PW 2002 126
PW 2002 126
PW 2002 126
Woodworking
CLASH OF THE
TABLE SAWS
• Who makes the BEST MACHINE
• Learn the BEST TECHNIQUES
• Build SUPER-SMART
OUTFEED TABLES
8 DO-OR-DIE
lessons in
wood movement
PLUS CANADA’S
• Shaker Candlestand MAG
RUFFMAN
• Sliding Bench Deadman TV’s first woman
• Rehandle your Chisels of woodworking
builds projects
using off-the-rack
www.popwood.com
$4.99 U.S. $7.99 CAN materials
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The QUICK-VISE™ is lightweight, durable, and works wherever you do. QUICK-GRIP® Clamping Tools
— they’ll change the way you work. For more information: quickvise.com
Circle #101 on Reader Service Reply Card
contents
TOOLS AND TECHNIQUES
16 Turn Your Moto-Tool Into a Plunge Trimmer
TRICKS OF THE TRADE
Build a spring-loaded base to turn your Dremel or other moto-tool into a plunge trimmer — the per-
fect tool for inlay and small-scale work. Also, add storage and dust collection beneath your contractor
saw with one piece of plywood and learn the trick to setting your hand plane blades square.
22 Clamp Assist
INGENIOUS JIGS
These three simple clamping jigs make difficult tasks easy — especially for those of us who don’t have
a wall of clamps. Nick Engler’s three jigs will help make your projects perfectly square, help you clamp
to the middle of a panel and put pressure in odd spots.
22 By Nick Engler
84
68 Dealing With Wood Movement
The trick to mastering wood movement is to plan for it when you design your projects. Here are eight
time-tested (though not always obvious) ways to ensure your projects expand and contract with the
seasons without self-destructing.
By Lonnie Bird
www.popwood.com 3
PROJECTS
30 Classic Shaker
46 Candlestand
This traditional form requires a little turn-
ON THE COVER ing, a little joinery and a little finesse.
Cabinetmaker Malcolm Huey shows you
To make nice projects, all three in our plans for this beautiful
you don’t have to have tiger maple table.
By Malcolm Huey
a production shop in
your basement. Mag
Ruffman shows you
46 Contractor Saw
how to build this shelf Outfeed Tables
unit using handheld For years, our editor has relied on these
power tools and com- two simple tables to catch long rips, sup-
port long crosscuts and generally serve as
mon materials from
assembly tables. Build them this weekend
your local home center.
and they’ll serve you for decades to come. 30
Cover photo by Al Parrish
56 Tank Heaven
Mag Ruffman’s show on Canadian TV, “Anything I Can Do,” is hands-down the funniest woodworking
show we’ve seen. (Well, OK, it’s the funniest show that is supposed to be funny.) We’ve smuggled Mag
across the border so you can enjoy her brand of humor and build this useful over-the-potty cabinet.
By Mag Ruffman
8 Out on a Limb Last issue we showed you how to build the carcase of this 18th-century Pennsylvania spice box. This
issue we make the inlay door using your band saw, router and our specially designed templates. Even if
A Better Magazine
you’ve never inlaid a single piece of wood, you can make this door with our drawings and instructions.
10 Letters By Glen Huey
Mail from readers
72 Asian Bedside Table
12 Q&A This frame-and-panel case piece features sliding
We answer readers’ doors with a traditional Tansu touch, a shelf for
most difficult questions
your nightly reading material and a top reminiscent
of a pagoda.
27 American
Woodshops
Scott Phillips gives you
78 A Lamp Called Wanda
an inside look at Kelly This fish-shaped lamp is the latest creature to crawl
Mehler’s shop. from the dark recesses of John Hutchinson’s mind.
With our scaled drawings and step photos, you’ll
83 Projects find this cheery lamp a breeze to build.
from the Past By John W. Hutchinson
Pier cabinet
89 Bench Deadman
91 Caption Working on the edge of a long board or a big panel
the Cartoon is a clamping nightmare. For less than $10, you can
Win a Freud rig your bench with this traditional fixture that will
FJ85 jigsaw make difficult clamping chores easier.
96 Out of the Popular Woodworking (ISSN 0884-8823, USPS 752-250) is published six times a year in February,
Woodwork April, June, August, October and December by F&W Publications, Inc. Editorial and advertising offices
are located at 1507 Dana Ave., Cincinnati, OH 45207; tel.: (513) 531-2222. Unsolicited manuscripts,
Sacrificial Scraps
photographs and artwork should include ample postage on a self-addressed, stamped envelope
by Joe Pescatello (SASE); otherwise they will not be returned. Subscription rates: A year’s subscription (6 issues) is
$24.96; outside of U.S add $7/year ■ Canada Publications Mail Agreement No. 40025316. Canadian
return address: 2744 Edna St., Windsor, ON N8Y 1V2 ■ Copyright ©2001 by Popular Woodworking.
Periodicals postage paid at Cincinnati, Ohio, and additional mailing offices. Postmaster: Send all
62 address changes to Popular Woodworking, P.O. Box 5369, Harlan, IA 51593 Canada GST Reg. #
R122594716 ■ Produced and printed in the U.S.A. Ride-along enclosed in polybag version 52000.
4 POPULAR WOODWORKING
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Circle #105 on Reader Service Reply Card Circle #xxx on Resource Directory Coupon
T H E S TA N D A R D I N S A N D E R S
®
Clayton Spindle Sanders are built in the
USA with precision balanced spindles,
oversized bearings, and a premium February 2002, Vol. 22, No. 1
Baldor Induction Motor. www.popularwoodworking.com
• Benchtop and • Large table surface
full-sized, professional • Built-in dust port
models • Quick-change drums
Editor & Publisher Steve Shanesy
Clayton tackles the toughest sanding jobs...smoothly. Art Director Tricia Barlow
FREE COLOR CATALOG, call: 1-800-971-5050 Senior Editors David Thiel,
Christopher Schwarz
Project Illustrator John W. Hutchinson
CLAYTON MACHINE CORP. ROYAL OAK , MI 48068-0520
Photographer Al Parrish
Circle #102 on Reader Service Reply Card Contributing Editors
Nick Engler
Bob Flexner
Glen Huey
Scott Phillips
Troy Sexton
Technical Advisers:
Bill Austin • Makita USA. Inc.
Scott Box • Delta International
Chris Carlson • S-B Power Tool
Bill Crofutt • Grizzly Industrial
Dale Zimmerman • Franklin International
Senior Vice President David Lewis
Editorial Director David Fryxell
CIRCULATION
David Lee, Vice President
Lynn Kruetzkamp, Group Manager
PRODUCTION
Circle #117 on Reader Service Reply Card
Barbara Schmitz, Vice President
Heather Griffin, Production Coordinator
HIGH PERFORMANCE MOBILIZATION
ADVERTISING
Advertising Director
Don Schroder
331 N. Arch St., Allentown, PA 18104
Tel. (610) 821-4425; Fax (610) 821-7884
[email protected]
Classified Advertising Sales
Joan Wright, Tel. (800) 388-1820
[email protected]
Advertising Production Coordinator
Debbie Thomas, Tel. (513) 531-2690, ext. 219
[email protected]
Circle #107 on Reader Service Reply Card 6 POPULAR WOODWORKING February 2002
It’s here!
The new high-performance
production router from Fein.
Powerful. FEIN’s new 31⁄4 horsepower plunge router will cut production time and give you a
superior finish.
Smooth. Thanks to an advanced electronic feedback circuit and soft start, this state-of-the-
art router operates at a consistent torque and speed for smooth operation and a cleaner edge.
Lightweight for greater control. The RT-1800 is two pounds lighter than others in its class,
and has a wider range of speeds. Includes dust collection port, and QC spindle.
Learn more. Call 1-800-441-9878 for more information and a dealer near you, or visit us
on the web at www.feinus.com.
Finishing is just the beginning
Fein Power Tools, Inc. 1030 Alcon St. Pittsburgh, PA 15220
1-800-441-9878 www.feinus.com
Circle #121 on Reader Service Reply Card
Fein
OUT ON A LIMB CONTACT
INFORMATION
I f you read this column with any regulari- dreds of woodworking questions from read-
ty you know I don’t waste this space by ers that come in on the phone, in the mail
telling you what you’re going to find in this and in our e-mail. We’re publishing the best
David Thiel
Senior Editor
Specialties: Projects,
new products and tools,
issue. I’m confident you’ll find it in the table questions in this new column, and some re- tricks of the trade
of contents without any help from me. I pre- ally good answers, too. 513-531-2690 ext. 255
fer to write about something that I hope you More good news is the quality of the mag- [email protected]
will conclude has some value. azine you are holding in your hands. We’ve
This time around, however, I do want to been working hard to bring you quality proj- Christopher Schwarz
share with you some goings-on with your ects, technique stories and tool reviews. But Senior Editor
magazine that happen to begin in this issue. now we are bringing you a higher quality Specialties: Author
liaison, website, projects,
And besides, a little good news is a nice break manufactured product, too. For example, hand tools
from the stretch of bad this issue is 100 pages 513-531-2690 ext. 407
news we’ve been get- long. Last year, this issue [email protected]
ting lately. SAWSTOP UPDATE was about 90 pages. Your
Perhaps most im- In last month’s column I invited you to weigh extra pages are being Tricia Barlow
portant to you is the ad- in on a new product called SawStop. It’s a used for more articles, Art Director
passive safety device which, if it is found to Specialties: Magazine
dition of Lonnie Bird I should add, not more
be effective in the long term, could save and cover design,
as a regular contribu- many woodworkers’ fingers. Many of you advertising. photo direction
tor. Of Lonnie’s many visited our website and cast your votes, for You might notice the 513-531-2690 ext. 599
skills, I’m not sure which I thank you. So far, more than 1,300 paper on the cover is [email protected]
which to rate as his readers have voted with nearly 75 percent heavier, too. We know
saying they’d pay $150 extra to have such a
strongest — wood- many of you save your
device on their table saw. In the next issue, Got Questions or Problems
working or teaching. I’ll give you the final results and some issues, sometimes for
His mastery of the craft reaction from machinery manufacturers. years, and this better With Your Subscription?
ranks him up there as paper will help preserve To report problems with your subscription visit
one of the best in the your magazines for years our website at popwood.com, call our subscrip-
tion offices at 515-280-1721, or write to Popular
United States, especially when it comes to to come. And it also will take more abuse as
Woodworking, P.O. Box 5369, Harlan, IA 51593.
traditional furniture styles. But Lonnie has your issue travels through the postal system.
been teaching woodworking for years to stu- This issue is also wider than what you are
Our Privacy Promise to You
dents who went on to become full-time ca- accustomed to receiving. The extra width
We make portions of our customer list available
reer woodworkers. This combination — his will allow us to present photos and drawings
to carefully screened companies that offer
deep knowledge of the craft and his keen more clearly. It’s not a huge difference, but products and services we believe you may enjoy.
ability to share that knowledge and make it it helps. I think you’ll notice that there’s a If you do not want to receive those offers and/or
understandable — even to beginners, is a different look and feel to this issue compared information, please let us know by contacting us
true gift. to those in the recent past. at: List Manager, F & W Publications, 1507 Dana
Ave., Cincinnati, OH 45207
In Lonnie’s first article, he explains why All these changes add up to our deter-
wood expands and contracts and how to deal mination to produce a better magazine in
with it. You might have read about this sub- every way. Over the years we’ve been build- SAFETY NOTE
ject before, but I promise that reading Lonnie’s ing a team of top-drawer contributors. I’m
Safety is your responsibility. Manufacturers
take on it will surely teach you something proud of the fine work they regularly pro- place safety devices on their equipment for a
you didn’t know before. Next issue, he’ll ex- duce for you. It pleases me greatly to now reason. In many photos you see in Popular
plain how to use a cutting list. Believe me, bring more of that work to you in a better Woodworking, these have been removed to
there’s more to it than meets the eye. quality magazine. PW provide clarity. In some cases we’ll use an
awkward body position so you can better
We’re also starting a new column in this
see what’s being demonstrated. Don’t copy
issue called “Q&A.” I think you’ll find it us. Think about each procedure you’re going
helpful because it is somewhat like “Tricks to perform beforehand. Safety First!
of the Trade.” Each month we answer hun-
CA
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1-800-542-91 15
incentive to unsafe shop practices. Thanks for www.woodcraft.com
w.woodcraft.com Call 1-800-TACKCLOTH
keeping safety in our minds. 560 Airport Ind. Park, Dept. 02PW01T
PO Box 1686, Parkersburg, WV 26102-1686 or order online at www.tackcloth.com
— David Thiel, senior editor
Circle #114 on Reader Service Reply Card Circle #103 on Reader Service Reply Card
THE ULTIMATE
IN CRAFTSMAN
ROUTER TABLES
IS NOW HERE!
Making precise cuts with
confidence just became
much easier. A 486 sq.in.
die-cast worksurface can
handle projects both large
and small. Easy-to-read
reference scales help you
place the fence with great
accuracy. Our innovative
drop-in mounting plate lets
you mount your router easily
from the top. A clear, anti-
friction coating helps prevent
scratching or discoloring of the
workpiece. In addition to providing
valuable storage, the heavy-duty
workstand places the router tabletop
at an optimal 39-in. work height. Just
the right size for expanding your
woodworking horizons. Visit your nearest
Sears or Sears Hardware store.
CONTROLLED ENERGY CORPORATION ways to cut tenons without them, and I don’t
WAITSFIELD, VERMONT www.ControlledEnergy.com/pw | 800-642-3199 mean by hand.
Also, lots of folks start woodworking with a
Circle #118 on Reader Service Reply Card
benchtop table saw and quickly run afoul of their
limitations. Unfortunately, you should get a dif-
ferent table saw. If you haven’t already, you will
Bird’s-Mouth Router Bits outgrow the benchtop saw soon. Take the money
you would have spent on the jigs, combine that
with what you can get from selling your bench-
top saw, and buy a 11⁄ 2-horsepower contractor
style saw that’s equipped with an induction (not
universal) type motor. You’ll use it for years and
enjoy your woodworking more. It’s unlikely
you’ll ever outgrow it. You can buy a contrac-
tor-style saw for little more than $300, better
ones for about $700. Trust me, this isn’t about
tool snobbery, just the facts of woodworking.
— Steve Shanesy, editor and publisher
CHAIR LEGS
AMD08
ACR08
913
LEGS BUN LEGS FR STYLE
QUEEN ANNE
CASH AND PRIZES FOR YOUR TRICKS AND TIPS!
LEGS
Each issue we publish woodworking tips and tricks from our readers that we
think are useful. We want to encourage you to share with your fellow
woodworkers, as well as reward the most useful and original con-
A0556 cepts. Delta has agreed to lend us a hand with that, and the author
FINIALS of this issue’s winning trick receives the new 22-580 two-speed
portable thickness finisher (shown at left). The other trick’s authors
receive $75.
To submit your tip or trick, e-mail it along with a daytime
phone number to [email protected] or mail it to:
113 A0851
REEDED Tricks of the Trade • Popular Woodworking
BASE 404 1507 Dana Ave.
