The Illustrated Encyclopedia of Hinduism (2 Vol Set) (PDFDrive) - 33
The Illustrated Encyclopedia of Hinduism (2 Vol Set) (PDFDrive) - 33
The Illustrated Encyclopedia of Hinduism (2 Vol Set) (PDFDrive) - 33
House of Clay
Realm of punishment described in a
verse in the Rg Veda (7.89), the earliest
Hindu religious text. As described in this
verse, the House of Clay is a place to
which evildoers—particularly those
guilty of speaking falsely—will be sent
by the god Varuna, who is considered
the guardian of righteousness and cos-
mic order (rta).
As its name indicates, the House of
Clay is a gloomy and joyless place. What
is notable in the original verse is the lack
of any notion of reincarnation (sam-
sara), which later became a central
Indian assumption. At the time it was Sightseers at the Hoysaleshvar Temple in Halebid.
seen as an undesirable and permanent The temple is known for the detailed and
state after death. elaborate stone carvings that ornament its facade.
malleability makes the stone easy to result of a curse. The elephant and the
carve and facilitated the lush detail crocodile struggle for one thousand
characteristic of Hoysala temples. The years, so evenly matched that neither
Hoysaleshvar Temple is known for the can best the other. Huhu is finally
quantity of lush detail, which surpass- released from his curse when the god
es other Hoysala temples. See also Vishnu himself comes down from
Hoysala dynasty. heaven and kills him. See also
Gajendramoksha.
Hrshikesha
(“Lord of the Senses”) Epithet of the god Human Sacrifice
Vishnu, particularly in his avatar or The practice of human sacrifice was
incarnation as the god Krishna. See uncommon in the history of Hindu
Vishnu and Krishna. religious life, but not unknown. One of
the common mythic motifs in the wor-
ship of certain fierce and powerful
Hsuan Tsang deities is for devotees (bhakta) to offer
(605–664) Chinese Buddhist scholar and their own heads to the Goddess as the
translator, whose account of his extend- ultimate sacrifice and act of devotion,
ed stay in India (629–645) provides one but experts are uncertain how fre-
of the few reliable sources for Indian life quently this rite was performed. One
in that period. mythic example of this is the demon-
Hsuan Tsang’s purpose in coming king Ravana, who cuts off nine of his
to India was to find reliable copies of ten heads before the god Shiva grants
the Buddhist scriptures, which had him divine power. The resolve to com-
become severely garbled and corrupt- mit this action is also attributed to the
ed during their transmission to China. Bengali saint Ramakrishna, although
He was a highly learned man and dur- the goddess Kali intervened before he
ing his stay spent years studying in could carry it out.
Buddhist educational institutions, The one place where human sacri-
particularly the Buddhist university at fice was undoubtedly a regular prac-
Nalanda. He traveled all over northern tice was at the temple of the goddess
India and because of his piety and Kamakhya in Assam. This temple is
learning was honored by the kings he one of the Shakti Pithas, a network of
met, including the Emperor Harsha. sites sacred to the Goddess that
For further information see his Si-yu- spreads throughout the subcontinent.
ki: Buddhist Records of the Western Each Shakti Pitha marks the site where
World, Samuel Beal (trans.), 1969. a body part of the dismembered god-
dess Sati fell to earth, taking form
Huhu there as a different goddess. In this
In Hindu mythology, Huhu is a partic- case, the body part was Sati’s vulva,
ular gandharva, or celestial musician. and the presence of such a highly
He has the misfortune to displease a charged part of the female body made
Hindu sage, when his amorous water Kamakhya a very powerful goddess.
play with some celestial damsels When the new temple was dedicat-
breaks the sage’s meditation. The sage ed in 1565, she was reportedly offered
curses Huhu to become a giant croco- the heads of 140 men, and this prac-
dile, and he remains in this state for tice continued until the British halted
many years. The crocodile preys on the it in 1832. The men offered as human
creatures in the lake, and one day sacrifices were reportedly volunteers,
seizes the leg of a giant elephant. This who believed that they had been
elephant is really King Indradyumna, called by her to do this; in the time
who has also assumed this form as the between announcing their intention
290
Hypogamous Marriage
to be sacrificed and their deaths they tice that keeps the home pure and
were treated as virtual divinities, since clean, but which fosters unhygienic
they were considered to have been conditions directly outside the home.
