Kimbwandende Kia Busenki Fu-Kiau - African Cosmology of The Bântu-Kongo - Principles of Life & Living-Athelia Henrieta Press (2001)
Kimbwandende Kia Busenki Fu-Kiau - African Cosmology of The Bântu-Kongo - Principles of Life & Living-Athelia Henrieta Press (2001)
Kimbwandende Kia Busenki Fu-Kiau - African Cosmology of The Bântu-Kongo - Principles of Life & Living-Athelia Henrieta Press (2001)
COSMOLOGY
OF THE
BANTU—KONGO
Principles of Life & Living
MAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA
AADAAAAAAAAAAAAASAAAAAAAAAAAAAAAAAAALASLA
African
Cosmology
OF THE
Bantu—Kongo
Principles of
Life & Living
MDAAAAAAAAAAAAADAAAAAAAAAAAAAAAAAAAAAAAAL
DAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAS
First Edition
Copyright © 1980 by Kimbwandende Kia Bunseki Fu-Kiau
Second Edition
Copyright © 2001 by Kimbwandende Kia Bunseki Fu-Kiau
ISBN: 1-890157-28-7
Printed in Canada.
Diadi nza-Kéngo kandongila: Mono i kadi kia
dingo-dingo (kwénda-vutukisa) kinzungidila
ye didi dia ngolo zanzingila. Ngiena, kadi yateka
kala ye kalulula ye ngina vutuka kala ye kalulula.
Malémbe!
his work was written for my seminar discussions at
TT University in 1980. I also wanted it to be a
book for everybody which is why I decided to call it
The African Book Without Title.
If either a lawyer, an anthropologist, a philosopher, an
educator, a politician, a linguist, a diplomat, a therapist or
an ordinary man can find in this work anything that may be
useful to their field, then let them call the book the way
they want it to be called in order to fit it into their field.
Africans, including those of African descent, must love
the study of their languages if they wish to talk honestly
about themselves and about what they are, for all systems’
codes of their society are coded (tied) in these languages
[makolo mafno ma bimpa bia kimvuka ki4u makAangwa mu
ndinga z6zo]. These languages should be studied and used
as languages of instruction in order to prove their scientific
capacity [léndo kiau kianz4yila].
To study language is the most important process of learn-
ing the art of coding and decoding social systems of human
society in the world [kinkete kia kanga ye kutula makolo
ma fu bia kimvuka kia maintu mu nza]. Learning is an ac-
cumulative process of coding and decoding cultures, there-
AFRICAN COSMOLOGY OF ‘THE BANTU-KONGO
minds and hearts and take it as one of the basic tools to un-
derstanding the “scientific” structures of the development of
old, African traditional scholarship and its ancient schools.
African Cosmology of the Bantu—Kongo is not a collection
of some data for some academic exercise which, usually,
consists of transferring bones from one graveyard to an-
other. It is a mound of raw materials that require sharp tools
and trained minds to work with for individual, societal,
and/or academic interests. One has to see it and accept it
as a small, but not unimportant piece being added upon our
universal, accumulative experience of knowing. Its comple-
tion was not simple. Behind its present form stands many
close and distant collaborators of whom I will not hesitate
to mention, some with all my gratitude: Danny Dawson
who pushed so hard to see this book revised and expanded
for a second edition. His advice and support were immeas-
urable. Franklin Stevenson, who skillfully illustrated this
edition. Robert Marriott, Lisa Jones and Sarah Khan were
essential to the editing process. And last but not least,
Catheryn Vatuone, who volunteered not only to read, but
edit and type the revised work, Anthony Ferreira and my
publishers Roger and Rudolph Francis, Athelia Henrietta
Press, Publishing in the Name of Orunmila.
Finally, my profound gratitude to all my masters, dead
and alive, who knew how to open my eyes to this rich, tra-
ditional African “scholarship” that still flourishes in the
wilderness of the minds of the African living libraries.
