A Systematic Approach to Strabismus 2nd Edition Virginia C. Karlsson All Chapters Instant Download

Download as pdf or txt
Download as pdf or txt
You are on page 1of 46

Download the full version of the ebook at ebookname.

com

A Systematic Approach to Strabismus 2nd Edition


Virginia C. Karlsson

https://ebookname.com/product/a-systematic-approach-to-
strabismus-2nd-edition-virginia-c-karlsson/

OR CLICK BUTTON

DOWNLOAD EBOOK

Download more ebook instantly today at https://ebookname.com


Instant digital products (PDF, ePub, MOBI) available
Download now and explore formats that suit you...

Bioethics A Systematic Approach 2nd Edition John L. Pace

https://ebookname.com/product/bioethics-a-systematic-approach-2nd-
edition-john-l-pace/

ebookname.com

Oracle Performance Survival Guide A Systematic Approach to


Database Optimization 1st Edition Guy Harrison

https://ebookname.com/product/oracle-performance-survival-guide-a-
systematic-approach-to-database-optimization-1st-edition-guy-harrison/

ebookname.com

Clinical ophthalmology a systematic approach 6th ed. repr.


Edition Gout

https://ebookname.com/product/clinical-ophthalmology-a-systematic-
approach-6th-ed-repr-edition-gout/

ebookname.com

Green s Functions and Linear Differential Equations Theory


Applications and Computation 1st Edition Prem K. Kythe

https://ebookname.com/product/green-s-functions-and-linear-
differential-equations-theory-applications-and-computation-1st-
edition-prem-k-kythe/
ebookname.com
Julius Caesar and the transformation of the Roman Republic
1st Edition Tom Stevenson

https://ebookname.com/product/julius-caesar-and-the-transformation-of-
the-roman-republic-1st-edition-tom-stevenson/

ebookname.com

Cognitive therapy of anxiety disorders science and


practice Guilford Press.

https://ebookname.com/product/cognitive-therapy-of-anxiety-disorders-
science-and-practice-guilford-press/

ebookname.com

Trust and security in collaborative computing Xukai Zou

https://ebookname.com/product/trust-and-security-in-collaborative-
computing-xukai-zou/

ebookname.com

Ty Cobb 1st Edition Dennis Abrams

https://ebookname.com/product/ty-cobb-1st-edition-dennis-abrams/

ebookname.com

Farm Anatomy The Curious Parts and Pieces of Country Life


1st Edition Rothman

https://ebookname.com/product/farm-anatomy-the-curious-parts-and-
pieces-of-country-life-1st-edition-rothman/

ebookname.com
Community Based Service Delivery Theory and Implementation
1st Edition Jung Min Choi (Editor)

https://ebookname.com/product/community-based-service-delivery-theory-
and-implementation-1st-edition-jung-min-choi-editor/

ebookname.com
Virginia C. Karlsson, CO, COMT
Certifed Orthoptist
Mayo Clinic
Rochester, Minnesota

Series Editors:

Janice K. Ledford • Ken Daniels • Robert Campbell

Boca Raton London New York

CRC Press is an imprint of the


Taylor & Francis Group, an informa business
First published 2009 by SLACK Incorporated
Published 2024 by CRC Press
2385 NW Executive Center Drive, Suite 320, Boca Raton FL 33431
and by CRC Press
4 Park Square, Milton Park, Abingdon, Oxon, OX14 4RN
CRC Press is an imprint of Taylor & Francis Group, LLC
© 2009 Taylor & Francis Group, LLC
This book contains information obtained from authentic and highly regarded sources. While all reasonable
efforts have been made to publish reliable data and information, neither the author[s] nor the publisher can
accept any legal responsibility or liability for any errors or omissions that may be made. The publishers wish to
make clear that any views or opinions expressed in this book by individual editors, authors or contributors are
personal to them and do not necessarily reflect the views/opinions of the publishers. The information or
guidance contained in this book is intended for use by medical, scientific or health-care professionals and is
provided strictly as a supplement to the medical or other professional’s own judgement, their knowledge of the
patient’s medical history, relevant manufacturer’s instructions and the appropriate best practice guidelines.
Because of the rapid advances in medical science, any information or advice on dosages, procedures or
diagnoses should be independently verified. The reader is strongly urged to consult the relevant national drug
formulary and the drug companies’ and device or material manufacturers’ printed instructions, and their
websites, before administering or utilizing any of the drugs, devices or materials mentioned in this book. This
book does not indicate whether a particular treatment is appropriate or suitable for a particular individual.
Ultimately it is the sole responsibility of the medical professional to make his or her own professional
judgements, so as to advise and treat patients appropriately. The authors and publishers have also attempted to
trace the copyright holders of all material reproduced in this publication and apologize to copyright holders if
permission to publish in this form has not been obtained. If any copyright material has not been acknowledged
please write and let us know so we may rectify in any future reprint.
Except as permitted under U.S. Copyright Law, no part of this book may be reprinted, reproduced, transmitted,
or utilized in any form by any electronic, mechanical, or other means, now known or hereafter invented,
including photocopying, microfilming, and recording, or in any information storage or retrieval system,
without written permission from the publishers.
For permission to photocopy or use material electronically from this work, access
www.copyright.com or contact the Copyright Clearance Center, Inc. (CCC), 222 Rosewood Drive, Danvers,
MA 01923, 978-750-8400. For works that are not available on CCC please contact
[email protected]
Trademark notice: Product or corporate names may be trademarks or registered trademarks and are used only
for identification and explanation without intent to infringe.

Library of Congress Cataloging-in-Publication Data

Karlsson, Virginia.
A systematic approach to strabismus / Virginia Karlsson. -- 2nd ed.
p. ; cm.
Includes bibliographical references and index.
ISBN-13: 9781556427947 (alk. paper)
1. Strabismus. 2. Eye--Examination. 3. Ophthalmic assistants. I. Title.
[DNLM: 1. Strabismus. 2. Strabismus--diagnosis. WW 415 K18s 2008]
RE771.H36 2008
617.7'62--dc22
2008029541

ISBN: 9781556427947 (pbk)


ISBN: 9781003526681 (ebk)

DOI: 10.1201/9781003526681
Dedication

In memory of
Steven William Salevouris

1956 – 2006

Orthoptist, technologist, student, true gentleman, and friend.


