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Becoming a Queen in
Early Modern Europe
East and West
Katarzyna Kosior
Queenship and Power
Series Editors
Charles Beem
University of North Carolina
Pembroke, NC, USA
Carole Levin
University of Nebraska
Lincoln, NE, USA
This series focuses on works specializing in gender analysis, women’s studies,
literary interpretation, and cultural, political, constitutional, and diplomatic
history. It aims to broaden our understanding of the strategies that queens—
both consorts and regnants, as well as female regents—pursued in order to
wield political power within the structures of male-dominant societies. The
works describe queenship in Europe as well as many other parts of the world,
including East Asia, Sub-Saharan Africa, and Islamic civilization.
Becoming a Queen
in Early Modern
Europe
East and West
Katarzyna Kosior
Northumbria University
Newcastle upon Tyne, UK
This Palgrave Macmillan imprint is published by the registered company Springer Nature
Switzerland AG
The registered company address is: Gewerbestrasse 11, 6330 Cham, Switzerland
For my family
Acknowledgements
vii
viii ACKNOWLEDGEMENTS
6 Conclusion173
ix
x Contents
Appendix E: ‘Libel Against the Second Marriage of King
Sigismund August’ 215
Bibliography 219
Index251
Abbreviations in Footnotes
xi
xii ABBREVIATIONS IN FOOTNOTES
After the banquet there was dancing. King Ferdinand was dancing himself,
and rather a lot. After dancing they went to the bedroom. There, the King
told the Voivode of Vilnius to lie down, saying: ‘The usual custom has to be
observed in our House.’ And when the Voivode of Vilnius lay down as he
was dressed, the King ordered his daughter to lie down beside him, but she
was too embarrassed to do it. So her father caught her by the shoulders and
said to his son: ‘Maximilian, help me.’ Maximilian caught her legs, and they
put her next to the Voivode. Immediately afterwards the Queen leapt out of
1
U. Borkowska, Dynastia Jagiellonów w Polsce (Warsaw: PWN, 2011), p. 251.
2
The censored version: Ł. Górnicki, Dzieje w Koronie Polskiej od r. 1538 do r. 1572, K. J.
Turowski (ed.) (Sanok: Karol Pollak, 1855).
bed, not without help, and the Voivode as well. There were other ceremo-
nies too, but not accompanied by grand speeches as in our country.3
This moment of tension has much to teach us about queenship, royal cer-
emonies, and royal families. The Polish and Habsburg sides both under-
stood the purpose and general procedure of marriage by proxy, but
differences in political cultures were alluded to. The Poles, having just
arrived from an elective, parliamentary monarchy where rhetorical skill
was highly valued as part of the culture of active political participation,
expected royal ceremony to be accompanied by ‘grand speeches’.
Consummation by proxy was not usually part of Polish ceremonies, and
Ferdinand referred to it as the custom of ‘our House’. These differ-
ences could be navigated by ambassadors, who acted as intermediaries and
were normally well versed in the protocol of royal courts. However,
Mikołaj ‘the Black’ Radziwiłł was not an experienced ambassador and had
only entered the world of high-level politics following his cousin Barbara’s
scandalous, but short-lived, marriage to Sigismund August in 1547—she
died in 1551. This helps explain why he was so oblivious to the custom
that Ferdinand had to give him instructions. Górnicki reports that the
voivode lay down ‘as he was dressed’, while the usual custom was for the
ambassador to undress down to his shirt. Even if Radziwiłł’s behaviour
was unusual, Catherine’s resistance cannot be explained by maidenly
embarrassment. She was already 20 years old and a widow, having been
married to Francesco III Gonzaga, Duke of Mantua, for four months in
1549–1550. Catherine must have been familiar with the custom and
understood that this was part of the job. Instead of the maidenly blushes
that would befit a princess bride, the episode reveals the complex personal
anxieties Catherine must have felt about the marriage. She had to be put
into bed by force and immediately leapt out almost fainting in the process,
because she was marrying the same man her sister Elizabeth had married
ten years previously, the man who notoriously neglected the older
Archduchess on account of his then mistress, Barbara Radziwiłł. Having
to get into bed with the cousin of the woman who stole her older sister’s
(and now Catherine’s own) husband added insult to injury. This episode
3
All translations are my own unless otherwise stated. Ł. Górnicki, Dzieie w Koronie Polskiey
za Zygmunta I y Zygmunta Augusta aż do śmierci iego z przytoczeniem niektorych postronnych
Ciekawości od Roku 1538 aż do Roku 1572 (Warsaw: Drukarnia J.K.M. y Rzeczypospolited
Collegium XX Scholarum, 1754), p. 56.
INTRODUCTION: EAST AND WEST 3
throws into sharp relief that these ceremonies, which so often come down
to us as sets of depersonalised platitudes, were, in fact, deeply personal.
Górnicki’s report also helps us think about family dynamics in the context
of dynasticism and rehearses ideas about the gendered expectations of
royal women. Ferdinand would not be humiliated by his daughter and she
is made to comply by force. In the report, dynastic rhetoric of ‘our house’
quickly becomes the family business of disciplining Catherine—the father
calls his son, not his courtiers, to help him.