W/206 LEG CHAIR
KITS Cincinnati, OH 45207.
Circle #100 on Reader Service Reply Card 16 POPULAR WOODWORKING February 2002
Add Dust Collection and a Handy Shelf
to Your Contractor Saw With Scraps
Here is a simple solution to two issues: the need for a con-
venient place to put the rip fence and miter gauge when not
being used (as well as push sticks, featherboards, etc.), and
a way to close off the underside of a contractor table saw to provide
a surface to mount a dust port. I used a piece of 3⁄ 4" medium-density
fiberboard (MDF) cut to 32" x 24". Unbolt the saw from the stand
and raise it about 1" using sawhorses and shims. Slide the MDF between
the saw and the stand and mark the location of the mounting holes through
the stand. Remove the MDF and drill slightly oversized mounting holes at the
marked locations. Cut a hole for the dust collection port at this time. Now
slide the MDF in place and bolt the saw to the stand. Longer mounting bolts
may be necessary. Fasten 1⁄ 4" x 1" strips to the edge of the MDF to provide a
lip to help prevent items from sliding off. Finally, screw the dust collection
port to the underside of the MDF.
Thomas Sage
Waukegan, Illinois
www.popwood.com 17
TOOL TEST
The Newest
and Best Sanders
from Makita
W e’ve rated Makita’s BO5010 palm grip
random orbit sander our favorite model
for a couple years now, so when company of-
in this mode.
As with the 6030, the
ergonomic design of the
ficials said they had a couple of new random- housing makes it pleasant BO6040
orbit models, we were all ears. We weren’t to use and the tool has a rub-
disappointed. Both the new in-line BO6030 berized palm grip for com- SPECIFICATIONS
and the right-angle BO6040 are impres- fort. An optional side han- Makita BO6030/BO6040
sive sanding tools. dle is available. Street price: $180/$370
The in-line BO6030 is designed as a fine Dust collection on this Motor: 2.7amp/6.6amp
finishing sander and performs well in that unit is also through the pad. OPM: 4K-10K/1.6K-5.8K
role. The 6" pad provides superior perform- With both of these 6" units Orbit diameter: 1⁄ 8"/7⁄ 32"
Weight: 5.1 lbs./5.9 lbs.
ance on larger surfaces, while the variable- Makita has relocated the
speed control offers easily adjusted sanding collection holes in the pad
Pad size: 6"/6" BO6030
Decibels @3': 88-90/89-98
aggressiveness. more toward the edges of Performance: BO6030 ●●●●❍
The sander has low vibration during the pad, where most of the BO6040●●●●❍
use and is remarkably quiet. The two-han- dust is created. This proves Value: BO6030 ●●●●❍ duct tape to hook up our vac-
BO6040 ●●●●❍
dle design with rubberized rear handle damp- to be a good strategy, though Makita: 800-4-MAKITA, or
uum for testing.
ens vibration even further and makes the you need to buy new Makita www.makitatools.com Both of these sanders are
sander comfortable to use for long stretch- sanding discs to take full ad- a pleasure to use and are
es. Though quiet, the 2.7-amp motor pro- vantage of the redesign. The pads do include strong performers. We would prefer that the
vides ample power to remove material at a a second set of six holes toward the center right-angle model come complete with the
moderate pace. of the pad for other manufacturers’ sand- dust collection attachments and the handle,
Dust is collected through the pad and paper. though. In particular we found the BO6040
trapped in a standard cloth dust bag, or the On the 6040, the through-the-pad dust to be a powerful and impressive tool, and
sander can be hooked directly to a vacuum collection is designed to be used with a vac- though priced higher than some right-angle
for improved collection. uum, and this system proved effective. models, it’s not out of line for the sanding
The larger right-angle BO6040 is another Unfortunately, the sander is not sold with the performance you get.
animal altogether. Where the 6030 seems a dust collection connections and we had to use For more information, circle #152 on Reader Service Card.
very refined but capable sander, the 6040 is
an aggressive and powerful industrial-feel-
ing tool with the highest amperage rating in HOW WE RATE TOOLS
its class (though it is still a quiet tool). Also At Popular Woodworking we test new tools and products with an honest, real-world workout. We check for
with a 6" pad, the sander operates at a lower ease of assembly and determine how clear and complete the manuals are. Then we use the tool in our shop
to build projects that appear in the magazine. Each issue, the magazine’s editorial staff shares its results and
orbits-per-minute than the 6030, but it of-
experiences with the tools, rating each for performance and value.
fers two operating modes. In the random- We use a one-to-five scale, with “five” in performance indicating that we consider it to be the leader in
orbit mode the sander operates as a fine fin- its category. For value, “five” means the tool is a great deal for the money, while “one” means we consider it
ishing sander. When switched (either on the pricey. However, a tool with a low value rating may be worth the high price.
fly, or while stopped) to the “random orbit If our tool reviews don’t answer all your questions, e-mail me at [email protected] or call me at
513-531-2690, ext. 255. If we haven’t reviewed the tool you’re considering, there’s a good chance I’ve used
with rotation mode,” the tool steps down
the tool, but simply haven’t had a chance to write a review. Give me a call and see if I can help. You can also
the pad speed to between 180 and 670 rpm visit our website www.popwood.com to check out our past published tool reviews and sign up for our free
and the sander removes material very ag- e-mail newsletter (focusing on tools) that’s sent out every other week. —David Thiel, senior editor
gressively. It also can be used for polishing
www.popwood.com 19
ENDURANCE TEST
Photo by Al Parrish.
ing the unit for more than two years, we’ve
made a permanent place for it in our shop.
Here’s why.
To be honest, the specifications of this
combination unit aren’t as good as that on a spindle must be aligned properly in the edge SPECIFICATIONS
large stand-alone oscillating spindle sander sanding unit, but once in place it’s no problem. Ridgid EB4424 Oscillating
or an edge-sanding machine. The oscillation The spindle sander also comes with four throat Belt/Spindle Sander
stroke (up and down) is slightly shorter than plates to accommodate the different spindle
average, and the belt surface capacity is sig- sizes and is also a quick change. New sand- Street price: $239
Motor: 4.6 amp induction (3⁄ 8 hp)
nificantly less than on most edge sanders. paper sleeves can be slipped over the rubber RPM: 1,725
But having both functions in one unit for drums with little fuss. Oscillations per minute: 60
under $250 makes great sense for a home One of the primary concerns in either a Stroke length: 3⁄ 4"
woodworker. Two independent units would spindle or edge sander is retaining a square re- Drum length: 41⁄ 2"
cost more than $600. Add to that the fact lationship to the table. In testing, the drive Table stops: 45°, 30°, 221⁄ 2°, 15°
Dust port: 21⁄ 2"
that the edge sander also oscillates and you’ve shaft flexed at the top of the spindle in either Spindles: 1⁄ 2", 3⁄ 4", 1", 11⁄ 2", 2"
improved not only the sanding ability, but mode. This flex may be about 1⁄16" and occurs Weight: 39 lbs.
by not running pieces over the same spot on under significant pressure. That said, we Belt size: 4" x 24"
the belt, the sandpaper lasts longer. Belt track- haven’t noticed the flex adversely affecting Nice features:Tilting table, easy changeover
ing adjustment on the sander is fairly easy the performance of the tool. between sanding modes, great value for com-
bined abilities.
and holds track well. Changing the belt it- Though provided with a dust collection Recommended modifications: Improve rigidity
self is also user friendly. port, we found that dust removal was far from of drive spindle to reduce flex, increase available
The table tilts easily to four preset angles, perfect and required cleaning during heavy work surface in edge-sanding mode.
or it can be locked down anywhere within a use. But it is sanding and we should expect Available at: Home Depot. Ridgid: 800-4RIDGID
45° arc. The preset detents can be adjusted to some dust. or www.ridgidwoodworking.com
square them perfectly. The table itself is of We continue to enjoy using this tool in ABOUT OUR ENDURANCE TESTS Every tool
good cast aluminum construction and offers our shop. It isn’t what we would recommend featured in our Endurance Test column has
a groove for use with a miter gauge. for a production cabinet shop, but the per- survived at least two years of heavy use in our
Ease of changing from spindle to edge formance and versatility for the price makes shop here at Popular Woodworking.
sander is a matter of unscrewing one knob it a strong option for the home workshop. PW
and trading out the sanding heads. The drive — David Thiel
ECON
FILM TO BE
SCANNED AND PLACED
AT PRINTER
Circle #132 on Reader Service Reply Card Circle #135 on Reader Service Reply Card
INGENIOUS JIGS
Clamp
Assist
Simple solutions
to three perplexing
assembly problems.
Photo by Al Parrish.
When assembling projects, you frequently
need to hold the parts square to one an-
other. Miter clamps have their place, but
they aren’t as versatile or as easy to use as
corner squares. These simple jigs are trian- When using the corner squares, clamp the cleats to the parts
gular pieces of plywood with cleats along the of the assembly. You can make fine adjustments by loosening
a clamp until it’s just snug and tapping the clamped part with
edges at right angles to one another. You a mallet until it shifts a fraction of an inch. At right, I’m
clamp the cleats to the trimming the corner square on the saw.
parts you are assembling
3/4"
and the corner squares 3/4"
hold them at 90°.
3/4"
To make the corner
squares, first cut right
triangles from 3⁄4"-inch
plywood. Note that I put a lit-
tle notch in the right corner. When 6"
1" 1"
Illustrations by Mary Jane Favorite.
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a frame or a box square to one another while stack of concrete blocks outside the shop. crowned only slightly, about 1⁄16" to 1⁄8" wider
the glue dries. I have even used them to hold When I needed pressure in the center of a in the center than it is at the ends. I cut a
large boards — too large to fit in a vise — wide assembly, I stacked blocks on it. It works, crown by raising the outfeed table of my join-
while I worked the ends or edges. but it’s inconvenient and somewhat limit- ter a few thousandths of an inch above the
ed. knives and jointing the edge. You can also
Clamping Face-to-Face A better solution is to make a set of crowned create a crown with a band saw, hand plane
Occasionally, I need to clamp two boards bars. These are hardwood bars, 24" to 36" or a disc sander.
face to face. This is a simple chore when the long, with one convex edge. This edge is To use the crowned bars, lay the assem-
boards are narrow, but it becomes more
difficult as the boards grow wider. Even deep- Grooved wedges are useful
not only for putting
throated clamps have a limited capacity that projects together but also
may not reach to the center of wide boards. for taking them apart. Here
Consequently you won’t get an even clamp- I’m using the wedges to pop
the joints of a wobbly chair
ing pressure all across the width, and the as- as I prepare to restore it.
sembly will be weak in the center. You run
into a similar problem when trying to attach
veneer or marquetry to a wide panel. How
do you clamp the center area?
For years, I solved
the problem by
keeping a 10"
1/8" wide
x 3/16" deep
grooves
1 1/4"
24" - 36"
1 1/2"
1/8"
1 3/8"
thick x 3/8" wide approximate
spline
slope of about 10°. If the slope is any steep- replica of the first true airplane, the 1903 Wright Flyer.
R
The ribs of the 1903 Centennial Flyer continue to come in from all over the world — one from as far away as
Singapore! Once again, many thanks to the volunteers who are running the rib-building workshops and ByPhone ByFoot ByNet
helping hundreds of young people all over this continent — and beyond — to participate in this once-in-a- 1-800-403-9736 1-877-ROCKLER www.rockler.com
lifetime project.
Circle #112 on Reader Service Reply Card
The Wright Brothers Aeroplane Co. took a short hiatus from constructing the 1903 Flyer in September
and October to travel to Kitty Hawk, North Carolina, and fly our replica of the 1901 Wright Glider that we
just completed. We had some very good winds and made some surprisingly decent flights, although we
found as the Wright brothers did that the 1901 glider design was lacking in lift and control.
While we were on the Carolina Outerbanks, we worked with two Wright “re-enactors,” Tom Cherry
(Wilbur) and David Thompson (Orville) to recreate scenes from the Wright brothers’ work for a PBS docu- You’ll appreciate our difference.
mentary scheduled for release during the Centennial of Flight in 2003. Both Tom and Dave were delighted to Prepaid Freight • Surfaced • Bundled
hear news of our Centennial Flyer, and we invited them to attend our unveiling. You can see Tom and Dave Shrink Wrapped • Guaranteed
flying the 1901 glider on our web site at www.wright-brothers.org. • All lumber is Select and better grade, 4" and wider, averaging
6"-7" in width, lengths are 6'-8'. All stock meets or exceeds
National Hardwood Lumber Assoc. grade rules.
• All domestic lumber is Northern Appalachian grown, exhibiting
characteristics of fine grain, texture and uniform color.
Visa/Mastercard/Discover accepted.
Niagara Lumber
& WOOD PRODUCTS, INC.
47 Elm Street • East Aurora, NY 14052
Call Toll-Free 1-800-274-0397
www.niagaralumber.com
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Quarter-Sawn White Oak • High Figure Curly Maple
Now Also Exotic Species:
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Tom Cherry and David Thompson measure the lift of the 1901 Wright Glider, recreating one of NEW: European Steamed Beech
the Wright brothers’ experiments.
ALL CREDIT CARDS ACCEPTED
♦TABLE: ROUND 123⁄8" DIA. Standard Drill Press ♦ 6" X 16" WOOD TABLE
Mode converts to ♦ MORTISE TO THE CENTER
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Oscillation Spindle ♦ MORTISE LUMBER TO 83⁄4" THICK
Sander in seconds! ♦ HEAVY CAST IRON CONSTRUCTION
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W1668
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Includes DRUM SANDER SET
The unique SWIVELING
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364101958R
www.popwood.com 27
AMERICAN WOODSHOPS
using exclusive TPS Technology™ (Twin Power Source System). It’s cordless,
compressors. To get one of your own, visit your Porter-Cable dealer or call 1-800-487-8665
(519-836-2840 in Canada).
When asked what is the most important
piece of safety equipment on a table saw, the
splitter comes to the top of Mehler’s list.
Why? Because, he maintains, the splitter re-
duces the risk of a kickback dramatically. He
also says that European manufacturers can
teach American tool companies many great
ideas on improving tool guards.
For example, he showed me how the Felder
table saw’s splitter actually was designed to
move up and down with the saw blade. The
splitter can be used for non-through groove
and shoulder cuts because of this feature Mehler (center) demonstrates his Felder combination machine. It’s amazing how the splitter moves up and
— again, minimizing the risk of kickback. down with the blade. Why can’t we have this on all U.S.- and Taiwanese-made saws?
Also, European guards on jointers make it
hard to even get your hands near the cut- working on a tiger maple chest, a rift-sawn AMERICAN
terhead while jointing a board. The guard is red oak hope or blanket chest (with hand- WOODSHOPS
positioned to make a woodworker raise his cut dovetails) and a large case-on-case piece.