consecrated to the goddess. For fur- Another example of this disjunction
ther information see E. A. Gait, A can be seen in the traditional use of
History of Assam, 1963. See also pitha. cow dung as a purifying substance, or
the way that the Ganges River is
always considered pure, even in its
Humors, Bodily lower reaches where it is full of sewage
See tridosha. and industrial effluents. These exam-
ples clearly show that purity and
Hundi hygiene are very different concepts
In earlier times, the name for a letter and that, from a religious perspective,
of credit issued from a mercantile purity is by far the more important of
house. By the early 1800s, these letters the two.
functioned as a virtual currency, since
in some cases they would pass Hypergamous Marriage
through twenty or thirty transactions A marriage in which the wife comes
before being returned for payment. from a group with lower social status
Hundis are significant because they than the husband. Although the ideal
allowed families to transact business Hindu marriage is between a man and
over large areas without having to woman of equal social status, hyperga-
actually carry large sums of money mous marriage was admitted as a possi-
with them and thus helped to foster bility in the dharma literature, although
long distance trade. it was not encouraged. In most cases, it
In modern times, this is also the was specified that a man’s first wife
most common term for a temple should be of equal social status, but that
collection box, where visitors deposit he was then permitted to marry women
their offerings. of lower status.
In modern India, where the predom-
Hygiene inant form of marriage is still arranged
Orthoprax Hindus (that is, Hindus who marriage, most marriages are still
stress correct religious practice) lay between men and women of equal sta-
great stress on cleanliness of their bod- tus. However, a hypergamous marriage
ies and their immediate environment. is likely to generate less opposition than
Although to the outside eye this scrupu- a hypogamous marriage, where a
lous attention would seem to indicate a woman marries a man from a lower sta-
concern for hygiene, these actions are tus group. In the dharma literature,
performed primarily to protect and hypergamous marriage was known as
retain religious purity. anuloma, “with the hair” (i.e., in the nat-
In many cases, concerns for hygiene ural direction).
and purity overlap, as in the pervasive
practice of bathing (snana) and the Hypogamous Marriage
regulations concerning bodily cleanli- A marriage in which the wife comes
ness. Both of these simultaneously from a group with higher social status
remove dirt and impurity (ashaucha), than the husband. Such marriages were
but in other cases these concerns strictly forbidden in the dharma litera-
clearly diverge. ture, and this prohibition illustrates the
One example of this divergence is role of women in determining a group’s
the way that household refuse is often social status.
simply put out in the street—a prac-
291
Hypogamous Marriage
292
Impalement
I
Vivasvan (Surya), the sun, and thus he
and his offspring are descendants of
the sun.
Ilangovadigal
Poet traditionally named as the author
of the Tamil epic poem Shilappadigaram
(“The Jeweled Anklet”). The poem high-
lights several themes important to
Iconic Image Hindu culture, particularly the need for
A pictorial or representational likeness kings to be righteous in their judgments,
of a deity, such as a statue or picture. and the power gained by a wife through
This is in contrast with an aniconic devotion to her husband.
image, in which there is no such repre- The main characters in the poem are
sentational image, and the connection a young couple, Kannaki and Kovalan.
between image and deity is symbolic. When Kovalan is executed because of a
tragic misunderstanding, his wife
Kannaki pronounces a curse on the city
Ida Nadi of Madurai, which causes many of
One of the vertical channels (nadi) in the citizens to die before Kannaki
the traditional conceptions of the subtle retracts it at the behest of Madurai’s
body. The subtle body is an alternate patron goddess.
physiological system believed to reside Ilangovadigal is believed to have
on a different plane of existence than lived in the first or second century C.E., a
the actual body, but with certain corre- date that makes his authorship improb-
spondences to it. It is visualized as a set able, since the poem was probably writ-
of six psychic centers (chakras) running ten several centuries later.
