 377
Age and individuality, 16 “conversion” and procession’’ in ’
Albuminoid substances, 128-9 341
Alciope, 101 degradation of ideas into sensible flux,
Alexandrian philosophy, 340, 341 334-6, 339, 341-2, 345, 346-7,
Algae in illustration of probable con- 362-4, 372-3
sciousness in vegetable forms, 118, degrees of reality, 341-2, 345
229 diminution, derivation of becoming
Alimentation, 120, 123, 260 by. See Degradation of Ideas, ete.
Allegory of the Cave, 202 duration, 334-7 nofe, 341-2, 345-7
Alternations of increase and decrease of Eleatic philosophy, 324-5, 331-2
mutability of the universe, 257-8 Enneads of Plotinus, 222 note
Alveolar froth, 35-6 essence and accident, 374
Ambiguity of the idea of “generality’’ essence or form, 331-2
in philosophy, 243-4, 338-9 eternal, 335-6, 341-4
of primitive organisms, 104, 118, 119, Eternity, 334-5, 337-8, 342, 346-7
136-7 extension, 222 note, 335-6, 341-2,
Ammophila hirsuta, paralysing instinct 345
in, 182 form or idea, 331-7, 340, 345, 348-9,
Amoeba, in illustration of imitation of 377°3
the living by the unorganized, 35-8 geometry, Cartesian, and ancient
in illustration of the ambiguity of philosophy, 352-3
primitive organisms, 104 God of Aristotle, 207-8, 340-2, 369,
in illustration of the mobility char- 372-3, 377
acteristic of animals, 114 Un, 374
in illustration of the ‘‘ explosive” ex- Idea, 331-40, 372-3
penditure of energy characteristic of and indivisibility of motion, 324-5,
animals, 125-6, 266 328-9
Anagenesis, 36 intelligible reality in, 344
Anarchy, idea of, 246, 247. See Dis- intelligibles of Plotinus, 374
order Néyos of Plotinus, 222 note
Anatomy, comparative, and transform- matter in Aristotle’s philosophy, 334,
ism, 26 345
Ancient philosophy, Achilles and tortoise, and modern astronomy, 353-4, 354-5
3*7°9 and modern geometry, 352-3
Alexandrian philosophy, 340, 341 and modern philosophy, 238-9, 241-2,
Allegory of the Cave, 202 244, 297, 364, 365, 369-71, 385,
Anima (De), 340 note Eb og
Apogee of sensible object, 362, 364, and modern science, 347-8, 355, 361
369 2, 364, 377 i

Archimedes, 352-3 motion in, 324-5, 329-30


INDEX 395
necessity in, 345 and plants in respect to function, 124,
vohoews vono.s, 377 127-8, 133
non-being, 334, 345 and plants in respect to instinct, 175,
vods tounriKds, 340 179
oscillation about being, sensible reality and plants in respect to mobility, 115,
a8, 334-5 116, 119, 136-7, 139, 142-3, 191-2
Physics of Aristotle, 239-40 note, and plants in respect to nature of con-
342 note, 348-50 sciousness, 141-2
Plato, $1, 164, 202, 222 mote, 332-5, Antagonistic currents of the vital im-
339-42, 345, 348-9, 367, 369 petus, 135-6, 142-3, 191, 195, 263,
Plotinus, 222, 332-3, 341-2, 343 nore, 273
369, 372-4 Anthophora, 153, 154
procession in Alexandrian philosophy, Antinomies of Kant, 216, 217
341 Antipathy. See Sympathy, Feeling,
WuxX%}, 222 note, 370 Divination
realism in, 244 Antithesis and thesis, 217
refraction of idea through matter or Ants, 106, 140, 147, 166
non-being, 334-5 Ape’s brain and consciousness contrasted
sectioning of becoming, 335-6 with man’s, 277
sensible reality, 331-2, 334-5, 339, Aphasia, 190
345-75 372-3 Apidae, social instinct in the, 181
o@ua, 370 Apogee of instinct in the hymenoptera
space and time, 335-6, 336-7 and of intelligence in man, 184-5.
Timaeus, 334 note See Evolutionary superiority
time in ancient and in modern science, Apogee of sensible object, in philosophy
349-50, 355-6, 361-3 of Ideas, 362-3, 364, 369
time and space, 335-6, 336-7 Approximateness of the knowledge of
vision of God in Alexandrian philo- matter, 218
sophy, 340 Approximation, in matter, to the mathe-
Zeno, 325, 331-2 matical order, 230. See Order
Ancient science and modern, 34.7-§0, 355- Archimedes, 352-3
6, 361-4, 377 Aristotle. See Ancient Philosophy,
Anima (De), of Aristotle, 340 note Aristotle
Animal kingdom, 13, 111, 125-7, 133, Arrow, Flying, of Zeno, 324-5, 325-6,
135-6, 138, 141-3, 145, 146, 189, 329-39
194-5 Art, 7, 30 note, 48, 95, 186-7. See
Animals, 111-54, 177, 179, 191, 193-4, Order in free activity or art
197, 198, 224, 226, 259, 260, 265, Artemia Salina, transformations of, 77,
267, 268, 276-9, 281, 282, 286, 78
308, 317-18 Arthropods in evolution, 136-42, 149
deduction in, 223 Articulate species, 140
induction in, 226 Articulations of matter relative to action,
and man, 146-50, 193-4, 197, 198, 164, 388
224,277, 273, 281, 282 of motion, 327-8
and man in respect to brain, 193-4, of real time, 350-51
194-5) 277-9 ; Artificial, how far scientific knowledge
and man in respect to consciousness, is, 207-8, 230-31
146-50, 190, 193, 194, 197, 198, instruments, 145, 146, 148
202, 224, 277-82 Artist, in illustration of the creativeness
and man in respect to instruments of of duration, 359-60
action, 146-50, 158-9 Ascending cosmic movement, 12, 220,
and man in respect to intelligence, 291, 391
145, 197, 198, 202, 224 Ascent toward God, in Aristotle, 34.1
and plants, 111-46, 131-2, 150, 153, Association of organisms, 274. See In-
154, 177-9, 191-2, 267, 268, 308 dividuation
and plants in respect to activity of universal oscillation between associa-
consciousness, 115, 117, 119, 126-7, tion and individuation, 273, 275.
135-6, 139, 141-3, 150, 151, 191-2, See Societies
308 | Astronomy and deduction, 225
396 CREATIVE EVOLUTION
and the inert order, 236-7 evolutionist, 177
modern, in reference to ancient science, and philosophy, 46, 204-7
353°5 and physico-chemistry, 27
Atmosphere of spatiality bathing intel- Blaringhem, go-g1
ligence, 216 Bodies, 165, 198, 199, 315-18, 38.
Atom, 253, 267, 269 See Matter as a relaxation of the
as an intellectual view of matter, 214, unextended into the extended
263 defined as bundles of qualities, 368
and interpenetration, 219 Bois-Reymond (Du), 40
Attack and defence in evolution, 138 Boltzmann, 258
Attention, 2, 156-7, 162, 194-5, 221 Bombines, social instincts in, 181
discontinuity of, 2 Bouvier, 149 ote
in man and in lower animals, 194-5. Bow, strain of, illustrating indivisibility
See Tension and instinct, Tension of motion, 325-6
as inverted extension, Tension of Brain and consciousness, 5, 115, 116,
personality, Sympathetic apprecia- 189-90, 193-5, 224 note, 265, 266,
tion, etc., Relaxation and intellect 275-9, 283, 285, 375, 376, 387.
Attraction and impulsion in Greek See Nervous System
philosophy, 341, 342 in man and lower animals, 193-4,
Attribute and subject, 155 194-5, 277-9
Automatic activity, 152 Brandt, 70 note
as instrument of voluntary, 265 Breast-plate, in reference to animal
order, 236-7, 244-6. See Negative mobility, 137, 138. See Carapace,
movement, etc., Geometrical order Cellulose envelope
Automatism, 133-4, 151, 152, 183-4, Brown-Séquard, 84-6
235-6, 275, 278, 279 Bulb, medullary, in the development of
the nervous system, 116, 266
Background of instinct and intelligence, Busquet, 274 note
consciousness as, 196 Butschhi, 35 note
Backward-looking attitude of the in- Buttel-Reepen, 181 note
tellect, 50, 250 Butterflies, in illustration of variation
Baldwin, J. M., 28 note from evolutionary type, 77
Ballast of intelligence, 160, 243, 252,
$99°91 Caelo (De), of Aristotle, 339 note, 342 note
Bastian, 224 note Calcareous sheath, in reference to animal
Bateson, 66 mobility, 137
Becoming, 172, 173, 250, 261, 262, Calkins, 17 note
288, 315-20, 324-5, 330-31, 3345 Canal, in illustration of the relation of
356-7, 361-2, 365, 383 function and structure, 99
in ancient philosophy, 330-31, 334 Canalization, in illustration of the func-
in Descartes’s philosophy, 365 tion of animal organisms, gg, 100,
in Eleatic philosophy, 330-31, 331-2 116, 133, 285, 270
in general, or abstract becoming, 320- Canvas, embroidering “something ” on
21, 323-4 the, of *‘ nothing,” 313
instantaneous and static views of, 288, Caprice, an attribute not of freedom, but
321-2, 322-3 of mechanism, 50
states of, falsely so called, 172, 261, Carapace, in reference to animal mobility,
288, 314-17, 324-5 136-7, 137
in the successors of Kant, 383. See Carbohydrates, in reference to the func-
Change, New, Duration, ‘Time, tion of the animal organism, 127-8,
Views of reality 128-9
Bees, 106, 147, 149, 153, 175, 176, 181 Carbon, in reference to the function of
Beethoven, 244 organisms, 113, 119, 120, 123, 267,
Berthold, 36 note 269
Bethe, 185-6 note Carbonic acid, in reference to the function
Bifurcations of tendency, 57. See of organisms, 267, 269
Divergent lines of evolution Carnot, 256, 259, 270
Biology, 13, 26, 27, 33-4, 46, 178, 183- Cartesian geometry, compared with
4, 294-7, 375 ancient, 352-3
INDEX ao
Cartesianism, 365, 375 Certainty of induction, 227, 228
Cartesians, 379. Sce Spinoza, Leibniz Chance analogous to disorder, 246, 247.
Carving, the, of matter by intellect, 164 See Affection
Categorical propositions, characteristic of in evolution, gI-2, I10, 121, 133,
instinctive knowledge, 157-8 79, 180, 265, 268, 269, 280, 281,
Categories, conceptual, x, xiv, 51, 155, 344-5. See Indetermination
156-7, 174, 200, 206-8, 219, 232-3, Change, 1, 8, 18, 90-91, 113, 261, 291,
271-3, 280, 379, 382. See Concept 310, 316-21, 324-5, 330-31, 3345
deduction of, and genesis of the intel- _ 3445 346-7, 362-3, 364
lect, 207, 219, 379. See Genesis of in ancient philosophy, 330-31, 334,
matter and of the intellect 344, 346-7, 362-3, 364
innate, 155, 156-7 in Eleatic philosophy, 331
misfit for the vital, x, xiv, §1, 174, known only from within, 324-5
206-10, 232-3, 271-3 Chaos, 245. See Disorder
in reference to the adaptation to each Character, moral, 5, 105
other of the matter and form of Charrin, 85-6, 86 xote
knowledge, 382 Chemistry, 31, 36-8, 58, 76, 78-9, 103,
Cats, in illustration of the law of corre- 204-5, 238, 269, 275
lation, 70 Child, intelligence in, 155-6
Causal relation in Aristotle, 342 adolescence of, in illustration of evo-
between consciousness and movement, lutionary becoming, 328-30
II Chipped stone, in paleontology, 146
in Greek philosophy, 341-4 Chlorophyllian function, 113-15, 120,
Causality, mechanical, a category which 123, 259, 260, 267
does not apply to life, x, xiv, 187 Choice, 116, 131-2, 151-3, 189, 190,
in the philosophy of Ideas, 341-2 266, 275-8, 291, 292, 387
Causation and adaptation, 107, 108 and consciousness, 116, 189, 275-8
final, involves mechanical, 47 Chrysalis, 120 note
Cause and effect as mathematical func- Cinematograph, 322-3, 358-9
tions of each other, 21, 22 Cinematographical character of ancient
efficient, 247, 292, 342 philosophy, 332-3
efficient, in Aristotle’s philosophy, 342 of intellectual knowledge, 322, 323,
efficient, in Leibniz’s philosophy, 373 329-35
343-4, 350-51, 367
final, 42, 47, 247,
342 of language, 322-3, 329-31
final, in Aristotle’s philosophy, 342 of modern science, 347-9, 355-6,
by impulsion, release and unwinding, 360-2, 365, 366, 367
77 Circle of the given, broken by action,
mechanical, as containing effect, 15, 203, 261
246, 283 logical and physical, 292
in the vital order, 100, 173 vicious, in intellectualist philosophy,
Cave, Plato’s allegory of the, 202 204, 207-8, 336-7
Cell, as 25, 3475, 171, 175, 176, 274, vicious, in the intuitional method is
p2 only apparent, 202, 203
as artificial construct, 171 Circularity of God’s thought in Aris-
in the “colonial theory,” 274 totle’s philosophy, 342
division, 17, 25, 34-5 of each special evolution, 134-5
instinct in the, 175, 176 Circulation, protoplasmic, imitated, 34-5
in relation to the soul, 283 in plants and animals, 114
Cellulose envelope in reference to vege- Circumstances in the determination of
table immobility and torpor, 114, evolution, 107, 135-6, 140, 145,
117, 137 } 149, 158-9, 176, 177, 180, 203,
Cerebral activity and consciousness, 5, 204, 265,:270, 271
115, 116, 190-91, 193-5, 224 note, in relation to special instincts, 145,
265, 266, 275, 279, 283, 285, 370, 177) 203, 204
371, 375, 376, 387 Classes of words corresponding to the
mechanism, 5, 265, 266, 276, 279, three kinds of representation, 319-
87 20
ia -spinal system, 130-31. See Clausius, 256
Nervous system Clearness characteristic of intellect, 169
398 CREATIVE EVOLUTION
Cleft between the organized and the un- representation of the act by which
organized, 200, 201, 207-9 the intellect is fixed on things,
Climbing plants, instincts of, 179 note 169
Coincidence of matter with space as in synthesis of, in ancient philosophy,
Kant, 229,219, 257 344-5, 376. See Categories, Ex-
of mind with intellect as in Kant, §1, ternality, Frames, Image, Space,
237 Symbol
of qualities, 228 Conditions, external, in evolution, 135-6,
of seeing and willing, 250 140, 145, 149, 158-9, 176, 177,
of self with self, definition of the feel- 180, 203, 204, 265, 270, 271
ing of duration, 210-11 external, in determination of special
Coleopter, instinct in, 153 instinct, 149, 158-9, 176, 177,
Colonial theory, 273, 274 180
Colonies, microbial, 273 Conduct, mechanism and finality in the
Colour variation in lizards, 76, 78 evolution of, 50. See Freedom,
Coming and going of the mind between Determination, Indetermination
the without and the within gives Confused plurality of life, 271
rise to the idea of ‘ Nothing,” Conjugation of Infusoria, 17
295 Consciousness and action, ix, §, 151, 152,
between nature and mind, the true 189-90, 219, 275
method of philosophy, 252 consciousness as appendage to action, ix
Common sense, 30, 161, 170, 225, 236- consciousness as arithmetical difference
75 293, 365 between possible and real activity,
defined as continuous experience of 152
the real, 225 consciousness as auxiliary to action, 189
Comparison of ancient philosophy with consciousness as inadequacy of act to
modern, 238-9, 241-2, 244, 346-7, representation, 151
364, 365, 369-71, 374, 377 consciousness as instrument of action,
Compenetration, 372-3. See Interpene- 190
tration consciousness as interval between pos-
Complementarity of forms evolved, xii, sible and real action, 152, 189
xiii, 54, 106, 109, 119, 122-4, 142, consciousness as light from zone of
143, 268, 269 possible actions surrounding the real
of instinct and intelligence, 1§3, 182. act, 189
See Opposition of Instinct and In- consciousness and locomotion, 276
telligence consciousness plugged up by action,
of intuition and intellect, 362-4 151, 152. See Torpor, Sleep
in the powers of life, §2, 102, 148-§0, consciousness as sketch of action, 219
186, 187-8, 194-5, 253, 260, 268, intensity of, varies with ratio of a
e
ee