African
Cosmology
OF THE
Bantu—Kongo
Principles of
Life & Living
AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA
AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA
KONGO COSMOLOGY IN GRAPHICS
|
T he following graphics about Kéngo concepts of their
world are excerpts based on my book N’kéngo ye nza
yakun'zungidila/Le Mukéngo et le Monde qui LEntourait
(ONRD, Kin 1969) and on my unpublished manuscripts
Ku Neénga: Verité Sur les Grandes Initiations en Afrique Cen-
trale (1973, pp. 300), and Makuku Matatu: Les Fondements
Culturels K6ngo (1978, pp. 450). A summary understanding
of these concepts, graphically, is of great help in order to
comprehend the main ideas to be discussed in this work:
African Cosmology of the Kongo Bantu. In this book I discuss
certain concepts such as that of law and crime which link
living communities to their ancestors, the spiritualized be-
ings. For an African Mintu, the dead are not dead: they are
beings living just beyond the wall waiting for their probable
return to the community [ku nseke], to the physical world.
Figure 1.
oO...
Figure 2.
A fire-force complete by itself, kaliinga, emerged within
the mbiingi, the emptiness/nothingness and became the
source of life [méyo wawo mu nza] on earth. That is, the
kaliinga, complete force by itself, fired up the mbiangi and
overran (dominated) it [kaliinga waliinga/kwika mbingi ye
lungila yo].
The heated force of kalfinga blew up and down as a huge
Figure 3.
AFRICAN COSMOLOGY OF THE BANTU-KONGO
Figure 4.
The world, [nza], became a physical reality floating in
kaliinga ( in the endless water within the cosmic space);
half emerging for terrestrial life and half submerging for
submarine life and the spiritual world. The kalinga, also
meaning ocean, is a door and a wall between those two
20
Kéngo Cosmology in Graphics
Figure 5.
24
Kéngo Cosmology in Graphics
Figure 6.
Figure 7.
6
Kéngo Cosmology in Graphics
Figure 8.
OO
\
Kéngo Cosmology in Graphics
Figure 10.
JY
AFRICAN COSMOLOGY OF THE BANTU-KONGO
Figure 11.
30)
Kéngo Cosmology in Graphics
Figure 12.
32
Kéngo Cosmology in Graphics
Figure 13.
Figure 14.
34
Kéngo Cosmology in Graphics
the step of musoni, the Ké6ngo cosmology tells us, the dual
soul-mind mpéve-ngindu is ready to reincarnate (rebirth or
re-re .. . birth) in order to rise again in the upper world
{kala diaéka ku nseke]. This is demonstrated in a continuum
of rebirth after rebirth, meaning incarnation after incarna-
tion. The body of ku mpémba has then to change (die) in
order to be acceptable by an upper world’s physical body.
The step musoni-kala in the spiritual world is a negative
one because it represents the departing step of all descend-
ing forces/energies of the lower world.
(a)
wy,
Figure 15.
i)
AFRICAN COSMOLOGY OF THE BANTU-KONGO
30
Kéngo Cosmology in Graphics
Figure 16.
MFumu
Ji
bibulu
{human being) b
Nganga Ngtinza
Ndoki
Figure 17.
$8
Kéngo Cosmology in Graphics
KISE
(Fatherhood)
NGUDI TATA
(Mother) (Father)
KINGWA-NKASI
(Unclehood)
Figure 17b.
19)
AFRICAN COSMOLOGY OF THE BANTU-KONGO
40
Kéngo Cosmology in Graphics
(Motherhood) fF Nza
(Universe}
NS ae
_ (Land/Country)
Mwelo-nzo
(Extended Motherhood) wa Famil
“| Kanda
(Community)
Mantu
Buta
Méyo
Mwelo-nzo
Kanda
Figure 18.
AFRICAN COSMOLOGY OF THE BANTU-KONGO
42
Kéngo Cosmology in Graphics
Figure 19.