Catherine embodies the connections between European royal courts in
the sixteenth century that this study encompasses. As the daughter of
Anne of Bohemia and Hungary, she was niece, sister, and aunt to queens
of France and Poland-Lithuania. She was also the granddaughter of Anne
de Foix, who was the cousin to the queens of France Anne of Brittany and
Claude of France. But even though Catherine’s cousins, sisters, aunts, and
nieces figure prominently in French and English-language scholarship, she
and her fellow queens of Poland are absent from narratives about sixteenth-
century queenship, even those that claim to have a pan-European focus.4
The obscurity of Polish queens helps perpetuate the notion that Europe
was historically divided into ‘West’ and ‘East’, implying that a fundamen-
tal political and cultural divide animated life on the continent. As Norman
Davies observes, ‘by taking transient contemporary divisions, such as the
4
For example, see: T. Earenfight, Queenship in Medieval Europe (New York: Palgrave
Macmillan, 2013); T. M. Vann (ed.), Queens, Regents and Potentates (Cambridge, 1993);
J. Eldridge Carol, Fairy Tale Queens: Representations of Early Modern Queenship (New York:
Palgrave Macmillan, 2012); D. Barrett-Graves (ed.), The Emblematic Queen: Extra-Literary
Representations of Early Modern Queenship (New York: Palgrave Macmillan, 2013); S. Jansen,
The Monstrous Regiment of Women: Female Rulers in Early Modern Europe (New York:
Palgrave Macmillan, 2002); A. J. Cruz and M. Suzuki (eds) The Rule of Women in Early
Modern Europe (Champaign: University of Illinois Press, 2009); L. O. Fradenburg (ed.)
Women and Sovereignty (Edinburgh: Edinburgh University Press, 1992); J. C. Parsons (ed.)
Medieval Queenship (New York: St Martin’s Press, 1993). Exceptions: A. Bues (ed.) Frictions
and Failures: Cultural Encounters in Crisis (Wiesbaden: Harrassowitz Verlag, 2017),
pp. 105–132; C. Fleiner and E. Woodacre (eds), Virtuous or Villainess? The Image of the
Royal Mother from the Early Medieval to the Early Modern Era (New York: Palgrave
Macmillan, 2016); E. Woodacre (ed.), A Companion to Global Queenship (Amsterdam: ARC
Humanities Press); H. Matheson-Pollock, J. Paul, C. Fletcher (eds), Queenship and Counsel
in Early Modern Europe (New York: Palgrave Macmillan, 2018), pp. 15–34. Two Polish
eighteenth-century queens were included by: H. Watanabe-O’Kelly, ‘Religion and the con-
sort: two Electresses of Saxony and Queens of Poland (1697–1757), in C. Campbell Orr
(ed.) Queenship in Europe 1660–1815: The Role of the Consort (Cambridge: Cambridge
University Press, 2004), pp. 252–276.
4 K. KOSIOR
N. Davies, Europe: a history (London: Pimlico, revised edition 2010), pp. 25–26.
5
been made to relate Polish queens to each other, never mind other
European consorts.9
This study seeks to address these imbalances. It uses ‘East’ and ‘West’
in a strictly geographical sense, eschewing any sense that these terms nec-
essarily signify fundamental cultural difference, and pierces stereotypes of
sixteenth-century Poland’s cultural and political isolation by offering the
first substantial comparison of Polish royal ceremony and culture with that
of France, an apparently quintessentially western realm. French queens
have been studied as a group by historians such as Fanny Cosandey,
Kathleen Wellman, and Simone Bertière, but their connection to the
Polish queens has never been fully understood or appreciated.10 More
9
Bogucka, Bona Sforza (Wrocław: Zakład Narodowy im. Ossolińskich, 1998/2010);
M. Bogucka, Anna Jagiellonka (Wrocław: Zakład Narodowy im. Ossolińskich, 1994/2009);
J. Besala, Zygmunt Stary i Bona Sforza (Poznań: Zysk i S-ka, 2012); W. Pociecha, Królowa
Bona (1494–1557): czasy i ludzie Odrodzenia, vols. 1–4 (Poznań: Poznańskie Towarzystwo
Nauk, 1949). A collection of sources relating to Jagiellonian women was published by:
A. Przeździecki, Jagiellonki Polskie w XVI w.: uzupełnienia, rozprawy, materyały, vols. 1–5
(Cracow: Drukarnia Uniwersytetu Jagiellońskiego, 1878). Jagiellonian princesses who
became Queen of Sweden and Duchess of Braunschweig-Wolfenbüttel: A. Bues, ‘Art collec-
tions as dynastic tools: The Jagiellonian Princesses Katarzyna, Queen of Sweden, and Zofia,
Duchess of Braunschweig-Wolfenbüttel’, in H. Watanabe-O’Kelly and A. Morton (eds),
Queens Consort, Cultural Transfer and European Politics, c. 1500–1800 (Oxon and New York:
Routledge, 2017), pp. 15–36. The discussion about the post-1572 queenship was opened up
by Robert Frost with a study Louise Marie Gonzaga: R. I. Frost, ‘The Ethiopian and the
Elephant? Queen Louise Marie Gonzaga and Queenship in an Elective Monarchy,
1645–1667’, The Slavonic and East European Review, vol. 91, no. 4 (October 2013),
pp. 787–817; Maria Bogucka put Polish women on the map of English-language gender
studies with her book that applies its methodologies to studying Polish women’s everyday
lives. M. Bogucka, Women in Early Modern Polish Society, against the European Background
(Oxon: Routledge, 2nd edition, 2016).