Contents

Dedication . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . v
Acknowledgments. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . viii
About the Author . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ix
Foreword by Jonathan M. Holmes, MD . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . x
Introduction . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . xi

Chapter 1. The Systematic Approach to Strabismus . . . . . . . . . . . . . . . . . . . . . . 1

Chapter 2. The Four-Part Exam. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5

Chapter 3. Approaching Children and Infants. . . . . . . . . . . . . . . . . . . . . . . . . . 27

Chapter 4. Approaching Adults . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 35

Chapter 5. Extraocular Muscles—Anatomy and Function . . . . . . . . . . . . . . . . 45

Chapter 6. Binocularity . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 59

Chapter 7. Differential Diagnosis—Ins, Outs, Ups, and Downs. . . . . . . . . . . . 63

Chapter 8. Syndromes With Ocular Manifestations . . . . . . . . . . . . . . . . . . . . . 85

Chapter 9. Nonsurgical Treatment of Strabismus . . . . . . . . . . . . . . . . . . . . . . . 93

Appendix . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 107
Index. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 109
Acknowledgments
Another 10 or so years have gone by since A Systematic Approach to Strabismus was first
written for SLACK in response to their success with the original 12-volume series for ophthalmic
personnel. Now, we have this second edition: my third book, but probably not the last.
Again, I’ve learned a lot in the past 10 years and am grateful to the pediatric ophthalmologists
at the Mayo Clinic with whom I’ve had the pleasure to work. They have encouraged me to have
the best of both worlds: seeing real patients within a team approach and teaching and academics.
Drs. Jonathan Holmes, Michael Brodsky, Brian Mohney, and George Hohberger all have shared
a common joy in the care of our patients and a wonderful variety in styles of doing so!
I blinked, and it happened: my children have grown up considerably. Thank you Dory for
proving that the impossible can happen. Thank you Lars for taking on an impossible role. Thank
you Carlson for fitting in impossible places. Thank you Greta for knowing that everything is pos-
sible, and thank you Colby for reminding me daily that today might just possibly be the best.
About the Author

Virginia Carlson’s orthoptic career began at the age of 2 when she climbed over into the front
seat of her parents’ 1956 Chevy Bel Air and gave her mother a corneal abrasion with her finger-
nail. Unfortunately, this abrasion was to her mother’s NON-amblyopic eye and required 3 days of
pressure patching to heal. From that point onward, however, her mother always claimed that her
amblyopic eye could see just a little bit better after all that albeit unintentional, occlusive therapy
that had been overlooked in her childhood.
Virginia Karlsson, now spelling her last name the way her paternal grandfather had before
immigrating to the United States, celebrated her 30th year as a certified orthoptist in 2008.
Colby-Sawyer College in New London, New Hampshire, provided her introduction to orthop-
tics as a career, providing an excellent undergraduate experience. The University of Florida
orthoptic training program in Gainesville provided something unique 32 years ago—simultane-
ous training as a tech and as an orthoptist. After graduating, Carlson now Hansen returned to
New England where she took two part-time jobs: one as a tech to support her second part-time
job as an orthoptist in western Massachusetts. Two years later, she became the director of the
orthoptic training program at Tufts-New England Medical Center in Boston. After the birth of
her first child, she filled in (twice each) for other orthoptists out on maternity leave themselves
at the University of Massachusetts in Worcester; the Lions Orthoptic Clinic in Springfield, Mas-
sachusetts; and the Newington Children’s Hospital in Newington, Connecticut.
She returned to work full-time in 1990 when her family moved to Minneapolis; she worked
for a large health system and then a private practice. In 2005, Karlsson took the orthoptic posi-
tion at the Mayo Clinic and has thoroughly enjoyed the extraordinarily challenging patients, the
completely ordinary patients, the academic environment, and the peaceful commute from Min-
neapolis to Rochester, Minnesota.
Five children with varied interests don’t leave much time for Mom, but most recently she
has remembered how to ski, speak Swedish, play kubb (poorly), and definitely laugh more.
“Don’t blink!” is the advice she tells new parents about their baby’s first year of life. Maybe she
shouldn’t have blinked so much over the past 30 years of being an orthoptist!
Foreword

Many of us can remember the sense of inadequacy we first felt when we tried to approach a
young child to glean any information from his or her eyes. Pediatric ophthalmology and strabis-
mus are “lore unto themselves”; it seems that nothing we learn from examining adults applies to
these hypermobile, hyperdistractable bundles of joy. In this book, Ginny Karlsson shares with us
many superbly practical tips for “making it happen”; acquiring that information from the child;
allowing us to discover, treat, and help; while still having fun. Fun for them and fun for us.
For beginning orthoptists, ophthalmic technicians, and ophthalmology residents, this book is
crammed full of helpful pearls and insights based on the many years of Ginny’s experience. It has
been a joy to work with Ginny taking care of children. May you also find a sense of joy as you
embark on the adventure of taking care of children who have eye problems.

Jonathan M. Holmes, MD
Professor and Chair of Ophthalmology
Mayo Clinic
Rochester, Minnesota
Introduction

As an orthoptic student I remember staring at my big, blank exam sheet and wondering what
the patient in the exam chair had. Worse was staring at my big filled-in exam sheet and wondering
what the patient in the exam chair had. Now I’m looking at a computerized chart note with drop-
down boxes of cookie-cutter choices and realize that no matter how much gets filled in, we still
have to think about how to put our whole exam together and be able to make sense of the infor-
mation. Over time (up to the present and beyond), the examination of the patient with strabismus
has become clearer to me, and it is that exam that I have tried to put into this book.
Many other texts cover pediatric ophthalmology and strabismus in immense detail. My only
intention here is to get the beginner started turning that big, blank exam sheet; computer monitor;
or some yet-to-be-invented tool into a skillfully diagnosed patient with a treatment plan that the
patient and parents will work with.

Virginia C. Karlsson, CO, COMT


Certified Orthoptist
Mayo Clinic
Rochester, Minnesota
Chapter 1

The Systematic
Approach to
Strabismus

K E Y P O I N T S

• Visual maturity commonly occurs at 9 years of age.


• Exam pollution is avoided by conducting the exam in a system-
atic order—history, fusion, alignment, and (finally) vision.
• Practice tests on cooperative adults before attempting to do
them on children.

DOI: 10.1201/9781003526681-1
2 Chapter 1

Congratulations! You have bravely entered the world of strabismus and ocular motility. This is
the same world that has terrified residents and technicians, brought experienced ophthalmologists
to their knees, and placed a smile on the orthoptist’s face. This book is designed to get you past
the common core of knowledge that you possess and move you boldly into the exam room face-
to-face with a 3-year-old child. You know how to test vision and you have read how to measure
stereopsis. The technique for doing a prism and cover test really did not sound that difficult. So
why the terror when your next chart reads, “3 year old with RET”?