‘A - Nkata ku mfinda i ntangu a bakulu ye simbi - The spiral bale (coil) in the
forest (spiritual world) represents the past, i.e., ancestors and genius’ time
[Neingu yankulu/tandu kiankulu (A)].
I} - The sun rising segment (BC) represents the present time whose the “n't-
niu’ (simbi) is “nkam’a nténgu”, the dam of time.
(:- The sun setting segment (CD) represents the future, i.e. the time after the
king (n’tinu) or a djin (simbi) and his leadership. A forecast of what one will
he, an “n’kulu” (ancestor) or an “n’kuwyu” (ghost, bad ancestor), on the eyes of
the society once one is gone “ku mpémba” (died).
AFRICAN CONCEPT
OF LAW AND CRIME
40
African Concept of Law and Crime
48
African Concept of Law and Crime
40
AFRICAN COSMOLOGY OF THE BANTU-KONGO
50
African Concept of Law and Crime
51
AFRICAN COSMOLOGY OF THE BANTU-KONGO
52
African Concept of Law and Crime
54
HISTORICAL BACKGROUND OF
THE KONGO CULTURAL ZONE
56
Historical Background of the Kéngo Cultural Zone
Salongo
Eee
Salongo
Alinga mosala
Biso tokoma bakoko na bino
Kosalela bino
Mosala ya mbongo
Lokola ebende (machine)
Salongo
E-e-e
Salongo
Alinga mosala
Biso tokuma baumbu na bino
Kotekisa biso
Na Saki ya mungwa
Lokola mosolo
Salongo
E ee, etc.
Biso tokoma banyama na bino
Kokengela bino
Na porte ya ndako
Lokola bapaya
Salongo
Biso tokoma bangamba na bino
Komemaka bino
57
AFRICAN COSMOLOGY OF THE BANTU-KONGO
Social Organization
The K6éngo society, as well as most African societies were
and still are, communalistic, i.e., each community self-de-
termines the social, political, economic organization and
leadership. “The K6ngo had a king up until the time of col-
onization, but his position was decidedly titular” and the
same author continues “The mode of production estab-
lished a minimum dependence between different commu-
nity segments and there was no private ownership of the
means of production.” (Kajsa, 1972:3)
Each local community or Vata, which is relatively inde-
pendant, has two or more Belo. Each belo has two or more
58
Historical Background of the Kéngo Cultural Zone
0
AFRICAN COSMOLOGY OF THE BANTU-KONGO
OO
Historical Background of the Kéngo Cultural Zone
QO]
AFRICAN COSMOLOGY OF THE BANTU-KONGO
outside you are not. You are only a tiny part of a huge
and coherent body, the community within the universal
totality.
The community council of elders [mfindu a mbuta za
vata] meets in the boko. Their duties are to review and dis-
cuss all questions related to the community life and submit
their proposals to the community assembly of honored eld-
ers [f6ngo dia mfumu ye nganga za vata]. Members of the
community council are sent to the community assembly.
The boko is also the center, didi, of cultural information. It
is here that research or study on social problems is done. It
is here also that new members in the community, visitors,
make their first step toward integration in the community.
All personal and political alliances are made in the boko in
public view and by public accord. All decisions made ku
boko have “force de loi” (force of the law).
When the community assembly [f6ngo dia vata] meets,
delegations from other communities are free to participate
in the assembly in the interest of their own communities.
Here each belo, as a delegation, carefully handles all perti-
nent questions concerning the community life.