Woodworkers love to see the
or her hand over the danger zone. Very smart He probably works 60 hours a week and shops of other woodworkers. And
design! And by the way, Mehler practices clearly loves what he does. I bet if he had to few people see as many amazing
what he preaches. Even his old 12" Oliver just do one thing it would be to teach wood- shops as Scott Phillips, host of
jointer was set up with a great guard. working to as many folks as possible. If you PBS’ “The American Woodshop.” Every issue, Phillips
Mehler’s portfolio of furniture is exten- have an opportunity to work with him, don’t takes us inside the shops of some of the finest crafts-
men (and women) in America. You can see more about
sive, and it’s obvious he specializes in match- pass it up. You will find your time well spent Kelly Mehler’s shop by tuning in to “The American
ing and coordinating the grain in a piece with this American master. PW Woodshop” on your local PBS affiliate in spring 2002.
of furniture. When I visited, Mehler was —Scott Phillips, contributing editor Check your local listings for airtimes and dates.
It’s pneumatic, courtesy of a 1/4" valve that allows you to use it with traditional
uilt by members of the terns for both the the pedestal all along its dimensions to match that differ-
Art in New York City. by Malcolm Huey and uses a screw to hold the
Malcolm Huey has been building reproductions and adaptations
pedestal oriented correctly to cut
Forgiving Form of 18th and 19th century furniture for more than 30 years. each groove. Use two different
While I’ve included detailed pat- His company, Malcolm L. Huey & Sons, is located in Middletown, Ohio. bits to cut the grooves. Start with
a 1⁄ 2" straight bit to remove most ier to cut the dovetail pin first.
of the wood, then follow up with Set up your dovetail bit in a
an 8° dovetail bit. Stop the groove router table. Attach an auxiliary finish shaping the legs to
at the shoulder, 31⁄ 2" up from the fence to allow you to hold the leg finished size. On the orig-
base of the pedestal. upright against the fence. Run inal Shaker piece, the
The next step is to rough out a test piece on some scrap to see legs are also tapered
the legs by milling three pieces if your offset is correct. You want slightly in thickness down
to 7⁄ 8" x 4" x 15". Then use the the fit to be tight at this point. to the feet. You can
provided scaled pattern to lay out You’ll hand-fit each joint later. achieve this authentic
the shape of the legs in pencil on When the test piece fits to your look with a bench plane
the pieces. Make sure the grain satisfaction, run each side of the and some care.
runs the length of the leg, or your leg past the bit, shaping the pins. The next step is to fit each leg place with a snug fit.
legs could snap. Determine the With this important joint com- to the pedestal. I re-use part of Once satisfied, trim the lower
location of the dovetail pin on plete on all three leg pieces, head my router jig as a stop on my bench stub off the pedestal, finish sand
each leg and cut the corner from for the band saw and rough cut to hold the pedestal in place while the legs and post, and glue the
the leg blank at that point. Before the legs to shape. Then use a spin- I carefully pare away material with legs in place. If your joint is well-
shaping the rest of the leg, it’s eas- dle sander (or spokeshave) and a chisel until each leg slides in made, you shouldn’t need any
SHAKER CANDLESTAND
NO. ITEM DIMENSIONS (INCHES) M AT E R I A L
T W L
❏ 1 Top 3⁄
4 197⁄ 8 dia. Maple
❏ 1 Mounting plate 3⁄ 4 5 133⁄ 4 Maple
❏ 3 Legs 7⁄
8 3 16 145⁄ 8
9⁄
Maple
❏ 1 Pedestal 3 dia. 20 Maple
❏ 4 Wood screws #9 11⁄ 4 FH Steel
8º x 11/16"
large diameter
Taper both ends dovetail mortise
3/4" to 1/4"
3 3/8 " 5/
8"
11 1/2 "
4"
Varies - Stop block Removable
measure router L-bracket
base plate
Plan
Base plate
radius
1x2 router
guides Stop block
1" dia. hole
/2 "
Removable
4"
1
/4 "
4"
/4 "
3
Indexing
3
/4 "
screw
4
3
3/ " 3/ "
End elevation Section
4 4
135º 15"
8
9
10
www.popwood.com 33
1"
/4"
1 3/4"
1
1 1/4"
2
1"
3
15 / "
A spindle sander makes what could be 16
4
a daunting task reasonably painless. By
using double-sided tape to hold the 7/ "
8
5
legs together, all three can be sanded at
the same time, reducing work and 29 / "
ensuring uniform shapes. 32
6
1 1/16"
7
in half along the width on your
No matter how accurate your machining, there needs to be some
band saw and make the top book- hand-fitting to make the legs just right. A sharp chisel can make 1 1/8"
14 3/8"
8
matched. While you’re scroung- a big difference here. Don’t make the joint too tight, but not too
loose, either.
ing for wood, grab a piece that’s 1 1/4"
9
5" x 133⁄ 4" to use as the mount-
19 3/8"
1 7/16"
10
ing plate.
To shape the top, I use a sim-
1 7/8"
11
ple circle-cutting jig that mounts
to my router. With the center
2 5/16 "
12
of the jig attached to the un-
derside of the top, cut the 197⁄ 8"-
2 5/8 "
13
diameter shape using a spiral bit,
taking the cut in three or four
2 7/8 "
14
passes. When the top is round,
chuck a 1⁄2" roundover bit in your A circle-cutting jig attached to my router lets me make a true 2 13 /16"
router and round over the bot- circle. Take increasingly deeper passes around the perimeter of 15
the top to complete the cut.
tom edge of the top. Then do the 2 3/4 "
16
same to the top edge with a 1⁄ 16" except that to keep it like the orig- To attach the
3 1/2"
roundover bit (or break the edge inal, both ends of the plate taper base to the
17
with sandpaper). to 1⁄ 4" thick within the first 33⁄ 8" mounting plate, 2 1/2 "
18
The mounting plate is simple, of each end. There are a couple cut a saw kerf
of ways to do this, but I still across the width
19
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BW-002A
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BW-15P FEATURES: Metal impeller (not plastic) • Two HP, single phase motor
BW-15BS Bandsaw– • Bag attached with quick release metal straps • 1059 CFM
don’t let its low price fool you, Planer
economically priced • 43.5 gal. collection bag • One 5” or two 4” dia. hose inlets • 1 micron filter bag
this amazing bandsaw is designed and
built to provide trouble free operation cut yet built like big professional planers,
it offers absolutely vibration free finishes QUALITY MACHINERY • PARTS • SERVICE • GREAT LEASE PLANS
after cut.
• Heavily ribbed, cast iron c-frame • 3 HP motor • 3 v-belt drive from motor to cut-
• Cast aluminum wheels with rubber tires terhead • Table moves up and down –
• Non-rocking steel floor stand cutterhead stationary for smoother cuts
• Miter gauge • Motor mounted directly • Sturdy 4 leg non-rocking stand • Extended
to cast iron frame for smooth operation stock support rollers • Anti-kickback fingers
• 3/4 HP motor across entire width • 3 spring chip breaker
• Two blade speeds: 2000 or 2600 SFM • Heavy cast iron construction • Magnetic switch
• Jackscrew knife adjustment
uring a tool demonstra- safety tips, the advice doesn’t al- chine — saws with a circular blade the saw, rather than risk an in-
www.pop- 37
ily than a dull one. Make sure GETTING STARTED — SAFETY AND ALIGNMENT
your blade is in good shape, and
Beyond the stock guards
sharp, so you don’t end up trying
provided with most table saws,
to force wood past it. That’s a sure more convenient and user-
way to get hurt. friendly aftermarket guards are
So you’re ready to available, but at some cost. The
raise the blade and Excalibur overarm guard (left)
allows the guard to be
make a cut. But
lifted away from the
how high should blade for “through” cuts
you raise the impossible with a
blade? For standard guard, though
the most ef- you’re still limited in
height. This guard should
ficient (and
be used with a
safest) cut, splitter/pawl attachment.
the blade should The Biesemeyer version
be about 1⁄ 8 " to 1⁄ 4 " (right) simply snaps into place and
higher than the thickness of the requires no tools for removal. An absolutely necessary safety
tool is a push stick. Two homemade versions are shown at
piece you’re cutting. This allows
right. We generally prefer the “shoe” style (the one on top) for
the teeth to clear the cut (for more added support. You’ll also note the homemade throat insert,
efficient performance) but keeps providing zero clearance spacing around the blade. It’s a must
the blade low enough to be less to stop small scraps from slipping through the plate and
of a hazard. getting tossed back.
The proper place to stand while
using your saw will depend on
The first step in making sure your table saw is safe is to
what cut you’re making. We’ve make sure the blade and fence are parallel to one
outlined the basic “moves” later another. (We’ll assume you’ve already aligned the blade
in the article. But in general, to the miter slot as instructed by your owner’s manual.)
standing directly behind the blade Simply set the fence to any reasonable distance (9" in
our photo, left) and check the distance between the
is the more hazardous location.
fence and blade both at the front and rear of the blade.
Speaking of standing, there If the measurements are not equal, adjust your fence
are a few operations on a table until correct. If this setup isn’t done correctly, your
saw that benefit greatly from an material can become pinched between the fence and
extra pair of hands or roller stands. blade (or splitter guard) and either violently be kicked
back at you, or make it too hard to push the piece all the
To be honest, while an extra pair
way through. If you have to force a piece through a cut,
of hands can be useful, it takes you’re doing something wrong. If the fence is out of
a skilled and knowledgeable pair parallel in the other direction, you may not get hurt, but
of hands to assist, rather than hin- you’ll have a hard time making square cuts.
der, during a cut. You’re likely
better off to look to any num-
ber of roller stands available on When crosscutting narrow pieces on the table saw,
you will eventually encounter the situation where
the market, or build an outfeed
the falloff pieces are small enough to not move out
table that suits your type of wood- of the way on each cut, and they will begin to
working. accumulate to the outfeed side of the blade. This
Finally, before you do any- doesn’t automatically create a dangerous situation,
thing on the table saw, be rest- but one of the pieces could be pushed against the
outfeed side of the blade and be thrown back at
ed, unhurried and think carefully
you. Even with the guard in place, a piece can be
about the cut before you make small enough to be kicked around between the
it. If something feels wrong or guard and blade, or tossed back. Optimally, you
makes you nervous, there’s prob- should stop the saw and wait until the blade has
ably a better (and safer) way to stopped spinning, then remove the offending
chunks. More likely than not, it will be inconvenient
do it. Listen to the voices in your
to keep turning off the saw. In that case, stand out
head and your gut, and you’ll of the kickback line of fire and use a scrap piece of
enjoy woodworking for many wood or your push stick to nudge the pieces out of
years to come. the way (right). Don’t use your fingers! You can
always make a new push stick.
38 POPULAR WOODWORKING
RIPPING A BOARD CROSSCUTTING A BOARD
Ripping a piece of solid lumber is simpler than When crosscutting a board,the substantially thinner
1 ripping plywood, but there is more potential for
danger because the stress in a solid wood board
1 width of the piece (and not enough width to ride ade-
quately against the fence) causes us to use a miter gauge
can pinch the blade when it is ripped. Roller stands rather than the fence. You may note the gauge in our photos
are recommended (you can’t see mine in the pho- is not standard equipment. We recommend either adding a
tos) and should be positioned to support both pieces backing board at least 24" long to your miter gauge, or
coming off the saw. To start the cut, you should be purchase an aftermarket gauge.
positioned at the rear corner of the board as in the Start by checking to make sure your miter gauge is
photo, supporting the back end with your right hand. square to the blade. Then align your cut and support the
Your left hand (at the center of the board) provides board against the gauge with one hand on the gauge
pressure against the fence, keeping it and the other stretching across the piece to hold it in
flush to the fence. The tightly against the gauge. If your piece is too wide to
arrows indicate the reach across, it’s smart to clamp the piece against the
direction I’m applying gauge during the cut.
pressure.
Grab your push stick and place it on the back edge of Once the board is cut through, allow the fall-off
3 the piece between the blade and fence. Apply
pressure forward, and slightly toward the fence
3 piece (to the left in the photo) to lie in place. With
your left hand, push the board away from the
with the push stick as you continue the cut. Your blade,sliding it along the gauge. Then turn the saw
left hand should only be used to apply minimal off. Once the blade stops spinning, pull the fall-off
guiding pressure on the fall-off piece until the piece away from the blade.
piece is separated, then
move your left hand
out of the way. Once
the keeper board is
clear of the blade
and guard, turn
your attention to
the fall-off piece
and push it safely forward, again using the
push stick.
www.popwood.com 39
CROSSCUTTING PLYWOOD
Crosscutting a sheet of plywood on a contractor saw is a task safely accomplished with the use of roller stands. Though plywood is bulky, you don’t have to worry as much
about the board pinching the blade in the cut because plywood doesn’t have a grain direction like solid wood.
Here you see one stand positioned to one side of Maintain the center position as you push the board Once the board has cleared the blade, let the fall-
1 the table saw, and another positioned at the
outfeed side. When using the rip fence, do not crosscut
2 through the blade. Keep your eye on the fence! 3 off piece lay where it is, and carefully push the
piece between the fence and blade past the blade and
a piece less than 18" wide and over 48" long. There is onto the roller stand. Keep the piece flush against the
too much chance of the board shifting and becoming fence until the piece is clear. Then lift the fall-off piece
pinched. Start the crosscut by standing in the center of out of the way
the board to support the length. Keep your eye on the
fence and keep the board tight against it. Again, arrows
indicate where my hands are applying pressure.
RIPPING PLYWOOD
As you move forward, keep your eye on the fence As you reach the end of the cut, allow the outfeed
1 Ripping a 4' x 8' sheet of plywood on a contractor
saw is possible, but delicate. Roller stands are a 2 to keep the sheet flush along the fence. As the
balance of the weight of the sheet is transferred to the
3 piece (under my left hand) to come to a rest and
transfer your attention to the piece between the fence
must, and they should be positioned to support the
largest piece coming off the saw, or preferably both saw table you can shift your position to the rear of the and blade. Push this piece clear of the blade, careful
pieces. To start the cut, you should be positioned near sheet, supporting from the back, but still maintaining not to extend your reach over the blade. Once clear of
the rear corner of the sheet as in the photo, supporting pressure against the fence with your left hand. the blade and guard, lift the piece up and over the
the back end of the sheet with your right hand, while Continue to push the sheet forward, paying attention fence and bring it to rest to the side of the fence
your left hand provides pressure against the fence and to the point when the sheet contacts your roller stand opposite the blade. Don’t try to drag the piece back
aligns the sheet flush to the fence. With the piece (to make sure it’s riding on the stand, not pushing it toward you over the guard. With that piece safe,
pushed nearly up to the blade, check the fit against the over), then continue the cut. My roller stand is not continue to push the waste piece forward and away
fence again, then slowly walk the sheet into the blade. shown in the photos. from the blade until it clears the blade and guard. PW
Table Saw
Today’s contractor saws offer performance and quality
at a price that makes woodworking possible for all.
were a little easier to use and some Grizzly power feeder (shown at
performed a bit better. But they left), we ran 7⁄ 8 "-thick poplar
are all pretty good saws and a few boards through each saw at a speed
of them are simply excellent ma- slightly above standard hand feed-
chines. It’s a pretty unusual sight to see a monster power feeder on a contractor ing. We then observed how much
Another complication is de- saw. But that’s the machine we chose to feed boards through each of the more amperage the motor pulled
termining the saw that’s the “Best nine saws we tested. The power feeder ensured that all the boards were fed from the wall and how much the
at the same speed and with the same pressure.