362-3 possible to real action, 152


of science and metaphysics, 364 Consciousness in animals, as distin-
Complexity of the order of mathematics, guished from the consciousness of
220-22, 229, 264 plants, 136, 142-3, 151
Compound reflex, instinct as a, 183-4 as distinguished from the conscious-
Concentration, intellect as, 202, 317 ness of man, 146-50, 190, 193,
of personality, 209-10, 213 194, 197, 198, 224, 277-82. See
Concentric spheres in Aristotle’s philo- Torpor, Sleep
sophy, 346-7 ae characteristic of animals, torpor of
Concept accessory to action, 1x plants, 115, 117, 119, 126-7, 135-
analogy of, with the solid body, ix 6, 142-3, I9I, 192, 308
in animals, 197 as background of instinct and intel-
externality of, 169, 177, 184-7, 210- ligence, 196
Il, 264, 322-3, 328, 330-31 and brain, 190, 276, 277, 283, 285,
fringed about with intuition, 49 375, 376
and image distinguished, 169, 295 and choice, 116, 151, 152, 189, 275-8
impotent to grasp life, ix-xili, 52 coextensive with universal life, 196,
intellect the concept-making faculty, 284
vi, 52 and creation, consciousness as demand
misfit for the vital, 51 for creation, 275

te
-P has
anes
R
INDEX 399
current of, penetrating matter, 191,284 Cortical mechanism, 265, 266,276. See
as deficiency of instinct, 1§2 Cerebral mechanism
in dog and man, 190 Cosmogony and genesis of matter, 198.°
double form of, 189 See Genesis of matter and of intel-
function of, 219 lect, Spencer
as hesitation or choice, 151, 152 Cosmology, the, that follows from the
imprisonment of, 190, 193-4, 278 philosophy of Ideas, 332, 346-7
as invention and freedom, 278, 285 as reversed psychology, 220
in man as distinguished from, in lower Counterweight, representation as, to
forms of life, 190, 277, 278, 281, action, 152
282 Counting simultaneities, the measure-
and matter, 189, 191, 191-2 ment of time is, 356-7, 360-61
as motive principle of evolution, 191-2 Creation, xi,7, 11-13, 24, 30, 31, 48, 57,
nullified, as distinguished from the 995. 105, 106, IOS; 210, 2.53, 127,
absence of consciousness, 151 135-7) 170, 172, 187, 210, 229,
and the organism, 284 230, 235, 238, 243, 252-4, 275,
in plants, 137, 142-3, 150, 151 285, 291, 358-9
as world principle, 250, 275 in Descartes’s philosophy, 365
Conservation of energy, 255, 256 of intellect, 260-62
Construction, 146-9, 158-9, 161, 164, of matter, 252, 253, 260, 261, 262.
166, 191-2. See Manufacture, See Materiality the inversion of
Solid spirituality
the characteristic work of intellect, of present by past, 5, 21-4, 28, 176,
172 210-13
as the method of Kant’s successors, the vital order as, 243
384-5 Creative evolution, 7, 16, 22, 28, 31, 38,
Contingency, 102, 269, 282. See Acci- 39, 69, 105, 110, 170, 172, 235-6,
dent, Chance 24.3, 251, 278, 283
the, of order, 244, 248 Creativeness of free action, 203, 261
Continuation of vital process in instinct, of invention, 263
$46, “847, (175, 376, 250;. See Creeping plants in illustration of vege-
Variations, Vital process table mobility, 114
Continuity, 1, 27, 31, 39, 146, 147, Cricket victim of paralysing instinct of
162, 170-72, 272, 318-19, 323-4, sphex, 182
328-9, 339) 343-4, 347-8, 366 Criterion, quest of a, 56 ff.
of becoming, 323-4, 328-9, 337-8 of evolutionary rank, 140, 279
of change, 343-4 Criticism, Kantian, 216, 303 mote, 376,
of evolution, 19, 20 380, 382
of extension, 162 of knowledge, 204-5
of germinative plasma, 27, 39 Cross-cuts through becoming by in-
of instinct with vital process, 146, tellect, 330-31. See Views of reality
147, 175-6, 259 through matter by perception, 218
Of life, 1-12, 31,°171,.172, 272 Cross-roads of vital tendency, 54, 55,
of living substance, 171 575 116, 133
of psychic life, 1, 3% Crustacea, 20, 117, 136-7, 137
of the real, 318-19, 347-8 Crystal illustrating (by contrast) in-
of sensible intuition with ultra-intel- dividuation, 13
lectual, 381 Cuénot, 83-4 note
of sensible universe, 366 Culminating points of evolutionary pro-
Conventionality of science, 218 gress, 53, 140-2. See Evolutionary
“Conversion” and “procession” in superiority
Alexandrian philosophy, 341 Current, 27, 28, 54, 195,250, 252, 263,
Cook, Plato’s comparison of the, and 280, 284
the dialectician, 164 Currents, antagonistic, 263
Cope, 37 xote, 81-2, 117 of existence, 195
Correlation, law of, 70, 71 of life penetrating matter, 27, 28,
Correspondence between mind and 280, 234
matter in Spencer, 388. See vital, 27, 28, 54, 252, 280, 284
Simultaneity of will penetrating matter, 250
4.00 CREATIVE EVOLUTION
Curves, as symbol of life, 32, 95, 96, Deposit, instinct and intelligence as de-
225 posits, emanations, issues, or
Cuts through becoming by the intellect, aspects of life, x, xii, xiii, 52, 108,
330-31. See Views of reality, Snap- 110, 143, 387
shots in illustration, etc. De Saporta, 113 note
through matter by perception, 218 rae 2955 353, 365, 366, 373, 376,
Cuvier, 131 note 37
becoming, 365
Dantec (Le), 19 note, 36 note creation, 366
Darwin 66-8, 70, 76, 114, 179 note determinism, 365
Darwinism, 59, 89-99, go-91 duration, 366
Dastre, 38 note freedom, 365, 366
Dead, the, is the object of intellect, geometry, 352-3
174 God, 365, 366
Dead-locks in speculation, 163, 164, image and idea or concept, 295
329, 330 indeterminism, 365
Death, 260 note, 286 mechanism, 365, 366
Declivity descended by matter, 220, motion, 366
259, 270, 358-9. See Descending vacillation between abstract time and
movement real duration, 365
Decomposing and recomposing powers Descending movement of existence, 12,
characteristic of intellect, 165, 264 213, 214, 220, 285, 291, 391
Deduction, analogy between, related to Design, motionless, of action the object
moral sphere and tangent to curve, of intellect, 163, 315-16, 318-19,
225 319-20
in animals, 224 Detension in the dream state, 213
and astronomy, 226 of intuition in intellect, 251
duration refractory to, 226 Determination, 81-2, 136-7, 235-6, 259
geometry the ideal limit of, 226-38, Determinism, 230, 278, 365, 369. See
382 Mathematical order, Geometry
inverse to positive spiritual effort, in Descartes, 365
Development, 140, 141-2, 149. See
nature of, 223 Progress, Evolution, Superiority
physics and, 225 Deviation from type, 87, 88-9
weakness of, in psychology and moral Dialectic and intuition in philosophy,
science, 224 251
Defence and attack in evolution, 138 Dichotomy of the real in modern
Deficiency of will the negative condition philosophy, 370
of mathematical order and com- Differentiation of parts in an organism,
plexity, 221 266, 274
Definition in the realm of life, 14, 111, Dilemma of any systematic meta-
112 physics, 206, 208, 243
Degenerates, 140-2 Diminution, derivation of becoming
Dégénérescence sénile (La), by Metchni- from being by, in ancient phil-
koff, 19 note osophy, 334, 335, 339, 341-2,
Degradation of energy, 255, 256, 259 345-75 362-4, 372
of the extra-spatial into the spatial, geometrical order as, or lower com-
219 plication of the vital order, 249
of the ideas into the sensible flux in Dionaea illustrating certain animal
ancient philosophy, 334-6, 341-2, characteristics in plants, 112-14
345-7, 349, 362, 364, 372-3 Discontinuity of action, 162, 323-4
Degrees of being in the successors of of attention, 2
Kant, 383 of extension relative to action, 162,
Degrees of reality in Greek philosophy, 171
341-2, 345 of knowledge, 323-4
Delage, 63 note, 85 note, 274 note of living substance, 171
Delamare, 85, 86 note a positive idea, 162
Deliberation, 152 Discontinuous the object of intellect,
De Manacéine, 130 note 163
INDEX 401
Discord in nature, 133, 134, 269, 281 Duhem, 255 ote
Disorder, 43, 109, 234-5, 238, 244- Dunan, Ch., xv note
48, 289, 332-3. See Expectation, Duration, xv note, 2, 4-6, 9-12, 16, 18,
Order of mathematics, Orders of 22, 23, 39, 41, 48, 54, 210, 212,
reality, two 217, 225, 228, 254, 287, 288, 291,
Disproportion between an invention and 314-15, 325-6, 334-5, 337 role, 342,
its consequences, 191, 192 346, 351,358, 361, 362, 365, 374,
Dissociation as a cosmic principle op- 382, 384-5
posed to association, 274 absoluteness of, 217
of tendencies, 57, 94, 141-2, 268, and deduction, 225
269, 271,272. See Divergent lines in Descartes’s philosophy, 365
of evolution gnawing of, 5, 9, 4
Distance, extension as the, between what indivisibility of, 7, 325-6
is and what ought to be, 336-7 and induction, 228
345» 349 and the inert, 362-3
Distinct multiplicity in the dream state, in the philosophy of the Ideas, 334,
223,221 337 note, 341-2, 345, 346-7
of the inert, 271 rhythm of, 12, 134-5, 366
Distinctness characteristic of the in- See Creation, Evolution, Invention,
tellect, 169, 250, 263 Time, Unforeseeableness, Unique-
characteristic of perception, 239-40, ness
263
as spatiality, 214, 219, 257, 263 Echinoderms in reference to animal
Divergent lines of evolution, xii, 57, mobility, 136, 138
58, 92-3, 102-6, 109, 112, 113, Efficient cause in conception of chance,
TES, 019, 199; 122, 325-6,: 136-7, 247
139, 141-2, 149, 157, 158, 177, Spinoza and, 283
183, 191, 268, 269,280, 281. See Effort in evolution, 179, 180
Dissociation of tendencies, comple- eldos, 331-2
mentarity, etc., Schisms in the Eimer, 58, 76, 78, 91
primitive impulsion of life Elaborateness of the mathematical order,
Diversity, sensible, 217, 232-3, 244, 220-22, 229, 264
248, 249 Eleatic philosophy, 325, 331-2
Divination, instinct as, 185-6. See Emanation, logical thought an, issue,
Sympathy, etc. aspect or deposit of life, x, xii, xiii,
Divisibility of extension, 162, 171 2
Division as function of intellect, 160, dvrordeitde “something” on the canvas
162, 171, 199 of “ nothing,” 313
of labour, 104, 116, 124, 166, 175, Embroidery by descendants on the canvas
274 handed down by ancestors, 24
of labour in cells, 175 Embryo, 19, 20, 27, 28, 79, 85-6, 94,
Dog and man, consciousness in, 190 106, 175
Dogmatism of the ancient epistemology Embryogeny, comparative, and trans-
contrasted with the relativism of formism, 26
the modern, 243 Embryonic life, 28, 175
of Leibniz and Spinoza, 376, 377 Empirical study of evolution the centre
scepticism, and relativism, 207-8, 243 of the theory of knowledge and of
Dogs and the law of correlation, 70 the theory of life, 189
Domestication of animals and heredity, theories of knowledge, 216
84-5) Empty, thinking the full by means of the
Dominants of Reinke, 44 note empty, 288-90
Dorfmeister, 77 End in Eleatic philosophy, 331-2
Dreain,. 451, 190-91; 213; °221,. 271. of science is practical utility, 347-8
See Interpenetration, Relaxation, Energy, 121-3, 125, 128-9, 255, 256,
Detension, Recollections 258, 259, 265-8, 269, 279, 276
as relaxation, 213 conservation of, 255, 256
Driesch, 45 note degradation of, 255, 256, 259
Drosera, 112-14 solar, stored by plants, released by
Dufourt, 130 note animals, 258, 267
2D
402 CREATIVE EVOLUTION
Enneadae of Plotinus, 222 zote and duration, 21, 24, 39, 48-9
Entelechy of Driesch, 44 note empirical study of, the centre of the
Entropy, 256 theory of knowledge and of life, 189
Environment in evolution, 135, 140,145, and environment, 107, 108, 135, 140,
149, 158, 176, 177, 180, 203, 204, 145, 149, 158, 176, 177, 179, 180,
265, 270, 271 203, 204, 265, 270, 271
and special instincts, 145, 177, 203, of instinct, 179, 180, 184. See
204 Divergent lines, etc., Culminating
Epiphenomenalism, 276 points, etc., Evolution and environ-
Essence and accidents in Aristotle’s phil- ment
osophy, 373 of intellect, x-xli, 161, 196, 200, 203,
or form in Eleatic philosophy, 331-2 209, 219, 379, 380. See Divergent
the meaning of, 318-19 lines, etc., Culminating points, etc.,
Essences (or forms), qualities and acts, Genesis of matter and of intellect
the three kinds of representation, as invention, 364
319-20 of man, 278, 280,282. See Culminat-
Eternity, 41, 314, 331, 334) 337, 342, ing points, etc.
346, 365, 366, 372, 374 motive principle of, is consciousness,
in the philosophy of Ideas, 334, 337, Igl
342, 346 of species product of the vital impetus
in Spinoza’s philosophy, 373 opposed by matter, 261, 268
Euglena, 122 and transformism, 26
Evellin, 328 nore unforeseeable, 50, 51, 55, 91, 236
Eventual actions, 12, 162. See Possible variation in, 25, $8, 67, 72, 77 mote,
actions go, 138, 145, 176, 178, 181, 278
Evolution, ix-xv, 19, 21, 24, 25, 26, Evolutionary, qualitative, and extensive
28, 39, 49-58, 67, 72, 84 note, Motion, 319, 320, 328, 329
89-93, 102-10, 113, 119, 122, 133, superiority, 140-42, 183, 184. See
134, 136, 138, 140, 141, 143, 145- Success, Criterion of evolutionary
7, 149, 161, 170, 175, 176, 178- rank, Culminating points, etc.
81, 183, 184, 189, 191, 192, 195, Evolutionism, x-xii, xiv, 82, 89, 385
196, 200, 203, 209, 219, 236, 243, Exhaustion of the mutability of the
255 note, 259, 261, 262, 264, 265, universe, 356-7
268, 278-80, 282, 288, 318, 328, Existence, logical, as contrasted with
364, 379, 380, 387 psychical and physical, 292, 382
accident in, 110, 178, 180, 183, 184, of matter tends toward instantaneity,
264, 265 212
animal, a progress toward mobility, of self means change, 1 ff,
138 superaddition of, upon nothingness,
antagonistic tendencies in, 109, 119, 291
195 Expectation, 226-8, 233, 234, 238, 245,
automatic and determinate, is action 248, 289, 297, 308
being undone, 262 in conception of disorder, 233, 234,
blind alleys of, 136 238, 245, 247, 248, 289
circularity of each special, 134 in conception of void or naught, 297,
complementarity of the divergent lines 308
of, 102-6, 109, 122 Experience, 145, 155, 187, 208, 2165,
conceptually inexpressible, §2, 53, 55, 242, 339, 375, 380, 384, 389
§6, 133, 191, 288 Explosion, illustrating cause by release,
continuity of, 19, 20, 28, 39, 49, 288, 77
318, 329, 364 Explosive character of animal energy,
creative, 7,16, 22, 28, 31, 38, 39, 69, 122, 124, 126,256
406,310, .176,:372,; 235,263, 251, of organization, 97
278, 283 Explosives, manufacture of, by plants and
culminating points of, §3, 140, 141, use by animals, 259, 267
184, 195, 279, 280, 282 Extension, 157, °162, 170, 213; 2S;
development by, 140, 141, 149 219, 222, 235, 249, 258, 335-75 ee