10
Cosandey, La Reine de France. Symbole et pouvoir, XVe–XVIIIe siècle; S. Bertière, Les
Reines de France au Temps des Valois (Paris: Éditions de Fallois, 1994); K. Wellman,
Queens and Mistresses of Renaissance France (New Haven: Yale University Press, 2013).
See also: J. Boucher, Deux épouses et reines à la fin du XVIe siècle: Louise de Lorraine
et Marguerite de France (Saint-Étienne: Publications de l’Université de Saint-Étienne,
1995). However, the most studied queens remain Anne of Brittany, Catherine de Medici,
and Mary, Queen of Scots: J. Poirier, ‘Catherine de Medicis and the Performance of
Political Motherhood’, The Sixteenth Century Journal, vol. 31, no. 3 (Autumn 2000),
pp. 643–673; K. Crawford, Perilous Performances: Gender and Regency in Early Modern
France (Cambridge: Harvard University Press, 2004); R. J. Knecht, Catherine de’ Medici
(London: Longman, 1998); I. Cloulas, Catherine de Médicis (Paris: Fayard, 1992); C. J.
Brown, The Queen’s Library image-making at the court of Anne of Brittany, 1477–1514
(Philadelphia: University of Pennsylvania Press, 2011); J. J. Rorimer, ‘The Unicorn
6 K. KOSIOR
Tapestries Were Made for Anne of Brittany’, The Metropolitam Museum of Art Bulletin,
New Series, vol. 1, no 1 (Summer 1942), pp. 7–20; C. J. Brown, ‘Books in Performance:
The Parisian Entry (1504) and Funeral (1514) of Anne of Brittany’, Yale French Studies,
No 110 (2006), pp. 75–79; A. Fraser, Mary Queen of Scots (London: Pheonix,
1969/2002); J. Guy, My Heart is My Own: The Life of Mary Queen of Scots (London:
Harper Perennial, 2004); J. Wormland, Mary, Queen of Scots: Politics, Passion and a
Kingdom Lost (New York: Tauris Parke Paperbacks, 2nd edition, 2001). Focus on the
more ‘powerful’ queens, i.e. regnants and regents has persisted in queenship studies since
the pioneering articles on Elizabeth I: A. Heish, ‘Queen Elizabeth I and the Persistence
of Patriarchy’, in Feminist Review, vol. 4 (1980), pp. 45–56; C. Levin, The Heart and
Stomach of a King: Elizabeth I and the Politics of Sex and Power (Philadelphia: University
of Pennsylvania Press, 1994); T. Earenfight, The King’s Other Body: Maria of Castile and
the Crown of Aragon (Philadelphia: University of Pennsylvania Press, 2009). Fanny
Cosandey similarly focuses on queens of France as regents: F. Cosandey, ‘“La blancheur
de nos lys”. La reine de France au cœur de l’État royal’, Revue d’histoire moderne et con-
temporaine, vol. 44, no 3 (1997), pp. 387–403. See also: M. Perry, Sisters to the King: The
Tumultuous Lives of Henry VIII’s Sisters: Margaret of Scotland and Mary of France
(London: Andre Deutsch Limited, 1998); J. F. Petrouch, Queen’s apprentice: archduchess
Elizabeth, empress María, the Habsburgs, and the Holy Roman Empire, 1554–1569 (Leiden,
Boston: Brill, 2010).
11
J. Duindam, Vienna and Versailles: The Courts of Europe’s Dynastic Rivals, 1550–1780
(Cambridge: Cambridge University Press, 2003). Some examples of thematic or regional
approaches: Peggy McCracken, The Romance of Adultery: Queenship and Sexual Transgression
in Old French Literature (Philadelphia, 1998); Eldridge Carol, Fairy Tale Queens; Jansen,
The Monstrous Regiment of Women; Cruz and Suzuki (eds) The Rule of Women in Early
Modern Europe; W. Layher, Queenship and Voice in Medieval Northern Europe (New York:
Palgrave Macmillan, 2010); Woodacre, The Queens Regnant of Navarre; Elena Woodacre
(ed.) Queenship in the Mediterranean: Negotiating the Role of the Queen in the Medieval and
Early Modern Eras (New York: Palgrave Macmillan, 2013); C. Beem, The Lioness Roared: The
Problems of Female Rule in English History (New York: Palgrave Macmillan, 2008); A. Hunt
and A. Whitelock (eds) Tudor Queenship: The Reigns of Mary and Elizabeth (New York:
Palgrave Macmillan, 2013); C. Levin, D. Barrett -Graves, and J. E. Carney (eds), High and
Mighty Queens of Early Modern England: Realities and Representations (New York: Palgrave
Macmillan, 2003).