roughly along the course of the spine,
connected by three parallel vertical
channels. Above and below these cen- Impalement
ters are found Shiva (awareness) and One of the favored means of execution
Shakti (power), the latter as the latent that seems to have been particularly
spiritual energy known as kundalini. prevalent in ancient southern India. To
The ida nadi is the vertical channel impale someone is to kill them by pierc-
on the left side of the body. As with ing them with a sharp stake.
the rest of the subtle body, the ida nadi The most stunning instance is
has certain symbolic correspondences; reported to have taken place in the city
in particular, it is identified with the of Madurai, where 8,000 Jain ascetics
moon and is thus visualized as being were impaled by one of the kings in the
light in color. Pandya dynasty, after the latter had
renounced Jainism to become a Shaiva,
that is, a devotee (bhakta) of Shiva. A
Ikshvaku tradition persists that the ultimate
In the Ramayana, the earlier of the responsibility for this can be traced to
two great Indian epics, Ikshvaku was a the Nayanar saint Sambandar, who had
king who was the founder of the Solar converted the king and whose surviving
Line. The Solar Line is one of the two poetry shows a deep animus for the
great Indian mythic lineages in ancient Jains. If this report is true, it also indi-
India, along with the Lunar Line; the cates one of the rare cases of religious
most illustrious members of the Solar persecution in Hindu India, which on
Line were the god-king Rama and his the whole has been remarkably tolerant
brothers. Ikshvaku is the grandson of of differing ways of religious life.
293
Impurity
294
Indra
Agastya, who becomes angry when the When the god-king Rama and allies
king, deep in meditation, fails to greet are storming Lanka, in an effort to
the sage with proper respect. After much regain Rama’s kidnapped wife Sita,
pleading, Agastya decrees that the curse Indrajit begins to perform this sacrifice.
will be broken when Vishnu touches the Warned about this danger by Brahma,
elephant on the back. As a result of this Rama sends his brother Lakshmana to
curse, Indradyumna roams the earth as interrupt it. Lakshmana successfully
an elephant for many years. disrupts the sacrifice, and in the ensuing
On one occasion when he is drink- battle kills Indrajit.
ing at a lake, his hind leg is seized by a
giant crocodile. The crocodile is actual- Indrani
ly a gandharva or celestial musician (Feminine form of Indra) The wife of
named Huhu, whom another sage had the god Indra, the ruler of heaven.
cursed to become a crocodile. Their Perhaps reflecting Indra’s diminished
struggle lasts for a thousand years, with status in later Hindu mythology, Indrani
the elephant unable to get free, and the is not a prominent figure. Her only
crocodile unable to overpower the ele- important role is as an object of desire
phant. Finally Vishnu himself appears, in the story of Nahusha, who through
kills the crocodile, and restores his meritorious deeds has displaced
Indradyumna to his previous form. The Indra as the king of heaven. Nahusha
release of Indradyumna from both the assumes that he is entitled to Indrani as
curse and the crocodile is known as well as Indra’s throne, and makes
Gajendramoksha, the “release of the advances toward her. For his hubris, the
elephant king.” sage Agastya curses Nahusha to be
reborn as a giant serpent.
Indrajit
(“Conqueror of Indra”) In the Ramayana, Indraprastha
the earlier of the two great Indian epics, The name given to the earliest of the
Indrajit is the son of the demon-king cities built on the site now occupied
Ravana by his wife Mandodari. In some by modern Delhi; Indraprastha was
later versions of the Ramayana, he is built on the banks of the Yamuna
portrayed as the son of the god Shiva River, in the southeastern part of
himself, born after his mother had mar- modern Delhi.
ried Ravana. Like his father, Indrajit is a In the Mahabharata, the later of the
great devotee (bhakta) of Shiva, and two great Hindu epics, Indraprastha is
because of his devotion Shiva teaches named as the capital of the Pandavas,
Indrajit how to make himself invisible. the five brothers who are the epic’s pro-
For a warrior, this power is obviously tagonists. According to the epic, the
very valuable, and through it Indrajit is city is built after their uncle, King
able to conquer Indra’s heavenly realm Dhrtarashtra, has divided his kingdom
and take Indra as a prisoner back to between the Pandavas and his own
Lanka, hence his name. sons, the Kauravas.