divergent lines of, xii, 56, 57, 92, 102- 341, 345, 371, 372
6, 109, 113, 183-4,
259 continuity of, 162

S
a
e
INDEX 403
discontinuity of, relative to action, Fauna, menace of torpor in primitive,
£62,372 136-7
as the distance between what is and Feeling in the conception of chance,
what ought to be, 335 218
divisibility of, 162, 171 and instinct, 151, 184-5
_the most general property of matter, Fencing-master, illustrating hereditary
162, 263, 264 transmission, 84
the inverse movement to tension, 249, Ferments, certain characteristics of, 112
258 Fertilisation of orchids by insects, by
of knowledge, 157-8 Darwin, 179 note
in Leibniz’s philosophy, 371, 372 Fichte’s conception of the intellect, 200,
of matter in space, 215, 222 201, 378
in the philosophy of Ideas, 335-6, Filings, iron, in illustration of the rela-
341-2, 345 tion of structure to function, 99,
and relaxation, 213, 219, 221, 222, 100
224,230,236, 258 Film, cinematographic, figure of abstract
in Spinoza’s philosophy, 371 motion, 321-2
in the Transcendental Aesthetic, 215 Final cause, 42, 47, 247, 342
unity of, 167 conception of, involves conception of
as weakening of the essence of being, mechanical cause, 47
in Plotinus, 222 note God as, in Aristotle, 341-2
Extensive, evolutionary and qualitative Finalism, 41-55, 61, 78, 93-102, 107
motion, 319, 320, 328, 329 _ 309.1334
External conditions in evolution, 135, Finality, 43, 173, 187-8, 194-5, 235-6,
140, 145, 149, 158-9, 176, 177, 236-7, 280
180, 203, 204, 265, 270, 271 external and internal, 43
finality, 43 misfit for the vital, 187-8, 235-6,
“Externality of concepts, 169, 177, 184, 236-7, 280
186, 210, 264, 322, 328-31 and the unforeseeableness of life, 173,
the most general property of matter, 194-5
162, 263, 264 Fischel, 80 note
Externalized action in distinction from in- Fish in illustration of animal tendency
ternalized, 154,174. See Somnam- to mobility, 136, 138
bulism, etc., Automatic activity, etc. Fixation of nutritive elements, 113-15,
Eye of mollusc and vertebrate compared, 120, 123, 259, 260, 267
63, 79, 81, 88, 91, 92 Fixity, 114-19, 124, 125, 136, 137, 163.
See Torpor
Fabre, 182 xote apparent or relative, 163
Fabrication. See Construction cellulose envelope and the, of plants,
Fallacies, two fundamental, 287, 288 114, 117, 137
Fallacy of thinking being by not-being, of extension, 163
291, 292, 299, 314-15 of plants, 114-19, 124, 125, 136-7
of thinking the full by the empty, of torpid animals, 137
288-90 Flint hatchets and human intelligence,
of thinking motion by the motionless, 144
287, 288, 314-15, 324-5, 326-31 Fluidity of life, 160-61, 174, 204
Fallibility of instinct, 182-3 of matter as a whole, 196, 389
Falling back of matter upon conscious- Flux of material bodies, 279
ness, 278 of reality, 263, 264, 355, 356, 361,
bodies, comparison of Aristotle and 364
Galileo, 239, 349-50, 352-3 Flying arrow of Zeno, 324, 325, 326
weight, figure of material world, 258, Focalization of personality, 212
260 Food, 142-15, 120, 423, 120, 127,259,
Familiar, the, is the object of intellect, 260, 267
F722, 173; 210, 255 Foraminifera, failure of certain, to
Faraday, 214 evolve, 107
Fasting, in reference to primacy of ner- Force, 133-4, 149, 156, 158, 184, 259,
vous system over the other physio- 268, 358-9
logical systems, 130-31 life a, inverse to matter, 259
404 CREATIVE EVOLUTION Le
ee
a

limitedness of vital force, 133, 134, coextensiveness of consciousness with,


149, 156, 157, 171 117, 118, 213, 278, 285
time as, 358-9 of creation and life, 261, 268, 269
Forel, 185 nore creativeness of, 235, 2§2, 261 —_

Foreseeing, 9, 28, 30, 31, 39, 48, 50, in Descartes’s philosophy, 365, 366
102. See Unforeseeableness as efficient causality, 292
Form, xii, §4, 106, 109, 119, 122-4, 135, inversion of necessity, 249
142, 143, 156-60, 164, 165, 168, and liberation of consciousness, 279, e

172, 205-7, 234-5, 252, 263, 268, 280. See Imprisonment of con-
269, 318-19, 320, 331, 334, 336, sciousness
340, 348, 378, 380, 381, 382 and novelty, 12, 172, 173, 210, 230,
complementarity of forms evolved, 243, 252, 262, 285, 358-61
Xil, 54, 106, 109, 119, 122-4, 142, order in, 235-6
143, 268, 269 property of every organism, 136-7
expansion of the forms of conscious- relaxation of, into necessity, 230
ness, Xill, XiV tendency of, to self-negation in habit,
(or essences), qualities and acts the 133-4
three kinds of representation, 319- tension of, 210, 212, 213, 219, 235s
20 250, 252, 317-18
God as pure form in Aristotle, 207, transformed by the understanding into
er necessity, 285
or idea in ancient philosophy, 334, See Spontancity
335, 348-9 Fringe of intelligence around instinct,
of intelligence, xv, 51, 155, 156, 174, 142-3
200, 206, 207, 209, 219, 232, 271- of intuition around intellect, xiii, 49
3, 280, 379, 382. See Concept of possible action around real action,
and matter in creation, 252, 263 189, 278 F
e
a
ees
e

and matter in knowl ledge, 205, 382 Froth, alveolar, in imitation of organic
a snapshot view of transition, 318 phenomena, 35-6
Formal knowledge, 160 Full, fallacy of thinking the, by the a

logic, 308 empty, 288-91


Forms of sensibility, 382 Function, ix, 3, 5, 46, 49, 50, 93-6, 99, aha:>e
a
Fossil species, 107 100, 112-16, 119, 120, 123, 126,
Foster, 131 note 127, 133, 139, 147, 145, 153, 160,
Fox in illustration of animal intelligence, 161, 162, 166, 169, 171, 173, 177,
14 182-5, 196-202, 210, 218, 2109,
eae at the understanding, 49, 51, 246, 250, 259, 260, 264, 267-70,
157-60, 183, 187, 207-10, 231-2, 276, 277, 285, 288, 314, 323, 366,
236-7, 272, 285, 330, 379, 384 378, 391
fit the inert, 208, 231 accumulation of energy the function
inadequate to reality entire, 384 of vegetable organisms, 267, 269
misfit for the vital, x, xiv, 49, 51, 183, action the, of intellect, ix, 13, 46, 49,
187, 207-10, 236, 272, 330-31 99, 169, 171, 196-8, 218, 264, 288,
product of life, 379 323
transform freedom into necessity, action the, of nervous system, 276,
28
utility of, lies in their unlimited appli- alimentation, 112, 113, 126, 127, 259,
badd .

cation, 157-8, 160 267


Freedom, 12, 50, 133, 136, 172, 173; of animals is canalization of energy,
IO; 214, 21G, 230, 235, 243,249, 99, 116, 133, 269, 270
250, 252, 261, 262, 273-36, 283, carbon and the, of organisms, 113,119,
285, 292, 293, 317, 358-60, 365, 120,123; 267,:209
366 chlorophyllian, 113-15, 120, 123,
the absolute as freely acting, 293 2£9,. 260, 207
affirmed by consciousness, 283 concept-making the, of intellect, x,
animal characteristic rather than vege- 2
table, 136-7 Payee ocr) sketching move.
caprice attribute not of, but of mechan- ments, 219
ism, 50 construction the, of intellect, 113