INTRODUCTION: EAST AND WEST 7
12
M. Rożek, Polskie Koronacje i Korony (Cracow: Krajowa Agencja Wydawnicza, 1987);
U. Borkowska, ‘Theatrum Ceremoniale at the Polish Court as a System of Social and Political
Communication’, in A. Adamska and M. Mostert (eds), The Development of Literate
Mentalities in East Central Europe (Turnhout: Brepols Publishers, 2004), pp. 431–452;
Borkowska, Dynastia Jagiellonów, pp. 229–259; U. Borkowska, ‘Królewskie zaślubiny,
narodziny i chrzest’, in Jacek Banaszkiewicz (ed.), Imagines Potestatis: Rytuały, symbole i
konteksty fabularne władzy zwierzchniej. Polska X–XV w. (Warsaw: Instytut Wydawniczy
PAN, 1994), pp. 75–92; A. Gieysztor, ‘Gesture in the Coronation Ceremonies of Medieval
Poland’, in J. M. Bak (ed.), Coronations: Medieval and Early Modern Monarchic Ritual (Los
Angeles: University of California Press, 1990), pp. 152–164; K. Turska, ‘Stroje Jagiellonów
podczas ceremoniału witania narzeczonych’, in M. Markiewicz and R. Skowron (eds),
Theatrum ceremoniale na dworze ksia ̨ża ̨t i królów polskich (Cracow: Zamek Królewski na
Wawelu, 1999), pp. 101–111; K. Targosz, ‘Oprawa artystyczno-ideowa wjazdów weselnych
trzech sióstr Habsburżanek (Kraków 1592 i 1605, Florencja 1608), in Markiewicz and
Skowron (eds), Theatrum ceremoniale, pp. 207–244. See also, a work of popular history:
K. Targosz, Królewskie Uroczystości Weselne w Krakowie i na Wawelu, 1512–1605 (Cracow:
Zamek Królewski na Wawelu, 2007). Texts related to ceremonies, like wedding songs, are
often studied not by historians but from the literary criticism point of view: J. Nowak-
Dłużewski, Okolicznościowa poezja polityczna w Polsce. Czasy Zygmuntowskie (Warszawa: Pax,
1966); K. Mroczek, Epitalamium staropolskie: między tradycja ̨ literacka ̨ a obrzędem weselnym
(Wrocław: Zakład Narodowy im. Ossolińskich, 1989).
8 K. KOSIOR
13
J. Adamson (ed.), The Princely Courts of Europe: Ritual, Politics and Culture Under the
Ancien Régime (London: Seven Dials, 2000); R. J. Knecht, The French Renaissance Court
(New Haven: Yale University Press, 2008).
14
J. R. Mulryne and E. Goldring (eds), Court Festivals of the European Renaissance: Art,
Politics and Performance (Aldershot: Ashgate, 2002); R. Strong, Art and Power: Renaissance
Festivals 1450–1650 (Woodbridge: Boydell and Brewer, 1973/1984); K. Friedrich [et al]
(ed.), ‘Festivals in Poland-Lithuania from the 16th to the 18th Century’, in J. R. Mulryne,
H. Watanabe-O’Kelly and M. Shewing (eds) Europa Triumphans: court and civic festivals in
early modern Europe, vol. 1 (Aldershot: MHRA and Ashgate, 2004), pp. 371–462.
15
G. Kipling, Enter the King: Theatre, Liturgy, and Ritual in the Medieval Civic Triumph
(Oxford: Clarendon Press, 1998); R. Strong, Art and Power.
16
For example, see: D. Kosiński, Teatra polskie. Historie (Warsaw: Wydawnictwo Naukowe
PWN, 2010), pp. 189, 400–414.
17
Anthropological approaches and some studies that emulate them: A. van Gennep, The
Rites of Passage, transl. M. B. Vizedom and G. L. Caffee, (London: Routledge & Kegan
Paul, 1960/2004); V. Turner, The Ritual Process: Structure and Anti-Structure (London:
AldineTransaction, 1969/2008); D. I. Kertzer, Ritual, Politics, and Power (London and
New Haven: Yale University Press, 1988); E. Muir, Ritual in Early Modern Europe
(Cambridge: Cambridge University Press, 1997). A very good critique of these approaches
is provided by: P. Buc, The Dangers of Ritual: Between Early Medieval Texts and Social
Scientific Theory (Princeton and Oxford: Princeton University Press, 2001).
INTRODUCTION: EAST AND WEST 9
familial model, with all that this implied for queens as wives and mothers.
Instead of seeking to establish how Polish and French ceremonies fit
anthropological models, this study investigates how, on the one hand, cer-
emonies marking the universal stages of human life were adapted to the
political context particular to each match and each realm, and how, on the
other, connections help us understand royal culture as a pan-European
phenomenon. It takes inspiration from studies that locate ceremonies in
their particular political contexts, including Maria Hayward on ceremonial
dress, Alice Hunt on royal coronations, Fanny Cosandey on queenship
and the legal frameworks of monarchy, Retha Warnicke on royal marriage
protocol, and Erin Sadlack on ceremony and letters.18 By placing Polish
and French queenship and ceremony firmly in their political context and
approaching these subjects comparatively, an analysis is offered of the
transnational and local contexts of both royal courts.