Two Eyes
Strabismus and its related subjects bring the added dimension of a second eye to the eye
exam. Although you are always testing two eyes when testing vision, refracting, or testing pres-
sure, each eye is treated as a separate entity. Start thinking of the two eyes as a pair, a combination
to be reckoned with as a single unit. Despite familiarity with the basic tests required to complete
a motility exam, performing these tests gracefully, accurately, and in an orderly and timely fash-
ion on that 3-year-old child with the right esotropia may be a sticking point in your repertoire of
techniques.

Four Hints for the Child’s Eye Exam


1. Visual maturity can be your friend or your enemy. Visual maturity refers to that magical
age, unique to every individual, at which time the visual system has matured to its full
capacity and is no longer malleable. A normal infant’s vision develops at a rapid rate after
birth, reaching 20/20 adult-like vision by 6 months of age. An infant’s control of his or her
eye movements should be normal and therefore completely straight by 4 months of age.
Both vision and motility, however, continue to change for years to come. While each indi-
vidual is different, age 9 is commonly cited as the age at which visual maturity frequently
occurs. This means that a child’s vision may no longer improve after that age if therapy is
attempted, and conversely, may no longer be lost if therapy is discontinued at his or her own
personal age of visual maturity.
2. Your examination technique must change when examining children or babies. The new set
of rules requires speed. The quicker the exam on a child can be accomplished, the better.
Measurements are more accurate on a happy, relaxed, and attentive child (and parent). The
exam will go considerably smoother on a child who is dazzled by the flurry of activity you
perform in front of him or her. When something is happening to the child all of the time
and the child is distracted, there is less chance that the child will be uncooperative. In order
to do this, you, the examiner, must plan and practice. First, practice the skills you need on
cooperative adults; do not waste your time trying to learn on a squirming child. Anticipate
the tests you will need to accomplish on this particular individual before you have involved
the child in the exam. Plan so as to limit the time the child will actually sit in the chair (my
personal preference is always on the parent’s lap if under age 5 or 6). To work within this
limited amount of time, take your history with the parent/child sitting in regular chairs in
the exam room rather than in the exam chair. Once you are completely ready to stop asking
the boring questions and get to the fun part of the exam, move the child with parent to the
chair, inviting him or her to look at your cool stuff. Do not ever actually say that it is an eye
The Systematic Approach to Strabismus 3

exam, which puts many children on guard for a frightening experience. If you really want
to get the child’s attention, speak softly. That will get everyone’s attention.
3. Not every test needs to be done on every patient. Do only those that are necessary. Assum-
ing that your young patient’s cooperation will only last a finite period of time, plan on
doing that part of the exam that is most necessary while the child is still cooperative. For
instance, if a child is destined to be cyclopleged with a postcyclo refraction, do not waste
time trying to get a manifest refraction. The tables in Chapter 7 will help you put together
an exam strategy.
4. Try to limit the level of exam pollution. Exam pollution happens when performing one
test alters the outcome of a subsequent test. An example of this in general ophthalmology
would be to anesthetize the cornea for a pressure check before checking corneal sensitivity.
Testing order is critical. A strabismus exam has four key parts: history, vision, alignment
measurements, and fusion. But those tests are never done in that order!

Fusion is most easily disturbed by measuring alignment or vision, so fusion is usually mea-
sured first. Since the most sensitive fusion test should be done initially, stereopsis is measured
first. This would be followed by Worth four-dot testing if desired and then the single cover–
uncover test (which does not measure alignment but tests for motor fusion control; for more on
this, see Chapter 2).
Ideally, alignment measurement should be done before vision testing, since prolonged patch-
ing of the eye for vision testing could alter the everyday ocular alignment and will certainly
disrupt fusion. Alignment measurements require the proper fixation target, appropriate measuring
test, and your polished technique.
Vision testing on children requires your utmost patience. The ability of the patient must be
considered and the appropriate test selected long before the patch goes on the child’s eye. An
adhesive patch should always be used to prevent cheating and peeking, unintentional or other-
wise. Finally, while the patch is still on, a dry retinoscopy or manifest refraction (to be balanced
later) should be done, and vision rechecked for improvement, with that correction in place.
You can learn how to do all of this by keeping the guidelines in order and by mastering your
skills practicing on cooperative adults.
Chapter 2

The Four-Part
Exam

K E Y P O I N T S

• History and observation provide clues to the potential diagno-


sis.
• The exam is done in a particular order—history first, then
fusion, then alignment, and vision last.
• The potential diagnosis determines what additional tests are
necessary to complete the exam.

DOI: 10.1201/9781003526681-2
6 Chapter 2

The ocular motility exam generally has four parts, which are performed in the following order:
history clues (so you will hopefully know what you are looking for), fusion testing, alignment
assessment, and vision. This order of testing is essential to reduce pollution of the test results.

Part 1. History Clues—The Story Begins


Some patients/parents have no idea what is wrong with them/their child. It is our job to
attempt to narrow down the differential diagnosis by asking pertinent history questions. The per-
tinent questions are the ones your doctor would like you to ask. So ask your attending physician
just how involved he or she would like your history taking to be. If the doctor does not care about
a full-term baby’s birth weight, do not waste time asking.
Taking a history allows you to size up both the patient and parent. How accurately does the
parent observe the child? Has he or she noticed that 2-year-old Erin tilts her head to the side
(which you already noticed in the waiting room)? Or is that a big surprise to the parents? Always
ask the child some benign question to determine: A) if the parent will allow his or her child to
participate in the exam, and B) if the child will be participating in the exam. All you want is a
response, verbal or otherwise, so just ask a yes/no question: “Did you see the goldfish in our
tank?” “Did you drive all the way here? ...or did Mommy?” “Do you know these people?” as you
smile and gesture to his or her parents.
To assess the child’s developmental capabilities, probe further by asking a simple question
but one that requires a thoughtful answer. A 2 year old should be able to answer: “How old are
you?” or “What’s your baby’s name?” A 3 to 4 year old should be able to tell you: “Are you plain
3, or 3-and-a-half? How old is your brother?” A 5 to 6 year old should know if he or she is going
to school/kindergarten in the fall. A child in first grade and up should respond appropriately to
“What grade are you in? What’s your teacher’s name? Is she nice? Is he smart? Is your teacher
fair? What’s your favorite thing about second grade?” While all of this sounds like idle chit-chat,
you will have gained a wealth of information, particularly about the child’s ability to understand
your questions; his or her cognition, hearing, and speech/verbal skills; and his or her attitude
about school. That attitude in particular is important because a significant number of children are
brought in for eye exams by parents who are worried about the child’s school performance.
Only ask the questions you need to know, and be extremely specific. Do not ask, “Have you
ever had any eye problems?” if you do not care about the minor corneal abrasion the patient had
10 years ago. Do not ask, “Is there any family history of strabismus?” if you want to know “Are
there any immediate family members with an eye that turns in, or out, or who had to wear a patch
when they were younger?” If you want to know if there are any high myopes in the family, ask
specifically if any family members are known to wear strong glasses and at a young age. Then
you might try to determine if they were plus or minus.
Use common language. Instead of asking the patient if there is any family history of glau-
coma, ask if any family members had high pressure in the eye and had to take eye drops every
day. Instead of inquiring if the school was worried about amblyopia, ask if the school found a
difference in vision in the two eyes. Instead of asking if the child has any ptosis, ask if one lid is
droopy or different from the other.
Ask questions in such a way as to get accurate answers. “What brings you to our office
today?” discourages patients from telling about their last eye exam at the mall or the springtime
allergies they had 6 months ago. Your job is to determine whether the problem is visual, symp-
tomatic, cosmetic, or a combination of these. Use all of your history-taking skills to probe at any
The Four-Part Exam 7

