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Shaping Reading Comprehension

Through Wordplay

Eva Stranovská, Katarína Chválová


Constantine the Philosopher University in Nitra (SLOVAKIA)
Why to read for pleasure?
Theoretical framework
 nnecessity to support creative
reading

 wordplay > a phenomenon


emphasizing both the textual
embeddedness and important
connection to verbal humour [41]

 wordplay and the ability to create


blends used as a tool to test
students` creativity.

 blending > the most "whimsical" onomatological


process” Böhmerová, [8] .
 The innovative word-formation process,
interpreted through the masterpiece of
Lewis Caroll – ALICE IN WONDERLAND
“WORDPLAY SEEMS TO BE
MORE LIKE PARONOMASIA,
THUS BEING AN EQUIVALENT
TO A PUN “ Redfern [32];
Delabastita [15],)

AN ATTENTION-GRABBING
Using wordplay in DEVICE AND A MEANS OF
ENHANCING THE
literature classes MEMORIZATION OF THE
UTTERANCE

THE MAIN COMMUNICATIVE


GOAL OF WORDPLAY IS TO
“DRAW ATTENTION TO THE
UTTERANCE “
Research aim to find out to what extent reading comprehension skills
and students` attitudes to reading influence the ability to
decode blends and understand wordplay in the English
language
Research sample

110 RESPONDENTS RANGED IN GRAMMAR SCHOOL STUDENTS


AGE FROM 14 TO 16, AND LEVEL AND THE LOWER-SECONDARY
OF PROFICIENCY IN ENGLISH - B1. SCHOOL STUDENTS
Hypotheses

1. Students with reading comprehension test results above average will gain on
average better results in decoding puns and blends than the students with reading
comprehension test results below average.

2. Active readers will be more creative and successful in making their own blends
than non-readers.
Methodology

Quantitative and qualitative


methods :

reading comprehension test B1

self-constructed questionnaire

test on decoding puns and blends

content analysis
Results
 A positive correlation observed between the score of active readers 69,69 % and the average
score in reading comprehension 62.84 %.

The reading comprehension test results


according to student´s reading habits
Average result of the test (%)

80.00
70.00
60.00
50.00
40.00
30.00 69.69 51.89
20.00
10.00
0.00
Series1

Figure 1: Active readers vs. non-readers


Results
Active readers will be more successful in decoding puns and blends than
non-readers.

Test on puns and blends-


average results

49.42%

32.49%

active readers non-readers

Figure 2: The average results of the test on puns


and blends
Results

Average results-
test on puns and blends
 Average reading comprehension test result -
62,84% 50.12%
 ↑ the average result- 58 respondents
31.23%
 ↓ the average result- 52 respondents

Figure 3: Comparison of the results - test on puns and blends


Results
Active readers will be more creative and successful in making their own blends than non-
readers.
Reading Test on puns and
comprehension test blends Table 1: Average reading comprehension test
Respondent´s % % score and average score of students creating
code
9A2 80 64
their own blends.
9A10 80 64
A10 87,5 35
A13 87,5 54
All of 13 respondents were active readers.
A17 92,5 87
Q3 87,5 80
(Data was obtained from the questionnaire.)
Q5 85 74
Q8 82,5 54
Table 1, shows a significant relationship between the tests
K5 87,5 64 ´ high score in reading comprehension test (85,96 %) and
K6 85 70 creativity in students` ability to create their own blends
K7 85 77
S1 90 77
(66,92 %).
S5 87,5 70
Average result %
85,96% 66,92%
Figure 4 :The average result of the reading com-
prehension test in each class

73.08
67.85 67.35 67.26
62.45
54.21
48.75

kvarta sexta 9.A 1.A kvinta 1.B 9.B


Conclusion

 The aim : to find out to what extent reading comprehension skills and students`
attitudes to reading influence the ability to decode blends and understand
wordplay in the English language.
 Partial objective: to investigate the relationship between the score in reading
comprehension tests and the students ` ability to decode puns and blends.
 Results proved: positive reading attitudes or habits of reading to be an influential
factor in the reading comprehension test results.
 Active readers performed significantly better in both tests than non-readers.
 Active readers showed a higher extent of creativity in making their own blends
than non-readers.
 a significant relationship was also shown between the tests´ results and creativity.
It was proved that the higher the score of the tests´ results, the more likely it was that
students were able to be creative and form their own blends.
 Active readers performed better on average 17,91 % than non-readers.

 a significant relationship was shown between students` positive attitudes and


reading habits and the ability to create blends.
The results proved that active readers performed better in decoding puns and blends
by 17 % than non-readers.
 The higher score in reading comprehension tests was related to the higher
percentage of the ability to decode and create the blends.

A significant relationship was observed between creativity and reading


comprehension test results.
> the ability to decode blends > motivates students to read more for pleasure and become familiar
with features of the language like word formation, wordplay, puns, homophones, and homographs,
thus improving their cognitive flexibility.

> necessity to incorporate tests measuring creative thinking such as Torrance tests.
> help them diagnose individual students` problems or strengths, thus assessing their individual
abilities
> provide a more differentiated approach to students` individual problems when reading foreign
language text and decoding puns and blends
References
[8] Böhmerová, A. Blending As Lexical Amalgamation And Its Onomatological And Lexicographical Status In English And
In Slovak. Bratislava: ŠEVT, 152 Pages. Isbn 978-80-8106-032-8. 2010.
[12]Carroll, L. Alice's Adventures In Wonderland. Volume One Publishing Chicago, Illinois, 1998. A Book Virtual Digital
Edition, V.1.2 November, 2000. Online. Https://Www.Adobe.Com/Be_en/Active-use/Pdf/Alice_in_wonderland.Pdf

[15] Delabastita, D. The Translator: Volume 2, Number 2: Wordplay And Translation: Essays On Punning And Translation.
Manchester: St. Jerome Publishing.1996.
[32] Redfern, Walter. Puns. Oxford: Blackwell. 1985.
[38] Chválová, K., & Stranovská, E. Teaching Reading Comprehension In A Creative Way. In Contacts And Contrasts In
Educational Contexts And Translation. . Second Language Learning And Teaching. Springer, Cham. 85 – 103.
Https://Doi.Org/10.1007/978-3-030-04978-2_6.2009.
(PDF) Teaching Reading Comprehension In A Creative Way. Available From:
Https://Www.Researchgate.Net/Publication/330163649_teaching_reading_comprehension_in_a_creative_way
[Accessed Sep 14 2023]. 2014.

[41] Winter-froemel, Esme. Approaching Wordplay. In Sebastian Knospe, Alexander Onysko & Maik Goth (Eds.),
Crossing Languages To Play With Words. Multidisciplinary Perspectives (The Dynamics Of Wordplay 3), 11–46. Berlin &
Boston: De Gruyter. 2016.
Thank you for your attention

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