This study will not attempt to homogenise queenship or underestimate
the personal experiences of queens. Of central concern is whether displays
of emotion made during ceremonies reflected political calculations and
should be seen only as a staged part of the public life of a monarch.
Moreover, it is my contention that affection between spouses or between
parents and children has not attracted the serious historical scrutiny it
deserves, perhaps seeming reminiscent of popular biographies and histori-
cal fiction. However, sentiment animated the life of early modern courts
and this demands serious and nuanced analysis. Royal ceremony, espe-
cially, has been considered a staged performance, an orchestrated festival
of contrived propaganda.19 The role family feelings played in governing
dynastic display has very rarely been tackled by historians. The focus on
18
M. Hayward, Dress at the Court of King Henry VIII (Leeds: Maney, 2007); A. Hunt, The
Drama of Coronation: Medieval Ceremony in Early Modern England (Cambridge: Cambridge
University Press, 2008); R. Warnicke, The marrying of Anne of Cleves: royal protocol in early
modern England (Cambridge: Cambridge University Press, 2000); E. Sadlack, The French
Queen’s Letters: Mary Tudor Brandon and the Politics of Marriage in 16th-Century Europe
(New York: Palgrave Macmillan, 2011). See also: L. Oakley-Brown and Louise J. Wilkinson
(eds), The Rituals and Rhetoric of Queenship: Medieval and Early Modern (Dublin: Four
Courts Press, 2009).
19
S. Broomhall, ‘Ordering Distant Affections: Fostering Love and Loyalty in the
Correspondence of Catherine de Medici to the Spanish Court, 1568–1572’, in S. Broomhall
(ed.), Gender and Emotions in Medieval and Early Modern Europe: Destroying Order,
Structuring Disorder (Oxon/New York: Routledge, 2016), pp. 67–88; T. Adams, ‘Married
Noblewomen as Diplomats: Affective Diplomacy’, in S. Broomhall, Gender and Emotions,
pp. 51–66.
10 K. KOSIOR
20
Examples of dynastic approaches: A. J. Cruz and M. G. Stampino (eds), Early Modern
Habsburg Women: Transnational Contexts, Cultural Conflicts, Dynastic Continuities
(Farnham: Ashgate, 2013); A. Hunt and A. Whitelock (eds), Tudor Queenship: The Reigns of
Mary and Elizabeth (New York: Palgrave Macmillan, 2010); A. Weir, The Six Wives of Henry
VIII (London: Vintage Books, 2011); D. Starkey, Six Wives: The Queens of Henry VIII
(London: Vintage Books, 2004); D. Loades, The Six Wives of Henry VIII (Chalford:
Amberley, 1994/2009).
21
S. Broomhall (ed.), Early Modern Emotions: An Introduction (London and New York:
Routledge, 2016); J. Plamper, The History of Emotions: An Introduction, transl. K. Tribe
(Oxford: Oxford University Press, 2015); C. Jones, The Smile Revolution in 18th Century
Paris (Oxford: Oxford University Press, 2014); T. Dixon, Weeping Britannia: Portrait of a
Nation in Tears (Oxford: Oxford University Press, 2015); G. K. Paster, K. Rowe and
M. Floyd-Wilson (eds), Reading the Early Modern Passions: Essays in the Cultural History of
Emotion (Philadelphia: University of Pennsylvania Press, 2004); R. Meek and E. Sullivan,
The Renaissance of Emotion: Understanding Affect in Shakespeare and His Contemporaries
(Manchester: Manchester University Press, 2015); M. Champion and A. Lynch (eds),
Understanding Emotions in Early Europe (Turnhout: Brepols, 2015); B. Escolme, Emotional
Excess: on the Shakespearean Stage: Passion’s Slaves (London: Bloomsbury, 2013); L. R.
Perfetti, The Representation of Women’s Emotions in Medieval and Early Modern Culture
(Gainesville: University Press of Florida, 2005); M. Steggle, Laughing and Weeping in Early
Modern Theatres (Aldershot: Ashgate, 2007).
INTRODUCTION: EAST AND WEST 11
22
J. Bardach, B. Lesnodorski and M. Pietrzak, Historia państwa i prawa polskiego (Warsaw:
PWN, 1987), pp. 62–63; 102–103; Nowakowska, Church, State and Dynasty in Renaissance
Poland, p. 33.
12 K. KOSIOR
23
Nowakowska, Church, State and Dynasty in Renaissance Poland, p. 32.
24
Frost, The Oxford History of Poland-Lithuania, pp. 65–66.
25
Ibid., p. 351.