Value.” With some tools, the low- motor’s rpm decreased under that
price leader isn’t worth buying perform what would be consid- to the table and parallel to the load. All of these statistics are
no matter what the price. ered normal operations. That’s miter slot. Some saws make it dif- listed on the accompanying chart.
However, with better manufac- not to say it won’t bog down in ficult to calibrate the fence. All
turing overseas and increased 8/4 hard maple — most contrac- three “Editor’s Choice” saws have Niceties and Oddities
competition there are now lower- tor saws will. The saw also must very simple and intuitive fence Aside from the motor and fence,
priced tools available that can be equipped with a fence system adjustments. Beyond the fence we also noted differences in the
save you hundreds of dollars with- that allows easily repeated, ac- and motor, everything else is gravy. other features on these saws. First,
out sacrificing enough perform- curate set-ups without a lot of I like gravy, but sometimes a pad the miter gauges are frequently
ance or convenience to outweigh fuss. And it must be easily ad- of butter is enough. not worth keeping. Of all the
the bargain. justable so you can set it at 90° For the test, we assembled each gauges, only those on the General
and Grizzly were pretty good.
Motors and Fences by David Thiel On the subject of blade guards,
A table saw needs to do two things Questions or comments? You can contact David at 513-531-2690 ext.255 most of them are a hindrance
well. First, it needs the guts to or at [email protected]. to woodworking. But there have
www.popwood.com 41
been improvements. Ridgid’s ally a joke on contractor saws — tilt saw and the Powermatic is a When it comes to value, it was
guard is easily slipped on and really works well on the Ridgid, left-tilt. While we think left-tilt a tough call. The Grizzly and
off its post without tools, making Craftsman and DeWalt units. machines are safer; this is a per- Bridgewood were tight competi-
it more likely to be used. Other sonal preference and either of tors for this honor. Both required
guards worth mentioning are Winners these saws is a good choice. some extra set-up and patience
DeWalt’s, which has a smaller In the end, we decided on more The Delta saw is different in during assembly. But once that’s
splitter (that actually reduces than one winner. Three equally many ways and outperformed the done, both are good performers
binding rather than promotes it) priced saws take top honors: the other saws in the most categories. for the price, but the Bridgewood
and the Powermatic guard has in- Delta, Jet and Powermatic. The Unifence system is equal in pulls ahead with at least one solid-
dependent side shields that do The Jet and Powermatic are accuracy and reliability to the T- cast iron wing (and the extra legs
a better job of keeping the blade nearly identical (Jet owns style fence offered on the Jet and thrown in), the left-tilt motor
covered during crosscutting. Powermatic), with the major dif- Powermatic units, and does a lot and a slightly better quality rip
And dust collection — usu- ference being the Jet is a right- of extra tricks, too. fence. PW
DeWALT DW746
The DeWalt DW746 was one of the easiest saws to
assemble (arriving mostly assembled), with most of
GRIZZLY G1022Pro
our assembly time spent being impressed by the
design features on the model. This saw is unlike the The G1022Pro is new to the Grizzly family for 2002,
other machines in this test because it has an internally but it looks familiar. The machine is essentially the
mounted motor and a blade beveling wheel mounted G1022ZFX with the Shop Fox Classic fence added.
on the left of the saw.We found the saw’s instructions That’s a good thing. Assembly was of average com-
to be less than thorough, but adequate to the setup plexity, and not always explained well in the instruc-
task. As mentioned before, the dust collection shroud tions. Once assembled, the Grizzly performed well in a
around the blade works extremely well. The fence GENERAL 50-185 number of categories, not least of which was the
system is also different; it’s a T-style fence that locks performance of its 2hp-rated motor (make sure your
both at the front and rear. We found the fence to be The General contractor saw is a fine and capable saw shop circuit can handle this motor). Strong features
smooth operating, accurate, easy to read and general- with a decent instruction manual and a fair assembly. include a Powertwist link belt to reduce vibration,
ly easy to set up and adjust. The aluminum fence face Its strong points are its well-placed and manufactured good cast iron miter gauge and a fence system that
offers forward and back adjustment similar to the handles, a good quality cast iron miter gauge, and an operated well (though less smoothly than some other
Delta Unifence, which is an asset in a number of easy-to-use and read T-style fence system. The saw is T-style clones tested in this review). The scale on the
situations. The DeWalt is one of two models tested also offered in either a right- or left-tilt version, (the fence was a tie for best readability, and the vibration
that offer a two-wrench blade change system. The only model tested that is), so if the tilt direction is during operation was very low. The saw arrived in our
motor performed well, and the vibration is pleasantly important to you, General can help you either way. shop with the blade mounted 1⁄ 16" off parallel to the
low.We rated the DeWalt as having the best height Overall the General motor performed capably and the miter slots (a quick fix) and there were sharp or rough
and tilt adjustments with convenient handles that use of the fence system and all adjustments worked spots on the machine to be filed or sanded. The open
operated smoothly and positively. Even though the smoothly and accurately. If you want to adjust the cast wings are a bit of a compromise, and we’d prefer
wings are of sheet metal construction, the heavy fence square to the table, you need to shim a pad solid cast wings instead, but priced at $550 it’s an
gauge of the metal makes these lighter-weight wings beneath the fence. There’s no real nice way to say this, extremely affordable package. When compared to the
accurate and sturdy. The DeWalt finished very well in but the General is a very capable, but average saw. It lower-priced Bridgewood, the Grizzly offers two cast
our testing, and was only edged out for Editor’s Choice doesn’t excel beyond the other tested models in any iron wings and a beefier motor for an extra $50. This
recognition due to the higher price. You may be able to significant category, but has features that make it a saw is a great deal, and was only beat out for Best
argue that the price is justified if the option of adding very workable tool. The pricing is comfortably below Value honors by the Bridgewood by a whisker.
the sliding table (another $400) is important to your the highest price, but is also not low enough to make www.grizzly.com/800-523-4777
style of work. this saw a true bargain.
www.dewalt.com/800-433-9258 www.general.ca/819-472-1161
www.popwood.com 43
RIDGID TS2424
JET JWTS-10PF We found the packaging on this saw to be quite impres-
sive. Packaged to fit in two economically sized boxes,
Our test of the JWTS-10PF started off a little rocky. the parts were nested within each other throughout,
While the assembly was generally user-friendly, we but all parts were well protected and well labeled to
ended up having to do some extra drilling to align the make assembly smooth. Even the motor was boxed, and
POWERMATIC 64A
holes on the fence rails. The bevel pointer was bent out the box itself offered a handle to help lift the motor
of orientation during shipping, and the instruction One of the first affordable contractor saws offered with conveniently, which is usually like wrestling a greased
manual could have done with some better photogra- a T-style fence and a left-tilt design, the 64A has seen hog.The TS2424 comes standard with a mobile base
phy. But after the assembly was complete, the strong some upgrades since Powermatic was purchased by that is a little fussy to set up, but a welcome accessory.
points of the saw became obvious. Motor performance the Jet Group. Though still very similar to the Jet saw in Interestingly the open cast wings (though not our
proved to be excellent, while offering extremely low features and design, assembly proved easier on the personal favorite due to finger injuries) were the only
vibration. The fence system, the reliable T-square clone Powermatic with improved imagery in the instructions wings attached using bolts and nuts, rather than
design, proved accurate, easy to read and easy to use. as well. The Powermatic has a somewhat less efficient machine bolts threaded into the main table.The fence
With the two solid cast iron wings and a table board motor than the Jet, but still very respectable and a rail attaches using slip-over T-bolts, making assembly
the work surface is a very ample 561⁄ 4" wide. The fit significant nine decibels quieter motor than the Jet. But efficient and quick.The fence system also employs a
and finish on the tool was very good, with little room for the paint color, the fence systems on the two saws micro-adjust feature like the Craftsman, but the Ridgid’s
for complaint. This saw is extremely close in design to are nearly identical, though the lever on the relies on friction against the rail, rather than a toothed
the Powermatic 64A, with the major differences being Powermatic’s fence was beefier. We did encounter gear.To adjust the fence square to the table you’ll need
the right-tilt design and a noisier (though better more vibration from the Powermatic unit, but to to shim underneath pads below the fence.The saw is
performing) motor on the Jet. In deciding which tools counter that the blade guard on the Powermatic is of a shipped with a decent dust collection box mounted
to award Editor’s Choice to, we decided that ultimately superior design for ease of use, and they’ve added under the saw and includes a hose hookup and hose.
it was more important how the tool continued to some plastic caps on the fence rail (for appearance) The motor mounting and pulley guard were simple to
operate, rather than what it took to set it up the first and added leveling feet on the base. Both saws are attach and user-friendly. For all the nice touches and
time and felt it appropriate to recognize the Jet, as priced the same, so picking between the two was user-friendly features on this saw, it still comes down to
well as the Powermatic. tough. So we decided to let you decide. If you prefer a using it on a day-to-day basis.While the saw tied for
www.jettools.com/800-274-6848 left-tilt machine with a quieter motor, the Powermatic least vibration and quietest of those tested, we found
is for you. (Mobile base in photo not included.) the motor capable, but not stellar and the fence lacking
www.powermatic.com/800-248-0144 in ease of use and scale readability, leaving the Ridgid
model in the middle of the pack.
www.ridgidwoodworking.com/800-474-3443
Street price 499 800 850 900 730 550 850 850 600
GENERAL
Ease of height/tilt adjustments 4 3 3 4 5 3 3 3 3
Overall vibration 5 2 3 4 3 4 5 3 5
Initial trunnion alignment 5 5 5 5 4 3 5 5 5
Max. blade height 31⁄ 8" 33⁄ 8" 31⁄ 8" 31⁄ 8" 3" 31⁄ 8" 31⁄ 8" 31⁄ 4" 33⁄ 8"
Blade guard quality 3 3 3 3 3 3 3 4 4
Miter gauge quality 3 2 3 3 4 4 3 3 3
Total weight 242 lbs 265 lbs 295 lbs 254 lbs 300 lbs 290 lbs 300 lbs 310 lbs 244 lbs
Handle comfort 3 4 3 4 5 3 3 3 5
Turns to max. blade height 12 36 12 22 12 14 13 12 35
Turns to max. blade bevel 30 30 29 22 31 29 29 30 29
Adjustable feet? No Yes No No Yes No No Yes Yes
Fit and finish 3 4 4 5 3 3 4 4 4
Ease of assembly 3 5 4 5 3 3 4 4 4
Type of blade supplied None 40T-ATB 50T-ATB 30T-ATB None None 28T-ATB 40T-ATB 40T-ATB
MOTOR
Listed amp. rating 16amp 13amp 12.8amp 15amp 15amp 26amp 18amp 18amp 13amp
Amp draw with no load 10.2 4.7 3.9 4.7 6.3 18 10.4 10.2 5.6
Amp draw under load 20 13.3 13.4 16.5 19 25.8 19 20 14.3
Percentage amp increase 96% 183% 244% 251% 202% 43% 83% 96% 155%
RPM with no load 3,586 3,585 3,588 3,583 3,583 3,580 3,575 3,585 3,589
RPM under load 3,442 3,484 3,507 3,496 3,434 3,478 3,471 3,433 3,447
Percentage RPM decrease 4% 2.8% 2.3% 2.4% 4.2% 2.8% 2.9% 4.2% 4%
Noise level (dB)* 84 81 78 79 86 88 85 76 76
TABLE
Material CI CI CI CI CI CI CI CI CI
#/Type of wings 2/SCI 1/SCI 1/SCI 2/SM 2/SCI 2/OCI 2/SCI 2/SCI 2/OCI
Table size (inches) 27x301⁄ 4 27x531⁄ 2 27x62 27x403⁄ 4 27x401⁄ 4 271⁄ 8x405⁄ 8 27x561⁄ 4 27x57 27x44
Table height 361⁄ 2" 361⁄ 2" 341⁄ 4" 341⁄ 4" 343⁄ 4" 37" 341⁄ 2" 35" 36"
Rip capacity/left of blade 12" 24" 12" 16" 12" 12" 12" 12" 24"
Rip capacity/right of blade 30" 30" 30" 30" 30" 25" 30" 30" 24"
Blade tilt left/right Left Left Right Left Left/Right Right Right Left Right
Table flatness 5 5 5 5 4 5 4 5 5
Throat width 31⁄ 2" 33⁄ 4" 33⁄ 4" 33⁄ 4" 31⁄ 2" 33⁄ 4" 31⁄ 2" 31⁄ 2" 33⁄ 4 "
FENCE
Design T-Square Rail F&B T-Square Rail F&B T-Square T-Square T-Square T-Square Rail F&B
1⁄ 1⁄ 1⁄ 1⁄ 1⁄ 1⁄ 1⁄ 1⁄ 1⁄
Scale accuracy 6ths 6ths 32nds 32nds 32nds 32nds 32nds 32nds 32nds
Scale readability 3 3 4 4 4 5 4 4 3
Ease of aligning fence to miter slot 3 3 5 4 3 3 4 4 3
Ease of use 3 4 5 4 4 4 4 4 3
Ease of adjusting square to table 3 1 5 3 3 3 3 3 3
BRIDGEWOOD CRAFTSMAN DELTA DEWALT GENERAL GRIZZLY JET POWERMATIC RIDGID
TSC-10CL 22859 36-426 DW746 50-185 G1022PRO JWTS-10PF 64A TS2424
KEY
Ratings are based on a 1-5 scale with “1” being “poor” and “5” being “excellent.” Trunnion alignment is how the machine was shipped, either in alignment, or out of parallel to the miter
slot. *Noise level was tested with the blade set a 1” height above the table and the level was taken with a decibel meter held at head height. Table flatness was measured using a straight-
edge and feeler gauges - any gap less that .005” was considered acceptable. Fence alignment refers to the ease of fence adjustment parallel to the miter slot. Vibration was measured with
the saw on a level surface using a dial indicator. CI=cast iron; SM=sheet metal; SCI=solid cast iron; OCI=open cast iron.
www.popwood.com 45
TA B L E S AW
www.popwood.com 47
16"
3/4"
48" O.A.
A 14"
1 1/2" 4"
1 1/2"
2 1/4"
A
3/4"
B 5"
2 1/4"
7/16" 7/16"
C B
D
D 2 1/4"
Table 1
28"
34"
37" spreader
1 1/2"
2 1/4"
3/8" 3/8"
C It may take a little “persuading” to seat
2 1/4"
the tenons in their mortises, but if proper-
ly fit should only require tapping in place.
