Partitura

Criolla
para cuarteto de cuerdas

LUIS GIANNEO
 Criolla
           
LUIS GIANNEO

                   
Vivo para cuarteto de cuerdas

 
Violín I

          
            
 
Violín II

                      
              

Viola

     
    
            
          
Violoncello

       
                           
7



Vl.I


    

                             
 
Vl.II

   
         
 

           
       
Vla.
 
 
       
                    
         
          
Vc.

2 
          
           
14

        

Vl.I


                        

        
Vl.II

 
          
                  
       
 
Vla.

        
                             
           

Vc.

             
21

                 
 
Vl.I

          
 
                       
Vl.II

 
                     
                  
Vla.


                
        
Vc.
         

3
     
        
28

     

Vl.I

 
           
  
Vl.II


        
    
   

Vla.

               
          
   
Vc.


                              
35


 
Vl.I

                 
               
 
Vl.II

                  
        
 
     

Vla.

  
   
    
   
                
              
Vc.

4
           
            
42

 

Vl.I

 
               
          
   
Vl.II

           

                           
 
Vla.


           
                 
        
pizz.

     
Vc.

                              
48 dim. e rit. molto

Vl.I   

        
                     
  
Vl.II

                                  
Vla.
 

      
arco
 
                

pizz.

 
Vc.

5
  
  
               
  
54 Lento

     

Vl.I


   

          
     

Vl.II

 
    
   

       
  

Vla.


 
  
      
   
sonoro

      
   
Vc.

  
        
60

    

Vl.I

  
         
   
Vl.II

 

              

Vla.

                
                  

 
Vc.

6
          
     
Andante

    
66


accel.

 muy cantado
Vl.I

    

         
                 

 

Vl.II

  
   

         
       
    
  
Vla.

             
    
            
     
Vc.

  
      
          
dim.

   dim.
          
73


 
Vl.I

 
     
                    
 
Vl.II

 
         
          

Vla.


               
    
  
Vc.


7
 rit.
  
     

      
accel.

           
Lento

           
79 accel. tempo

 
   
Vl.I


   
 
  
  
              
    
Vl.II

 
          
                
             
   
Vla.

  
 
 
     
          
   
Vc.

    

  

 

    
85

      
accel.
           

Vl.I

 
    

  


       
     
Vl.II

 
 
          
                        
  

Vla.


  
        
 
   
            


Vc.

8
      
D.C. con rep. CODA

             
90 al y CODA
Lento accel. tempo Vivo

       
  
Vl.I

          

  
  
         
   
Vl.II

 
       

                 
         

Vla.

     
   
   
 
      
   

 
Vc.

 
          
         
95

 
pizz.


Vl.I

  secco
     
pizz.

       
      
Vl.II

 secco
           
pizz.
Vla.
 
  secco

     
       
pizz.

     
Vc.

9   secco