regen
INDEX 405
illumination of action, of perception, of vegetable organism: accumulation
5, 218, 323-4 of energy, 267, 269
of intelligence: action, ix, 13, 46, 49, Functions of life, the two: storage and
99, 169, 171, 196-8, 218, 264, expenditure of energy, 267-70
288, 323-4
-of intelligence: concept-making, x, 52 Galileo, homogeneity of time in, 350
of intelligence: construction, 168, his influence on metaphysics, 22, 241
172, IgI-2 his influence on modern science, 352,
of intelligence: division, 160, 162, 354
171, 199 extension of Galileo’s physics, 377,
of intelligence: illumination of action 39%
by perception, 5, 218, 314 his theory ofthe fall of bodies compared
of intelligence: repetition, 173, 210, with Aristotle’s, 240, 349, 350,
226-28 352
of intelligence : retrospection, 50, 250 Ganoid breastplate of ancient fishes, in
of intelligence : connecting same with reference to animal mobility, 137,
same, 210, 246, 285 138.
of intelligence: scanning the rhythm Gaudry, 137 note
of the universe, 366 Genera, relation of, to individuals, 239
of intelligence: tactualizing all per- relation of, to laws, 238, 239, 348
ception, 177 potential, 239-40
of intelligence: unification, 160, 162, and signs, 167
377 Generality, ambiguity of the idea of,
of the nervous system: action, 276, in philosophy, 238, 242-4
277 Generalization dependent on repetition,
and organ, 93-6, 99, 100, 139, 147, 243, 244
148, 166. See Function and distinguished from transference of
structure sign, 167
and organ, in arthropods, vertebrates in the vital and mathematical orders,
and man, 139 237, 238, 243
of the organism, 99, 112-16, 119, Generic, type of the: similarity of
$20; 023; 126, 1275. 194): 182-4, structure between generating and
259, 260, 267-70 generated, 236, 237
of the organism, alimentation, 112,113, Genesis, xiv, xv, 161, 196-210, 219, 379,
$26,127,350; 267 380
of the organism, animal: canalization of intellect, xiv, xv, 161, 196, 197,
of energy, 99, 116, 133, 269, 270 200, 203, 204, 206-7, 219, 279,
of the organism, carbon in, 113, 119, 380
£20,424, 267, 269 of knowledge, 201
of the organism, chlorophyllian of matter, xiv, xv, 161, 196, 198, 200,
function, 113-15, 120, 123, 259, 203, 210, 219, 380
260, 267 Genius and the willed order, 236, 252
of the organism, primary functions of Genus. See Genera
life: storage and expenditure of Geometrical, the, is the object of the in-
energy, 267-70 tellect, 201
of the organism, vegetable : accumula- Geometrical order as a diminution or
tion of energy, 267, 269 lower complication of the vital, 235,
of philosophy: adoption of the evolu- 238, 249, 348. See Genera, Rela-
tionary movement of life and con- tion of, to laws
sciousness, 391 mutual contingency of, and vital order,
of science, 177, 366 248
sketching movements the, of con- See Mathematical order
sciousness, 219 space, relation of, to the spatiality of
and structure, 58, 65, 70, 73, 78, 79, things, 214
81, 91, 93-6, 99, 100, 102, 125, Geometrism, the latent, of intellect, 205,
139, 147, 148, 166, 171, 263, 265, 222-4
270 Geometry, fitness of, to matter, 11
tactualizing all perception the, of goal of intellectual operations, 222,
science, 177 225, 230
406 CREATIVE EVOLUTION
ideal limit of induction and deduction, Harmony between instinct and life, and
226-30, 382. See Space, Descend- between intelligence and the inert,
ing movement of existence 196, 205, 209
modern, compared with ancient, 38, of the organic world is complemen-
169, 352-3 tarity due to a common original
natural, 205, 222-4 impulse, §3, 54, 108, 109, 122,
perception impregnated with, 216, 124
243 pre-established, 217, 218
reasoning in, contrasted with reason- in radical finalism, 133-4. See Discord
ing concerning life, 7, 8 Hartog, 63 note
scientific, 170, 223 Hatchets, ancient flint, and human in-
Germ, accidental predisposition of, in tellect, 144
Neo-Darwinism, 178, 179, 180 Heliocentric radius-vector in Kepler’s
Germ-plasm, continuity of, 28, 39, 83-8 laws, 352-3
Giard, 88 Hereditary transmission, 80-88, 92, 178,
Glucogen in organic function, 128-9 179, 182, 238, 243
Glucose in organic function, 128, 130 domestication of animals and, 84-5
God, as activity, 262 habit and, 83, 88, 178, 179, 182
of Aristotle,
207, 340, 343, 369, 373; Hesitation or choice, consciousness as,
376-7 cet, 15%
ascent toward, in Aristotle’s plil- Heteroblastia and identical structures on
osophy, 340-41 divergent lines of evolution, 78
circularity of God’s thought, in Heymons, 77 note
Aristotle’s philosophy, 342, 343 History as creative evolution, 7, 16, 22,
in Descartes’s philosophy, 365, 366 28, 33,38, 39, 66, 16§, 110, 272,
as efficient cause in Aristotle’s phil- 278, 283
osophy, 342 of philosophy, 251
as hypostasis of the unity of nature, Hive as an organism, 175
207, 349, 377 Homo faber, designation of human
in Leibniz’s philosophy, 371, 372, species, 146
376-7 Homogeneity of space, 165, 224
as eternal matter, 207-8 the sphere of intellect, 172
as pure form, 207-8, 340 of time in Galileo, 350
in Spinoza’s philosophy, 370, 377 Horse-fly illustrating the object of ine
Greek philosophy. See Ancient phil- stinct, 158
osophy Houssay, 115 note
Green parts of plants, 113-15, 120, 123, Human and animal attention, 194
259, 260, 267 and animal brain, 193, 194, 277-9
Growing old, 16 and animal consciousness, 146-50,
Growth, creation is, 254, 291 190, 193, 194, 197, 198, 202, 224,
and novelty, 243 277-82
of the powers of life, 139, 141-2 and animal instruments of action,
reality is, 252 146-50, 158
of the universe, 362, 364 and animal intelligence, 145, 197,
Guérin, P., 63 note 198, 202, 224
Guinea-pig, in illustration of hereditary and animal invention, relation of, to
transmission, 84, 85 habit, 278, 279
intellect and language, 166
Habit and consciousness annulled, 151 intellect and manufacture, 144, 145
form of knowledge a habit or bent of Humanity in evolution, 141, 144-6, 150,
attention, 156 154, 166, 191, 194, 195, 278-86,
and heredity, 83, 88, 178, 179, 182. See Culminating points, ete.
See Acquired characters, inheri- goal of evolution, 280, 281
tance of Huxley, 40
instinct as an intelligent, 183-4 Hydra and individuality, 14
and invention in animals, 278 try of Aristotle, 373
and invention in man, 279 Hymenoptera, the culmination ofarthro-
tendency of freedom to self-negation pod and instinctive evolution, 140,
in, 133-4 141, 184-5
INDEX 407
as entomologists, 153, 182-3 Implement, the animal, is natural: the
organization and instinct in, 147 human, artificial, 146-50
paralysing instinct of, 153, 180, 184-5 artificial, 144-8, 158-9
social instincts of, 106 constructing, function of intelligence,
Hypostasis of the unity of nature, God 168, 191
as, 206-8, 34°, 377 life known to intelligence only as,
Hypothetical propositions characteristic 171
of intellectual knowledge, 157-8 matter known to intelligence only as,
170, 209
Idea or form in ancient philosophy, 51, natural, 148, 152, 158
331, 334, 336, 348 organized, 148, 152, 158
in ancient philosophy, eldos, 331-2 unorganized, 144-6, 148, 158-9
in ancient philosophy, Platonic, 51 Implicit knowledge, 154
and image in Descartes, 295 Impotence of intellect and perception to
Idealism, 244 grasp life, 186-7
Idealists and realists alike assume the Imprisonment of consciousness, 190-93,
possibility of an absence of order, 278-80
232, 244 Impulse of life, divergence of, 27, 28,
Identical structures in divergent lines of 54-8, 102-10, 116, 125, 133, 138,
evolution, 58, 65, 66, 73, 78-81, 141-3, 271, 272, 280, 284, 285
QI, 125 limitedness of, 133, 134, 149, 156,
Illumination of action the function of 157, 268
perception, 5, 218, 323-4 loaded with matter, 252
Image and idea in Descartes, 295 tendency to mobility, 138, 139
distinguished from concept, 169, 295 as necessity for creation, 265, 275
Imitation of being in Greek philosophy, negates itself, 260, 261
3425 345 prolonged in evolution, 259
of instinct by science, 178, 183-4 prolonged in our will, 252
of life in intellectual representation, 4, transmitted through generations of
34-5, 94, 106, 186, 220, 221, 225, organisms, 27, 28, 84, 90, 92, 93,
238, 273, 361, 386 243, 244
of life by the unorganized, 35, 37, unity of, 213, 263, 285
8 Impulsion and _ attraction in’ Greek
of Tare by intelligence, 322, 324, philosophy, 341-2
329, 330, 347. See Imitation of release and unwinding, the three kinds
the real, etc. of cause, 77
of the physical order by the vital, 243 given to mind by matter, 213
of the real by intelligence, 272, 285, Inadequacy of act to representation,
4 consciousness as, ISI
Immobility of extension, 163 Inadequate and adequate in Spinoza,
and plants, 114-19, 124, 125, 136, 374
137 Inanition, illustrating primacy of ner-
of chavs and torpid animals, 137 vous system, 130 note
relative and apparent ; mobility real, Incoherence, 249. See Absence of order,
163 Chance, Chaos
Impatience, duration as, 10, 358-9 in nature, 110
Impelling cause, 77 Incommensurability of free act with
Impetus, vital, divergence of, 27, 28, 54- conceptual idea, 50, 212
o,. 803-50, 130, 125,: 193, 238; of instinct and intelligence, 177, 184
14%-3, 271, 272; 280, 284, 285 Incompatibility of developed tendencies,
vital, limitedness of, 133, 149, 156, 109, 177 :
157, 268 Independent variable, time as, 21, 354
vital, loaded with matter, 252 Indetermination, 91, 121, 133, 265,
vital, as necessity for creation, 265, 269, 344. See Accident in evolution
275 Indeterminism in Descartes, 365
vital, transmission of, through organ- Individual, viewed by intelligence as
isms, 27, 28, 84, 90, 92, 93, 243, aggregate of molecules and of facts,
244, 263, 264 264.
vital, See Impulse of life and division of labour, 147
408 CREATIVE EVOLUTION —oe

in evolutionist biology, 178, 180, genesis of, 198


260 note homogeneity of, 165
and genus, 238-41 imitation of living matter by, 35, 37
mind in philosophy, 201 38
aesthetic intuition only attains the, imitation of physical order by vital,
186, 187 243
and society, 274, 279 instantaneity of, ro, 212
transmits the vital impetus, 263, 273, and intellect, ix, 32, 148, 168-70, 173,
284 174, 177, 185, 189, 191, 196, 197,
Individuality never absolute, x, 13, 14, 205, 206, 208, 209, 217-24, 228-
16, 19, 45, 274 $1, 236, 275, 255, 327, 30%
and age, 16-24, 28, 45 the inversion or interruption of life,
corporeal, physics tends to deny, 198, 99, 100, 103, 104, 135-6, 161,
199, 219. See Interpenetration of 187,196, 200, 20%, 207, 268,
atoms, Obliteration of objects, Soli- 212, 214, 220, 22%, 228-34, 245,
darity of the parts of matter 248, 249, 252, 253, 258-63, 265,
and generality, 238-41 263,270, 272, 273, 275). 279s 201s
the many and the one in the idea of, 287, 291, 337; 358-9, 362. See
%, 292 Order inherent in
as plan of possible influence, 12 knowledge of, approximate but not
Individuation never absolute, x, 13-17, relative, 218
45, 274 the metaphysics and the physics of,
as a cosmic principle in contrast with 205-6
association, 273-4 as necessity, 265, 278
property of life, 13-15 the order inherent in, 43, 109,
partly the work of matter, 272, 273, 161, 212, 219-24, 228, 239-40,
284 243-9, 258, 264, 277, 289, 337-8.
Indivisibility of action, 99, 100 See Inversion of life
of duration, 6, 325 penetration of, by life, 27, 28, 54,
of invention, 173 189, 191, 250, 252, 280, 284, 285
of life, 238, 285. See Unity of life and perception, 13, 218, 239
of motion, 324-8 and the psychical, 212, 213, 217, 283,
Induction in animals, 226 284, 370, 388
certainty of, approached as_ factors solidarity of the parts of, 198, 214,
approach pure magnitudes, 234, 235 219, 254, 271-3, 284, 285, 372
and duration, 228 and space, 11, 162, 199, 215-22, 230,
and expectation, 226-8 257) 263, 264, 271
geometry the ideal limit of, 226-30, in Spencer’s philosophy, 386
382. See Space, Geometry, Reason- Inertia, 186, 235
ing, ‘‘ Descending” movement of Infant, intelligence in, 154, 155
matter, etc. Inference a _ beginning of invention,
and magnitude, 227, 228 145
repetition the characteristic function Inferiority in evolutionary rank, 183-4
of intellect, 173, 210, 216-28 Influence, possible, 12, 199
and space, 228. See Space as the Infusoria, conjugation of, 17 ~*~
«_eS

ideal limit, etc. development of the eye from its stage


See Systems of matter in, 64, 76, 81-2, 88-9
Industry, ix, 170, 171, 173 and individuation, 274
Inert matter and action, 102, 143, 149, and mechanical explanations, 36, 37
164, 197, 209, 238, 387 vegetable function in, 122
in Aristotle, 333-4, 345, 374 Inheritance of acquired characters. See
bodies, 3; 6, £2,.13; 25, 34, 225.466, Hereditary transmission
167, 184, 196, 198, 199, 215, 225, Innate knowledge, 154, 158-9
227, 241, 254, 255, 315, 317, 360, Innateness of the categories, 155, 156-7
361, 366-8, 381 Inorganic matter. See Inert matter
Creation of. See Inert matter the Insectivorous plants, 112-14
inversion of life Insects, 20, 106, 113, .133,. 138, 140,
flux of, 196, 279, 288, 390 141, 147-9, 153, 154, 166, 176,
and form, 156, 157, 165, 252, 263 178, 180-84, 199
INDEX 409
apogee of instinct in hymenoptera, automatic activity as instrument of
140, 184-5
consciousness and instinct, 153, 176,
voluntary, 265
consciousness as, of action, 190
182 intelligence: the function of intelli-
continuity of instinct with organiza- gence is to construct instruments,
_ tion, 147, 153 168, 191-2
fallibility of instinct in, 182-3 intelligence transforms life into an,
instinct in general in, 178, 184-5 171
language of ants, 166 intelligence transforms matter into
object of instinct in, 153, 154 an, 170, 209
paralysing instinct in, 153, 181, 182-3 intelligence: the instruments of in-
social instinct in, 106, 166, 181 telligence are artificial, ix, 144-6,
special instincts as variations on a 148, 158-9
theme, 176. See Arthropods in natural or organized instruments of
evolution instinct, 148, 152, 158-9
Insensible variation, 66, 72 Intellect and action, ix, 13, 30, 46-50,
Inspiration of a poem an undivided in- 98, 143, 149, 160-165, 171, 189,
tuitive act, contrasted with its in- 196, 197, 203, 206, 208, 209, 231,
tellectual imitation in words, 220, 232, 238-41, 264, 285, 288, 313-15,
221, 273, 361-2, See Sympathy 318, 319, 323, 347, 367
Instantaneity of the intellectual view, in animals, 197
32 75, 89, 94, 210, 212-13, 218, Fichte’s conception of the, 200, 201,
228, 262,-272, 288, 317-23; 328, 378
331, 350-51, 361, 371, 372 function of the, 5, 12, 13, 47-52, 97,
Instinct and action on inert matter, 143, 98, 133, 144-52, 157-68, 171-3,
149 177, 183, 186, 191, 197-210, 215-
in animals as distinguished from 20, 226-31, 242, 246, 250, 254,
plants, 179 255, 259, 261, 264, 285, 306, 314,
in cells, 175 315, 347, 355, 356, 360, 361, 367,
and consciousness, 150-53, 175, 176, 368, 3775 378 |
182, 184, 185, 196 genesis of the, xii-xv, 52, 108, 110,
culmination of, in evolution, 140, 133, 161,196, 197, 200, 203, 204,
184-5. See Arthropods in evolu- 206, 209, 219, 260-62, 379, 380,
tion, Evolutionary superiority
fallibility of, 182-3 as inversion of intuition, 7, 8, 12, 49,
387 . e. @