problem: “What makes it better/worse? When did it start? Who notices it?” (Grandparents can
be exceedingly accurate regarding grandchildren who they see sporadically with a fresh, albeit
scrutinizing eye.)
A child who was able to articulate a visual complaint to his or her parents certainly should be
able to intelligently respond to questions put forth by a professional: “When you see the double
vision, is it side-to-side like this (demonstrate with your hands) or up and down like this? Is it
blurry when you read a book or when you sit at the back of the room and try to read the board or
overhead projector? Is it blurry to everyone else in class (because of glare, angle, poor penman-
ship) or just to you?”
It is often difficult for patients/parents to verbalize medical problems. A parent may be
reluctant to blurt out the details of the child’s problem(s) in front of the child. A patient is often
kept unaware of the diagnosis until it has been confirmed. If you get nowhere when you ask the
patient if there are any ongoing health problems, ask what other doctors he or she has seen. The
patient may have no idea that the reason he or she is suddenly seeing double, has lost weight,
has been sent to see an endocrinologist who did blood work, and now needs a motility/eye exam
is because someone thinks that he or she probably has Graves’ disease or a thyroid problem. We
often encounter patients who deny that they have high blood pressure because they are on medi-
cation that controls it. Ask what medications the patient is on, but find out if it is important to
know how much medication and what time of day it is taken. You need to know when the patient
last took his or her glaucoma drops, but does it really matter when his or her last antihistamine
was taken? Knowing which doctors are currently following the patient and what medications the
patient is on will help complete the patient’s history.
Record the patient’s allergies to medication, food, and the environment. Patients often do not
realize that an eye drop can actually affect their heart or that an allergy to peanuts could be fatal
in a child given the eye drop phospholine iodide.
As far as the parents are concerned, visual history can be divided into two categories: the
child needs glasses in order to see properly, or more seriously, the child might have uncorrectable
vision and be blind. Amblyopia, which frequently requires occlusion therapy along with glasses,
falls halfway between those two categories since although it is only one eye, it results in per-
manent loss of vision if left untreated. Ask the parents, “How do you think Gus sees?” followed
by, “Who wonders if he sees okay?” This will usually get the answers necessary to determine
if blindness is a true concern or if the visit is merely due to a failed vision screening in a 4 year
old who otherwise appears normal. These questions will usually elicit the parents’ real concerns,
which range from their genuine fear that their baby is blind to disappointment that their child
will be wearing spectacles.
Symptomatic history also has two categories: behavior that is observed (by the parents, teach-
ers, or mother-in-law) and symptoms that the child complains about (cannot see, does not want
to go to school, headaches, does not want to go to school, does not want glasses, does not want
to go to school, sees double, does not want to go to school). The child’s complaints may be real
or fictitious. Table 2-1 lists observed behavior and the potential diagnoses. Table 2-2 lists typical
childhood complaints.
Cosmetic history immediately implies a surgical correction in the minds of parents and chil-
dren. An honest response to “How do you think the eyes look?” may be tainted by their fear of
surgery. When strabismus is obviously present, ask the child if his or her friends ever say anything
about his or her eye alignment. Ask if people who are not the child’s friends ever comment on
it and if that bothers him or her. Ask the parents who else notices the child’s misalignment. The
8 Chapter 2

Table 2-1
Observed Behavior Potential Diagnosis
Holding objects close/sitting near the TV Myopia
Intermittent crossing, especially at near Hyperopia/accommodative esotropia
Tearing/discharge in infant/baby Nasolacrimal duct obstruction
Tearing/photophobia/large eyes Congenital glaucoma
Head positioning Null point for nystagmus
Turning face to one side Lateral incomitance (Duane syndrome/VI nerve palsy)
Tilting head to one side IV nerve palsy
Tipping chin up Avoiding upgaze (Brown syndrome/double elevator
palsy/A or V pattern)
Tipping chin down Avoiding downgaze (A or V pattern)
Headache, diplopia, tires when reading Convergence insufficiency

Table 2-2
Typical Childhood Complaints Potential Cause
Blurry: Distance only Myopia
Near only Extreme hyperopia or convergence insufficiency
Both Astigmatism, malingering, or amblyopia
Headache Any phoria with poor fusional amplitudes
Convergence insufficiency
Diplopia Any intermittent deviation with poor control
Recent appreciation of physiologic diplopia
Strabismus without diplopia Any tropic or intermittent deviation with suppression
Eyes hurt Any of the above plus foreign body
Eyes tear while reading Convergence insufficiency

observational powers of loving parents (and spouses) is remarkably accurate or blind, with some
parents noticing a microtropia and others being able to ignore a 40 prism diopter tropia. This is
why it is so important to ask the parents who else notices the deviation. The parent who thinks
his or her child looks just fine with a 20 prism diopter exotropia (XT) may still consider surgery
if other people are constantly noticing it and commenting on it.