8"
8"
3"
of the tenon. With the stock on
R2
Table 1 3 3/4"
"
K 16 1/2"
3/4"
3/4"
K
8"
8"
L 5"
L
3"
1 1/2"
3"
R2
Table 2 3 3/4"
"
20"
dowels at the top of the leg-to- clamp the leg/rail end sections. given, then glue and
rail joint on Table 1. Position Once those are dry, glue the tack on 3⁄4"- x 1⁄2"-wide
them so they straddle the mor- stretchers to the ends. Although solid edging. Tack
tise in the rail as shown in the di- this takes a bit longer, it allows below the center point
agram. you to make sure your glue ups so you can rout a 1⁄ 4"
Next make the angle cuts on are square and flat. A twist in a radius profile on the
the rails and feet, and the cutout table base is a real pain. top edges. This detail
on the bottom of the feet. Follow Once the base is completely isn’t optional; the
the layout in the diagram, then assembled, you can call it done rounded edge helps prevent stock back of your contractor saw.
band saw out the waste. Smooth or rout a 3⁄ 8" radius profile on all from catching on the edge when And by the way, if you are al-
the rough band-sawn edges. the edges except where the feet the tables are in use. ready set up and happy with an
Before gluing up, make a dry- meet the floor and the top rail Before attaching the shelf on outfeed system for your shop, re-
run assembly to make sure every- and stretcher attaches to the top. the larger table, sand the base and member that you can always
thing is right before you get to I did this on my tables and think tops to your satisfaction. I didn’t change the height of these tables
that panic glue-up stage. After it makes them appear more “fin- bother with a finish on my tables. and use the design and joinery
making any adjustments, start ished.” These are for the shop, after all. for any number of other trestle-
gluing up, but don’t try to do every- The tops and shelf are straight- To attach the shelf, use cor- style tables. PW
thing at once. First glue up and forward. Cut plywood to the sizes ner braces at each of the four legs.
If you change the height of the
shelf forTable 1 - just make
any reason,
OUTFEED TABLES rail, leg
sure it won’t interfere& with your
NO. ITEM DIMENSIONS (INCHES)
T W L
M AT E R I A L
stretcher
table saw’s motor hanging out the
TA B L E 1
junction
❏ 1 Top (A)* 3⁄
4 15 47 birch plywood
❏ 2 Top rails (B) 11⁄ 2 21⁄ 4 14 white oak
Cutaway view -
❏ 2 Top-Bot stret (C) 11⁄ 2 21⁄ 4 391⁄ 2 white oak
top rail 1/2" x 1 1/4" x 1 1/4"
❏ 2 Legs (D) 11⁄ 2 21⁄ 4 291⁄ 4 white oak
❏ 2 Feet (E) 11⁄ 2 3 14 white oak typical all tenons
❏ 2 Solid edging 3⁄
4
1⁄
2 48 any hardwood
❏ 2 Solid edging 3⁄
4
1⁄
2 15 any hardwood
TA B L E 2
❏ 1 Top (F)* 3⁄
4 25 47 birch plywood
❏ 2 Top rails (G) 11⁄ 2 21⁄ 4 20 white oak
❏ 1 Top stret (H) 11⁄ 2 21⁄ 4 391⁄ 2 white oak
❏ 4 Legs (J) 11⁄ 2 2 291⁄ 4 white oak
❏ 1 Shelf (K)* 3⁄
4 151⁄ 2 36 birch plywood
❏ 2 Solid edging top 3⁄ 4 1⁄
2 48 any hardwood
1/2" x 2" dowels
❏ 2 Solid edging top 3⁄ 4 1⁄
2 25 any hardwood
Stretcher
❏ 2 Solid edging shelf 3⁄ 4 1⁄
2 37 any hardwood
❏ 2 Solid edging shelf 3⁄ 4 1⁄
2 151⁄ 2 any hardwood Table 1 - rail, leg &
stretcher junction Cutaway view - leg
*Dimension given does not include 1⁄ 2”-thick solid edging to be added.
www.popwood.com 49
ULTRAFAST
Frame&
Pane Build traditional doors of other ways it will be useful in your shop. If
you don’t have a hollow chisel mortiser, it
using modern tools. would be nice to get one of these, too. A de-
cent benchtop model will cost $250, or you
When you’ve got it down, try your hand can buy an attachment for your drill press
for $75. Mortising equipment will change your
at this simple cherry stepback. woodworking. Suddenly it’s child’s play to
make everything as stout as a mule. If you don’t
ithout a doubt, mortise-and-tenon want a hollow chisel mortiser, you can cut
by Troy Sexton
Troy Sexton designs and builds custom furniture
in Sunbury, Ohio, for his company, Sexton Classic American Furniture.
Troy is a contributing editor for Popular Woodworking.
rish.
Photo by Al Par
SUPPLIES
Rockler • 800-279-4441
Non-mortising hinges
Here’s why: Your #31300 • $5.79 a pair. and ending point I cut my tenons on the table that the distance from the left-
mortising bit (or 2 wooden knobs of the mortise. saw using a dado stack. Here’s most tooth to the fence is 1". Get
Forstner) makes a This procedure how. First get a piece of scrap. Go out your miter gauge and make
slot of a consistent saves you a step be- to your mortiser or drill press and sure it’s set perfectly square. Put
width (unlike when you make a cause you don’t have to get out make a long mortise in that scrap your rail flat down on the table
mortise using a chisel and mal- your combination square to fig- using a 3⁄ 8" bit. You use this piece of the saw. Define each side of the
let). That means you can depend ure out where your shoulders will of scrap to check the thickness tenon in two or three passes as
on every mortise to be exactly as go on the stiles. of your tenons. Make the mortise shown in the photos.
wide as your first one. So if you For most cabinet doors I like in the scrap about 1 1⁄ 16" deep. Hold the work firmly and keep
cut your tenons on the rails first to cut tenons that are 1" long and Install your dado stack in your your fingers away from the blade.
(with the help of a piece of scrap have 1⁄ 2" shoulders. The rule of saw. The number of chippers isn’t Flip the rail over and repeat these
with a mortise in it), you can sim- thumb is to make your tenons critical. Make the stack 5⁄ 8"- or cuts on the other side. If you have
3⁄
ply lay the tenon on the stile where one-half the thickness of your 4"-wide. Now raise the dado stack trouble with tearout, try making
it needs to go and use the tenon stock. So for 3⁄4" stock your tenons so it’s 3⁄ 16" high. the first cut on the tenon with
like a ruler to mark the starting should be 3⁄ 8" thick. Set your table saw’s fence so the tenon against the fence. It
47 1/4" 47 1/4"
44"
80 1/2" 80 1/2"
3/4"
3/4" 3/4"
1 1/2"
2 1/2"
3 1/2"
3/4" 3/4"
1 7/8"
1/2" 4 1/2" 4 1/2"
6" 3 3/8"
3" radius
3/4"
Illustrations by Jim Stuard.
Here I’m
can help.
cutting the thick scrap from your als. First, don’t cut the holes so your work with a chisel.
N on
tenons o w fence and cut the shoul- they overlap. You want to make
the rails.the
raise Use ders on the other edge. a hole, skip a small space and then The Panel
the fence to
dado stack
limit the Lay out the locations of make your next hole. Then come To fit the panels, the first step is to
1⁄
to
length2"of
because it’s time to cut the
the tenon. all the mortises using the tenons back and clean out the waste be- cut the 3⁄8" x 3⁄8" groove on the in-
shoulders and the haunch. What’s you just cut. tween the holes. side edges of the rails and stiles
a haunch? It’s an uncut part of This prevents your mortising to hold the panel. I use a dado stack
the tenon that fills the 3⁄ 8" x 3⁄ 8" Machining Mortises chisel from deflecting or even in my table saw to accomplish this
groove you’ll soon make for the Mortising is the most straight- breaking during a plunge cut. quick chore. Adjust the height of
panel in both the rails and stiles. forward part. You want your mor- Second rule: after you make the blade until your haunch fits
To cut the haunch you could tises to be centered on your stock the mortise, go back and clean into the groove snugly.
readjust the fence and perhaps and about 11⁄ 16" deep. The little out the bottom. I do this by re- Now dry-assemble the stiles
take a couple chippers out of your extra depth ensures your tenons peatedly plunging the mortising and rails and measure the open-
stack. What a pain. Instead, I take won’t bottom out in your mor- bit to the bottom of the mortise ing for the panel. Add 1⁄ 2" to the
piece of 3⁄ 8"-thick scrap and at- tises and makes a place for the in short strokes while moving the height and width and that’s the
tach it to my fence. Then I run excess glue to go. stile in small increments. This finished size of your panel. Cut
the rails on edge on one side (see When you use a mortising ma- will get rid of most of the junk at your panel to finished size on your
photo). Instant and perfect chine, here are a couple of good the bottom of a mortise and pre- table saw. If you want a flat panel
haunch. Now remove the 3⁄ 8"- rules that aren’t in most manu- vent you from having to clean up door without a raised detail, sim-
CHERRY STEPBACK
NO. ITEM DIMENSIONS (INCHES) M AT E R I A L
T W L
❏ 2 Sides 3⁄
4 171⁄ 4 80 Cherry Haunch
❏ 1 Top 3⁄
4 111⁄ 4 39 Cherry Groove
❏ 1 Bottom 3⁄
4 171⁄ 4 39 Cherry Door
❏ 1 Countertop 3⁄
4 181⁄ 4 411⁄ 2 Cherry rail
❏ 3 Shelves* 3⁄
4 103⁄ 4 381⁄ 2 Cherry Tenon
❏ 1 Top FF rail 3⁄
4 4 37 Cherry
❏ 1 Mid FF rail 3⁄
4 11⁄ 2 37 Cherry
❏ 1 Lower FF rail 3⁄
4 17⁄ 8 37 Cherry Door
❏ 2 Top stiles 3⁄
4 21⁄ 2 48 Cherry stile Tenon Groove
❏ 2 Lower stiles 3⁄
4 21⁄ 2 311⁄ 4 Cherry shoulder
❏ 2 Door top rails 3⁄
4 21⁄ 2 141⁄ 2 Cherry Rabbet
❏ 2 Door bot rails 3⁄
4 31⁄ 2 141⁄ 2 Cherry
❏ 4 Door stiles 3⁄
4 21⁄ 2 241⁄ 2 Cherry
❏ 2 Door panels 5⁄
8 13 19 Cherry
Flat
❏ Bot moulding 3⁄
4 51⁄ 4 84 Cherry
panel
❏ Top cap 1⁄
2 3 90 Cherry
❏ Back boards 1⁄
2 391⁄ 2 76 Cherry
* shelves have a dropped edge on the front.
www.popwood.com 53
the clamps; you can easily twist
the door. When the glue is dry,
sand the rest of the door.
Because the panel will expand
and contract with the seasons, I
like to add a bit of insurance to
the door to make sure the panel
won’t slide around too much when
it shrinks. The insurance is two
brad nails. I nail the panel to the
rails through the groove at two
I like to cut most of the bevel on the locations on the back of the door.
raised panel on my table saw (left).
Then I use a vertical raised panel bit in One nail goes at the center of the
my 11⁄ 2 hp shaper to cut the profile in top rail and one nail in the cen-
one pass (above). ter of the bottom rail. This will
still allow the panel to expand
and contract, but it will keep it
ply cut a 1⁄ 4" x 1⁄ 4" rabbet on the from the fence (you might have sure everything goes together. centered. PW
backside of the panel (as shown to move your table saw’s fence to Before you glue up the door, sand
in the drawing on the previous the other side of the blade to ac- the bevel. I use a random-orbit
page) and move on to assembly. complish this). Now move the sander with great care. You can
If, however, you want that fence up to the blade and make hand-sand the bevel, but it will
beveled edge on your panel to add several test cuts on a piece of scrap take considerably more time.
a shadow line, you need to do a until you’ve nibbled away just Finish-sand the back-
little more fiddling. The end re- enough so the bevel fits in the sides of the panels all the
sult is to create a bevel on the groove. way to your final grit.
panel that is about 11⁄ 2" wide, at You want the bevel to snug- Assembly
about a 12° angle and that fits gle into that groove so there’s a The trick here is to glue
1⁄
snugly into the groove you cut in 8" gap between the edge of the only the mortise-and-
the rails and stiles. panel and the bottom of the tenon joints, not the
If you’ve got a shaper or a router groove. This will give your panel panel. Put glue in the
table with a big variable-speed room to expand and contract. mortises and clamp the
router, you can buy a panel-rais- Dry-fit your doors to make door. Don’t overtighten
ing bit for just this purpose. When
you cut the bevel on the edge,
don’t do it all in one pass. Instead, BUILDING THE STEPBACK:
take several passes to get you where A PLAN OF PROCEDURE
you want to be. Or, better yet, cut 1. Cut all your stock to size; glue up any panels you might need. When
most of the meat off using your gluing up panels for the sides, use one board that is 111⁄ 4" wide and
table saw, then make the bevel 80" long, and one board that is 6" wide and 311⁄ 4" long. Glued togeth- To save time and effort, I glue up the panel for
cut in one pass on your shaper or er on edge, these form the corner where the countertop goes. Use the the countertop from two boards so it will fit
same procedure for the countertop. perfectly into the dadoes in the sides.
router table. When making the
cut on the router or shaper, cut 2. Build your face frames for the upper and lower cabinet using mortise-and-tenon joinery.
the profile on the top and bottom 3. Build your doors using mortise-and-tenon joinery.
of the panel first, which is where
you’re most likely to have the 4. Cut 1⁄ 4"-deep dadoes in the sides to hold the bottom, top and countertop. Cut a 1⁄ 2" x 1⁄ 2" rabbet on the back of the sides
for the back pieces. Drill holes for the adjustable shelf pins.
ends blow out. Then follow up
by cutting the profile on the sides. 5. Nail and glue the top and bottom pieces between the sides. Nail the face frames to the case. Slide the countertop in place
This should clean up any tear-out and glue and nail.
from the first two cuts. 6. Cut solid wood pieces for the shiplapped back. Finish sand all pieces.
If you want to raise the panel 7. Hang the doors. Nail commercially available crown moulding in place. Add a 1⁄ 2" cap on top. Stain or dye all the parts then
using your rip blade in your table add three coats of a clear finish.
saw, set the blade’s height for 11⁄2"
8. Nail the shiplapped back in place.
and tilt the blade about 12° away
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Tank eaven
End bathroom clutter
and elude the annoying plop of destiny.