in insects in general, 178, 184-5 525 54, 91, 93-6, 99, 100, 109,
and intelligence, xill, 54, 106, 109, 119, 122-4, 136, 139, 140, 142,
119, 122-4, 139-44, 148-50, 153, 143, 147-50, 153, 166, 170, 177-
158, 160, 167, 177-9, 182-9, 194-5, 89, 191, 194, 195, 196, 200-215,
106, 206,951, 260, 268, 269,'273, 219-24, 228-30, 233, 235, 238,
281, 282, 362, 364, 387 243-5, 248, 249, 251, 258-65,
and intuition, 187, 188-9, 191 268-73, 278, 281-7, 291, 293, 330,
object of, 153-60, 174, 177, 181-9, 348, 358, 361-4, 382, 391
196, 199, 205, 246, 268 and language, 4, 155, 166-8, 272, 270,
and organization, 25, 145-7, 153, 308, 319, 322, 329, 330, 344
$7G=7, 151, 182, 183, 186, 203, and matter, Introd., 11, 12, 51, 98,
204, 278 142, 143, 148, 149, 160-62, 164,
paralysing, in certain hymenoptera, 169, 170, 174, 177, 185, 189,
147, 153, 181, 184-5 IQ1, 192, 195-7, 200, 203, 205,
in plants, 179, 180 206, 208, 209, 212-15, 217-21,
social, of insects, 106, 166, 181 225, 227, 230-32, 236, 238-43,
Instinctive knowledge, 157, 176, 177, 253-5, 258, 259, 261-5, 267,
182-3 269-73, 278, 284, 285, 287, 288,
learning, 203 291, 313-14, 323, 3372 339 347»
metaphysics, 202, 283, 284, 293 358, 360-62, 366-8, 375, 379-81,
Instrument, action as, of consciousness, 389, 391
190 mechanism of the, Introd. 4, 32,
Sieur is natural ;human artificial, 34, 49-52, 75, 89, 94, 106, 145,
146-50 158-63, 165, 169, 170, 173, 174,
410 CREATIVE EVOLUTION
177, 175, 483, 184; 286, 183: in Kant’s philosophy, 377-8
197, 198, 201-3, 205-31, 236-53, and laws, 242-3
S57, 200, 262-4, 267, 260, 29%, limitations of, 160
272, 280, 285, 288, 292, 308, 317- and matter, 160, 168, 170, 185, 189,
39, 343, 347, 348, 35°, 355, 357, 191, 196, 199, 205-9, 243, 252,
358, 360-67, 371, 379, 382, 384, 263, 390, 391
386, 388 mechanism of, 160, 161, 173,
object of the, Introd. 7, 8, 11, 174
18, 21, 22, 32, 33, 36, 37, 39, and motion, 161, 168, 289, 320-24,
49-52, 55, 75, 78, 80, 93-7, 995 329, 33% 347
101, 107, 108, 147, 148, 157, 160- object of, 153-64, 170, 171, 185,
74, 177, 183, 185-9, 190, 191, 189, 263
197, 201, 204-23, 225, 228
- 32, practical nature of, Introd., 144-6,
235, 236, 238, 241-3, 246, 250, 148, 158-9, 261, 288, 322, 323,
251, 253, 258, 262-4, 267, 269, 346-7
271-3, 275, 278, 280, 284, 285, and reality, Introd., 170, 187, 250,
288, 289, 314-31, 336-40, 344, 264, 272, 283, 285, 324
346, 347, 350-56, 361, 364-9, 371, and science, 185, 186, 204, 205-6
372-7, 379-81, 384, 376, 390, 391 and signs, 166, 167, 168, 169
and perception, 5, 12, 13, 99, 170, and space, 216
177, 186, 198, 199, 216, 218, 230, See Intellect, Understanding, Reason
241, 243, 251, 262-4, 288, 316, Intelligent, the, contrasted with the
317, 323, 380 merely intelligible, 185
and rhythm, 316, 317, 323, 347, Intelligible reality in ancient philosophy,
356, 366 334
and science, 9-13, 33, 98, 160, 161, world, 169
166, 167, 169, 171, 177, 183-6, Intelligibles of Plotinus, 374
197, 204-9, 213, 215, 218-20, Intension of knowledge, 157-8
230-32, 233, 238, 241, 254, 264, Intensity of consciousness varies with
285, 288, 313-14, 323, 339) 349, ratio of possible to real action,
347s 352-4, 364, 366-8,374, 376, 152
377, 380, 383, 391 Intention as contrasted with mechanism,
and space, 11, 162, 165, 169-71, 184, 246. See Automatic order, Willed
186, 199, 213-15, 219-24, 227, order
230, 235, 257, 258, 263, 264, 271, of life the object of instinct, 186,
272, 382 246
and time, 4, 9, 18, 19, 21-3, 38, 41, Interaction, universal, 198, 199
48, 49, 54, 172, 316, 317, 350, Interest as cause of variation, 138
354-6, 360 in representation of “nought,” 310,
possibility of transcending the, 311. See Affection, réle of, etc.
Xil, Xill, §1, 160, 187, 204, 209- Internal finality, 43
II, 217, 219, 280, 381. See Internality of instinct, 177, 184, 186
Philosophy of Ideas, Intelligence of subject in object the condition of
Intellectualism, hesitation of Descartes knowledge of reality, 324, 334,
between, and intuitionism, 365 379
Intelligence and action, 144-8, 158, Interpenetration, 170, 171, 184, 187,
163, 170, I71, 191, 199, 209, 194 note, 198, 199, 212-14, 219,
323 271, 272, 284, 337, 360, 372
animal, 145, 197, 198, 224 Interruption, materiality an, of positivity,
categories of, x, 51, 206-7 231, 259, 261, 337-8. See In-
of the child, 155-6 verse relation, etc.
and consciousness, 196 Interval of time, 9, 23, 24
culmination of, 140, 147, 184-5. between what is done and what might
See Superiority be done covered by consciousness,
genesis of, 143, 187-8, 387 189
and the individual, 264 Intuition, continuity between sensible and
and instinct, 115, 142, 143, 149, 150, ultra-intellectual, 381
177-9, 183-6, 189, 196, 208, 221, dialectic and, in philosophy, 251. See
251, 273, 201 Intellect as inversion of intuition

ee
a
INDEX 411
fringe of, around the nucleus of intel- degrees of being in Kant’s successors,
lect, xili, 49, 52, 203 383
and instinct, 186-8, 192 duration in Kant’s successors, 383
and intellect in theoretical know- intelligence in Kant’s philosophy,
ledge, 186-8, 285, 361-3 242, 378
Intuitional cosmology as reversed ontological argument in Kant’s phil-
psychology, 219-20 osophy, 300
metaphysics contrasted with intel- space and time in Kant’s philosophy,
lectual or systematic, 202, 282-4, 215-17
293 and Spencer, 385
method of philosophy, apparent vicious See Mind and _ things, Sensuous
circle of, 202-4, 206-8 manifold, Thing-in-itself
Intuitionism in Spinoza, 367 Kantianism, 379, 385
and intellectualism in Descartes, 365 Katagenesis, 36
Invention, consciousness as, and freedom, Kepler, 241, 350-53
278, 285 Knowledge and action, 158, 204, 207,
creativeness of, 173, 252, 359, 360 208, 218, 219, 230
‘ disproportion between, and its conse- criticism of, 204
quences, 191, 192-3 discontinuity of, 323
duration as, 11 extension of, 157
evolution as, 108, 269, 364 form of, 156, 205, 378-82
fervour of, 173 formal, 160
indivisibility of, 173 genesis of, 201
inference a beginning of, 145 innate or natural, 154-8
mechanical, 150, 205 instinct in, 150, 151, 157, 175-8,
of steam engine as epoch-marking, 132; 187; 20%, 20g, 252
146 intellect in, Introd., 51, 157, 170-73,
time as, 360 187, 189, 204, 207-10, 218, 219,
unforeseeableness of, 173 230, 250, 251, 264, 235, 3287422,
upspringing of, 173 329, 339, 332, 334, 343, 350, 361,
See Novelty 362, 367, 380, 381
Inverse relation of the physical and intension of, 157-8
psychical, 133, 151, 152, 183, 187, of reality viewed as the internality of
214,255, 214, 220, 229,224, 226; subject in object, 324, 334, 379
230, 234, 235, 249, 253, 258, 259, intuition and intellect in theoretical
261, 262, 270, 271, 275, 278, 279, knowledge, 184-7, 189, 251, 285,
285, 337-8 361-3
Irreversibility of duration. See Repeti- matter of, 205, 378, 380-82
tion of matter, xi, 51, 218, 381
Isolated systems of matter, 215, 225, object of, Introd., 1, 51, 155, 156,
2275 254, 255, 360, 361, 366, 367, 168, 172, 173, 208-10, 285, 361,
368. See Bodies 380
fundamental problem of, 288-go
Janet, Paul, 64 note as relative to certain requirements of
Jennings, 37 note the mind, 160, 201, 243
Jourdain and the two kinds of order, scientific, 204, 207-9, 218, ATO;
233 230
Juxtaposition, 219, 357, 358, 360. Cf. theory of, xiii, 187, 189, 208, 216,
Succession 219, 241, 244
unconscious, 150-53, 154, 158, 174,
Kaleidoscopic variation, 78 175
Kant, antinomies of, 216, 217 alleged unknowableness of the thing-
becoming in Kant’s successors, 383 in-itself, 216, 217
coincidence of matter with space in Kunstler, 274 note
Kant’s philosophy, 217, 219, 257
construction the method of Kant’s Labbé, 274 note
successors, 384-5 Labour, division of, 104, 116, 124, 147
his criticism of pure reason, 216, 303 166, 175, 274
note, 376-82, 385 Lalande, André, 260 note
412 CREATIVE EVOLUTION
Lamarck, 80 and finality, 46, 94, 173, 194, 235
Lamarckism, 80-81, 89-92 fluidity of, 161, 174, 202, 204
Language, 4, 155, 166-8, 272, 279, as free, 136-7
308, 319, 322, 329-31, 344 function of, 99, 112-16, 119, 120,
Laplace, 40 ¥23, 326, 127, 193; 382-4, 266,
Lapsed intelligence, instinct as, 178, 260, 267-70
185 harmony of the realm of, 53, 54, 108,
Larvae, 20, 147, 153-75, 182 509,122, 124, 133
Latent geometrism of intellect, 205, imitation of the inert by, 243
222-4 imitation of, by the inert, 35-8
Law of correlation, 70, 71 impulse of, prolonged in our will,
and genera, 238-42, 348 253
heliocentric radius-vector in Kepler’s and individuation, 13-15, 27, 28, 84,
laws, 352 90, 92, 93, 134, 157, 206, 243,
imprint of relations and laws upon 244, 263, 273, 275, 284, 317, 318-
consciousness in Spencer’s phil- 19. See Individuality
osophy, 198 indivisibility of, 238, 285
and intuitional philosophy, 186 and instinct, 143-7, 153, 174-7, 179,
physical, contrasted with the laws of 181, 182, 185-9, 196, 203-8, 246,
our codes, 230-31 278, 387
physical, expression of the negative and inteilect, Introd., 14, 34-7, 47-52,
movement, 230 94, 106, 108, 110, 134, 143, 160,
physical, mathematical form of, 230, 169-74, 177, 183, 186-9, 191, 202-
231, 242, 254 22, 227, 218, 22%, 242, Se 8,
relation as, 241, 242-3 238, 271-5, 280, 284, 317, 361,
Learning, instinctive, 203, 204 375) 379-81, 381, 386, 387
Le Dantec, 19 note and interpenetration, 271
Leibniz, cause in, 292 as inversion of the inert, 7, 8, 186,
dogmatism of, 377, 378 187, 196, 200, 201, 207, 208, 212,
extension in, 371, 372 21%, 218, 220, 222, 224,228, 320
God in, 371, 372, 377 230, 235, 238, 245, 248, 249, 252,
mechanism in, 368, 371, 375, 376 253, 258-63, 278, 345-9
his philosophy a systematization of is)limited force, 133, 134, 149, 156.
physics, 367 157, 268
space in, 371-2 and memory, 176
teleology in, 41, 42 penetrating matter, 27, 28, 54, 189,
time in, 372, 333 I9I, 192, 250, 252, 280, 284, 285,
Lepidoptera, 120 ncte, 141 as tendency to mobility, 134, 138, 139
Le Roy, Ed., 230 note and physics and chemistry, 33, 35, 375
Liberation of consciousness, 194, 279, 38, 238
280 in other planets, 270
Liberty. See Freedom as potentiality, 272
Life as activity, 135-6, 259 repetition in, and in the inert, 237,
cause in the realm of, 100, 173 238, 243, 244
complementarity of the powers of, sinuousness of, 75, 103, 104, 107,
Introd., 27, 28, 54-8, 102-10, 118, 119, 122, 136, 224
116, 119, 122-5, 133, 138-43, social, 145, 147, 166, 279
148-50, 186, 187, 194, 195, 260, in other solar systems, 270
268-71, 280, 284, 362, 364 and evolution of species, 261, 268,
consciousness co-extensive with, 196, 283
271, 284, 383 theory of, and theory of knowledge,
mutual contingency of the orders of xiil, 187, 189, 208
life and matter, 248 unforeseeableness ot, 6, 9, 21, 28, 30,
continuity of, 1-12, 31, 32, 171, 172, 31, 39, 48, 50, 51, 55, 91, 102,
272 stig 173, 194, 236, 262, 358,
as creation, 61, 170, 235, 243, 261, fe)
265, 268, 269 unity of, 263, 282, 285
symbolized by a curve, 32, 95, 96 as a wave flowing over matter, 264,
embryonic, 175 280
INDEX 413
See Impulse of, Organic substance, intelligence, 140, 144-6, 150, 164,
Organism, Organization, Vital 184, 197, 198, 224, 280, 281
impetus, Vital order, Vital prin- language, 166
ciple, Vitalism, Willed order Manacéine (de), 130 xote
Limitations of instinct and of intelli- Manufacture, the aim of intellect, 144,
_ gence, 160 145, 1§2, 160-62, 168-74, 191, 201,
Limitedness of the scope of Galileo’s 202, 210, 264, 314
physics, 378, 391 and organization, 97, 98, 133, 146-50,
of the vital impetus, 133, 134, 149, 158
156, 157, 268 and repetition, 47, 48, 164-6
Linden, Maria von, 120 note See Construction, Solid, Utility
Lingulae illustrating failure to evolve, Many and one, categories inapplicable to
107 Hie; x, 471, 487, 271; 27%, 282
Lizards, colour variation in, 76-8 in the idea of individuality, 272
Locomotion and consciousness, 114, 117, See Multiplicity
121,275. See Mobility, Movement Marin, J., 107 note
Logic and action, ix, 47, 49, 171, 189 Marion, 113 note
formal, 308 Material knowledge, 160
genesis of, xi, xiv, §2, 108, 110, 143, Materialists, 253
202, 203, 317, 379, 387 Mathematical order. See Inert matter,
and geometry, ix, 169, 170, 186, 224 Order
impotent to grasp life, x, 14, 34, 36, Matter. See Inert matter
37, 49-52, 94, 106, 160, 171-4, Maturation as creative evolution, 50,
177, 183, 186-9, 205-12, 217, 218, 243
2255:2 35,228, 235,276,235; 27 1- Maupas, 37 note
§, 280, 284, 330, 375, 381, 386 Measurement a human convention, 230,
natural, 170, 205-6 255
of number, 220 of real time an illusion, 355-9
and physics, 337, 339 Mechanical account of action after the
and time, 4, 292 fact, 50
See Intellect, Intelligence, Under- cause, x, 36, 37, 42, 47, 187, 246,
standing, Mathematical order 247
Logical existence contrasted with psychi- procedure of intellect, 174
cal and physical, 292, 314, 346, invention, 145, 147, 205-6
382 necessity, 50, 227, 228, 230, 249, 265,
categories, x, 51, 206, 207 278, 285, 345
and physical contrasted, 292 Mechanics of transformation, 34
Logik, by Sigwart, 303 nore Mechanism, cerebral, 5, 265, 266, 276,
Aoyos in Plotinus, 222 nore 277,279,387. See Cerebral activity
Looking backward, the attitude of intel- and consciousness
lect, 49, 250 of the eye, 93
Lumbriculus, 14 instinct as, 185-6
of intellect. See Intellect, mechanism
Machinery and intelligence, 148 of
Machines, natural and artificial, 146. and intention, 246. See Automatic
See Implement, Instrument order, Willed order
organisms, for action, 266, 268, 316- life more than, x, xv note, 78-9
I Mechanistic philosophy, xii, xv, 18, 31,
heveuteuae certainty of induction ap- 32, 39, 78, 93-101, 107, 108, 205,
proached as factors approach pure 230, 235, 278, 365, 366, 368, 369,
magnitudes, 227, 228 371, 375» 376, 383
and modern science, 351, 354 Medical philosophers of the eighteenth
Man in evolution, attention, 194 century, 376
brain, 193, 194, 277-9 science, 174
consciousness, 146-50, 190, IQI, 193, Medullary bulb in the development of
195, 197, 198, 202, 224, 277-82 the nervous system, 266
goal, 141, 184, 195, 280, 281, 283, and consciousness, 116
284 Memory, 5;, 18, 23, 22; 176, 177, 190,
habit and invention, 279 1Ol, 25s
414 CREATIVE EVOLUTION
Menopause in illustration of crisis of science compared with ancient, 347-
evolution, 20 55, 361-4, 377
Mental life, unity of, 282 science, Galileo’s influence on, 352,
Metamorphoses of larvae, 147, 154, 353
175 science, Kepler’s influence on, 352
Metaphysics and duration, 291 science, magnitudes the object of, 351,
and epistomology, 187, 189, 195, 208, 354
220 science, time an independent variable
Galileo’s influence on, 22, 241 in, 21, 354
instinctive, 202, 283, 284, 293 Molecules, 264
and intellect, 200 Molluscs, illustrating animal tendency to
and matter, 205 mobility, 136-8
natural, 22, 343 perception in, 199
and science, 185, 205, 209, 220, 364, vision in, 63, 79, 81, 88, 91, 92
374 39% Monads of Leibniz, 371-4
systematic, 201, 202, 204, 206, 251, Monera, 133
283, 284, 367, 393 Monism, 376 |
Metchnikoff, 19 note Moral sciences, weakness of deduction
Method of philosophy, 202 in, 224
Microbes, illustrating divergence of Morat, 130 note
tendency, 123 Morgan, L., 84 note, 85
Microbial colonies, 273 Motion, abstract, 321
Mind, individual, in philosophy, 201 articulations of, 327-8
and intellect, 51, 217 an animal characteristic, 265
knowledge as relative to certain re- and the cinematograph, 321-2
quirements of the mind, 160, 201, continuity of, 327
243 in Descartes, 366
and matter, 199, 212, 213, 214, 217, evolutionary, extensive and qualita-
278, 283, 284, 370, 386-90 tive, 319, 320, 328, 329
See Psychic, Psycho-physiological in general (f.e. abstract), 321
parallelism, Psychology and Phil- indivisibility of, 323, 328, 355,
osophy, ux} 356-7
Minot, Sedgwick, 18 note and instinct, 147, 350-51
Mobility, tendency toward, characterises and intellect, 75, 163, 164, 168, 172,
animals, 115, 116, 119, 136-9, 288, 289, 314, 335, 339s 3475 350,
142, 190 357, 364
and consciousness, 114, 117, 122, 275 organization of, 327-8
and intellect, 163, 170, 172, 316, track laid by motion along its course,
3445 3455 355 325-8, 355, 356
of intelligent signs, 167, 168 See Mobility, Movement
life as tendency toward, 134, 138, Motive principle of evolution: con-
139 sciousness, Ig1-2
in plants, 118, 142 Motor mechanisms, cerebral, 265, 266,
See Motion 277, 279
Mibius, 63 note Moulin-Quignon, quarry of, 144
Model necessary to the constructive work Moussu, 86
of intellect, 173, 186 Movement and animal life, 114, 138,
Modern astronomy compared with 139
ancient science, 353, 354 ascending, 12, 106, 109, I10, 195,
geometry compared with ancient 220, 222, 391... Gee Vital. im-
science, 33, 169, 352 petus
idealism, 244 consciousness and, 117, 124, 152,
philosophy compared with ancient, 219
238-41, 244, 346, 364, 365, 369- descending, 12, 213-15, 219-21, 224,
71, 374, 377 259, 265, 270, 285, 291, 358, 382,
philosophy: parallelism of body and 39%
mind in, 190, 370, 371, 375, 376 goal of, the object of the intellect,
science ; cinematographical character 163, 315-16, 318, 319, 320
of, 347, 348, 355, 360, 361, 365-7 intellect unable to grasp, 330

