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    The Art of A Film

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    Sheena Kay Canonigo Abarca
    This document summarizes the development of Filipino film from the 1970s-present. It discusses directors from the New Wave like Lino Brocka who exposed social issues through symbolism in films like Maynila: In the Claws of Light. Other notable directors mentioned are Peque Gallaga, Ishmael Bernal, Celso Ad Castillo, and Marilou Diaz Abaya. The digital age saw a new generation of alternative and regional filmmakers emerge who further explored Philippine history and social issues through found footage and experimental styles.

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    The Art of A Film

    Uploaded by

    Sheena Kay Canonigo Abarca
    278 views19 pages
    This document summarizes the development of Filipino film from the 1970s-present. It discusses directors from the New Wave like Lino Brocka who exposed social issues through symbolism in films like Maynila: In the Claws of Light. Other notable directors mentioned are Peque Gallaga, Ishmael Bernal, Celso Ad Castillo, and Marilou Diaz Abaya. The digital age saw a new generation of alternative and regional filmmakers emerge who further explored Philippine history and social issues through found footage and experimental styles.

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    The Art of a film

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    This document summarizes the development of Filipino film from the 1970s-present. It discusses directors from the New Wave like Lino Brocka who exposed social issues through symbolism in films like Maynila: In the Claws of Light. Other notable directors mentioned are Peque Gallaga, Ishmael Bernal, Celso Ad Castillo, and Marilou Diaz Abaya. The digital age saw a new generation of alternative and regional filmmakers emerge who further explored Philippine history and social issues through found footage and experimental styles.

    Copyright:

    © All Rights Reserved
    Download as PPTX, PDF, TXT or read online from Scribd
    Download as pptx, pdf, or txt
    278 views19 pages

    The Art of A Film

    Uploaded by

    Sheena Kay Canonigo Abarca
    This document summarizes the development of Filipino film from the 1970s-present. It discusses directors from the New Wave like Lino Brocka who exposed social issues through symbolism in films like Maynila: In the Claws of Light. Other notable directors mentioned are Peque Gallaga, Ishmael Bernal, Celso Ad Castillo, and Marilou Diaz Abaya. The digital age saw a new generation of alternative and regional filmmakers emerge who further explored Philippine history and social issues through found footage and experimental styles.

    Copyright:

    © All Rights Reserved
    Download as PPTX, PDF, TXT or read online from Scribd
    Download as pptx, pdf, or txt
    of 19

    THE ART OF A F IL M :

    TO D IF FE RENT WORL D S
    A WINDOW
    FILM PRODUCTION
    A new breed of Filipino directors were
    brave enough to direct films that portrayed
    revolt, labor unionism, social ostracism, and
    class division. These were Lino Brocka, Peque
    Gallaga, Ishmael Bernal, Celso Ad Castillo,
    and Marilou Diaz Abaya.
    1. LINO BROCKA
    • 1983- founded the Concerned Artists of the
    Philippines (CAP)
    - uses conventional love triangles, rape,
    and violent action which revealed the sufferings
    in Filipino life due to economic exploitation
    through symbols and an elaborate plot.
    FILM BY LINO BROCKA:
    • Maynila: In the Claws of Light (1975) Maynila sa
    mga Kuko ng Liwanag.
    -1976 FAMAS awards:
    -Best Picture, Best Director, Best
    Cinematography, Best Actor and Best Supporting
    Actor. Only Filipino film listed in Schneider’s 1001
    Movies You must See Before You Die.
    2. PEQUE GALLAGA
    • Born in Manila and studied in Bacolod City.
    • Directed the award winning Oro, Plata, Mata and
    the famous Shake, Rattle and Roll 1, 2, 3, 4 and
    more than 20 other films.
    • Shake, Rattle and Roll is an anthology with 15
    film series from 1984 to 2014.
    FILM BY PEQUE GALLAGA:
    • Manananggal
    • Multo
    • Kulam
    • Aswang
    • Yaya, Ate, Nanay
    • Guro, kapitbahay, Madre
    3. ISHMEL BERNAL
    • Noted for his melodramas particularly feminist
    and moral issues.
    • CMMA Best Director award (1983)
    • Bronze Hugo Award in Chicago International
    Film Festival (1983) for the movie Himala with
    Nora Aunor as best performer.
    Himala is about a small town, Cupang, where townsfolk believed that their ill-fated town was
    suffering because of a curse placed upon the town for driving a leper away.
    4. CELSO AD CASTILLO
    • Ang Pinakamagandang Hayop sa Balat ng Lupa
    5. MARILOU DIAZ ABAYA
    • Multi-awarded film director
    • President of the Marilou Diaz-Abaya Film
    Institute and Arts Center.
    • 2001 Laureate of the Fukuoka Priza in Japan
    • Recipient of British Film Institute Award
    • Muro Ami –depicts the worst form of child labor in the
    illegal fishing system in the Philippines.
    DIRECTORS OF THE NEW WAVE