In any assembly, the community delegations can discuss
all issues pertaining to community except the three issues
of community/clan, land, taboo (Kanda, N’toto, Kina). The
community land is untouchable, it is considered taboo
[kina or n’'léngo] because it belongs first to the eternal
community roots, the ancestors, (the real living gods) as
well as to the people in the living community. Traditionally
every assembly must start with alternatively repeated mot-
toes called “bikdmu” (Fu-Kiau 1973):
02
Historical Background of the Kéngo Cultural Zone
“03
AFRICAN COSMOLOGY OF THE BANTU-KONGO
04
Historical Background of the Kéngo Cultural Zone
05
AFRICAN COSMOLOGY OF THE BANTU-KONGO
OO
Historical Background of the Kéngo Cultural Zone
7
AFRICAN COSMOLOGY OF THE BANTU-KONGO
O8
Historical Background of the Kéngo Cultural Zone
Crime
One talks about “committing a crime” in western judi-
ciary language. But in most African cultures, and that of
the Kéngo in particular, one says “Nata n’kanu,” bearing
69
AFRICAN COSMOLOGY OF THE BANTU-KONGO
70
Historical Background of the Kéngo Cultural Zone
71
AFRICAN COSMOLOGY OF THE BANTU-KONGO
Figure 20.
2
Historical Background of the Kéngo Cultural Zone
73
AFRICAN COSMOLOGY OF THE BANTU-KONGO
74
Historical Background of the Kéngo Cultural Zone
70
Historical Background of the Kéngo Cultural Zone
77
AFRICAN COSMOLOGY OF THE BANTU-KONGO
ny
AFRICAN COSMOLOGY OF THE BANTU-KONGO
Mu kanda
Within the community
Ka mukadi mputu
There is no room for poverty
Mu kanda
Within the community
Ka mukadi mvwama
There is no room for ill obtained wealth
Mu kanda
Within the community
Ka mukadi mpofo
There is no room for blindness
Mu kanda
Within the community
Ka mukadi mfumu
There is no room for “order-giver”
Ka mukadi n’nanga
There is no room for slaves
Babo mfumu na mfumu
All are masters, and only masters
Babo nganga na nganga
All specialists, and only specialists
80
Historical Background of the Kéngo Cultural Zone
Mu kanda
Within the community
Bilesi
Young generations
Mu kanda
Within the community
Mwana mfumu
Ancestors’ sons
Mu kénda
Within the community
Busi/nsang’a kanda
A sister, the community shoot
Mu kanda
Within the community
Nkasi a kanda
A brother, the future leader
Mu kanda
Within the community
Kinenga ye dedede
Equilibrium and equality
Mu kanda
Within the community
Kingenga/kimpambudi mwanana
There is no room for separatism/privacy
Mu kanda
Within the community
Sékila kumosi
All sleep at once
Mu kanda
Within the community
BI
AFRICAN COSMOLOGY OF THE BANTU-KONGO
Sikamana kumosi
All wake up at once
Mu kanda
Within the community
Mbéni ku mbazi
Enemies stand out
Debate Process
According to Kéngo: social, political, economic, and ju-
diciary matters must be discussed publicly. This concept is
confirmed by the frequent use of two proverbs: There is no
82
Historical Background of the Kéngo Cultural Zone
RS
AFRICAN COSMOLOGY OF THE BANTU-KONGO
85
AFRICAN COSMOLOGY OF THE BANTU-KONGO
8O
Historical Background of the Kéngo Cultural Zone
87
AFRICAN COSMOLOGY OF THE BANTU-KONGO
88
Historical Background of the Kéngo Cultural Zone
SY
AFRICAN COSMOLOGY OF THE BANTU-KONGO
90
Historical Background of the Kéngo Cultural Zone
0|
AFRICAN COSMOLOGY OF THE BANTU-KONGO
))
Historical Background of the Kéngo Cultural Zone
we
AFRICAN COSMOLOGY OF THE BANTU-KONGO
4
Historical Background of the Kéngo Cultural Zone
VO
Historical Background of the Kéngo Cultural Zone
4)7