s
isHat
ot

1
INDEX 415
mutual inversion of cosmic move- cosmic principle, 133, 151, 152, 183-
ments, 133, I51, 152, 183, 186, 4, 186-7, 221, 224, 230, 235-36,
E87, 22%, 224, 229; 230, 235, 249, 258-64, 275, 278, 279, 287,
249, 258-64, 275, 278, 279, 287, 362-3. See Inert matter, Opposi-
362-3 tion of the two ultimate cosmic
life as, 175, 186-7, 268 movements, etc.
and the nervous system, 116, 139, Neo-Darwinism, 58, 59, 90, 91, 178,
141, 190, 276, 277 179
of plants, 115, 142-3 Neo-Lamarckism, 80-81, 89, g1-2, 179
See Mobility, Motion, Locomotion, Neo-vitalism, 44 note
Current, Tendency, Impetus, Im- Nervous system a centre of action,
pulse, Impulsion 115, 136-7, 139, 141-2, 190, 266,
Movements, antagonistic cosmic, 135- 275-7
0, $42, 291,195, 263, 273.. See of the plant, 120
Movement, Mutual inversion of primacy of, 126-7, 133, 265
cosmic Neurone and indetermination, 133
Multiplicity, abstract, 271, 273 New, freedom and the, 12, 172, 173,
distinct, 213, 221, 271. See Inter- 210-11, 230, 243, 252, 262, 285,
penetration 358-61
does not apply to life, x, 171, 187, Newcomen, 194
271, 275, 284 Newton, 354
Mutability, exhaustion of, of the uni- Nitrogen and the function of organisms,
verse, 257, 258 I14, 119, 120, 123, 269
Mutations, sudden, 29, 66, 68-72 vorjaews vonas of Aristotle, 376
theory of, 90-91 Non-existence, See Nought
Nothing. See Nought
Natural geometry, 205-6, 222-4 Nought, conception of the, 288-95,
instrument, 14.8, 152, 158-9 297-9, 305, 306, 308-14, 334,
or innate knowledge, 154, 58-9 345. See Negation, Pseudo-ideas,
logic, 170, 205-6 etc.
metaphysic, 22, 343-4 vovs mointixds of Aristotle, 340
selection, 57, 60, 63, 65-9, 72, 101, Novelty. See New
178, 179 Nucleus, intelligence as the luminous,
Nature, Aristotelian theory of, 142, enveloped by instinct, 186-7
184 in microbial colonies, 273
discord in, 133, 134, 269, 281 intelligence as the solid, bathed by a
facts and relations in, 389 mist of instinct, 203, 204
incoherence in, 110 of Stentor, 274
as inert matter, 170, 230, 231, 241- Number illustrating degrees of reality,
S, 28S, 258, 276,296, 322,> 376, 341-2, 345
380, 388 logic of, 220
as life, 105, 145, 147, 149, 150, 152, Nuptial flight, 153, 154
158, 162, 164, 239, 254, 274, 283, Nutritive elements, fixation of, 113-15,
285, 317-18 120; 123,;259, 206,:267
order of, 238 Nymph (Zool.), 147, 154
as ordered diversity, 244, 246
unity of, 110, 200, 201, 206, 207-10, Object of this book, ix-xv
340, 372-7, 378 of instinct, 153-60, 172, 185-8
Nebula, cosmic, 262, 271 of intellect, 153-60, 161-4, 170-74,
Necessity for creation, vital impetus as, 185, 189,201, 210-21, 290, 263,
265,.275 265, 285, 288, 314-20, 324-5, 328-
and death of individuals, 260 zote 9, 339) 347-8, 374) 379 >
and freedom, 230, 249, 285 internality of subject in, the condition
in Greek philosophy, 344-5 of knowledge of reality, 324-5,
in induction, 227, 228 334-5, 379
and matter, 265, 278 of knowledge, 155, 156-7, 168
Negation, 290, 301-13. See Nought idea of, contrasted with that of uni-
Negative cause of mathematical order, versal interaction, 12, 198, 199,
229. See Inverse relation, etc. 219
416 CREATIVE EVOLUTION
of philosophy as contrasted with object complementarity of intelligence and —

of science, 206-7, 232-3, 238, 239, instinct in the, 149, 158, 191, 194,
252, 264, 285, 288, 313-15, 323- 196
4, 367 complexity of the, 171, 263, 265,
of science, 347, 351-2, 354-5 — 266, 274
Obliteration of outlines in the real, 12, consciousness and the, 117, 152, 189,
198, 199, 219 190, 276, 284
Oenothera Lamarckiana, 67, 90-91 contingency of the actual chemical
Old, growing. See Age nature of the, 269, 271
the, is the object of the intellect, differentiation of parts in, 266, 274.
$72, £73,210, 285 See Organism, complexity of
One and many in the idea of individu- extension of, by artificial instruments,
ality, x, 272. See Unity 148, 170
Ontological argument in Kant, 300 freedom the property of every, 136-7,
Opposition of the two ultimate cosmic 252
movements, 135-6, 185-6, 189, 196, function of, 27, 28, 84, go, 92, 93,
Rit, B14, 251, 261, 268, 273, 276, 99, 112-16, 119, 120, 123, 126,
281. See Inverse relation of the 127, 133, 134, 143, 182-5, 243,
physical and psychical 244, 259, 260, 263, 264, 267, 269,
Orchids, instincts of, 179 270, 273, 284
Order and action, 238-9 function and structure, 58, 65, 66, 73,
complementarity of the two orders, 78, 79s 81, 91, 93-6, 99, 100, 102,
153, 182-3, 233-4. See Order, 125, 139, 147, 148, 166, 171, 263,
Mutual inversion of the two orders 265, 270
mutual contingency of the two orders, generality typified by similarity among
244, 248 organisms, 236, 237, 241, 243
and disorder, 43, 109, 232-4, 238, hive as, 175
244-9, 259 and individuation, x, 13, 14, 16-
mutual inversion of the two orders, 24, 28, 45, 157, 206-7, 238, 241,
196, 212, 213, 218-20, 222, 224, 273, 274, 275, 285
228-30, 231-3, 235, 238-9, 243, mutual interpenetration of organisms,
245, 248, 249, 251, 253, 258-61, 187-8
270, 271, 272, 278, 285, 289, 430, mechanism of the, 32, 98, 99
348-9 philosophy and the, 206-7
mathematical, 161, 220-22, 229-31, unity of the, 186-7
235-8, 243-6, 249, 258, 264, 235, Organization of action, 149, 153, 155,
348-9 158, 191, 194, 195
of nature, 238, 244, 246 of duration, 6, 16, 26, 27
as satisfaction, 234, 235, 289 explosive character of, 97
vital, 100, 173, 235-9, 243, 248, and instinct, 25, 145-53, 1§8, 174-
249, 252, 345-9 6, 181, 182, 183, 186, 203, 204,
willed, 236, 252 278
Organ and function, 93-6, 99, 100, and intellect, 170
139, 147, 148, 166, 170 and manufacture, 97, 98, 100, 101,
Organic destruction and physico - 133-4
chemistry, 238 is the modus vivendi between the an-
substance, 137, 147, 149, 157, 171, tagonistic cosmic currents, 191,
206, 260 note, 269, 281 263, 268
world, cleft between, and the in- of motion, 327
organic, 200, 201, 207, 208-9 and perception, 239
world, harmony of, 53, 54, 108, 109, Originality of the willed order, 236
122, 124, 133-4 Orthogenesis, 73, 91-2
world, instinct the procedure of, 174 Oscillation between association and in-
Organism and action, 130, 131, 183, dividuation, 273,275. See Societies.
266, 268, 316-17 of ether, 317-18
ambiguity of primitive, 104, 118, 119, of instinct and intelligence about a
P22, 436, 537 mean position, 143
association of organisms, 274 of pendulum, illustrating space and
change and the, 317, 318-19 time in ancient philosophy, 336-7
ee
Gyen
a,
——wp
ee