26
K. Friedrich, ‘Royal Entries into Cracow, Warsaw and Danzig: Festival Culture and the
Role of the Cities in Poland-Lithuania’, in J. R. Mulryne, H. Watanabe-O’Kelly and
M. Shewring (eds), Europa Triumphans: Court and Civic Festivals in Early Modern Europe,
vol. 1 (Aldershot: Ashgate, 2004), p. 386.
27
P. R. Campbell, ‘Absolute Monarchy’, in W. Doyle (ed.) The Oxford Handbook of the
Ancien Régime (Oxford: Oxford University Press, 2012), p. 11.
INTRODUCTION: EAST AND WEST 13
was ruled by the same dynasty until the end of the sixteenth century and
the advent of the Bourbons. Even though the French king’s powers were
far from truly absolute, French absolutism ‘developed claims and practices
that ran counter to long-term representative tendencies contained within
its own structures’.28 The French Estates General wielded less power than
the Polish sejm and, before their temporary revival in 1560, ‘they were a
nearly defunct institution’.29 The king was at the very centre of French
politics and his court was an important instrument of government, so the
nobility flocked to it in order to secure royal favour—a significant means
for French nobles to be involved in politics.30 It is rather extraordinary
that at the end of the eighteenth century the French and Polish models of
government, despite their fundamental differences, both started to be per-
ceived as decayed and inefficient. This cast a long shadow onto the period
when both of these regimes were robustly developing in the sixteenth
century. For example, Georges Picot, a nineteenth-century French histo-
rian makes a harsh judgement that ‘avec François Ier, la monarchie […]
avait marché rapidement vers la despotisme’, while Peter R. Campbell
makes a more balanced claim that the French monarchy merely failed at
‘modernising sufficiently’.31
Rather than explaining the diversity of European political culture, his-
torians tend to homogenise it by excluding or representing stereotypically
what is considered different. A few studies of the Renaissance include
Poland, notably by Peter Burke and Harold B. Segel, but many works still
mention it only in passing or not at all.32 If Poland is referred to, it is often
28
Ibid., p. 12.
29
P. Zagorin, Rebels and Rulers 1500–1660, Volume 2: Provincial rebellion (Cambridge:
Cambridge University Press, 1982), p. 71.
30
O. Chaline, ‘The Kingdoms of France and Navarre: The Valois and Bourbon Courts c.
1515–1750’, in J. Adamson (ed.) The Princely Courts of Europe: Ritual, Politics and Culture
Under the Ancien Régime 1500–1750 (London: Seven Dials, Cassel & Co, 2000), pp. 76–77;
Detailed information about the French nobility may be found in: J. Russell Major, From
Renaissance Monarchy to Absolute Monarchy: French Kings, Nobles & Estates (Baltimore: The
Johns Hopkins University Press, 1994), pp. 57–107; D. Bitton, The French Nobility in Crisis,
1560–1640 (Stanford: Stanford University Press, 1969).
31
G. Picot, Histoire des Etats Généraux considérés au point de vue de leu influence sur le
Gouvernement de la France de 1355 à 1614, vol. 2, (Genève: Mégariotis Reprints, 1979),
p. 1; Campbell, ‘Absolute Monarchy’, p. 12.
32
J. B. Segel, Renaissance Culture in Poland: The Rise of Humanism, 1470–1543 (New
York: Cornell University Press, 1989); J. Hale, The Civilisation of Europe in the Renaissance
(New York: Touchstone, 1993); P. Burke, The European Renaissance: Centres and Peripheries
14 K. KOSIOR
Karin Friedrich also argues that the ‘otherness’ of Polish culture was
‘founded on Polish self-representations of a heroic eastern “Sarmatian”
tribe of warriors, with chivalric values, Tartar-style haircuts and Turkish
style dress’.35 However, most of these ostentatious characteristics became
established as a form of national culture only at the end of the period dis-
cussed in this study. For much of the sixteenth century, and prior to the
great wars of the seventeenth century, Poland, and its elites in particular,
followed the trends of the European Renaissance.36 Łukasz Górnicki, the
chronicler who recorded what happened during Catherine of Austria’s
marriage by proxy and the author of the Polish adaptation of Castiglione’s
The Courtier, comments on the range of fashions in Poland: ‘we have so
many fashions here today that there is no counting them: Italian, Spanish,
Brunswick, Hungarian, either old or new, Cossack, Tartar, Turkish […].
Some shave their beards and wear only moustaches, others trim their
(Oxford: Blackwell, 1998); C. G. Nauert, Humanism and the Culture of Renaissance Europe
(Cambridge: Cambridge University Press, 2006).
33
R. J. Knecht, Hero or Tyrant? Henry III, King of France, 1574–1589 (Farnham: Ashgate,
2014), p. 79.
34
U. Rublack, Dressing Up: Cultural Identity in Renaissance Europe (Oxford: Oxford
University Press, 2011), p. 146; Term ‘ostentatious barbarism’ was first coined by
G. Klaniczay, ‘Everyday Life and the Elites in the Later Middle Ages: The Civilised and the
Barbarian’, in P. Linehan and J. L. Nelson (eds), The Medieval World (London: Routledge,
2001), pp. 684–685.
35
Friedrich, ‘Royal Entries into Cracow, Warsaw and Danzig’, p. 386.
