This document provides an overview of traditional music from Region 1 (Ilocos Region) of the Philippines. It discusses several native Ilocano songs that narrate the lives and stories of the local Ilocano people, including songs about courtship, marriage, and occupations. Several popular Ilocano folk songs are described in detail, such as "Pamulinawen" , "Manang Biday", and "Osi-osi". Background information is also provided on some of the composers and origins of these traditional ethnic songs from Region 1 of the Philippines.
This document provides an overview of traditional music from Region 1 (Ilocos Region) of the Philippines. It discusses several native Ilocano songs that narrate the lives and stories of the local Ilocano people, including songs about courtship, marriage, and occupations. Several popular Ilocano folk songs are described in detail, such as "Pamulinawen" , "Manang Biday", and "Osi-osi". Background information is also provided on some of the composers and origins of these traditional ethnic songs from Region 1 of the Philippines.
This document provides an overview of traditional music from Region 1 (Ilocos Region) of the Philippines. It discusses several native Ilocano songs that narrate the lives and stories of the local Ilocano people, including songs about courtship, marriage, and occupations. Several popular Ilocano folk songs are described in detail, such as "Pamulinawen" , "Manang Biday", and "Osi-osi". Background information is also provided on some of the composers and origins of these traditional ethnic songs from Region 1 of the Philippines.
This document provides an overview of traditional music from Region 1 (Ilocos Region) of the Philippines. It discusses several native Ilocano songs that narrate the lives and stories of the local Ilocano people, including songs about courtship, marriage, and occupations. Several popular Ilocano folk songs are described in detail, such as "Pamulinawen" , "Manang Biday", and "Osi-osi". Background information is also provided on some of the composers and origins of these traditional ethnic songs from Region 1 of the Philippines.
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CONTEMPORARY ART IN
THE PHILIPPINES- MUSIC
FROM REGION 1 AND 2 WHAT IS MUSIC? •Music is a form of art that uses sound organised in time.
•Music is also a form of entertainment
that puts sounds together in a way that people like, find interesting or dance to.
•Most music includes people singing
with their voices or playing musical instruments, such as the piano, guitar, Music history, sometimes called historical musicology, is a highly diverse subfield of the broader discipline of musicology that studies music from a historical point of view. In theory, "music history" could refer to the study of the history of any type or genre of music. MUSIC FROM REGION 1 Region 1 (Ilocos Region) is Compose of four province:IIocoNorte,Ilocos Sur,La Union,Pangasinan Native Ilocano songs
The Ilocanos have a handful of
meaningful ethnic songs. These songs narrate lifestories of the native Ilocanos, which are mostly about courtship, marriage,occupation and life. Pamulinawen (Hardened Heart) — this is the most popular Ilocano love song, which portrays a girl who does not heed the pleading of her lover. It compares the heart of a girl to a hardenedflint.Jose A.Bragado the Author of this song. •Jose Bragado was born in Ilocos Sur on August 25, 1936. His parents are Emilio Bragado and Timotea Asia. He is married to Crispina Balderas. He completed AB Journalism courses at Manuel Luis Quezon University
•He is a novelist, storyteller and
poet. He received many writing awards and among them was the Pedro Bukaneg Award given to him by Gumil Filipinas in 1993. He became president of Gumil Filipinas and Director of Umpil. Pamulinawen (Stone hearted lady) Pamulinawen Pusok imdengam man Toy umas-asug Agrayo ita sadiam. Panunotem man Dika pagintultulngan Toy agayat, agruknoy ita emmam. Issemmo diak kalipatan Ta nasudi unay a nagan, Ta uray sadin ti ayan, Disso sadino man, Toy agayat, agruknoy ita emmam. Issemmo diak kalipatan Ta nasudi unay a nagan, Ta uray sadin ti ayan, Disso sadino man, {Aw-awagak a di agsarday Ta naganmo nga kasam-itan} No malagipka, pusok ti mabang-aran Adu nga sabsabong, adu nga rosrosas Ti adda’t ditoy, Nena, nga mabuybuyak, Ngem awan manlaeng ti sabali nga liwliwak No di la dayta sudim ken imnas. No umulogak nga mapan magmagna Manang Biday- is a traditional Ilocano folksong in Northern Luzon, particularly in the province of Ilocos. This song implies the courtship of a young maiden named Manang Biday. Serenading a love interest is a custom of the Filipinos. Until today, it is still practiced by the Ilocano. composed by Florante Aguilar. •Florante Aguilar is one the leading figures championing Philippine music art forms in the US and international markets today. He advances and popularizes Philippine music through the medium of film, recordings and live performances. His arrangements and compositions successfully craft the right balance between respect and redefinition of a tradition. •Born in Manila, Aguilar grew up in Cavite province where he learned to play the octavina in a rondalla group. By 16 he was enrolled at the University of the Philippines College of Music where he was trained as a classical musician. He later moved to New York under scholarship to study at the Manhattan School of Music. He received his Bachelor of Music Degree at the San Francisco Conservatory for Music. Manang Biday (Older Sister Biday) Manang Biday, ilukatmo man Ta bentana ikalumbabam Ta kitaem toy kinayawan Ay matayakon no dinak kaasian Siasinno nga aglabaslabas Ditoy hardinko pagay-ayamak Ammon ngarud nga balasangak Sabong ni lirio, dipay nagukrad Denggem ading ta bibinenka ta inkanto diay sadi daya agalakanto’t bunga’t mangga Osi-osi —this ethnic song portrays the traditional ways of courtship.
Ayat ti Ina (Love of a Mother)—is a
song that expresses how a mother loves and takes care of her child.
Napateg a Bin-I (Cherished Seed)—
this song basically uses metaphors comparing a woman to a seed. Duayya ni Ayat (Love’s Lullaby)—is a song that expresses a man’s love for his lady. The man asks the lady to be careful in changing her mind and choosing another man.
Siasin ti Agayat Kenka (Who is in love with
you?)—this song expresses an insistent love.
No Duaduaem Pay (If You Still Doing)—this
is an ethnic song that gives the idea that the lover feels that his loved one doubts him. The man asks the lady to understand him and convince her to believe that his love is true. Teng-nga ti Rabii (Midnight)—is a song that tells a lover who sees the image of his loved one in the middle of the night and is awakened by her voice.
Dinak Kad Dildilawen (Do Not
Criticize Me)—is an Ilocano song that expresses patriotism. This song conveys service to love of country. Kasasaad ti Kinabalasang (The life of a Maiden)—is an advice for the young maidens to consider carefully their plans of getting married.
Other popular ethnic songs are Agdamili
(Pot Making), which is an occupational song; and Kanaganan, which is a birthday song. Thank you For listening