AFRICAN COSMOLOGY OF THE BANTU-KONGO
Ys
Historical Background of the Kéngo Cultural Zone
Q
AFRICAN COSMOLOGY OF THE BANTU-KONGO
100
Historical Background of the Kéngo Cultural Zone
lOl
AFRICAN COSMOLOGY OF THE BANTU-KONGO
1O2
Historical Background of the Kéngo Cultural Zone
103
AFRICAN COSMOLOGY OF THE BANTU-KONGO
104
Historical Background of the Kéngo Cultural Zone
105
AFRICAN COSMOLOGY OF THE BANTU-KONGO
106
Historical Background of the Kéngo Cultural Zone
107
AFRICAN COSMOLOGY OF THE BANTU-KONGO
108
Historical Background of the Kéngo Cultural Zone
1O9
AFRICAN COSMOLOGY OF THE BANTU-KONGO
110
Historical Background of the Kéngo Cultural Zone
li2
Historical Background of the K6ngo Cultural Zone
Hearing Is Seeing,
and Seing Is Reacting/Feeling
li}
AFRICAN COSMOLOGY OF THE BANTU-KONGO
114
Historical Background of the Kéngo Cultural Zone
115
AFRICAN COSMOLOGY OF THE BANTU-KONGO
116
Historical Background of the Kéngo Cultural Zone
L17
AFRICAN COSMOLOGY OF THE BANTU-KONGO
118
Historical Background of the K6éngo Cultural Zone
119
AFRICAN COSMOLOGY OF THE BANTU-KONGO
120
Historical Background of the Kéngo Cultural Zone
lel
Figure 21.
A: Center/source of emission [didi/nto a ntubulu/ndikusunu]
B: Radius’ end of field of audibility [nsuk’a n’nienie wa yinza dia ngwilu]
BC: Endless field of the reception of voiceless waves [sénsele/ yinza diakéndwa
nsuka dia ntambudulu a minika miadingalala]
M: Receptor of voiced/audible message [tambudi kia n’samu wawakana]
AC: Line direction of waves’ extent [n’léng’a lusunga lwa mbwangununu a
minika
VSW: Visible source of waves. Human being’s voice in circle A [Tiiku kia-
monika kia Minika, TAM- Zu dia miintu mu kindiongololo A].
I-XIII: Roman figures indicate different distances in the fields of reception.
Figure I indicates the shortest distance from the VSW, and XIII indicates the
longest distance. [Sono bia Léma bieti s6nga nswasani a tatuka kwenamu
béndo bia ntambudulu. Dimbu I kieti sénga tini kilutidi nkufi ye kilutidi finama
ye TAM (VSW) ye dimbu XIII, tini kilutidi nda ye kilutidi tatuka ye TAM].
13-0: Arabic figures indicate frequencies of waves emitted, their amount. The
figure O indicates the field of communication as yet untouched by emitted
waves. The figure | indicates the first layer of waves emitted by the VSW, and
the number 13 the last layer of waves sent from VSW [Sono bia kialabia bieti
songa ndikit’a minika mitubulu, ntalu du. Dimbu O kieti sénga yinza dilém-
bolo lwakwa kwa minika mitubulu. Dimbu 1 kieti s6nga nyalu yantete ya
minika mitubulu kwa TAM ye, ntalufnomba 13 yeti sdnga nyalu yaz-
imunina/yansuka ya minika mitubulu kwa TAM].
[22
Historical Background of the Kéngo Cultural Zone
Is That Magic?
Ket’i Muyeke?
When one fundamentally understands an African lan-
guage and the symbolic cultural concepts generated by
that language, one must wonder where technological di-
rection the African traditional concept of knowing [zdya]
is heading. Can we today, with our present system of cod-
ing and decoding cultural concepts, be able to unearth
that yet unknown dimension?
Lémba-dia-K4nda, literally “The Soother-of-the-Com-
munity”, was the unique sister of Baniunguta-Kwau, lit-
erally “Let-Them-Murmur”, and the unique sister of the
community [kanda]. Unexpectedly Lémba-dia-Kanda
was kidnapped on her way to the field. She was badly
beaten and left for dead by her unknown kidnapper. The
community in its entirety was shocked by this unhuman
treatment.