A
t least once a year I make it a jigsaw. They generate about
knock something off as much noise as a sewing machine, so
the bathroom counter, they’re soothing to use, plus they per-
right into the toilet. It’s usually a high- form almost every kind of cut, from
ly non-disposable item, like my fa- straight to swoopy. I recently got
vorite hairbrush. There follows the rooms to the cordless purse model so I’m
humbling act of fishing the item out contain all ready to jig anytime, anywhere.
of the bowl. Then the challenge of the tools families And while we’re talking
cleaning it off. The dishwasher is require for personal about tools; for sheer tingle
tempting, unless you live with nosy grooming. Many families factor, whenever you have a
people who’d want to know why your have an arsenal of products perched birthday or anniversary coming
hairbrush is in the cutlery rack on around the sink, the edges of the tub, up, ask for clamps. You just can’t have
Sani-cycle. and atop the toilet tank. too many clamps. You’ll need at least
I don’t blame myself for knocking Society gave us this clutter. But one pair of clamps for this project with
stuff into the toilet, because it’s soci- God gave us elbows. So on a bad day, a minimum span of 20". If you don’t
ety’s fault. In the old days, a single bar one of those personal grooming prod- have clamps, you’re going to have to
of soap served as shampoo, shaving ucts is going for a swim. engage a helper. Clamps are more use-
foam, skin care regimen and deodor- My answer to society and my el- ful than most helpers, unless the helper
ant. Washing was a once-a-week propo- bows was to build a pine tanktop shelf- brings beer.
sition. People smelled a bit but they unit. It hangs in the unused space And finally, to make your shelves
spent most of the day behind a horse above my toilet tank, holding every look especially perky, consider buy-
who didn’t seem to mind. Folks got pomade, soap and lotion I’ve accu- ing a plug-cutter bit. This is a cool lit-
cleaned up on Saturday night to pre- mulated in years of smelling nice. tle device that fits in your drill just
pare for the next morning, when being This unit is a great beginner’s proj- like a regular bit. It cuts tiny cylin-
crammed into a church pew was the ect with some easy options for making drical wood plugs that camouflage the
social event of the week. it look professionally hand-crafted. To screw heads, so the finished project
In contrast, today’s society is a teem- build it you’ll need only a few basic looks tidy and sleek.
ing 24/7 press of bodies, with people tools, my favorite being the jigsaw.
crushed together in buses, offices, restau- Cut it Out
rants and movie theaters. We don’t do Tool’s Errand Lumber is personality-related, so know
much of anything alone and we can’t If you’re new to woodworking and yourself. Clear pine is slick and co-
Photo by Christine Polomsky.
afford to smell like it. you’re only planning to get one saw, operative, but the knotty stuff has
And here’s my huge, more character. Also,
salient point: there just by Mag Ruffman if you have a low irri-
isn’t adequate surface Mag Ruffman’s how-to TV series “Anything I Can Do” airs in Canada, the U.K., tation threshold, avoid
area in modern bath- Europe and Asia. For more project instructions, visit www.anythingicando.com. boards that are twist-
4"
B Moon cutout
5 1 /2 "
5 1 /2 "
B
3 /4 "
Top rail
C
8"
5 1 /2 "
C
D
Top shelf
3 /4 "
32"
A
5 1 /4 "
D
11 1 /4 "
F
5 /8 "
5"
F
E
E
2"
www.popwood.com 59
Shellac has to be applied with a patient, steady hand in smooth, long strokes
that don't overlap. Because it’s alcohol-based, it dries extremely fast, so
there’s little downtime. If you’re mixing your own shellac, use a good solvent
procured from a reliable woodworking supply place.
In our last issue we gave you plans for the case of this spice box,
now we show you how to make the amazing inlay door
using your router and band saw.
I
’d never tried anything like inlay when I came across the image The first inlay to make is the
of a great-looking 18th century spice box. The image struck me
1 outer frame. Start by gluing
up eight 35⁄ 64" wide x 3⁄ 4"-
and I stopped to consider the skill required to make the piece.
thick strips, angling the glue-
When I started thinking harder I realized that the inlay was almost up to anticipate the 45° cuts
entirely designed with geometric shapes. While I’m no artist, I can which will follow. When the
glue dries, cut a 45° miter on
handle math and geometry. The more I thought about it, the more
one end, then set your table
I realized it was within my grasp. saw to cut 5⁄ 16"-wide strips.
In the December 2001 issue (#125) we published the first in- Be careful and use a push
stick.
stallment that shows how to build the basic cabinet and a frame-and-
panel door for the piece. This time I’m going to show you how to
tackle inlay with some jigs, some patience and tools you likely al-
ready have in your shop. To form the chevron banding, glue
the previously cut strips together, 2
Which Comes First: The Inlay or the Recesses? alternating the color pattern. At the
same time, glue the 1⁄ 16" outer
I debated whether it made more sense to cut the 1⁄ 8"-deep recess- striping in place to the outer edges.
es in the door first and then fit the inlay in place, or to start by This will bring the finished pattern to
making the inlay. In practicing on a piece of inlay I realized that the final 3⁄ 4" width. I ripped the
striping off a 3⁄ 4"-thick, 4"-wide
even though I was working toward achieving a specific width, it block on the table saw, allowing the
wasn’t easy to end up at the size I’d planned. So I decided to make 1⁄
16" piece to be the fall-off of the cut
all the inlay parts first, then cut the recesses to match. for safety. Some sanding on the
mating faces (and using only the
The pictures on this and the following pages provide most of the amount of glue necessary) will keep
instruction for this project, but there are some general observations the glue line as small as possible.
that will prove useful. One of the steps toward a good-looking piece
Photo by Al Parrish. Special thanks to Sharon Woods for use of location.
of inlay is to have the different wood types butt against each other
with a nearly invisible gap. Because of this, fitting individual pieces After the glue-up is dry, head to the
by careful hand sanding is critical. That’s where the patience comes 3 band saw and set up a fence to make
in. a resaw cut, slightly thicker than 1⁄ 8".
I started with both outside faces of
A light touch proves beneficial when gluing the banding together. the inlay sanded flat and cut the two
If too much glue is applied and left in place, your inlay will show dark outside surfaces from the block. I
glue lines when finished. Take it easy with the glue. It’s only hold- then resanded the faces of the piece
that was left, then made two more
ing an 1⁄ 8" piece of wood in place, and it doesn’t take much. cuts. Each piece should yield four
lengths of banding. The smooth face
on each length is the side that I
by Glen Huey glued down to the panel.
Glen Huey builds custom furniture in his shop in Middletown, Ohio, for Malcolm
Huey & Sons and is a contributing editor for Popular Woodworking.
www.popwood.com 63
The inlay pieces are made using
cherry, tiger maple and walnut.
Straight-grain pieces are easier
to work with, especially with the
vining patterns, but the tiger
maple pattern can also be very
attractive in some areas. And
in the chevron pattern, I used
quarter-sawn grain (or side grain
on a flat sawn board) to make the
inlay more dramatic. Just choose
your wood carefully. And make 4 5
a few extra pieces, just in case.
To form the inner circular inlay, I started with alternating After the wedge blank is dry, use the pattern at the end of this
The door itself is a 3⁄ 4" x 121⁄ 2" walnut, maple and cherry 3⁄ 4"-thick wedges cut at 22.5° article to make a circle-cutting jig for your band saw. The jig is
x 133⁄ 4" walnut panel. Start with angles on both sides. Glue up enough wedges to make a little for a one-time use and will be cut with the blank. Pre-drill a
an oversized piece because you’ll over 1⁄ 3 of a circle. To make the glue-up easy, I first put wax center hole in the jig. In the plywood support board attached
paper on a piece of plywood, then arranged and glued the to the band saw, mark three points (49⁄ 16", 41⁄ 16"and 39⁄ 16") in
be nailing guides to the edges. pattern. I then nailed the two outer wedges (at the inner a line from the edge of the blade. Start with a nail in the
Wood moves with changes in point) to the plywood to keep the pattern from shifting. I then farthest hole as a pivot for the template. The wedge pattern
humidity. After finishing this used a band clamp to pull the shape together. Only one blank can be attached to the jig using the same nail locations
section is necessary to complete the pattern. used during the glue-up. Make the first cut, then relocate the
door, it would be a crime to have nail in the lower board and continue.
7 8
With the first band cut, the center nail is again Glue the two strips together, again alternating the
moved to the closest nail hole in the platform and color pattern. The seam should be fairly close, but a
the inner band is separated from the blank. little sanding may improve the seam to make the
joint as thin as possible. Squeeze clamps will
provide adequate pressure for the glue-up.
6 9 10
1⁄
Using the circle jig, I first cut the outer arc on the blank, Next, cut 16" striping for the chevron banding, Then it’s back to the band saw for resawing to
trimming the square ends of the wedge to a smooth arc. I and add it to the inner and outer surfaces of the complete the four sections. Just as with the
then moved the jig to the second center hole in the platform arc, finishing out at 1" wide. I used the fall-off chevron banding, sand flats on the outside sur-
and cut the first strip from the blank. from the circle cuts on the band saw as clamping faces, resaw from each side to 1⁄ 8", then sand new
cauls for this step. flats on the remaining piece and resaw again.
3/4" 5/16"
5/16"
3/8" o.d.
1/16"
berry cutouts
3/4" router bit passes
for 1" ring cutout
Arc
Template
#1
R 4"
"
1 /4
R4
Pattern center
1"
Arc 1/16"
Template 7/16"
7/16"
#2 1/16"
22 1/2
Cut paths
7/ 7/
16" 16"
Registration lines
3 2 1
to center
Circle-
(Half scale)
Cutting
Finally (though I’m working across the
Jig
pattern in the photo above) glue the
center ring inlay in place. The trick here is
getting the four quarter-circle pieces to
the correct lengths to mate exactly with
almost no visible joint.
www.popwood.com 67
Dealing with
Wood Movement
Eight ways to ensure the
furniture you build will tenons on the ends
are slightly narrower
last several lifetimes. than their mortises
apply glue
only to the
center tenon
elongated holes
for seasonal
movement
wooden pins
keep joints closed
few years ago I built a new evaporated and the top re-
A
Rule 6:
kitchen table for our home. turned to its former flatness. Breadboard ends are a good
It was a classic design — a To prevent a repeat of the sce- way to keep your tabletops
flat and to hide end grain.
richly figured curly maple top sup- nario, I quickly applied a cou-
ported by a stretcher base with ple of coats of shellac to seal
turned legs. In my rush to com- the surface.
plete the project I forgot to fin- It’s a fact of life that all joints and other prob-
ish the underside of the top. woodworkers must face: Wood lem, wood only lems associated with sea-
The next day the relative hu- expands and contracts with moves across the grain. sonal wood movement. Let’s take
midity rose dramatically as a storm changes in seasonal humidity. (Although technically speaking a quick run through each of them.
front approached; I entered the That’s because wood is hygro- it does expand lengthwise with
shop to find the top severely scopic. What’s hygroscopic? Simply upswings in humidity, the amount 1 Begin With
cupped, in spite of the stiff bread- a technical term for the concept is so minimal that you can safe- Dry Lumber
board ends added to keep the top that the wood’s cell structure is ly ignore it.) So when you join You’ll avoid many of the poten-
flat. In fact, the breadboard ends similar to a bundle of straws, ready two pieces of wood at a right angle, tial problems associated with wood
were warped, too. to draw moisture from the sur- there’s potential for problems be- movement if you use properly
Fortunately, I knew what to rounding air. As the relative hu- cause seasonal movement occurs dried lumber. That’s because as
do. The moment the sun came midity goes up, wood absorbs the in opposite directions. And be- lumber dries, it also contracts
out I placed the top outside with water vapor and expands. Days cause wood surfaces absorb and or shrinks. Obviously it’s best if
the unfinished convex side fac- (or even weeks) later, it contracts release moisture at different rates, it does most of the shrinking be-
ing up. After an hour or so out in as the relative humidity drops. a board will usually warp as it’s fore you construct that chest of
the warm sunshine, the moisture To further complicate the prob- exposed to changes in humidity. drawers for your wife’s anniver-
Fortunately, there are a number sary present. Think Levis jeans:
by Lonnie Bird
of steps you can take to minimize They’re pre-shrunk to avoid more
Lonnie Bird ([email protected]) builds period furniture and conducts the cracking, warping, opened shrinking during laundry cycles.
woodworking seminars in Dandridge, Tennessee.
www.popwood.com 69
mensional changes. Probably the along the inside edges. Where open joints. So I attach the bread- Seasonal movement
best known example is frame- the moulding intersects in the board ends to the top with an odd
and-panel construction. A flat corners it can be either mitered number of mortise-and-tenon Top
panel is trapped within a groove or coped. Coping works best to joints. By making the outer tenons
in a stile-and-rail framework. hide seasonal movement that oc- slightly smaller in width than
Because the groove is deeper than curs in wide rails. The panel can their corresponding mortises, the
the panel’s width, the panel is free be flat, beveled (also called raised) design allows the tenons to slide
to expand as the relative humid- or arched. I often use the panel inside the mortises when the rel-
ity climbs. As an added advan- as a place to show off wide, dra- ative humidity changes. Also, I Kerf
tage, the thick frame prevents the matically figured wood, such as don’t use glue in the joints be- Apron
wide, yet thinner, panel from crotch grain. cause glue would restrict move-
warping. ment. So to keep the joints tight-
Because of its ability to span 6 Breadboard Ends ly closed I secure them with a
broad areas while providing di- Breadboard ends are another time- wooden pin driven through the
Z-clip
mensional stability, frame-and- tested construction method for joint. I elongate the pin hole in
panel construction has been pop- keeping a large panel flat, while the tenon, which allows the tenon three construction methods you
ular for centuries. It’s been used still allowing for seasonal move- to slide around the pin during hu- can use to deal with wood move-
for doors, wall paneling and even ment. (You’ll still have to finish midity changes. During final as- ment; each time you encounter
casework. In fact, roll-top desks both faces of the panel — more sembly I apply glue only to the cross-grain construction it pres-
are constructed entirely from on that in a minute.) Breadboard center joint; this forces the sea- ents a new challenge.
frame-and-panel assemblies. end construction is used on lids sonal movement to occur equal- A final note on construction.
And the frame-and-panel as- for desks and chests and wide ly on both edges. Don’t mill large, flat panels until
sembly can be adapted to fit with- tabletops. you’re ready to shape them.
in the design parameters of most It works like this: Strips of 7 Attaching Tabletops Otherwise they may warp slight-
any furniture design. For exam- wood are attached cross-grain to Like other instances of cross-grain ly, making shaping and cutting
ple, the frame can be dressed up the ends of a wide panel. During construction, tabletops must be joints difficult. For example, make
with a simple moulding profile normal seasonal humidity changes, firmly attached to the framework the framework of a door first and
the breadboard ends pre- of the base while allowing for sea- dry assemble it to check for fit.