The god Brahma goes to Lanka, the Although the epic is replete with
kingdom of Ravana, to arrange for Indra’s descriptions of Indraprastha, there is
release, in return for which Indrajit little hard connection between the
demands physical immortality. When he archeological site and events described
is told that this is impossible, Indrajit in the epic.
requests a different power—that when he
performs a certain sacrifice he will
receive horses and a chariot so that he can Indus
kill whatever enemy he faces, and while in River whose source lies in the high
the chariot he cannot be killed. Himalayas, but which flows through
297
Indus Valley Art
Pakistan for most of its length. The Indus, as well as a web of settlements
Indus is traditionally considered one of stretching east to the upper Ganges
the seven sacred rivers of India—the basin, south through the modern state
others are the Ganges, Yamuna, of Gujarat and into modern
Godavari, Saraswati, Narmada, and Maharashtra, and along the coast of
Cauvery—although in modern times modern Pakistan. The greatest concen-
this has diminished, especially since the tration of these settlements has been
creation of Pakistan in 1947 rendered it found along the banks of the Ghaggar
inaccessible to most Hindus. River, a small and seasonal watercourse
Despite its diminished religious sig- that runs through the state of
nificance, the Indus remains important Rajasthan. Some historians claim that it
from a historical perspective, since is the bed of the ancient Saraswati
many archeological sites from the Indus River. Evidence from the sites seems to
Valley civilization have been discovered indicate that the sites further to the
on its banks. south developed later, but remained
vital after the cities in the Indus River
Valley, particularly Harappa and
Indus Valley Art Mohenjo-Daro, had fallen into oblivion.
Despite the plethora of artifacts that The discovery of these sites in the early
have been recovered from the cities of twentieth century prompted significant
the Indus Valley civilization, objects historical revision, since before then it
that could be interpreted as works of had been generally assumed that the
art are surprisingly sparse. No traces of people known as the Aryans were the
decoration have been found inside or earliest developed culture in India.
outside the buildings, nor has any mon- The most striking feature of these
umental architecture been discovered. cities is their uniformity—their general
The art objects that have been found city plan was nearly identical from place
in Harappa, a city on the Ravi River in to place (although they differed in
Pakistan, have all been on a smaller scale), the bricks used throughout all the
scale: several stone statues of male tor- cities were exactly the same size, and
sos, the head and torso of a bearded there was a standardized set of weights
man, a copper statue of a young woman and measures. Each of the cities also
naked except for bangles and jewelry had a large central granary, which stored
(said to be a “dancer,” because her arms the grain necessary to feed such a siz-
and legs are lifted), statues of women able urban population. Such evident
with elaborate headdresses believed to uniformity over such long distances
be icons for a Mother Goddess cult, and bears clear witness to a strong and
the images of plants, animals, and centralized government, which some
humans carved on the Indus Valley analysts have speculated was religious
Seals. The latter show delicate and quite in nature.
realistic work, indicating a great deal of Another striking feature of all the
skill in working the stone, as well as the cities was an advanced sanitation sys-
ability to make realistic figural images. tem. All the houses had channels for
water, and an elaborate network of
Indus Valley Civilization drains and sewers ran throughout the
(3000–2000 B.C.E.) An ancient and highly city, even in those sections where the
developed urban culture, so named houses were the smallest, and people
because the first two sites discovered, presumably the poorest. Mohenjo-Daro
Mohenjo-Daro and Harappa, both lie also has a great tank built of brick and
on the Indus River in what is now sealed with pitch, which the archaeolo-
Pakistan. Further searching has gists have dubbed the “Great Bath.” Why
uncovered other sites along much of the were the people who built these cities so
concerned with sanitation and bathing?
298