    • “TENDED TOWARDS EXPOSING RELEVANT SOCIAL TOPICS OR BY HYBRIDIZING FILIPINO TOPICS WITH
    WESTERN TECHNIQUES”
    ALTERNATIVE FILM MAKERS
    -independent film makers

    1. Raymond Red- 1st Filipino to receive Rotterdam


    Hubert Bals Memorial grant and won the Palme
    d’Or award at 2000 Cannes Film Festival for short
    film Anino.
    ALTERNATIVE FILM MAKERS
    2. Nick Deocampo- Revolutions Happen Like
    Refrains in a Song (1987) and A Legacy of Violence
    (1990) which contributed a view of the history of
    the country (Del Mundo Jr.n.d. 119)
    3. Manny Reyes- Suwapings (1995)- accepted at
    the Young Filmmakers Forum of the Berlin Film
    Festival. Dreaming Filipinos (1992) –won best film
    at Asian Youth Film Festival
    DIGITAL MEDIA IN THE NEW WAVE

    • THE HIGH DEFINITION FORMAT CAME WITH THE DIGITAL AGE


    1. Brillante Mendoza
    • Thy Womb
    • Slingshot (2007)
    2. Lav Diaz
    “examine history from the standpoint of the
    victims”
    • Evolution of a Filipino Family (2005)
    • Mixed found footage with stage scenes
    • Mula sa Kung Ano Ang Noon (2014)
    3. Cholo Laurel
    • Nasaan Ka Man (2005) - Best in story,
    screenplay, picture and direction.
    4. Marie Jamora (NCR Region)
    • Ang Nawawala (2012) – Audience choice, Best
    Music Score awards during the 2012
    Cinemalaya competition
    5. Eric de Guia- “Kidlat Tahimik” (CAR Region)
    • Bubong- travels the world and films roofs
    • Memories of Overdevelopment- “buy one take
    one deal”
    6. Christopher Gozum- Region 1 (Pangasinan)
    • Lawas Kan Pinabli- missing OFW wife
    7. Benito Bautista- Bulacan, Region 3
    • Harana (2012)- won the Hawaii International
    Film Festival’s Audience Award for best
    documentary
    8. Gil Portes- Calabarzon, Region 4
    • Mga Munting Tinig (2002)- won 11 awards and
    released by Warner Bros. Pictures.
    9. Auraeus Solito- Palwan, Region 4
    -won 15 international awards
    • Ang Pagdadalaga ni Maximo Oliveros
    10. Alvin Yapan- Bicol, Region 5
    • Debosyon (2013)- won New Breed category
    11. Maryo J. De los Reyes- bohol, Region 7
    • Magnifico- won FAMAS award
    12. Sheron Dayoc- Zamboanga Peninsula, Region 9
    • Halaw: Ways of the Sea (2010)- best in
    direction, editing, and acting in Cinemalaya
    Independent Film Festival 2010
    13. Paul Alexander Morales- Davao, Region 11
    -recounts the last part of World War II
    14. Neil Sanorio- Butuan, Caraga Region
    • Chasing Summer (2013)
    15. Martha Atienza
    • Habagat
    16. Erik Matti- Bacolod City, Region 6
    • Mixes elements of action, comedy, and horror
    • Tiktik: The Aswang Chronicles

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