Part 2. Fusion—Sensory and Motor


Sensory fusion is the blending of two images, one from each eye, into a single image in the
brain. Motor fusion is the effort put forth by the brain and oculomotor system to align the eyes
so as to be able to achieve sensory fusion. So motor fusion is not necessary in a patient who has
a constant tropia, yet is the hallmark of the patient who has a phoria or intermittent tropia. It is
motor fusion that keeps the deviation at best phoric, or at least intermittent.
There are three main methods of measuring sensory fusion: stereo tests, Worth four-dot, and
haploscopic devices such as the synoptophore and troposcope.
While some stereo tests, such as the Lang stereo test, do not require polarizing stereo glasses,
other tests, such as the Birch Randot or Titmus stereo test, which measures fine grades of
stereopsis, do. If you do not get the glasses on the child, you cannot do the test. Every examiner
has a style of child-patient coercion. Here are some hints for testing stereopsis that have worked
The Four-Part Exam 9

Table 2-3
Worth Four-Dot (Red Lens Over Right Eye)
Response Means Record as
4 lights: 1 red/3 green, 2 red/2 green Fusion in ortho patient Fuse
ARC in tropic patient
2 red lights only Left green eye suppressing OS suppress
3 green lights only Right red eye suppressing OD suppress
2 reds, then 3 greens not at same moment Alternate suppression Alt suppress
2 reds seen to the right of the 3 greens Uncrossed (homonymous) diplopia Unc diplopia
NRC in ET patient
ARC if not ET
2 reds seen to the left of the 3 greens Crossed (heteronymous) diplopia X ed diplopia
NRC in XT patient
ARC if not XT

ARC = anomalous retinal correspondence; NRC = normal retinal correspondence; ET = esotropia; XT = exotro-
pia

for me. While holding the test booklet and ready to start asking about the animals, I inform the
child that “we” will be putting on the very cool glasses (and I have got the glasses on the child
by now) so that the child can show Mommy or Daddy just how cool her or she is. (I am rambling
in whispers by now, but that keeps the child from thinking about taking off the glasses.) “And
now, you can see the animals. Does one of them (without taking a breath) look like it’s sticking
up at you, like it’s sticking up off of the page? (Do not wait for an answer.) Push it down for me,
push him back down on the page. (Ignore the parent’s questions about the test.) That’s great. How
about on this row? Now which circle in this first group looks like a doorbell?” Imitating doorbell
chimes adds to the exclusive relationship that you are developing with the patient, and the testing
continues until you have completed the test. If the child takes the glasses off, say very seriously,
“Oh I don’t want you to touch my special equipment. Let’s have fun instead,” and proceed on to
the Worth four-dot testing, getting the red-green glasses on the same way. Some time during this
process, I mutter to the parents that I will explain everything I am doing later, once I am through
with everything.
Only perform Worth four-dot testing if it is necessary, although it is a great way of demon-
strating your mind-reading powers to children. It is easy to not-so-subtly convince them that they
better not lie about anything. You know just what they see. As you cover the green eye say, “Now
you see two reds, don’t you?” and nod your head in an all-knowing, positive, authoritative way.
In order to complete Worth four-dot testing on a very young child, I invite the child to touch
the lights while I count. In an attempt to get positive answers, I ask an older child, “Do you see
some lights? Any red ones? How many?” The key question if the patient claims to see five lights
is to differentiate between diplopia (and what kind of diplopia) and rapid alternation. “Do you
see reds and greens at the same time, or first one, then the other?” I still have not made eye con-
tact with the parent as I mutter, “No, this isn’t a color vision test.” Hopefully by now, the parent
should realize he or she merely provides a lap for the child thus keeping interruptions to a mini-
mum. Table 2-3 indicates the possible response and method for recording Worth four-dot testing.
The Worth four-dot test is performed at near (one-third of a meter), which tests more peripherally,
and at distance (6 meters), which tests more centrally.
10 Chapter 2

Haploscopic devices are not readily available in most offices. These instruments, such as the
synoptophore or troposcope, allow each eye to be presented with a different target so that assess-
ment of the patient’s retinal correspondence and sensory and motor fusion can be made.
Motor fusion is tested when control of the patient’s alignment is assessed. It is, therefore,
covered in the next section.

Part 3. Alignment
A patient’s strabismic deviation has three components: control, direction, and size.

Control
Control is tested by the cover–uncover test. This is generally done during a routine eye exam
by the single cover test, which determines the presence of a phoria, tropia, or intermittent tropia.
The patient must steadily maintain fixation on a target that requires and stimulates his or her
accommodation. Most patients will not accommodate on a fixation light, and therefore, a pen-
light should not be used for fixation. Many patients will not accommodate on the 20/200 E or
on the stuffed dog at the end of the room. To make a patient fixate and accommodate, you must
force the patient to attempt to identify small objects. While you perform the cover test, ask the
patient, “How many whiskers does the dog have? Is he sitting or walking? Read me the 20/40 line
backward. Forward. What letter is above the Z?” This causes the patient to maintain accommoda-
tion and fixation while you assess eye alignment. The patient should have a cover–uncover test
performed at distance fixation, preferably 20 feet or 6 meters, and at near fixation at 14 inches or
one-third meter. As one eye is covered, the opposite eye is observed for movement. As the eye is
uncovered, it is observed for movement. Table 2-4 breaks down the possible movement responses
when the right eye is cover–uncovered describing a phoria, tropia, or intermittent deviation. Table
2-5 is a similar algorithm for the left eye as it is cover–uncovered.
Vergence amplitudes of a fusing patient are another method of judging control. However,
these measurements should not be taken until all other alignment measurements are done. Gener-
ally, the examiner would want to determine how well a patient with an exodeviation can converge
or how well a patient with an esodeviation can diverge. The horizontal prism bar is gradually
introduced starting with the one and moving up to larger prisms using base-In to measure dIver-
gence, and base-Out to measure cOnvergence. The patient maintains fixation and fusion as the
amount of prism is increased and then is instructed to report when diplopia is appreciated. The
measurement is performed first at distance and then again at near. Seeing two images is the signal
that the vergence amplitude has been exhausted. This is the break point. Reducing the prism until
fusion is regained is a signal of the patient’s ability to recover fusion and, normally, should be
only one or two incremental steps down from the break point. This is the recovery point. While
measuring convergence, a patient should also be instructed to report when the single image blurs,
as this is a signal of the inappropriate use of accommodative convergence to maintain binocular-
ity. This is the blur point. The patient may be able to converge a lot, but the image is blurry. Their
pupils may overconstrict at the moment they overaccommodate and blur. This is a classic finding
in patients with symptomatic convergence insufficiency who will complain of blurred vision after
a few minutes of reading. The print may never actually double; it just blurs.
The Four-Part Exam 11

Table 2-4
Cover–Uncover Right Eye—Test Requires Central Vision in Each Eye
If, when covering OD: This means: If, when uncovering This means:
OD:
1. OS doesn’t move OS was fixing A. OD doesn’t move Either ortho or R tropia
either (confirms with Table
2-5, Step 1)
B. OD moves in OD was out—exophoria
C. OD moves out OD was in—esophoria
D. OD moves down OD was up—
hyperphoria or DVD
E. OD moves up OD was down—
hypophoria
F. Combination
2. OS moves in OS was out (LXT) A. OD doesn’t move Alternating XT
now
B. OD moves back in LXT, prefers OD
to fix
3. OS moves out OS was in (LET) A. OD doesn’t move Alternating ET
now
B. OD moves back out LET, prefers OD
to fix
4. OS moves down OS was up (LHT) A. OD doesn’t move LHT, which alternates
now
B. OD moves back up LHT, prefers OD
to fix
5. OS moves up OS was down A. OD doesn’t move
RHT, which alternates
(L hypo T) now
B. OD moves back down RHT, prefers OD
to fix
6. Combination of moves Combined horizon- A. Combination
tal/vertical
7. OS has unsteady Latent nystagmus
fixation

DVD = dissociated vertical deviation

Direction
Direction of the strabismus is determined by the direction of movement of the eye during
cover measurements. Essentially, an eye that moves out to fixate must have been in (eso) under
that cover. An eye that moves in must have been out (exo), up must have been down (hypo), and
down must have been up (hyper). Table 2-6 lists the commonly used abbreviations for strabismic
deviations.