aee
2

|
Sw
Sos
os
Pass
Se
pe
e
INDEX 417
between representation of inner and Phantom ideas and problems, 187, 293,
outer reality, 295 299, 312
of sensible reality in ancient philosophy Philosophical explanation contrasted
about being, 334-5 with scientific explanation, 177
Outlines of perception the plan of action, Philosophy and art, 186-7
5, 12, 13, 99, 198, 199, 216, 218, and biology, 46, 204-6
239, 241, 243, 263,, 316, 323 and experience, 208-9
Oxygen, 120, 267, 269 function of 31, 89, 99, 177, 183, 204-
Fy 209; 282; 283,367
Paleontology, 25-6, 136, 146 history of, 251
Paleozoic era, 107 incompletely conscious of itself, 219,
Parallelism, psycho -physiological, 190, 220
37°, 371, 375, 376 individual mind in, 201
Paralysing instinct in hymenoptera, 147, and intellect, ix-xv
153, 181, 184-5 intellect and intuition in, 251
Parasites, 112, 114, 415, 417-19, of intuition, 186-7, 202-4, 207-8, 293
141-2 method of, 202, 204, 205, 252
Parasitism, 139 object of, 252
Passivity, 235-6 and the organism, 206-7
Past, subsistence of, in present, 5, 21-4, and physics, 205, 220
28, 114, 210-13 and psychology, 204, 206
Peckham, 182 note and science, 185, 207-8, 220, 364, 391
Pecten, illustrating identical structures See Ancient philosophy, Cosmology,
in divergent lines of evolution, 66, Finalism, Mechanistic philosophy,
67,79 Metaphysics, Modern philosophy,
Pedagogical and social nature of nega- Post-Kantian philosophy, Teleology
tion, 303-13 Phonograph illustrating ‘“ unwinding”
Pedagogy and the function of the intel- cause, 77
lect, 174 Phosphorescence, consciousness com-
Penetration, reciprocal, 170. Sce Inter- pared to, 276
penetration Photograph, illustrating the nature of
Perception and action, 5, 12, 13, 99, the intellectual view of reality, 32,
198, 199, 218, 239, 240-41, 316- 321-2
573-3434 Photography, instantaneous, illustrating
and becoming, 186, 320-23 the mechanism of the intellec,
cinematographical character of, 218, 350-51
262, 264, 350 Physical existence, as contr «sted with
cistinctness of, 239, 263 logical, 292, 314, 346, 382
and geometry, 216, 243 laws, their precise form artificial,
in molluscs, 199 230,231, 244, 244
and organization, 239 laws and the negative cosmic move-
prolonged in intellect, 170, 288 ment, 230
reaction in, 278 operations the objec:t of intelligence,
and recollection, 190, 191 185, 263
refracts reality, 216, 251, 380 order, imitation of, by the vital, 243
rhythm of, 316, 317 science, 186-7.’
and science, 177 Physico-chemistry and organic destruc-
Permanence an illusion, 316-17 tion, 238
Peron, 85 and biology, 27, 3.1, 36, 37, 38, 58,
Perrier, Ed., 274 note 76, 78, 103, 204, 375
Personality, absolute reality of, 283 Physics, ancient, “ logic spoiled,” 337,
concentration of, 212, 213 339
and matter, 283, 284 of ancient philosophy, 332, 337, 339,
the object of intuition, 282 375
tension of, 210, 211, 2i2 of Aristotle, 2.40 note, 342 note, 349,
Perthes, Boucher de, 144 St —4
Phaedrus, 164 note and deduction, 225
Phagocytes and external finality, 44 of Galileo, 377, 391
Phagocytosis and growing old, 19 and individuality of bodies, 198, 219
Z2E
418 CREATIVE EVOLUTION
as inverted psychics, 213 Possible activity as a factor in con-
and logic,
337, 339 sciousness, 12, 13, 162, 25%, 262,
and metaphysics, 205, 21g 154, 167, 174, 189, 190, 191, 199,
and mutability, 258 278, 389
success of, 230, 231 existence, 306, 311
Pigment-spot and adaptation, 63, 64, Post-Kantian philosophy, 383, 384
74-6, 81 Potential activity. See Possible activity
and heredity, 88-9 genera, 239
Pinguicula, certain animal characteristics knowledge, 150-55, 158, 175
of, 112 Potentiality, life as an immense, 272,
Plan, motionless, of action the object 284
Of; intellect, 163, 346, 918, zone of, surrounding acts, 189, 190,
3*9 191, 278. See Possible activity
Planets, life in other, 270 Powers of life, complementarity of,
Plants and animals in evolution, 111-46, xil, xill, 27, 28, 54-8, 102-10, 116,
150, 151, 153, 154, 177, 179, 191, 119, 122-4, 125, 133, 138-3,
192, 194, 195, 267, 281 148-50, 186, 187, 194, 195, 260,
complementarity of, to animals, 194, 268, 269, 271, 280, 284, 362, 364
195, 281 Practical nature of perception and its
consciousness of, 115, 117, 119, 126, prolongation in intellect and science,
135-42, 150, E51, 191, 192, 308. xi, 144-8, 158, 204, 207, 208, 218,
See Torpor, Sleep 219, 230, 261, 288, 297, 322, 323,
function of, 113-15, 119, 120, 123, 346, 347
259, 260, 267, 269 Pre-established harmony, 217, 218
function and structure in, 71, 82-3 Present, creation of, by past, 5, 21-4,
individuation in, 13 28, 176, 210-13
instinct in, 179, 180 Prevision. See Foreseeing
and mobility, 114, 115, 117-19, 124, Primacy of nervous system, 126-33, 265
125, 136, 142-3 Primary instinct, 146, 177
parallelism of evolution with animals, Primitive organisms, ambiguous form of,
62-3, 112-14, 122 104, 118, 119, 122, 136, 137
supporters of all life, 286 “Procession” in Alexandrian phil-
variation of, go, gI osophy, 341
Plasma, continuity of germinative, 27, Progress, adaptation and, 107 ff,
44, 33-8 evolutionary, 53, 140, I41, 145, 149,
Plastic- substances, 269 183, 184, 195, 279, 280
Plato, §1, 164, 201, 222 note, 333, 334, Prose and verse, illustrating the two
335. 3.39 342, 341, 345, 349, 366, kinds of orders, 233, 245
399 Protophytes, colonizing of, 273
Platonic ideas;, 51, 332-4, 336, 339, 340, Protoplasm, circulation of, 34, 114
345, 349, 372 and senescence, 19, 20
Plotinus, 222 :2fe, 331-2, 341, 343 nofe, imitation of, 34, 37
369, 372, 3.74 primitive, and the nervous system,
Plurality, confused, of life, 271. See 131, 133
Interpenetrati on of primitive organisms, 104, 114,
Poem, sounds of, distinct to perception ; 115
the sense indivisible to intuition, and the vital principle, 45
221 Protozoa, association of, 273-5
illustrating creation of matter, 253, ageing of, 17
337-8 of ambiguous form, 118
roinTiKos, vous, of Arristotle, 340 and individuation, 15, 273-5
Polymorphism of amts, bees, and wasps, mechanical explanation of movements
147 of, 35
of insect societies, 166 and nervous system, 133
Polyzoism, 274 reproduction of, 15
Positive reality, 220, 2.24. See Reality Pseudo-ideas and problems, 187, 293,
Positivity, materiality’ an inversion or 299, 312
interruption of, 231, 259, 261, Pseudoneuroptera, division of labour
337 among, 147
INDEX 419
Yuxh of Aristotle, 369 obliteration of outlines in the, 12,
of Plotinus, 222 xote 198-9, 219
Psychic activity, two-fold nature of, 143, representation of the, by science, 215
148, 150 Realism, ancient, 244
life, continuity of, 1-12, 31 Realists and idealists alike assume possi-
Psychical existence contrasted with bility of absence of order, 232, 244
logical, 292, 314, 346, 382 Reality, absolute, 209, 241, 242, 283,
nature of life, 271 379, 381
Psychics inverted physics, 212, 213. See as action, 50, 202, 205, 262
Inverse relation of the physical and degrees of, 341, 345
psychical in dogmatic metaphysics, 207
Psychology and deduction, 224 double form of, 189, 228, 243, 249
and the genesis of intellect, 197, 204, as duration, 12, 229, 287
206-7 as flux, 174, 263, 264, 310, 355, 356,
intuitional cosmology as_ reversed, 361, 364
220 and the frames of the intellect, 384-5.
Psycho-physiological parallelism, 190, See Frames of the understanding
379, 371, 3755 376 as freedom, 261
Puberty, illustrating crises in evolution, of genera in ancient philosophy,
20, 349 238-9
is growth, 252
Qualitative, evolutionary and extensive imitation of, by the intellect, 95, 386
becoming, 331 and the intellect, 55, 95, 161, 201,
motion, 319, 320, 328 202, 332, 386
Qualities, acts, forms, the classes of re- intelligible, in ancient philosophy, 334
presentation, 319, 331 knowledge of, 324, 334, 379
bodies as bundles of, 317 and mechanism, 371, 375
coincidence of, 326 as movement, 96, 163, 318, 329
and movements, 316 and not-being, 291, 295, 301
and natural geometry, 223 of the person, 283
superimposition of, in induction, refraction of, through the forms of
228 perception, 216, 251, 380
Quality is change, 316 and science, 204, 206, 208, 209, 215,
in Eleatic philosophy, 331-2 218-20,
374, 377
and quantity in ancient philosophy, sensible, in ancient philosophy, 331,
341-2 334, 339» 345s 346, 372
and quantity in modern philosophy, symbol of, xi, 32, 75, 94, 99, 206-7,
37° 221, 253, 361, 381, 390
and rhythm, 317-18 undefinable conceptually, 14, 51
Quaternary substances, 127-8 unknowable in Kant, 216
Quinton, René, 141 note unknowable in Spencer, xi
views of, 32, 75, 89, 94, 210, 212,
Radius-vector, Heliocentric, in Kepler’s RIS, £36, 2625.07%, 285; 437-29,
laws, 353 328, 331, 350, 361, 371, 372
Rank, evolutionary, 53, 140-42, 183, Reason and life, 7, 8, 51, 170
184, 279 cannot transcend itself, 204
Reaction, réle of, in perception, 239 Reasoning and acting, 203
Ready-made categories, x, xiv, 51, 250, and experience, 215
263, 264, 288, 328, 339, 347, 374 and matter, 216, 220
on matter and life, 7, 8
Real ‘ Lily as distinguished from Recollection, dependence of, on special
possible, 152 circumstances, 176, 190
common sense is continuous ex - in the dream, 213, 219
perience of the, 225 and perception, 190, 191
continuity of the, 318, 347 Recommencing, continual, of the present
dichotomy of the, in modern phil- in the state of relaxation, 212
osophy, 370 Recomposing, decomposing and, the
imitation of the, by intelligence, 95, characteristic powers of intellect,
215, 272, 285, 324, 386 165, 264

ie

_
pee
*
Re
420 CREATIVE EVOLUTION
Record, false comparison of memory Reservoir, organism a, of energy, 121
with, 5 122, 131-2, 258, 260, 267 e
a
Reflection, 167 Rest and motion in Zeno, 324-9
Reflex activity, 116 Retrogression in evolution, 140, 141
compound, 183, 185 Retrospection the function of intellect,
Refraction of the idea through matter of 50, 250
non-being, 334 Reversed psychology: intuitional cos-
of reality through forms of percep- mology, 220
tion, 216, 251, 380 Rhizocephala and animal mobility, 117
Regeneration and individuality, 14, 15 Rhumbler, 35 xote
Register of time, 17, 21, 39 Rhythm of duration, 12, 134, 317, 365-6
Reinke, 44 note intelligence adopts the, of action, 323
Relation, imprint of relations and laws of perception, 316, 317
upon consciousness, 198 and quality, 317
as law, 241, 242-3 scanning the, of the universe the
and thing, 155-60, 165, 168, 169, function of science, 366
197, 213, 372, 377 of science must coincide with that of
Relativism, epistemological, 207, 208, action, 348
243 of the universe untranslatable into
Relativity of immobility, 163 scientific formulae, 356
of the intellect, xi, 51, 160, 161,
206, 208, 209, 231, 288, 323,
197,
381
Rings of arthropods, 139 ja

}%
Ripening, creative evolution as, 50,
of knowledge, 160, 201, 243 359-60
of perception, 239, 241, 316-17 Romanes, 146
Relaxation in the dream state, 213,
and extension, 213, 219, 221,
221
222,
Roule, 28 nore
Roy (Le), Ed., 130 note
;
224, 230, 235, 258 a
and, intellect, 212, 219, 222, 224, Salamandra maculata, vision in, 30 1%

230 Salensky, 79 note


logic a, of virtual geometry, 224 Same, function of intellect connecting is
matter a, of unextended into extended, same with same, 210, 246, 285 x
230 Samter and Heymons, 77 note
memory vanishes in complete, 212 Saporta (De), 115 nore ‘,
necessity as, of freedom, 230 Savage’s sense of distance and direction, Ai‘
R
present continually recommences in
the state of relaxation, 212
223
Scepticism or dogmatism the dilemma
\
a)
will vanishes in complete, 212, 219 of any systematic metaphysics, 206, aes

See Tension 207, 243 Si:


Releasing cause, 77, 78, 121, 125-6 Schisms in the primitive impulsion of ry

Repetition and generalization, 243, 244 life, 268, 271. See Divergent lines
and fabrication, 47, 48, 164-6 of evolution
and intellect, 165, 210, 226-8 _ Scholasticism, 391
of states, 6, 8, 30, 31, 38, 48, 49 Science and action, 98, 206, 209, 347
in the vital and in the mathematical ancient, and modern, 347-55, 361-4
order, 237, 238, 243, 244 377
Representation and action, ISI, 152, astronomy, ancient and modern, 3535
190 354
classes of : qualities, forms, acts, 319, cartesian geometry and ancient geo-
8 Le metry, 352
and consciousness, 151 cinematographical character of modern,
of motion, 168, 320, 321, 323, 324, 347, 348, 355, 360, 361, 365-7
330, 332, 364 conventionality of a certain aspect of,
of the Nought, 288-95, 297-9, 305- 218
14, 3345 345 } } : and deduction, 224
Represented or internalized action dis- and discontinuity, 171
tinguished from externalized action, function of, 97, 177, 183, 186, 204
152-4, 167, 174 206, 209, 347, 366
Reproduction and individuation, 14, 15 Galileo’s influence on modern, 352,
Resemblance. See Similarity 353
INDEX 421
and instinct, 477, 178, 183, 184, Sensuous manifold, 216, 233, 245, 248,
204-5 249
and intelligence, 185, 186, 204, 205-6 Sentiment, poetic, in illustration of in-
Kepler’s influence on modern, 352 dividuation, 272, 273
and matter, 205, 218, 219 Serkovski, 273 note
modern. See Modern science Serpula, in illustration of identical evolu-
object. of, 206,292, 338, 239,264, tion in divergent lines, 101
285, 288, 313-14, 323, 347, 351, Sexual cells, 15, 27, 28, 85-6
354, 367 Sexuality parallel in plants and animals,
and perception, 177 62-3, 125-6
and philosophy, 185, 207, 220, 364, Shaler, N.S., 140 note, 194. note
39° Sheath, calcareous, in illustration of
physical. See Physics animal tendency to mobility, 137-8
and reality. See Reality and science Signs, function of, 166, 167, 168
and time, 9-13, 21, 354 the instrument of science, 347-8
unity of, 206, 207, 241, 242, 339, Sigwart, 303 xote
3401 304, 367, 308, 3741 378, 380, Silurian epoch, failure of certain species
393 to evolve since, 107
Scientific concepts, 357-8 Similarity among individuals of same
explanation and _ philosophical ex- species the type of generality, 236-
planation, 177 8, 241, 243
formulae, 356 and mechanical causality, 47, 48
geometry, 170, 223 Simultaneity, to measure time is merely
knowledge, 204, 207, 208, 209, 218, to count simultaneities, 9, 355, 356,
219, 230 360
Sclerosis and ageing, 20 Sinuousness of evolution, 75, 103, 107,
Scolia, paralysing instinct in, 181 224
Scope of action indefinitely extended by Sitaris, unconscious knowledge of, 153,
intelligent instruments, 148 154
of Galileo’s physics, 377, 391 Situation and magnitude, problems of,
Scott, 67 note 223
Sea-urchin and individuality, 14 Sketching movements, function of con-
Séailles, 30 note sciousness, 219
Secondary instincts, 146, 177 Sleep, 135-7, 142, 191
Sectioning of becoming in the philosophy Snapshot, in illustration of intellectual
of Ideas, 335 representation of motion, 321, 323,
of matter by perception, 218, 262, 330, 332, 364. See View of reality,
264 Cinematographical character, etc.
Sedgwick, 274 note form defined as a, of transition, 318
Seeing and willing, coincidence of, in in- 334, 335» 339, 364
tuition, 250 Social instinct, 106, 147, 166, 181
Selection, natural, 57, 60, 63, 65, 66, life, 145, 147, 166, 279
68, 69, 72, 101, 178, 179 and pedagogical character of negation,
Self, coincidence of, with, 210 303-1
existence of, means change, 1 ff, Societies, 106, 138, 166, 181, 273
knowledge of, 1 ff. Society and the individual, 274, 279
Senescence, 16-24, 28, 45 Solar energy stored by plants, released
Sensation and space, 213 by animals, 259, 267
Sense-perception. See Perception systems, 254-7, 260 nore, 270, 285
Sensible flux, 334, 335, 339 341, 342, systems, life in other, 270
345, 362, 364 Solid, concepts analogous to solids, ix
intuition and ultra-intellectual, 381 intellect as a solid nucleus, 203, 204
object, apogee of, 362, 364, 369 the material of construction and the
reality, 331, 334, 339» 345, 346, 372 object of the intellect, 161, 162
Sensibility, forms of, 381 169, 170, 174, 264
Sensitive plant, in illustration of mobility Solidarity between brain and conscious-
in plants, 114 ness, 190, 276
Sensori-motor system. See Nervous of the parts of matter, 214, 219, 254
system 285
422 CREATIVE EVOLUTION
Solidification operated by the under- matter in, 386, 388
standing, 262 mind in, 386, 388
o@pua in Aristotle, 369 Spheres, concentric, in Aristotle’s philo-
Somnambulism and consciousness, 151, sophy, 346
152, 167 Sphex, paralysing instinct in, 182-5
Soul and body, 369 Spiders and paralysing hymenoptera, 182
and cell, 283 Spinal cord, 116
creation of, 284 Spinoza, the adequate and the inadequate,
Space and action, 214 373
in ancient philosophy, 335, 336 cause, 293
and concepts, 169, 171, 184, 186, dogmatism, 376, 377
199, 271-3 eternity, 374 Le
AE

