This masterpiece about the union of art and life presents the hypothesis that a person's aesthetic sense should be the litmus test of their fitness to govern, that aesthetic principles are self-evident and eternal, unlike discriminatory and temporal moral precepts.
The creators might be on to something, since simplicity--the principle of Occam's razor--indeed characterizes everything of quality from mathematical proofs to human character.
As the protagonist (the Hyouge Mono, or 'Jocular Fellow') grows in wisdom, so does his understanding of simplicity. His tastes change from the pretentious and overworked to the honest and expressive. To things which are utterly devoid of affectation.
“More than enough is too much.”
(The character design makes interesting use of hierarchical proportion.)
Explanation by inim on Saturday, 04.12.2021 20:17
Both shows cover the end of their historic period trough civil war. For Heike Monogatari the Genpei War (1180-1185 CE) which marks the beginning of the Japanese middle ages (Heian -> Kamakura), Hyouge Mono it's end (Sengoku -> Edo, late 16th century).
Both shows cover samurai history and war, but don't focus strongly on that aspect. They also cover dynastic family life, romantic relations, slice of life, arts and politics. Emphasis is not so much on the detailed history, but on characters, emotions and motivations. Just like Shakespeare's version of history compares to a scholarly text