Size
The size of the existing deviation is measured with prisms. The more sophisticated the test,
the more accurate it will be. Table 2-7 lists methods of measuring strabismus from the least
sophisticated test to the most sophisticated. While the Maddox rod can give you very accurate
measurements, it also has the most limitations and, therefore, should not be used on most patients.
12 Chapter 2

Table 2-5
Cover–Uncover Left Eye—Test Requires Central Vision in Each Eye
If, when covering This means: If, when uncovering This means:
OS: OS:
1. OD doesn’t move OD was fixing A. OS doesn’t move Either ortho or L tropia
either (confirm with Table 2-4,
Step 1)
B. OS moves in OS was out—exophoria
C. OS moves out OS was in—esophoria
D. OS moves down OS was up—hyperphoria
or DVD
E. OS moves up OS was down—hypophoria
F. Combination
2. OD moves in OD was out (RXT) A. OS doesn’t move now Alternating XT
B. OS moves back in to RXT, prefers OS
fix
3. OD moves out OD was in (RET) A. OS doesn’t move now Alternating ET
B. OS moves back out RET, prefers OS
to fix
4. OD moves downs OD was up (RHT) A. OS doesn’t move RHT, which alternates now
B. OS moves back up to RHT, prefers OS
fix
5. OD moves up OD was down (R A. OS doesn’t move LHT, which alternates now
hypo T)
B. OS moves back down LHT, prefers OS
to fix
6. Combination of Combined horizon- A. Combination
moves tal/vertical
7. OD has unsteady Latent nystagmus
fixation

Table 2-6
Strabismus Abbreviations
Tropia T
Intermittent tropia, add () (T)
Phoria, drop T
Esodeviation E
Exodeviation X
Hyperdeviation, add R or L eye H RH or LH
Hypodeviation, add R or L hypo R hypo or L hypo
Dissociated vertical deviation DVD
Add R or L eye R DVD or L DVD
Near, add prime’ ET’

Examples:
Left exotropia LXT
Right hypertropia RHT
Left dissociated vertical deviation L DVD
Esophoria at near E’
Right hypotropia at distance R hypo T
Intermittent exotropia at near X(T)’
Random documents with unrelated
content Scribd suggests to you:
sinkings are in active progress over large portions of the continents
and islands of the Southern hemisphere: and by the speculations of
Sir C. Lyell respecting the influence of climate on the migrations of
plants and animals, and the influence of geological changes upon
climate.

In Zoology I may notice (following Mr. Owen) 49 recent discoveries


of the remains of the animals which come nearest to man in their
structure. At the time of Cuvier’s death, in 1832, no evidence had
been obtained of fossil Quadrumana; and he supposed that these,
as well as Bimana, were of very recent introduction. Soon after, in
the oldest (eocene) tertiary deposits of Suffolk, remains were found
proving the existence of a monkey of the genus Macacus. In the
Himalayan tertiaries were found petrified bones of a Semnopithecus;
in Brazil, remains of an extinct platyrhine monkey of great size; and
lastly, in the middle tertiary series of the South of France, was
discovered a fragment of the jaw of the long-armed ape (Hylobates).
But no fossil human 648 remains have been discovered in the
regularly deposited layers of any divisions (not even the pleiocene)
of the tertiary series; and thus we have evidence that the placing of
man on the earth was the last and peculiar act of Creation.
49 Brit. Asso. 1854, p. 112.

THE END.

Transcriber’s Notes

Whewell’s book was originally published in 3 volumes in London in 1837. A


second edition appeared in 1847, and a third in 1857. A 2-volume version of
the 3rd edition was published in New York in 1858, reprinted 1875. This
Project Gutenberg text, combining both volumes in sequence, was derived
from the 1875 version, relying upon resources kindly provided by the Internet
Archive. In so doing, the Contents of Volume 2 have been moved to follow
the Contents of Volume 1.

Three items have been added to the Contents of the First Volume; they are
marked off by ~ ~. Whewell’s additions to the 3rd edition were printed by way
of appendices to the volumes. An indication that such an addition may be
found has been given, again marked off by ~ ~, and linked to the relevant
text. Any infelicities in these and other internal links are the transcriber’s
responsibility.

Where ditto signs were used in the text, the material has been repeated in
full.

Printed page numbers have been transcribed in colour. Where words were
hyphenated across pages, the number has been placed before the word.

Fractions have been transcribed as numerator⁄denominator, occasionally


using parentheses to disambiguate. The original sometimes has numerator
over a line with denominator below, at other times numerator hyphen
denominator.

Footnotes in the original text were numbered by chapter; here they have
been numbered by Book (counting the preface and the appendices to each
volume as a separate book and incorporating the Introduction with Book I).
They are placed after the paragraph in which they occur.

Corrections to the text are flagged in the .htm version by dotted red
underline, on mouse-over revealing the nature of the change. They were
usually confirmed by reference to English printings of the text.
Inconsistencies, especially with respect to accents and formatting, are
numerous and have in general not been adjusted, though Greek quotations
have been checked against other versions where available. Nor have
Whewell's unbalanced quotation marks been modernised. The English
versions have been used to restore Whewell’s “gesperrt” emphases in some
Greek passages.
*** END OF THE PROJECT GUTENBERG EBOOK HISTORY OF
THE INDUCTIVE SCIENCES, FROM THE EARLIEST TO THE
PRESENT TIME ***

Updated editions will replace the previous one—the old editions will
be renamed.