Rail vent the panel from sonal movement. The most com- Afterwards, cut the panel to size,
cupping because wood mon method is to use pocket shape it, and immediately fit it
has greater stiffness screws. into the frame to keep it flat.
along the grain than A series of screws are driven As an added precaution I’ll
Stile across the grain. through the edges of the aprons wrap an assembly in plastic to
Although the bread- into the underside of the top. To prevent moisture exchange until
board ends solve the cup- hide the screws, they are driven time for finishing. I use the rolls
ping problem, they can at a slight angle and the screw- of plastic available in hardware
potentially create a new head fits within a pocket on the stores and home centers.
problem — restriction of inside of the rail. To allow for
seasonal expansion and movement, the screw holes in the 8 Seal the Wood
contraction — in the rails are elongated for a sloppy fit. Sealing the surfaces of a board
panel. Other common methods to with a finish greatly limits the ex-
The key is to allow the attach tabletops to bases include change of moisture. It’s impor-
panel to “float” within the z-shaped clips that slide into a tant, though, to seal all surfaces.
ends. Anytime you en- groove in the table’s apron and Leaving a surface unfinished, like
counter cross-grain con- screw to the underside of the top I did with my tabletop, can cause
struction you must allow for and shop-made wooden buttons warping. This occurs because one
movement. Restricting that do the same thing. face absorbs moisture at a much
wood’s natural movement will Frame-and-panel, breadboard higher rate than the opposite face.
usually result in split boards and ends and pocket screws are just Finally, once the furniture is
Panel in the house, don’t set it direct-
ly over a heating duct. Despite all
Frame
Frame your efforts, the continuous blast
&& of hot, dry air can create serious
Panel
Panel wood movement problems. PW
Expansion gap
P l
ILE
PANEL
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1 Rabbeting (3/8") 3/8", 1/2", 3/4")
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1 Round Nose (1/4") 1 Bevel (25º)
Hinge Mortising (1/2", 5/8", 3/4"), Classical Bit (3/16" r),
1 V-Groove (3/8") 1 Panel Pilot (3/8")
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®2001
Bedside Table
B
uilding cabinetry can give you a serious there for good. (You can easily make the doors
case of Zen Buddhism. In fact, the con- removable by deepening the grooves in the
tradictions in woodworking are some- top rail and increasing the width of the tongue
times amusing — if not enlightening. Cabinets, on the top of the doors.) To ensure the doors
for the most part, are more air than wood. slide smoothly for years to come, choose straight-
To build a piece of furniture is grained stock for the parts.
This frame- mostly a process of removing wood. The rails and stiles of the doors are joined
And to make a project look as using mortises and tenons. The plywood panel
and-panel simple and plain as this one does, rests in a rabbet cut in the back of the door,
it is quite a complicated process. and the slats are merely glued onto the panel.
project Now before you start worrying Begin by cutting your 1⁄ 4"-thick x 1"-long
that this simple bedside table is tenons on the rails. As you can see in the photo
is all about too much for your woodworking on the next page, the shoulders facing the out-
skills, remember my favorite side edges of the door are 1⁄ 2" bigger than the
grooves, Bulgarian proverb: “If you wish ones facing inside. This makes a cleaner-look-
to drown, do not torture yourself ing joint when you cut the tongue on the
tongues and with shallow water.” top and bottom of the door. Now cut the match-
ing mortises in the stiles. Glue
ancient Frames and Panels and clamp the doors. We shape clay
Except for two small pieces of ply- When the glue is dry, cut a
proverbs. wood in the sliding doors, this 1⁄ 3
4"-deep x ⁄ 8"-wide rabbet on the
into a pot,
project is made entirely out of backside of each door. Square the
solid wood. To account for the seasonal ex-
pansion and contraction of the material, the
corners with a chisel. Finish sand
the 1⁄ 4" birch plywood panel and
but it is the
table is built using a series of frame-and-panel
assemblies. In a nutshell, all of the frames are
then glue it in the rabbet. When
that glue is dry, glue the slats in
emptiness
connected using mortise-and-tenon joinery.
The panels all rest in 3⁄ 8"-wide x 3⁄ 8"-deep
place spaced 1" apart.
Finally, to complete the doors
inside that
grooves in the frames. After you have milled
all the parts using the cutting list and glued
cut a 1⁄ 4"-thick x 3⁄ 8"-long tongue
on the top and bottom edge of
holds whatever
up any panels you might need, I recommend
you begin by building the doors.
the backside of the doors. we want.
The Case — Lao Tzu, Zen saying
Lightweight but Solid Sliding Doors Begin work on the case by cut-
The sliding doors on this table run in 1⁄ 4"-wide ting 1⁄ 2"-thick x 1"-long tenons on all the rails
x 1⁄ 4"-deep grooves cut into the frame pieces. with a 1⁄ 4" shoulder all around. Now use your
Once this table is glued up, the doors are in tenons to lay out the locations of the mortis-
Photo by Al Parrish.
by Christopher Schwarz
Comments or questions? Contact Chris at 513-531-2690 ext. 407 or [email protected].
www.popwood.com 73
BEDSIDE TABLE
NO. ITEM D I M E N S I O N S ( I N C H E S ) M AT E R I A L
T W L
Top
❏ 2 Top stiles 13⁄ 4 13⁄ 4 30 Maple 3⁄ 3
8" x ⁄ 8" groove on inside edge
❏ 2 Top rails 13⁄ 4 13⁄ 4 18 Maple 1" TBE, 3⁄ 8" x 3⁄ 8" groove on inside edge
❏ 1 Panel 3⁄
4 161⁄ 2 201⁄ 2 Maple in 3⁄ 8" x 3⁄ 8" groove; 1⁄ 2" x 3⁄ 8" rabbet, all sides
Base
❏ 4 Legs 13⁄ 4 13⁄ 4 23 Maple 3⁄ 3
8" x ⁄ 8" groove for side & back panels
❏ 4 Rails for sides 1 11⁄ 2 14 Maple 1" TBE, 3⁄ 8" x 3⁄ 8" groove for side panels
❏ 3 Rails frt & bk 1 11⁄ 2 22 Maple 1" TBE, 3⁄ 8" x 3⁄ 8" groove for back panel
❏ 1 Front bottom rail 2 11⁄ 2 22 Maple 1" TBE
❏ 2 Top & bot panels 3⁄ 4 123⁄ 4 203⁄ 4 Maple 1⁄ 3 3 3
2" x ⁄ 8" rabbet on edges; rests in ⁄ 8" x ⁄ 8" groove
❏ 2 Side panels 3⁄
4 125⁄ 8 125⁄ 8 Maple 1⁄ 3 3 3
2" x ⁄ 8" rabbet on edges; rests in ⁄ 8" x ⁄ 8" groove
❏ 1 Back panel 3⁄
4 125⁄ 8 205⁄ 8 Maple 1⁄ 3⁄ 3⁄ 3
2" x 8" rabbet on edges; rests in 8" x ⁄ 8" groove
Doors
❏ 4 Stiles 1⁄
2 11⁄ 2 121⁄ 2 Maple
❏ 4 Rails 1⁄
2 13⁄ 4 91⁄ 2 Maple 1" TBE
❏ 2 Panels 1⁄
4 81⁄ 4 93⁄ 4 Ply in 1⁄ 4" x 3⁄ 8" rabbet on back of door
❏ 8 Slats 1⁄
8 1 71⁄ 2 Maple applied to panel
KEY: TBE= tenon on both ends.
1 1/2" 1 1/2"
8"
1 3 /4 "
7 1/2"
1 3 /4 "
3/
are cut conventionally). Finally,
miter the tenons so they fit in the
mortises without bumping into
12 1 /2 "
1 3 /4 " 1" spaces
each other.
19 1 /2 "
16"
Two Grooves for Every Rail
There are lots of grooves on the
rails and in the legs. One way
8"
101/2"
to cut them all is using a 3⁄ 8 "
3/
1 3 /4 "
straight bit and a router table Door elevation
setup. However, I like to see what’s
Plan 30"
1 3/4"
16"
1 3/4"
going on when I cut grooves like
these. So I used an aftermarket
1 3 /4 "
24 3 /4 "
pable of the job, however.
Set your 3⁄ 8" straight bit so it
12"
12"
2"
16 "
16 "
16 "
3/
3/
1"
1"
7/
1 3 /4 "
www.popwood.com 75
Here’s where it all
comes together. You can
see the grooves for the
panels in the rails and
legs and the mitered tenons.
SUPPLIES
Rockler
www.rockler.com
800-279-4441
Desktop fasteners,
item # 21650, $3.99 for
a package of eight.
Micro Fence
www.microfence.com
1-800-480-6427
Again, when cutting the grooves, you want to move the router in the direction
opposite the rotation of the cutterhead. In this instance, this means moving the assemble the case. Apply glue in such as this, I can’t help but look
router from left to right. the mortises, slide the doors in askance at the tiny imperfections
place and clamp it up. Check the (unnoticeable to most people)
the grooves. A couple passes with the top recessed into the frame). case for square across the height that come from handwork. But
a shoulder plane on the tongues Set the depth of cut to 3⁄ 8" and and depth of the case. When the then I try to remember another
made my doors slide smoothly. cut the grooves in the rails and glue is dry, attach the top using Zen saying from Ts’ai Ken T’An
Once everything fits, glue the the stiles. desktop fasteners (sometimes that should comfort all wood-
side assemblies up. Put glue in the Cut the detail on the ends of commonly called “figure-8” fas- workers: “Water which is too pure
mortises, but not in the grooves. the stiles as shown in the draw- teners). With a 3⁄ 4" Forstner bit has no fish.” PW
You’ll want to finish everything ings. I cut it using my band saw chucked into your hand drill, cut
before final assembly, so set the and cleaned up the bevel using a a recess for the fastener in the top
side assemblies and the rest of the plane. Finally, cut a 3⁄ 8"-deep x of each leg. Screw the fasteners
1⁄
parts aside for later. 2"-long rabbet on the bottom to the legs. Then screw the case
side of your panel. Finish sand all to the underside of the top.
The Top: Still More Grooves the parts and glue up the top frame. Whenever I finish a project
The top is made much the same
as the sides. First cut the 1⁄2"-thick Finish and Fit My large shoulder
x 1"-long tenons on the ends of Before finishing, apply masking plane is probably one
of the most useful
the rails. Cut the mortises to match tape to all the tenons and plug tools in my shop. It
in the stiles. Get out your router the mortises with packing peanuts. trims tenons and
and your fence again, chuck the Apply three coats of a clear fin- deepens rabbets better
3⁄ than anything else out
8" straight bit in there and set ish, such as clear shellac or lac- there.The original
the distance between the bit and quer, and sand between each coat. Record 073 (now out
the fence to 3⁄ 16" (this will make When the finish has fully cured, of production) sells
used for several
hundred dollars. I
bought my Lie-Nielsen
BOOKSHELF version for $225.
Pricey? Yes, but well
If you’re interested in Asian furniture, tools and construction methods, I recom- worth it.When you
mend the following books available from The Japan Woodworker, 800-537-7820: trim the tongues on
the doors, make sure
“The Complete Japanese Joinery” by Hideo Sato, item # 03.241, $29.95 you have something
backing up your cut or
“The Art of Japanese Joinery” by Kiyosi Seike, item # 03.009, $16.95 you will blow out the
“Traditional Japanese Furniture” by Kazuko Koizumi, item # 03.195, $85 grain at the end.
“Japanese Woodworking Tools: Their Spirit, Tradition and Use” by Toshio Odate,
item # 03.250.25, $24.95
Free
Miter1000
KitCatalog.
Over 650
Different
Different Professional
Professional
Quality Router
Quality Router Bits...
Bits...
1.800 .642.0011 A M E R I C A
P.O. Box 1099 • Chardon, OH 44024
www.emperorclock.com
Department 8005 P.O. Box1089
Fairhope, AL 36533 800-872-2511
www.eagle-america.com 1.800.752.0725 • www.woodpeck.com
Circle #106 on Reader Service Reply Card Circle #104 on Reader Service Reply Card Circle #133 on Reader Service Reply Card
T
he tongue-twisting term biolumines- than-perfect joints. The fins, head and tail
cence translates to the production of will cover them.
light by living organisms. Biolumi-
nescent fish light up to lure prey, defend Ribs
themselves and attract other fish. The Apply two body patterns to 1⁄4" Finnish birch
majority of such fish are found in the deep- (Baltic birch or Appleply will also work) ply-
est regions of the ocean in a realm of wood. A 12" x 36" sheet will fill the bill. Drill
perpetual darkness. Wanda (genus Happy all the 3⁄ 16" dowel holes. With a scroll saw,
woodfishium), the glowing subject of this ar- play connect-the-dots and cut out the ribs
ticle, was unexpectedly hatched in broad and the outer oval. Nest the ribs and oval,
daylight at an altitude of 837 feet above keeping the original face-grain orientation.
sea level in the rolling hills of Delaware, Apply small tabs of electrical tape to the front
Ohio. Talk about a fish out of water. Although tops to keep it all sorted out. Glue the largest
relieved from the day-to-day lantern fish re- of the basket-like shapes to the backbone.
sponsibilities of luring, defending and at-
tracting, she stands ready to provide just the Dowels
right touch of mood lighting for the author Cut 96 (that’s right, 96) 3⁄ 4" lengths of 3⁄ 16"
and his family. dowel. Since it is important that the ends of
the dowels are square, I used a micro miter
Backbone box with a stop clamped in place.
As with any good vertebrate, a backbone is
the key to a successful Wanda. The pine back- Body Half Assembly
bone is the same shape as the first rib as shown On each rib, glue the dowels in the inner
in the drawing. All the drawings are half- notches. Make sure they are plumb and flush
scale. Enlarge them 200 percent to make with the bottom of the strip. Slide a small
them full size. Because I didn’t have stock rib down over the dowels on a larger rib
wide enough to create the required 9" x 12" until the top 1⁄ 4" of the dowels is exposed.
oval, I cut two 41⁄ 2" x 12" C-shapes from 1⁄ 2" With a small brush, apply glue to the inside
clear pine and glued them together with of the exposed dowels. Now pull the small
joints at the head and tail. Don’t sweat less- rib up until it is flush with the top of the
by John W. Hutchinson
Photo by Al Parrish.