Baniunguta-Kwau, Lémba-dia-Kanda’s brother, took the
initiative to see, the specialist-owner of the televisor-pot
[nganga-sénso] in order to get revenge on his sister. “The
initiative is positive,” agreed the whole community.
“We want to know who the kidnapper was of the com-
munity’s unique sister,” the only question asked of the
nganga-sénso. You will, right now, see the proof about the
kidnapper of the unique community sister,” [Si lwamona ki-
mansuna] responded the nganga. The ng4nga put his sénso
in the middle of the circle; he then put in some clear water
and medicines [maza malénga ye bikéla]. He asked the
123
AFRICAN COSMOLOGY OF THE BANTU-KONGO
124
Historical Background of the Kéngo Cultural Zone
Figure 22.
125
AFRICAN COSMOLOGY OF THE BANTU-KONGO
Figure 23.
120
THE co.
127
AFRICAN COSMOLOGY OF THE BANTU-KONGO
128
The “V”: Basis of All Realities
129
AFRICAN COSMOLOGY OF THE BANTU-KONGO
130
The “V”: Basis of All Realities
131
AFRICAN COSMOLOGY OF THE BANTU-KONGO
Figure 24.
From inside the “Vee” the human being [miintu] comes
to be [kala], and within the Vee he extinguishes [zima] as
living energy. Therefore, the Vee in reality, is a living pyra-
mid in constant motion, which follows the path of life and
passes the four main points of demarcation of the cosmo-
gram [dikenga], which in turn is symbolized by the flame of
life inside the community circle. The closer one is to the
center of this flame, whose “Vee” is the symbol, the health-
ier and more powerful one is. On the contrary, the more
distant one is from this center, the weaker and less power-
ful one becomes. (See figure 19).
1 $2
The “V”: Basis of All Realities
133
AFRICAN COSMOLOGY OF THE BANTU-KONGO
Figure 25.
The Bantu people, in their teaching, believe that the
human being suffers mostly because of his lack of knowing
how to walk towards this 7th direction, the innerwards di-
rection. Their own words put it so perfectly well: Kani ka
bwé, kana ku lumoso-ku lubakala-ku n’twAla-ku nima-mu
zulu evo mu nsi ukwénda, vutukisa va didi i yand. (No mat-
ter what, you may walk leftwards, rightwards, forwards,
backwards, upwards or downwards, you must come back to
the core/center).
| 34
The “V”: Basis of All Realities
135
AFRICAN COSMOLOGY OF THE BANTU-KONGO
136
The “V”: Basis of All Realities
V.
»
=
Figure 26.
1. The first, V1, is called Vangama, especially at the ini-
titaion spot/institution [Kanga or Kéngo]. It is the forma-
tion process stage of life or Musoni stage. (See figure 26a).
x Figure 26a.
137
AFRICAN COSMOLOGY OF THE BANTU-KONGO
1 3h
The “V”: Basis of All Realities
Figure 26b.
a speaking being [vovi]. This second key word to the V2,
speaking being [vovil], finds its root from the verb “vova”, to
speak. Vova, to speak, is to code and decode, for the outside
world, the universe, what is genetically coded/printed
[sonwa] inside one’s inner darkroom. It is not only to feed the
ears of the world, but to fill with our waves (expressed ener-
gies) the cosmic voids. It is to hear and to be heard.
The butuka-vova is the process through which orders are
given, received or rejected. Vova, speaking, gives us the mas-
tery of being and/or of becoming. This second “Vee” is also
known as the healing and cursing Vee; reviving and killing
Vee [Vova sakumuni ye singi/fimpudi ye fambudi]. It is the
Vee that teaches about the power of words in and around us
in life: Mambu makela, words are bullets, says a K6ngo saying.
3. The third “Vee”, V3, is called Vanga, derived from the
archaic word “gh4nga” to perform, to do. This Vee, the
most crucial in life, represents the stage of creativity and
great deeds or tukula stage of the root verb kula, to mature,
to master. (See figure 26c).