Creating the works from print editions not protected by U.S.


copyright law means that no one owns a United States copyright in
these works, so the Foundation (and you!) can copy and distribute it
in the United States without permission and without paying copyright
royalties. Special rules, set forth in the General Terms of Use part of
this license, apply to copying and distributing Project Gutenberg™
electronic works to protect the PROJECT GUTENBERG™ concept
and trademark. Project Gutenberg is a registered trademark, and
may not be used if you charge for an eBook, except by following the
terms of the trademark license, including paying royalties for use of
the Project Gutenberg trademark. If you do not charge anything for
copies of this eBook, complying with the trademark license is very
easy. You may use this eBook for nearly any purpose such as
creation of derivative works, reports, performances and research.
Project Gutenberg eBooks may be modified and printed and given
away—you may do practically ANYTHING in the United States with
eBooks not protected by U.S. copyright law. Redistribution is subject
to the trademark license, especially commercial redistribution.

START: FULL LICENSE


THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg™ mission of promoting the free


distribution of electronic works, by using or distributing this work (or
any other work associated in any way with the phrase “Project
Gutenberg”), you agree to comply with all the terms of the Full
Project Gutenberg™ License available with this file or online at
www.gutenberg.org/license.

Section 1. General Terms of Use and Redistributing Project Gutenberg™


electronic works

1.A. By reading or using any part of this Project Gutenberg™


electronic work, you indicate that you have read, understand, agree
to and accept all the terms of this license and intellectual property
(trademark/copyright) agreement. If you do not agree to abide by all
the terms of this agreement, you must cease using and return or
destroy all copies of Project Gutenberg™ electronic works in your
possession. If you paid a fee for obtaining a copy of or access to a
Project Gutenberg™ electronic work and you do not agree to be
bound by the terms of this agreement, you may obtain a refund from
the person or entity to whom you paid the fee as set forth in
paragraph 1.E.8.

1.B. “Project Gutenberg” is a registered trademark. It may only be


used on or associated in any way with an electronic work by people
who agree to be bound by the terms of this agreement. There are a
few things that you can do with most Project Gutenberg™ electronic
works even without complying with the full terms of this agreement.
See paragraph 1.C below. There are a lot of things you can do with
Project Gutenberg™ electronic works if you follow the terms of this
agreement and help preserve free future access to Project
Gutenberg™ electronic works. See paragraph 1.E below.

1.C. The Project Gutenberg Literary Archive Foundation (“the


Foundation” or PGLAF), owns a compilation copyright in the
collection of Project Gutenberg™ electronic works. Nearly all the
individual works in the collection are in the public domain in the
United States. If an individual work is unprotected by copyright law in
the United States and you are located in the United States, we do
not claim a right to prevent you from copying, distributing,
performing, displaying or creating derivative works based on the
work as long as all references to Project Gutenberg are removed. Of
course, we hope that you will support the Project Gutenberg™
mission of promoting free access to electronic works by freely
sharing Project Gutenberg™ works in compliance with the terms of
this agreement for keeping the Project Gutenberg™ name
associated with the work. You can easily comply with the terms of
this agreement by keeping this work in the same format with its
attached full Project Gutenberg™ License when you share it without
charge with others.

1.D. The copyright laws of the place where you are located also
govern what you can do with this work. Copyright laws in most
countries are in a constant state of change. If you are outside the
United States, check the laws of your country in addition to the terms
of this agreement before downloading, copying, displaying,
performing, distributing or creating derivative works based on this
work or any other Project Gutenberg™ work. The Foundation makes
no representations concerning the copyright status of any work in
any country other than the United States.
1.E. Unless you have removed all references to Project Gutenberg:

1.E.1. The following sentence, with active links to, or other


immediate access to, the full Project Gutenberg™ License must
appear prominently whenever any copy of a Project Gutenberg™
work (any work on which the phrase “Project Gutenberg” appears, or
with which the phrase “Project Gutenberg” is associated) is
accessed, displayed, performed, viewed, copied or distributed:

This eBook is for the use of anyone anywhere in the United


States and most other parts of the world at no cost and with
almost no restrictions whatsoever. You may copy it, give it away
or re-use it under the terms of the Project Gutenberg License
included with this eBook or online at www.gutenberg.org. If you
are not located in the United States, you will have to check the
laws of the country where you are located before using this
eBook.

1.E.2. If an individual Project Gutenberg™ electronic work is derived


from texts not protected by U.S. copyright law (does not contain a
notice indicating that it is posted with permission of the copyright
holder), the work can be copied and distributed to anyone in the
United States without paying any fees or charges. If you are
redistributing or providing access to a work with the phrase “Project
Gutenberg” associated with or appearing on the work, you must
comply either with the requirements of paragraphs 1.E.1 through
1.E.7 or obtain permission for the use of the work and the Project
Gutenberg™ trademark as set forth in paragraphs 1.E.8 or 1.E.9.

1.E.3. If an individual Project Gutenberg™ electronic work is posted


with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any
additional terms imposed by the copyright holder. Additional terms
will be linked to the Project Gutenberg™ License for all works posted
with the permission of the copyright holder found at the beginning of
this work.

1.E.4. Do not unlink or detach or remove the full Project


Gutenberg™ License terms from this work, or any files containing a
part of this work or any other work associated with Project
Gutenberg™.

1.E.5. Do not copy, display, perform, distribute or redistribute this


electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg™ License.

1.E.6. You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form,
including any word processing or hypertext form. However, if you
provide access to or distribute copies of a Project Gutenberg™ work
in a format other than “Plain Vanilla ASCII” or other format used in
the official version posted on the official Project Gutenberg™ website
(www.gutenberg.org), you must, at no additional cost, fee or expense
to the user, provide a copy, a means of exporting a copy, or a means
of obtaining a copy upon request, of the work in its original “Plain
Vanilla ASCII” or other form. Any alternate format must include the
full Project Gutenberg™ License as specified in paragraph 1.E.1.

1.E.7. Do not charge a fee for access to, viewing, displaying,


performing, copying or distributing any Project Gutenberg™ works
unless you comply with paragraph 1.E.8 or 1.E.9.
1.E.8. You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg™ electronic works
provided that:

• You pay a royalty fee of 20% of the gross profits you derive from
the use of Project Gutenberg™ works calculated using the
method you already use to calculate your applicable taxes. The
fee is owed to the owner of the Project Gutenberg™ trademark,
but he has agreed to donate royalties under this paragraph to
the Project Gutenberg Literary Archive Foundation. Royalty
payments must be paid within 60 days following each date on
which you prepare (or are legally required to prepare) your
periodic tax returns. Royalty payments should be clearly marked
as such and sent to the Project Gutenberg Literary Archive
Foundation at the address specified in Section 4, “Information
about donations to the Project Gutenberg Literary Archive
Foundation.”

• You provide a full refund of any money paid by a user who


notifies you in writing (or by e-mail) within 30 days of receipt that
s/he does not agree to the terms of the full Project Gutenberg™
License. You must require such a user to return or destroy all
copies of the works possessed in a physical medium and
discontinue all use of and all access to other copies of Project
Gutenberg™ works.

