SKY December2016e
SKY December2016e
SKY December2016e
The
Comets of
Poe had some weird ideas for dead
Donald W. Olson
& Shaun B. Ford
Unlike any astronomers of his day, Poe further pro- lunacy or “a damnable heresy,” but Poe considered it his
claims an evolving big-bang universe, with greatest life work. He wrote to his aunt Maria Clemm,
“I have no desire to live since I have done Eureka. I could
Matter’s having been radiated, at its origin, atomically [i.e., as
accomplish nothing more.” In fact he wrote little further,
a gas], into a limited sphere of Space, from one, individual,
nearly died of an opiate overdose, then died the following
unconditional, irrelative, and absolute Particle Proper.
year of causes unknown.
Poe uses an anthropic-principle argument to assert that In more ancillary roles, Poe had repeatedly brought
the universe must be extremely old in order for us to be the Moon, constellations, and planets into his poems,
here observing it. Yet it cannot be so old that it would such as “Evening Star” (1827) and “Ulalume” (1847)
violate Olbers’ paradox; Poe anticipates an essential part — both of which compare and contrast the Moon and
of the modern resolution of the paradox when he offers Venus — and into many other writings. The cosmos
this explanation of why the night sky is dark: entranced him and excited his deepest mysticism.
Were the succession of stars endless, then the background
of the sky would present us an uniform luminosity, like that
displayed by the Galaxy — since there could be absolutely no
point, in all that background, at which would not exist a star.
The only mode, therefore, in which, under such a state of
affairs, we could comprehend the voids which our telescopes
find in innumerable directions, would be by supposing the
distance of the invisible background so immense that no ray
from it has yet been able to reach us at all.
STAR-WINDS Edgar Allan Poe again walks the streets of Boston. This statue, created by artist Stefanie Rocknak and unveiled by
the Edgar Allan Poe Foundation of Boston in 2014, stands on the edge of the Boston Common near the intersection of Boylston and
Charles Streets. Every night Poe’s fictional raven, emerging from the restless traveler’s suitcase, casts his lamplit shadow on the floor.
Biela’s Comet
Biela’s Comet was first observed in 1772 by Jacques Leibax
Montaigne. It received its name in 1826 when Wilhelm
von Biela and Jean-Félix Adolphe Gambart identified it
as periodic. The comet was observed in 1832 and its next
return was predicted for 1839, the year Poe’s tale appeared.
BEING GASSED The astronomer Heinrich Olbers remarked in
1828 that Biela’s Comet “may pass at a very small distance from An essential point of the Eiros and Charmion story is
us, and even so near, that its atmosphere may be in contact with that Poe’s fictional comet passes so close that its atmo-
our globe.” This diagram illustrates the possibility, with Biela’s sphere mingles with ours. Exactly such a possibility was
Comet making a hypothetical close passage (C to C′) that allows discussed in the scientific literature of the 1820s and
its atmosphere to mix with that of Earth (T = Terre = Earth). 1830s for Biela’s Comet.
The other comet of short period which has lately been discov-
ered is that of Biela . . . Its orbit, by a remarkable coincidence,
very nearly intersects that of the earth; and had the latter, at
the time of its passage in 1832, been a month in advance of
COURTESY POE HOUSE BALTIMORE, INC. (2)
its actual place, it would have passed through the comet — a
singular rencontre, perhaps not unattended with danger.