139
AFRICAN COSMOLOGY OF THE BANTU-KONGO
Figure 26c.
140
The “V”: Basis of All Realities
This Vee and the zone it occupies is the scale to all: our
words, deeds, thoughts, movements, projects, meals, rela-
tionships, etc., and their impact on our health as individu-
als, institutions, societies and nations as well are weighed
on the scale of the Vee.
To stand “well” inside this scaling Vee is to be able not only
to master our lives, but to better know ourselves and our re-
lationship positions with the rest of the universe as a whole.
4. The last or fourth Vee, V4, is Vinda. This “V” repre-
sents the stage of the greatest change of all changes, death.
This stage is known as Luvémba stage. Under this stage one
goes naturally or unnaturally into the process of dying or
Vinda, i.e., to rest, to extinguish, leave the physical world,
to re-enter the world of living energy, which is the spiritual
world, the ancestors’ world. It is going in vacations
[Kwénda ku mvindulu]. In the process, one becomes ei-
ther an n’kuyu, which means an ugly, imature, stunted
[kuya] ancestor, or, the spiritually deified ancestor
[mukulu/n’kulu]. The Vanda function is completed under
the fwa, die, action (See figure 26d).
_ The “Vee” is not only a human experience, it is found
everywhere in nature as well as in the universe. It is the
most primitive form that emerged from the depth of the
first matter, “the dark matter” [ndobe/piu], which is the
“printing room” of all realities, not only visible and invisi-
ble, but material and immaterial as well. A “printing room”
for realities that were and realities to come. It is the print-
ing room inside where all great ideas, images and forms
emerge to be impregnated in our minds. Thereafter, we cre-
ate them as realities.
14]
AFRICAN COSMOLOGY OF THE BANTU-KONGO
Figure 26d.
|K 4
ties, institutions and nations as well.
. Rh
142
The “V”: Basis of All Realities
LS<>
y
SS
.\
™~
CSS 2SC
oS
OS<
Figure 27a.
143
AFRICAN COSMOLOGY OF THE BANTU-KONGO
Figure 28.
144
The “V”: Basis of All Realities
Key
Under “Vee” we scream out for pain or joy.
Figure 28a.
Figure 29.
145
AFRICAN COSMOLOGY OF THE BANTU-KONGO
140
The “V”: Basis of All Realities
Figure 30.
Figure 31.
147
AFRICAN COSMOLOGY OF THE BANTU-KONGO
Figure 31a.
Have we not asked why our own best machines run or fly
faster? Because they are, of course, made in forms of the
“V". Also, because we cannot live ourselves outside of the
“Vee”, this fundamental truth is reflected on our own made
machines, boats, canoes, trains, airplanes, etc.
Figure 32.
148
The “V”: Basis of All Realities
The “Vee” is life and all its realities. It is the center of all
existence. It is the chaos of all chaos. It is the center of bal-
ance [kinenga] for the human being [mintu], his health
and that of his community as well. It is the key to all aspects
of simple life. It is the binding force to all: earth, plants, an-
imals, birds, insects, reptiles and human beings as one by
natural law. It is the Vee that differentiates human beings
[mdntu] from the beast. The [mintu] is fundamentally a
“vertical being”. He thinks and he is spiritual. Some people
deny being spiritual, but I am afraid if they are not more
spiritual than those who say they are. The beast, on the
contrary, is a “horizontal being,” a prostrated being that
acts instinctively. Mantu, by his behavior, can fall to the
level of animals; but the animal cannot rise to the level of
the vertically thinking being, the mintu.
Figure 33.