geometrical, 214 extension, 370


homogeneity of, 165, 224 God, 371, 377
and induction, 228 intuitionism, 367
in Kant’s philosophy, 216, 217, 219, mechanism, 368, 372, 375, 376
257 time, 383
in Leibniz’s philosophy, 371 Spirit, 264, 283, 284
and matter, 199, 213-24, 257, 271, Spirituality and materiality, 135, 212-14,
278, 382, 389 218, 226, 222, 224, 220, 230,241,
and time in Kant’s philosophy, 216- 226, 252, 253, 253, 261, 262, 264,
17 268, 276, 271, 273, 275, 258, 266
unity and multiplicity determinations 287, 291, 362
of, 271-3 Spontaneity of life, g1, 252. See Free-
See Extension dom
Spatiality atmosphere of, bathing intel- and mechanism, 42
ligence, 216 in vegetables, 115
degradation of the extra-spatial, 219 and the willed order, 236
and distinctness, 214, 219, 257, 263, Sport (biol.), 66
271 Starch, in the function of vegetable
and geometrical space, 214, 222, 225, kingdom, 120
230 States of becoming, 1, 14, 172, 261,
and mathematical order, 220, 221 315, 316, 324
Special instincts and environment, 145, Static character of the intellect, 164,
177, 203, 204 172, 289, 314
and recollections, 176, 177, 190 views of becoming, 288
as variations on a theme, 176, 181, 278 Stchasny, 131 note
Species, articulate, 140 Steam-engine and bronze, parallel as
evolution of, 261, 268, 283 epoch-marking, 145, 146
and external finality, 135, 137, 138, Stentor and individuality, 274
280 Stoics, 332-3
fossil, 107 Storing of solar energy by plants, 259,
human, as goal of evolution, 280, 281 267-70
human, styled homo faber 146 Strain of bowand indivisibility of motion,
and instinct, 147, 176, 180-82, 278 325
and life, 176 Stream, duration a8 a, 41, 357
similarity within, 236-8, 241, 243 Structure and function. See Function
Speculation, dead-locks in, xii, 163, 164, and structure
329, 330-3" identical, in divergent lines of evolu-
object of philosophy, 46, 160, 206, tion, 58, 63, 65, 66, 73, 78, 79, 81
209, 232, 238, 239, 264, 285, 288, $3, 91, 92, 125
313-14, 323, 334, 367 Subject and attribute, 155
Spencer, Herbert, xi, xiv, 82-3, 161, Substance, albuminoid, 127
198, 200, 201, 385, 386 continuity of living, 171
Spencer’s evolutionism, correspondence organic, 127, 137, 147, 149, 157, 171, al
between mind and matter in, 389 206-7, 260 note, 269, 281
cosmogony in, 198 in Spinoza’a philosophy, 370
imprint of relations and laws upon ternary substances, 128
consciousness in, 198 Substantives, adjectives, verbs, correspond
INDEX 423
to the three classes of representation, 104, 106, 113, 115, 118, 122-4,
319-20 141, 142, 158, 191, 260, 268-72
Substitution essential to representation of to individuation, 14
the Nought, 297, 299, 305, 306, 310, life a tendency to act on inert matter,
12 102
Success of physics, 230, 231-2 toward mobility in animals, 115, 116,
and superiority, 140, 279 119, 134, 136-9, 142, 191, 192
Succession in time, 10, 357, 358, 360, the past exists in present tendency, 6
365. Cf. Juxtaposition to reproduce, 14
Successors of Kant, 383, 384 of species to change, go-g1
Sudden mutations, 29, 66, 68, 72 mathematical symbols of tendencies,
Sun, 121, 254, 340 23, *4
Superaddition of existence upon nothing- toward systems, in matter, 11
ness, 291 transmission of, 34-5
of order upon disorder, 249, 289 a vital property is a, 14
Superimposition. See Measurement Tension and extension, 249, 258
of qualities, in induction, 228 and freedom, 210-13, 219, 235, 250,
Superiority, evolutionary, 140-42, 183, 252, 317-18
184 matter the inversion of vital, 252
Superman, 281 of personality, 210, 212, 219, 250,
Supraconsciousness, 275 252, 317
Survival of the fit, 179. See Natural Ternary substances, 128
selection Theology consequent upon the phil-
Swim, learning to, as instinctive learn- osophy of Ideas, 333
ing, 203, 204 Theoretic fallacies, 287, 288
Symbol, the concept is a, 169, 221, 361 knowledge and instinct, 187, 282
of reality, xi, 32, 75, 94, 99, 205, knowledge and intellect, 163, 187,
SAE, 255 $63,481,390 189, 251, 285, 361, 362
Symbolic knowledge oflife, 209, 361, 380 Theorizing not the original function of
Symbolism, 185, 190, 381 the intellect, 163-4
Sympathetic or intuitive knowledge, Theory of knowledge, xiii, 187, 189, 195,
240, 22%, 361 208, 216, 219, 220, 241, 244
Sympathy, instinct is, 173, 177, 182-7, of life, xiii, 187, 189, 208
361-2. See Divination, Feeling, Thermodynamics, 255-6. See Conserva-
Inspiration tion of energy, Degradation of
Systematic metaphysics, dilemma of, energy
206, 207, 243 Thesis and antithesis, 217
contrasted with intuitional, 202, 204, Thing as distinguished from motion, 196,
251, 283, 234, 293, 366-7 213, 261, 262, 316
postulate of, 201, 206 as distinguished from relation, 155,
Systematization of physics, Leibniz’s 156, 158, 160, 165, 168, 169, 197,
philosophy, 367 213, 372) 377
Systems, isolated, 9-13, 214, 226, 227, and mind, 217
254, 255, 361, 366-8 as solidification operated by under-
standing, 262
Tangent and curve, analogy with deduc- Thing-in-itself, 216, 217, 243, 329
tion and the moral sphere, 225 Timaeus, 335 “ote
analogy with physico-chemistry and Time and the absolute, 253, 254, 314,
life, 32 358, 363
Tarakevitch, 131 note abstract, 22, 23, 39-41
Teleology. See Finalism articulations of real, 350-51
Tendency, antagonistic tendencies of as force, 17, 48, 49, 54, 108, 358
life, 14, 103, 109, 119, 142, 158 homogeneous, 18, 19, 172, 350-51
antagonistic tendencies in development as independent variable, 21, 354-5
of nervous system, 131 interval of, 9, 23, 24
complementary tendencies of life, 54 as invention, 360-61
109, 142, 158, 177, 260 in Leibniz’s philosophy,372, ies
to dissociation, 274 and logic, 4, 292
divergent tendencies of life, §7, 94, and simultaneity, 9, 355, 356, 360
424 CREATIVE EVOLUTION
in modern science, 349-55, 361-4 unlimited scope of the, 157, 158, 160
and space in Kant, 217 See Intellect, Intelligence, Concept,
and space in ancient philosophy, 335, Categories, Frames of the under-
336. See Duration standing, Logic
Tools and intellect, 144-8, 158-9. See Undone, automatic and determinate
Implement evolution is action being, 262
Torpor, in evolution, 115, 117, I19, Unfolding cause, 77, 78
120 note, 126, 135-43, 191, 308 Unforeseeableness of action, 50
Tortoise, Achilles and the, in Zeno, of duration, 6, 173, 359-61
327, 328 of evolution, 50, 51, 55, 91, 236
Touch, science expresses all perception of invention, 173
as touch, 177 of life, 173, 194
is to vision as intelligence to in- and the willed order, 236, 362
stinct, 178 See Foreseeing
Track laid by motion along its course, Unification as the function of the intel- S
1S
326-9, 356 lect, 160, 162, 378 AS
Transcendental Aesthetic, 215 Uniqueness of phases of duration, 173
Transformation, 34, 77, 78, 138, 243, Unity of extension, 162
283 of knowledge, 206
Transformism, 24-6 of life, 112, 263, 282, 285
Transition, form a snapshot view of, 318, of mental life, 282 i
334, 335: 339, 364 and multiplicity as determinations of
Transmissibility of acquired characters, space, 371-3
80-89, 92, 178, 179, 182, 238, 243 of nature, 110, 200, 201, 206, 207, S
e+
Transmission of the vital impetus, 27, 209, 340, 372, 377, 378
28, 84, 90, 92, 93, 99, 116, 133, of the organism, 186
134, 243, 244, 259, 263, 264, 269, of science, 206, 207, 241, 242, 339, a
oe

270, 273, 284 340 364, 367) 368: 3741 376, 380,
Trigger-action of motor mechanisms,
287 Universal interaction, 198, 19g
Triton, Regeneration in, 80 life, consciousness coextensive with,
Tropism and psychical activity, 37 mote 196, 271, 284
Truth seized in intuition, 336-7 Universe, continuity ot, 365
Descartes’s, 365
Unconscious effort, 179 physical, and the idea of disorder, 246,
instinct, 150, 1§1, 153, 154, 175 290
knowledge, 153-5, 158-9 duration of, 11, 12, 254
Unconsciousness, two kinds of, 1§1 evolution of, 254, 260 note
Undefinable, reality, 14, 51 growth of, 362, 364
Understanding, absoluteness of, 160, 201, movement of, in Aristotle, 341
208, 209, 210 mutability of, 257, 258
and action, ix, xi, 189 as organism, 32, 254
genesis of the, Introd., 52, 200, 219, as realization of plan, 42
271-3, 379, 382 rhythm of, 356, 358, 366
and geometry, ix, xll states of, considered by science, 355,
and innateness of categories, 155, 356
156-7 as unification of physics, 368, 377
and intuition, 49 Unknowable, the, of evolutionism, xi
and life, Introd., 14, 34, 49-52, 94, the, in Kant,'225,.216,.217
106, 155, 156, 160, 171-4, 183, Unmaking, the nature of the process of
$36, £57; 206-82, 225, 242, 235, materiality, 258, 261, 262, 264, 287,
236, 238, 271-3, 275, 280, 284, 362-3
235, 330, 382, 386 Unorganized bodies, 8, 15, 21, 22, 196.
and inert matter, 174, 177, 189, 205, See inert matter
S05, 217, 248,231,375 instruments, 144-6, 148, 158-9
and the ready-made, xiv, 51, 250, matter, cleft between, and the or-
263, 264, 288, 328, 339, 347, 374, ganized, 200, 201, 207, 208-9
379 matter, imitation of the organized by,
and the solid, ix 35-6, 37, 38
INDEX 425
matter and science, 205-6 order, generalization in the, and in the
matter. See inert matter mathematical order contrasted, 237,
Unwinding cause, 77 238, 243
of immutability in Greek philosophy, order, and the geometrical order, 235,
343, 372 237,238,
243, 244, 248, 249, 348-9
Upspringing of invention, 173 order, imitation of physical order
Utility, 5, 158, 160, 163, 167, 168, 177, by vital, 243
197, 206, 261, 314, 347-8 principle, 44, 45, 237, 238
order, repetition in the vital and the
Vanessa levana and Vanessa prorsa, mathematical orders contrasted, 237,
transformation of, 76 _ 238, 243, 244
Variable, time as an independent, 21, Vitalism, 44, 45
4 Void, representation of, 288, 290, 291,
Variation, accidental, 58, 67, 72, 90, 178 293, 297,299,
305, 306, 308, 310,
of colour, in lizards, 76, 78 , 314; 314
by deviation, 87, 88 Voisin, 85
of evolutionary type, 25, 77 note, 138, Volition and cerebral mechanism, 266
145, 176, 178, 181, 278 Voluntary activity, 116, 265
insensible, 66, 72 Vries (De), 11, 26, 66, 67 note, go-g1
interest as cause of, 138
in plants, go, g1 Wasps, instinct in, 147, 181
Vegetable kingdom. See Plants Weapons and intellect, 144
Verb, relation expressed by, 155 Weismann, 27, 83, 85-6
Verbs, substantives and adjectives, 319 Will and caprice, 50
Verse and prose, in illustration of the and cerebral mechanism, 266
two kinds of order, 233, 245 current of, penetrating matter, 250
Vertebrate, ix, 133, 136, 138-41, 149 insertion of, into reality, 322-3
Vibrations, matter analysed into ele- and relaxation, 212, 219
mentary, 212 and mechanism in disorder, 246
Vice, consciousness compressed in a, tension of, 210, 212, 219
18 Willed order, mutual contingency of
icc bei paiens of intuitionism, willed order and mathematical order,
202-4, 207 244-6
of intellectualism, 204, 207, 336-7 unforeseeability in the, 236, 262
View, intellectual, of becoming, 4, 96, Willing, coincidence of seeing and, in
288, 315, 321, 322, 327, 344-5 intuition, 250
intellectual, of matter, 214, 253, 263, Wilson, E.B., 37
267, 269 Wolff, 80 note
Vignon, P., 37 note Words and states, 4, 319
Virtual actions, 13. See Possible action three classes of, corresponding to
geometry, 224 three classes of representation, 319,
Vision of God, in Alexandrian phil- a3
osophy, 340 World, intelligible, 169
in molluscs. See Eye of molluscs, etc. principle: consciousness, 250, 275
in Salamandra maculata, 80 Worms, in illustration of ambiguity of
Vital activity, 141-3, 146, 147, 175- primitive organisms, 136
7, 259, 261
current, 27, 28, 56-8, 85, 90, 92, Yellow-winged sphex, paralysing instinct
93, 102-10, 125-6, 243, 244, 252, in, 182
271, 280, 284
impetus, 53, 56-8, 90, 92, 93, 103-10, Zeno on motion, 325-30
125, 133, 134, 138, 149, 156, 157, Zone of potentialities surrounding acts,
230, 243, 244, 261; 263, 265, 268, 189, 190, 191, 278
275 Zoology, 135-6
order, cause in, 36, 37, 100, 173 Zoospores of algae, in illustration of
order, finality and, 236-7, 238 mobility in plants, 118

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