After nearly exhausting the realm of land animals to depict in his wooden creations, Pillar coral
John has turned to the sea for inspiration. A Lamp Called Wanda will soon be followed (1 required)
by a wind-driven exercise in octopus behavior. We’ll give you a little shore leave to rest up for that one.
www.popwood.com 79
Enlarge the patterns to full size This small-size miter box
at your local copy store (yes, and the gent’s saw are
Copy Store person, you have available for sale at most
our permission to reproduce woodworking stores. They
this copyrighted material). are the key to cutting the
Adhere the patterns to your 96 dowels with square
plywood using a spray adhe- ends. I clamped a stop
sive or rubber cement and then block in the miter box to
drill all the 3⁄ 16" holes using ensure all the dowels were
your drill press.Then it’s just a the same length.
matter of connecting the holes
by cutting on the lines.
dowels. When this first sub- Base bit, drill the perimeter through- two outer disks. The cavities pro-
assembly has dried, slide it down While it would be easy to run out holes. After the drilling is com- vide a place for the wiring con-
and over the dowels protruding and purchase a gorgeous chunk plete, it’s again time to play con- nections. The smallest semicir-
from the next largest rib, apply of coral for the lamp base, doing nect-the-dots with the scroll saw. cle becomes the removable cap.
glue to the dowels and pull up. so would only hasten the demise Glue up the three-layer coral with Drill a small hole in the cap for
Continue this process until you’ve of one of Mother Nature’s treas- the help of 3⁄ 8" alignment dowels the lamp cord. Glue the larger
created two “baskets.” Work back ures. It’s satisfying, and a lot of inserted into a few of the cups. pieces together and attach the cap
and forth between the two body fun, to create your own under- The pillar coral and turtle grass with brass wood screws. Drill a 3⁄8"
halves, allowing the glue to dry water kingdom from scraps of are cut from a contrasting wood. hole through the large disk and
as you go. wood and dowel lying around the I used clear cedar. epoxy a length of copper pipe into
shop. For the mound of brain coral The brain coral is backed up the hole with 14" protruding. Drill
Appendages that anchors the lamp, I used 1x by three joined semicircles. Some a series of angled holes, again in
Laminate two layers of 1⁄ 4" ply- cherry. Apply three patterns for scrap 1x oak was the wood of the large disk, to house the 1⁄ 4"
wood to create 1⁄ 2" stock for the the successive layers to the stock. choice here since it added heft to dowel reeds. Finally, center and
head, fins and tail. Apply the pat- Bore the grid of 1⁄ 4"-deep “cups” the base. As shown in the pat- glue the semicircle assembly on
terns and cut them out on the with a 3⁄ 8" Forstner bit. terns, scroll saw the cen- the back of the brain coral.
scroll saw. Drill the eye sockets With the same ters out of the
and insert 3⁄ 8" walnut screw hole Lamp Holder
buttons. Glue the appendages to Cut out two lamp holder disks
the backbone. from 1⁄2" stock. Position cop-
3⁄
8”
diameter
through
and
stopped
holes
outline of
backbone
12 "
9"
The two wooden pieces of the lamp holder are joined by Here’s what the lamp assembly looks like.Though the
copper “tees” epoxied into holes drilled through the wiring is not difficult, I recommend you consult with an
wooden circles. electrician friend to ensure your lamp won’t accidentally
transform into a “Wanda flambe.”
per “tees” in the holes and glue center of the disks. Slide the upper epoxy them to the copper tees in tach the remaining body side to
with epoxy. Next, screw (or glue) and lower copper tubes through the lamp holder. Also epoxy the the backbone with brass wood
the lamp sockets in place on the the holes in the backbone and backbone to the tubes to keep screws.
the body from rotating. In other
words, glue everything to every- Let Her Shine
Hole for the
thing. With the guidance of some- Aside from a mild case of
copper tees
one versed in the ways of flowing Repetitive Motion Disorder
electrons, fish (great term here) brought on by all the cutting and
Outline of the electric cord up through the drilling, the pleasure derived from
bulb socket
lower copper tube and make con- adding Wanda to your household
nections at the socket terminals. will far outweigh the pain. PW
Screw in the light bulbs and at-
Lamp holder 3⁄
8”-diameter hole in large
(2 required) disk to internal cutout
Screw locations
on removable cap
Remove
hatched
area from
two larger
disks
Turtle grass
(2 required) 3-layer brain coral backup
Pier Cabinet
with Shelves
and Storage
T his makes an attractive
piece in either walnut or
mahogany, and the construc-
tion is not at all difficult. There
is a closed compartment at the
bottom, and four adjustable
shelves, the shelves being sup-
ported by the conventional
shelf stops you can purchase at
any hardware store.
As can be seen in the draw-
ing, the construction follows
standard practice, with the back
rabbeted into the side pieces and the top and bottom screw-fastened into place.
Use dowels or mortise-and-tenon joinery when fitting the top of the compartment.
The work can be simplified by using metal angles on the underside as a means of
support. A pair of 11⁄ 2" by 1⁄ 2" brass butt hinges carry the door, which will also re-
quire a small friction catch to hold it in a closed position.
The main ornamentation is the pediment. This is made up in two parts, the
main body being 3⁄ 4" stock and the moulding somewhat heavier. The lighter
piece should be band sawed to shape first; then the mould can be sawn to the right
curve and later shaped on the drill press. The moulding is not shaped on the back
side, but is left flat to glue flush to the lower portion. The two rails butt against the
pediment, and are screwed in place about 7⁄ 16" from the edge of the top.
It is important that the holes for the shelf stops be in
exact alignment, and to that end it is advisable to use some
form of jig when boring these on the drill press. There are
22 stop positions, the centers being 13⁄ 8" apart and the same
distance in from the edge and back of the cabinet. The stops
should be purchased before drilling the holes since the size
varies from 3⁄ 16" up. There is a bit of turning to do — four
legs, a rosette for the pediment and a handle for the door.
All of these can be chucked quite nicely on a single screw
center. PW
www.popwood.com 83
making
your own CHISEL
HANDLES
You don’t have to own a lathe
to make replacement handles Ferrule
Bolster
few months ago I had to didn’t rate so high. Marples chis- Neck
cutting edge, if the tool feels like The more I thought about place the offending handle. rehandle a similar, but less val-
a billy club in your hand it’s of lit- it, the more this seemed an un- You can turn a chisel handle ued, chisel (or two) for practice.
tle use. Several of the top-per- happy compromise. It was once
forming chisels had clunky han- common practice to sell unhan- by Roger Holmes
dles, while the handles I liked dled chisels. Craftsmen bought Roger Holmes trained as a furniture maker in England and has been working wood
best were attached to chisels that the chisel blade then bought or professionally and for fun for 30 years. He lives in Lincoln, Nebraska.
Ferrule
seat
cold chisel. Or you may need to them. Driven into a wooden han-
bore out some of the wood from dle bored to the same diameter
inside the ferrule to loosen it. If as the tang (or slightly smaller),
you don’t want to keep the fer- the fins might be enough to en-
rule, just cut through its length sure a tight fit, particularly for a
with the hacksaw and pry it off light-duty chisel. I ground facets
the tang. on the tang and sized the pilot
The process is similar for a hole accordingly to be on the safe
composite handle, which is cast side.
in place around the tang. Using To ensure that the edges of the
the hacksaw, I cut off the end of tang dig into the wood, the pilot
the handle. Then I make length- hole should be smaller than the
wise cuts down to the tang to quar- tang. For a square-section tapered
www.popwood.com 85
The chisel blade in
the center has a forged,
four-sided tapered tang. The
other blades have cast tangs.
The left one, for a composite handle,
is cylindrical, with small “fins” along its
length. The right blade, for a wooden handle,
has four faceted faces but no taper.
You can make handles in a wide variety of shapes quickly and easily on a lathe.
tang, the larger of the stepped have less give and will split more precaution regardless of the tool’s posite handle, make sure there
pilot holes can be the same di- easily. intended use. Chisels and gouges will be enough wood inside the
ameter as the diagonal across the subjected to heavy banging are ferrule to accommodate the tang.
tang as measured about one quar- Ferrules often fitted with a metal hoop at In general, the diameter of the
ter the length of the tang from These short cylinders of brass the top of the chisel to prevent ferrule must be at least that of the
the bolster. (The bolster is the or copper bind the handle just splitting at that end. chisel’s bolster.
flared section between the chis- above the bolster of the chisel. The size of the tang and bol- If you don’t reuse a ferrule,
el’s narrow neck and the tang; The bolster and ferrule work to- ster largely determine the size of you can make your own from cop-
it seats against the end of the han- gether to prevent the handle from the ferrule. If you’re replacing a per tubing sold at hardware stores.
dle.) Take the measure for the splitting when the chisel is dri- wooden handle, you can reuse Or you can buy brass ferrules for
smaller hole about three-quar- ven by a mallet. Chisels and gouges the ferrule or use one the same a few cents apiece from Lee Valley
ters of the length of the tang from used only with hand pressure need size. If you want to fit a smaller Tools. These come in a wider
the bolster. For an untapered no ferrules. But most chisels have ferrule or you’re replacing a com- range of diameters than are avail-
faceted tang, make a single pilot ferrules even if they’re intended
hole of smaller diameter than the for fine paring work; some carv-
tang’s diagonal measure. The dif- ing tools do not. For many chis- Tang
ference in the size of the hole and els, the greatest risk of splitting
the tang can be larger in softer the handle comes when fitting Ferrule
woods than harder woods, which the handle, so a ferrule is a good
Second pilot hole
Neck Second
pilot hole
First pilot hole
Tang
Bolster
Ferrule
Grind flat facets on a round cast tang made for a composite handle to ensure a tight
fit in the new wooden handle.
www.popwood.com 87
After making cuts at the corner to
prevent splitting along the handle’s
entire length, form the ferrule seat with
a chisel (left).
Hand-shaping a Handle
If you don’t have a lathe, or you
want a faceted handle, it is easy
to shape one by hand. The tricky
part is boring the pilot hole in
the handle so that the blade and
handle will be aligned. A blade
that skews off the handle cen-
terline can be very awkward to
use. I think the easiest method
is to bore the hole in a square
handle blank before shaping the
handle. With a drill press the
hole can be bored very accurately.
Or the blank can be held firmly
in a vise for hand drilling. Set a
square or two up to gauge the an-
gles.
Next, form the seat for the
ferrule. Make saw cuts in at each
corner to prevent splitting be-
yond the ferrule seat. Then pare
carefully with a chisel until the about the orientation of the pilot center pilot hole.
ferrule fits the seat snugly. If you’re hole, you can assemble the han- Rehandling a chisel or gouge
confident that the pilot hole is dle and blade, then shape with is very satisfying. A homemade
well centered along the length drawknife and spokeshaves, as handle may not be stronger or
Different chisel handles as shown in of the blank, you can shape the shown in the photos. This can more durable than one from the
R.A. Salaman’s “Dictionary of handle, then assemble it with be a bit awkward in spots, but it factory. But it is certainly more
Woodworking Tools” (Astragal Press),
an excellent resource on the identifica- ferrule and blade as described allows you to make adjustments personal and is worth doing for
tion and history of hand tools. previously. If you’re uncertain in the handle to offset an off- that reason alone. PW
T
Bench
here are few clamping
jobs that are more diffi-
cult than trying to se-
cure something big so that you
can work on its edge. Mortising
a large door for a hinge is a com-
Deadman
mon situation. Cleaning up the
long edge of a board you just band
sawed is another.
These problems are quickly
and easily solved with $10 and
by taking a lesson from 18th-cen-
tury joiners. A common feature
on older benches is what’s called For less than $10, you can rig your workbench
a sliding deadman. This con-
traption works with your face vise to easily support and clamp large panels, doors and long boards.
to support work that is long, wide
or both long and wide. I adapted by Christopher Schwarz
mine from a sketch of a deadman Comments or questions? Contact Chris at 513-531-2690 ext. 407 or [email protected].
www.popwood.com 89
BENCH DEADMAN
NO. ITEM DIMENSIONS (INCHES) M AT E R I A L NOTES
T W L
❏ 2 Rails 13⁄ 8 11⁄ 2 47 SYP Half-size plan of ledge
❏ 1 Deadman 13⁄ 8 7 195⁄ 8 SYP 1⁄
2" TBE
❏ 1 Ledge 3⁄
1 8 4 87⁄
71⁄ 2 SYP
❏ 1 Dowel 5⁄
8 dia. 5
TBE = TENON ON BOTH ENDS; SYP= SOUTHERN YELLOW PINE OR EQUIVALENT
1"
2"
2"
2"
2"
5 / "dowel
8
Your bench may vary
7/
8"
19 5/8"
19 "
1/ "
4 roundover
on long edges
of deadman
19 / 9/ 19 /
32 " 16 " 32 " #52
3
/8 "
1 1/2"
1 3/8"
www.popwood.com 91
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BUSINESS OPPORTUNITIES
Causes of Damage
The two elements that cause the most dam-
age to furniture, especially to the finish, are
light and physical abuse. No one can keep
furniture totally away from light, but furni-
ture can be kept away from bright light near
windows, which causes finishes to deterio-
rate faster than they would otherwise. To see
what light does to finishes, compare the con-
dition of an old finish protected from light
under some hardware with the finish around
www.popwood.com 95
OUT OF THE WOODWORK
Sacrificial Scraps
On a cold winter night
I realize memories are
made of many things,
including cut-offs from
my shop’s scrap barrel.
I
have a small, galvanized trash can in my
workshop where I throw scraps of hard-
wood that are too small to put to use. It
sits near the outfeed side of my table saw where
it’s out of the way but easily reached by a short
toss from anywhere in the shop. Pieces of
white oak, maple, cherry, mahogany, black
walnut, rosewood and the occasional poplar
fragment eventually overflow the 3'-wide can
and have to be dealt with. Pine doesn’t make
the cut (if you’ll pardon the pun) because the
can is for wood that will end up in the fam-
ily fireplace. Pine burns too hot and coats the
flue with creosote, so it goes in the compost
heap along with my sawdust. But the hard-
wood scraps pile up and once each year they
warm the cold New England winter; usually
in late January or early February, and for some
reason that I can’t explain, always at night. lengths of wood have so many holes, mor- best thing.
The fire starts out with nondescript strips tises, rabbets, grooves and tenons that there And finally, at the bottom of the barrel,
of plywood for kindling. They’re light and is simply no surface left to cut. I can’t help I find pieces from what seems like long ago.
burn quickly. On top of that go thin lengths but feel a pang of regret when throwing these Some of the scraps reveal the progress that
of any wood that is unfit to use. Perhaps some hardworking helpers onto the fire. It seems I’ve made in the months since they were
strips of maple with ugly wane or lengths a shame to burn them, but they served their tossed out. Or a scrap might surprise me in
of glued-up end grain cut from squaring-up purpose and their time has come. that I don’t remember being able to perform
a tabletop. Thicker but shorter pieces fol- I give away most of what I build, so some a particular operation so long ago.
low. Lengths of picture frame that are just to scraps take me back to projects that I haven’t When there’s nothing left except saw-
small to eke out four more sides, or maybe seen in a while. I might pick out a piece and dust and slivers, the barrel goes back to its
some sections of trim from a large case piece. show it to my wife. We’ll discuss whatever humble position by the saw, ready to accept
The fire slowly builds and, with the help of it was that I was building then, or something a new lot of castoffs and scraps. Sitting there
a few logs, warms the house for hours. that happened in our lives at that time. It’s empty, it seems to invite me to get busy and
But it’s the process of feeding the blaze like getting a roll of film developed that has do some woodworking. Maybe this will be
that proves cathartic. Because the barrel fills been in the camera for a year. the year that I master hand-cut dovetails.
over the course of a year or more, pieces from There are pieces, though, that I have no Or perhaps I’ll tackle a particular project
past projects emerge and remind me of the compunction about burning. If a project was that may have intimidated me in the past.
different phases of my long apprenticeship ill conceived or poorly executed, I get a sense It’s funny, but that empty barrel seems to
with woodworking. Short cut-offs of prac- of finally being done with it once the last hold a lot of promise. PW
ticed hand-cut dovetails look rougher as they scraps meet their fiery demise. It’s not as if
emerge from deeper within the barrel. Pieces I burned the whole piece, but I might have Joe Pescatello works wood in Rye, New Hampshire. His
that were used for testing machine setup tell wanted to during construction. Throwing articles have appeared previously in Modern Drummer
of trial and error to get the perfect fit. Some the cutoffs into a roaring blaze is the next- and Home Office Computing magazines.