149
AFRICAN COSMOLOGY OF THE BANTU-KONGO
150
ANNEX
I. NDOZI—DREAMS
Ndozi Dreams
Lumbu-ki Today
Ndozi Dreams
Mbazi ‘Tomorrow
Ndozi Dreams
Ndozi Dreams
Ndozi Dreams
Ndozi ye ndozi Dreams and dreams
152
Annex
153
AFRICAN COSMOLOGY OF THE BANTU-KONGO
Il. KU NSEKE
Luzingu ku nseke i:
Longwa ye longila
Tambula ye tambikisa
Zolwa ye zola
Tfimbwa ye timba
Katula ye katulwa
Dila ye dilwa
Mu soba...
154
Annex
The author
155
BIBLIOGRAPHY OF SOURCES CITED
Unpublished works:
1978: Makuku Matatu: les fondements culturels Kéngo. (pp
450).
1975: Ku Neénga: Verite sur les grandes initiations en
Afrigque Centrale. (pp 300).
1968: Les proverbes Kéngo.
150
Bibliography
Kajsa, E. 1972: Power and prestige: the rise and fall of the
Kéngo Kingdom. Uppsala, Sweden.
Laman, K.B. 1918: Laman Collection of Kéngo traditions. (pp
20,000) in 10 microfilm rolls, Stockholm, Sweden.
Lemarchande, 1964: Political awakening in the Belgian
Congo. Berkeley, Los Angeles.
MacGaffey, W., et al. 1974: An Anthology of Kongo Religion,
Univ. of Kansas.
Muller, E.W., 1956: Les droits de propriete chez les Mongo-
Bokote. Bruxelles, Belgium.
Munzele, Y., 1965: Bakulu béto ye diéla didu. Luyalungunu
lwa Kamba. Luozi/Bas-Zaire.
Obenga, Th., 1976: La cuvette congolaise: les hommes et les
structures. Ed. Presence Africaine, Paris.
Read, H., 1864: The Negro problem solved. Mnemosyne Pub-
lishing Co. Inc., Miami, Florida.
Thompson, R.F, et al. 1981: The Four Moments of the Sun:.
Kéngo Art in Two Worlds. National Gallery of Art, Wash-
ington.
Yabila, 1974: “Droit, revolution et vigilence revolutionaire”
in JIWE No. 3, UNAZA, Lubumbashi/Zaire.
Young, C., 1965: Introduction a la politique congolaise. CRISP
Bruxelles, Belgium.
William, J.C., 1972: Patrimonialism and political change in the
Congo.
Stanford University Press, Palo Alto, California.
[57
ABOUT THE AUTHOR
158
Fu-Kiau came to the United States to continue his edu-
cation, and to educate Americans, particularly African
Americans, about the complexity and depth of African phi-
losophy. Since his arrival. he has done precisely that by
means of various lectures and presentations. He has pub-
lished numerous books and articles including Kongo Cos-
mology, Kumina: A Kongo-based Tradition in the New World,
Kindezi: The Kongo Art of Babysitting, and Self-Healing Power
and Therapy, Old Teachings from Africa. He Currently re-
sides in Boston where he works as Director of Library Ser-
vices at the Suffolk County House of Correction, and as
Visiting Lecturer at the Tufts University Department of
Anthropology and Sociology. He has also instituted two
unique courses at the Suffolk County House of Correction:
The Jail That Changed My Life and The African World
and Culture. These courses are currently being turned into
manuscripts for publication.
Dr. Fu-Kiau's academic background includes degrees in
the areas of Cultural Anthropology (B.A.), School Admin-
istration (M.Ed.), Library Science (M.S.), and Education
and Community Development (Ph.D.). An insightful
scholar with a profound knowledge of Central African phi-
losophy and Traditions, he is also a serious and committed
educator with a wealth of experience, both in Africa and
the United States. Dr. Fu-Kiau is a person of character, ded-
icated to the betterment of human-kind through tradi-
tional African ideas and means.
159
For FREE catalog
Books about the Yoruba Religion
Ifa and Orisha Worship
Cassettes, CD’s and Videos
contact:
ION
STN KOO
/RIARGDO 5/2769