• You provide, in accordance with paragraph 1.F.3, a full refund of


any money paid for a work or a replacement copy, if a defect in
the electronic work is discovered and reported to you within 90
days of receipt of the work.

• You comply with all other terms of this agreement for free
distribution of Project Gutenberg™ works.

1.E.9. If you wish to charge a fee or distribute a Project Gutenberg™


electronic work or group of works on different terms than are set
forth in this agreement, you must obtain permission in writing from
the Project Gutenberg Literary Archive Foundation, the manager of
the Project Gutenberg™ trademark. Contact the Foundation as set
forth in Section 3 below.

1.F.

1.F.1. Project Gutenberg volunteers and employees expend


considerable effort to identify, do copyright research on, transcribe
and proofread works not protected by U.S. copyright law in creating
the Project Gutenberg™ collection. Despite these efforts, Project
Gutenberg™ electronic works, and the medium on which they may
be stored, may contain “Defects,” such as, but not limited to,
incomplete, inaccurate or corrupt data, transcription errors, a
copyright or other intellectual property infringement, a defective or
damaged disk or other medium, a computer virus, or computer
codes that damage or cannot be read by your equipment.

1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except


for the “Right of Replacement or Refund” described in paragraph
1.F.3, the Project Gutenberg Literary Archive Foundation, the owner
of the Project Gutenberg™ trademark, and any other party
distributing a Project Gutenberg™ electronic work under this
agreement, disclaim all liability to you for damages, costs and
expenses, including legal fees. YOU AGREE THAT YOU HAVE NO
REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF
WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE
FOUNDATION, THE TRADEMARK OWNER, AND ANY
DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE
TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL,
PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE
NOTICE OF THE POSSIBILITY OF SUCH DAMAGE.

1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you


discover a defect in this electronic work within 90 days of receiving it,
you can receive a refund of the money (if any) you paid for it by
sending a written explanation to the person you received the work
from. If you received the work on a physical medium, you must
return the medium with your written explanation. The person or entity
that provided you with the defective work may elect to provide a
replacement copy in lieu of a refund. If you received the work
electronically, the person or entity providing it to you may choose to
give you a second opportunity to receive the work electronically in
lieu of a refund. If the second copy is also defective, you may
demand a refund in writing without further opportunities to fix the
problem.

1.F.4. Except for the limited right of replacement or refund set forth in
paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO
OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED,
INCLUDING BUT NOT LIMITED TO WARRANTIES OF
MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.

1.F.5. Some states do not allow disclaimers of certain implied


warranties or the exclusion or limitation of certain types of damages.
If any disclaimer or limitation set forth in this agreement violates the
law of the state applicable to this agreement, the agreement shall be
interpreted to make the maximum disclaimer or limitation permitted
by the applicable state law. The invalidity or unenforceability of any
provision of this agreement shall not void the remaining provisions.
1.F.6. INDEMNITY - You agree to indemnify and hold the
Foundation, the trademark owner, any agent or employee of the
Foundation, anyone providing copies of Project Gutenberg™
electronic works in accordance with this agreement, and any
volunteers associated with the production, promotion and distribution
of Project Gutenberg™ electronic works, harmless from all liability,
costs and expenses, including legal fees, that arise directly or
indirectly from any of the following which you do or cause to occur:
(a) distribution of this or any Project Gutenberg™ work, (b)
alteration, modification, or additions or deletions to any Project
Gutenberg™ work, and (c) any Defect you cause.

Section 2. Information about the Mission of Project Gutenberg™

Project Gutenberg™ is synonymous with the free distribution of


electronic works in formats readable by the widest variety of
computers including obsolete, old, middle-aged and new computers.
It exists because of the efforts of hundreds of volunteers and
donations from people in all walks of life.

Volunteers and financial support to provide volunteers with the


assistance they need are critical to reaching Project Gutenberg™’s
goals and ensuring that the Project Gutenberg™ collection will
remain freely available for generations to come. In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a
secure and permanent future for Project Gutenberg™ and future
generations. To learn more about the Project Gutenberg Literary
Archive Foundation and how your efforts and donations can help,
see Sections 3 and 4 and the Foundation information page at
www.gutenberg.org.
Section 3. Information about the Project Gutenberg Literary Archive
Foundation

The Project Gutenberg Literary Archive Foundation is a non-profit


501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service. The Foundation’s EIN or federal tax identification
number is 64-6221541. Contributions to the Project Gutenberg
Literary Archive Foundation are tax deductible to the full extent
permitted by U.S. federal laws and your state’s laws.

The Foundation’s business office is located at 809 North 1500 West,


Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up
to date contact information can be found at the Foundation’s website
and official page at www.gutenberg.org/contact

Section 4. Information about Donations to the Project Gutenberg Literary


Archive Foundation

Project Gutenberg™ depends upon and cannot survive without


widespread public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can
be freely distributed in machine-readable form accessible by the
widest array of equipment including outdated equipment. Many small
donations ($1 to $5,000) are particularly important to maintaining tax
exempt status with the IRS.

The Foundation is committed to complying with the laws regulating


charities and charitable donations in all 50 states of the United
States. Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and
keep up with these requirements. We do not solicit donations in
locations where we have not received written confirmation of
compliance. To SEND DONATIONS or determine the status of
compliance for any particular state visit www.gutenberg.org/donate.

While we cannot and do not solicit contributions from states where


we have not met the solicitation requirements, we know of no
prohibition against accepting unsolicited donations from donors in
such states who approach us with offers to donate.

International donations are gratefully accepted, but we cannot make


any statements concerning tax treatment of donations received from
outside the United States. U.S. laws alone swamp our small staff.

Please check the Project Gutenberg web pages for current donation
methods and addresses. Donations are accepted in a number of
other ways including checks, online payments and credit card
donations. To donate, please visit: www.gutenberg.org/donate.

Section 5. General Information About Project Gutenberg™ electronic


works

Professor Michael S. Hart was the originator of the Project


Gutenberg™ concept of a library of electronic works that could be
freely shared with anyone. For forty years, he produced and
distributed Project Gutenberg™ eBooks with only a loose network of
volunteer support.

Project Gutenberg™ eBooks are often created from several printed


editions, all of which are confirmed as not protected by copyright in
the U.S. unless a copyright notice is included. Thus, we do not
necessarily keep eBooks in compliance with any particular paper
edition.
Most people start at our website which has the main PG search
facility: www.gutenberg.org.

This website includes information about Project Gutenberg™,


including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how
to subscribe to our email newsletter to hear about new eBooks.

You might also like