36
P. Mrozowski, ‘Ubiór jako wyraz świadomości narodowej szlachty polskiej w XVI–XVIII
wieku’, in A. Sieradzka and K. Turska (eds) Ubiory w Polsce (Warsaw: Kopia, 1994), p. 25.
INTRODUCTION: EAST AND WEST 15
37
Ł. Górnicki, Dworzanin Polski (Gdańsk: Wirtualna Biblioteka Literatury Polskiej), p. 76,
[http://biblioteka.vilo.bialystok.pl/lektury/Odrodzenie/Lukasz_Gornicki_Dworzanin_
polski.pdf, accessed on 24/11/2014].
38
P. Jasienica, Ostatnia z rodu (Warsaw: Czytelnik, 1965), p. 53.
39
P. Knoll, ‘A Pearl of Powerful Learning’: The University of Cracow in the 15th Century
(Amsterdam: Brill, 2016).
40
Burke, The European Renaissance, p. 82.
41
E. Cameron, Early Modern Europe: An Oxford History (Oxford: Oxford University
Press, 2001), p. 131. See also: R. Mackenney, 16th Century Europe: Expansion and Conflict
(London: Palgrave Macmillan, 1993); T. A. Morris, Europe and England in the 16th-Century
(London: Routledge, 1998), p. 5; Other works including eastern and northern Europe:
M. E. Wiesner-Hanks, Early Modern Europe 1450–1789 (Cambridge: Cambridge University
Press, 2013); C. Wilson, The Transformation of Europe, 1558–1648 (Berkeley and
Los Angeles: University of California Press, 1976); H. G. Koenigsberger, G. L. Mosse,
16 K. KOSIOR
G. Q. Bowler, Europe in the 16th Century (London: Longman, 1999); F. Tallett and D. J.
B. Trim, European Warfare 1350–1750 (Cambridge: Cambridge University Press, 2010).
42
K. Chojnicka, Narodziny rosyjskiej doktryny państwowej: Zoe Paleolog – między Bizancjum,
Rzymem a Moskwa ̨ (Cracow: Collegium Columbianum, 2008), pp. 32, 44–45, 113–114.
INTRODUCTION: EAST AND WEST 17
CONCLUSION
E
xcept in certain remote places and in India, war ended on the
11th November, 1918, and, though the said remote spots still
found work for a small number of our English warriors, the
demobilization of the great majority was immediately put in hand. Of
course, the old standing battalions of the Buffs were to remain in
being, but most of the individuals forming them were entitled to
discharge, while in the cases of the 6th, 7th and 10th Battalions,
those units which had sprung into being at the call of duty and
patriotism, had done their work and were now to disappear
altogether from the Army List, as the 8th had already done.
Those men most required in England to carry on her civil business
and trade went back to their accustomed life almost at once, and
resumed old occupations much as if nothing had happened; but the
men have been through experiences undreamt of by even the old
regular soldier and which can never be effaced from memory. The
men not belonging to what were called key industries had to remain
with their war battalions for some months, for the returning to civil life
of a vast army is by no means a light or easy matter to arrange. In
the case of the 6th Battalion demobilization may be said to have
commenced more or less seriously in January, 1919. On the 4th
February the King’s Colour was presented to the battalion, the
ceremony being performed by no less a personage than H.R.H. The
Prince of Wales. In March a move was made from Auberchicourt to
Bruille, owing to the return of the civil population to the former place.
The sending home of batches of men continued pretty steadily all the
time and, at the beginning of May, the battalion consisted of Captain
Page, M.C., in command; Captain Turk, M.C., adjutant; Captain
Linwood, quartermaster; Lieut. Hickmott in charge of the Colours,
and thirty-two rank and file. This party returned in June to Sandling
Camp, handed their Colours to the Dean of Canterbury at a parade
which will be referred to later, and was finally disbanded at the
Crystal Palace. The 6th had always been a fighting unit, and its total
casualties numbered 4,864, of which 56 officers and 702 men had
actually been killed in action.
The first stages of demobilization in the case of the 7th Buffs were
carried out at Montigny. Somewhat slow at the start, the work took a
turn for the better in January, 1919, and large bodies began to leave
for their dispersal stations. The cadre strength, as laid down in Army
Orders, was reached in April, and all similar parties of the 18th
Division were billeted in Ligny en Cambresis. In early July orders
were received for the sending home and dispersal of the slender
relics of the 7th Queen’s, 7th Buffs and 8th East Surrey; but there
was a good deal of delay at the railhead at Caudry, at Dunkerque,
where equipment was handed in to the Ordnance, and at Boulogne;
but, on the last day of July, Folkestone was reached and the Colour
party went on to Canterbury, where it was billeted till arrangements
were made with the Dean and Chapter to deposit its charge in the
great cathedral.
The following extract from the Kentish Express of the 9th August,
1919, describes the last act of the famous fighting 7th Battalion,
which throughout its career had added so much to the reputation of
the Buffs: “The King’s Colour of the 7th Battalion the Buffs was
deposited at Canterbury Cathedral on Thursday morning for safe
custody by two officers and three other ranks, representing the cadre
of the battalion. Major Peake was in command and Lieut. C. H.
Rowe bore the Colours, while a detachment from the Buffs’ depot,
under Major J. Crookenden, D.S.O. (commanding the depot), formed
a guard of honour. The band of the 1st Battalion, under Mr. Elvin,
took up its position on the nave steps, as did the Cathedral choir,
while Dean Wace was accompanied by Dr. Bickersteth and Canon
Gardiner.
“Major Peake asked the Dean to receive the Colours into safe
custody. Dean Wace, in accepting them, said he did so with pleasure
on behalf of the Dean and Chapter, and they would be placed in the
Warriors’ Chapel, the chapel of the regiment.”
Lt.-Colonel Charles Ponsonby in his book, West Kent (Q.O.)
Yeomanry and 10th (Yeomanry) Battalion the Buffs, describes the
last days of his unit, and with his permission the following few
extracts from his work are reproduced in this place:—
“On the 15th December we marched to Fresnes, and from there,
after a night at Deux Acren, arrived at Thollembeek and Vollezeel, two
villages about thirty-five miles from Brussels.
“Though many of the railways and roads in the neighbourhood had
been destroyed before the enemy retired, this part of the country had
not been in the fighting area at any time during the war. But the
population had suffered much from four years of occupation. They had
had little food; they had received no money for troops billeted on
them; they had had their men taken from them to work behind the line
or in Germany.... The release from such an existence, combined with
a very real desire to express their thanks to the English nation, not
only for its great share in winning the war and rescuing their country
from oppression, but also for having provided a haven of rest for so
many of their fellow-countrymen in England, incited the inhabitants of
Thollembeek and Vollezeel to stretch their hospitality to its utmost
limits. They made every effort to make us comfortable in our billets
during the long and rather tedious period of waiting for
demobilization.... Towards the end of January the battalion was
selected to represent the division, and incidentally the British Army, in
a royal review at Brussels by the King of the Belgians. After a week of
preparation we went by motor bus to Anderlecht, a suburb of Brussels,
where we were billeted for the night. The following day the review took
place, and after two days’ holiday we returned to our Belgian
villages.... On the 27th February the battalion moved to Grammont, a
town of about thirteen thousand inhabitants, and a few days later all
the remaining men (about one hundred and twenty) who joined the
Army after the 1st January, 1916, went off to the 1st Battalion The
Queen’s (Royal West Surrey Regiment). The battalion was now
reduced practically to cadre strength of four officers and forty-six men.
During the month of March a cordial and appreciative Order was
issued by Major-General E. S. Girdwood on relinquishing the
command of the 74th Division.... On the termination of hostilities
Captain G. H. Peckham received the M.C., and C.S.M.’s P. Faulkner
and L. Salt and Sgts. H. J. Smith and S. F. Sparrow received the
M.S.M.... The act of placing their colours in Canterbury Cathedral
marked the end of the 10th (Yeomanry) Battalion the Buffs. In the
short period of its existence it had fully played its part in the war.
Formed on the 1st February, 1917, it ceased to exist on the 21st June,
1919. It fought in Palestine and France. Its casualties numbered 8
officers and 134 men killed, and 24 officers and 486 men wounded.”
The 4th and 5th Battalions had, of course, quite a different status
to those alluded to above. They had been for some time and still
are[34] permanent portions of the regiment, and so when war was
over they could not be disbanded, but merely disembodied in the
same way that they were each year after the annual training. As has
already been noticed, circumstances postponed this desirable rest
from soldiering for a very long time. The unrest and continued wars
in India and her frontiers kept the 4th abroad, and the necessity of
maintaining white troops in Mesopotamia had similar results in the
case of the 5th. The former did not embark for home till November,
1919, a full year after the armistice, and the battalion was
disembodied the same month. The cadre of the 5th Battalion, still
under Lt.-Colonel Body, D.S.O., O.B.E., a very tiny remnant of those
who embarked in 1914, reached home in January, 1920, and were
also, of course, disembodied. The story of the 3rd or Special
Reserve Battalion after the 11th November, 1918, is as follows: the
unit was still quartered in the Citadel at Dover and was about 1,400
strong, many of the men awaiting demobilization, and of the officers
orders to proceed to India, for which duty they had volunteered.
Towards the end of the month several companies had to proceed to
Folkestone for police duty owing to trouble with certain leave-expired
soldiers, who could not see the necessity of returning to their units in
France. In February, 1919, came orders to move to the south of
Ireland in relief of the 3rd Argyll and Sutherland Highlanders, who
had been in that country a considerable time. After a short period in
Kinsale, the 3rd Buffs were quartered in Victoria Barracks, Cork, and
there remained during the summer of 1919, except that, owing to
certain troubles, a tour of duty at Limerick for a fortnight or so had to
be undertaken.
On the 7th September the whole of the men were handed over to
Lt.-Colonel R. McDouall, C.B., C.M.G., D.S.O., who had just been
appointed to command the 1st Battalion of the Buffs; and as there
now hardly existed such a unit, as far as the necessary soldiers